Quotes of All Topics . Occasions . Authors
I want to be able to raise my kid. I was totally being a martyr about it at first, thinking I could totally do it on my own, which I did for a while. I've hired a babysitter before, but as for a full-time caregiver... for a control freak like me, it ain't gonna happen!
The worst gig story I have is from a club in Alabama that I think is still up and running, so I won't name the name of the club. We got hired in there to play, and the owner was pretty annoying. He kept coming up to me during the show and asking me to play 'Purple Rain.'
After mature consideration it was unanimously agreed, that, to prevent as much as possible their attempting to return and molest the settlers that may be set down on their lands, a sufficient number of vessels should be hired with all possible expedition for that purpose.
My parents had a software company making children's software for the Apple II+, Commodore 64 and Acorn computers. They hired these teenagers to program the software, and these guys were true hackers, trying to get more colors and sound and animation out of those computers.
I just have these terrible memories of our first European tour back in 2007. We had hired this van and tour service from the former Czech Republic called Fluff Wheels, and they sent us out with this 19-year-old vegan driver kid who had no money and refused to eat anything.
I had the worst birthday party ever when I was a child because my parents hired a pony to give rides. And these ponies are never in good health. But this one dropped dead. It just wasn't much fun after that. One kid would sit on him and the rest of us would drag him around.
I was never the smartest guy in the room. From the first person I hired, I was never the smartest guy in the room. And that's a big deal. And if you're going to be a leader - if you're a leader and you're the smartest guy in the world - in the room, you've got real problems.
After I graduated in Vancouver, I had been working on a book about war-affected children and land mines with the foreign minister - he was working at a place on campus and hired me. I then got a job as a Human Rights and Refugees Officer in London, and I loved working there.
When hired three years ago, I willingly accepted the challenge of leading the Bulls back to the type of team this city richly deserves. I'm proud of the fact that each year the team has taken another step toward an NBA championship, and played with intense pride and determination.
I wrote a 20-page document, before I was ever hired, on exactly how the visuals of 'Guardians of the Galaxy' would be approached, how we'd look at creating a new type of space epic. That's exactly what the movie is today - absolutely everybody has adhered to that original document.
I like both music and acting, and they both have a lot in common - timing, immediacy, stuff like that. But acting is more regimented. You wait around for hours, you don't get to write the script, you get hired. Music represents me better. I'm not acting; I'm just expressing myself.
My obligation is to the owners of Barclays, my shareholders. They hired me. People who criticise compensation for individuals in isolation at, say, BarCap, individuals who don't work in the U.K. and are competing with U.S., German or Asian banks, they should look at all these factors.
I've tried my hardest to bribe my chef, but my team have been clever and hired someone who not only is not bribeable but who chases me round the house and makes sure I eat what he's cooked, and he lays out my vitamin pills and supplements in front of me so I can't 'forget' to take them.
It scared me to death to think about improv, but I got hired for a year at Second City in Chicago, which made me nervous, but I found I could improvise. Then I was in a group called the Ace Trucking Company, which we'd do, like, a half hour set of material, then open up for improvisation.
I would rather be hired solely for my talent, not just to fill a quota. I also don't want to shoot just any studio movie just to say I'm shooting studio movies - for me, quality of the material comes first, and if eventually that leads to a really great studio project, then that's a bonus.
The most horrifying thing I ever did was work as a steward on an airplane. I wanted to get hired by United. I thought, 'With my languages, this will be amazing; I will work in First Class.' But I could only get a job with an airline going from Newark, New Jersey to Fort Lauderdale, Florida.
The genesis of Donald Trump's relationship with Paul Manafort begins with Roy Cohn. That Roy Cohn: Joe McCarthy's heavy-lidded henchman, lawyer to the Genovese family. During the '70s, Trump and his father hired Cohn as their lawyer to defend the family against a housing discrimination suit.
Stop looking for the 'right' career, and start looking for a job. Any job. Forget about what you like. Focus on what's available. Get yourself hired. Show up early. Stay late. Volunteer for the scut work. Become indispensable. You can always quit later, and be no worse off than you are today.
When I got hired to do 'Guardians,' it was the dream of a lifetime for me. This is what I've been working towards. I've always wanted to create a space adventure, and especially a space adventure with a raccoon. Now that I'm finally able to do it, I created exactly the movie I wanted to make.
When people say things like, 'Oh, I can't find black or brown whatever position it is,' I wanted to be clear that we exist in droves. When I tell people, 'Hey, share your work, share your LinkedIn,' it's with the ultimate goal that somebody on that thread gets hired, or something positive happens.
You built a factory out there, good for you. But I want to be clear. You moved your goods to market on the roads that the rest of us paid for. You hired workers that the rest of us paid to educate. You were safe in your factory because of police forces and fire forces that the rest of us paid for.
It's important to get well-rounded right off the bat. A lot of experienced dancers can get pigeonholed into one thing. I've been hired for a lot of different gigs simply because I can do a lot of different things with different levels of dancers. And it's sad to me that some dancers don't do more.
The only reason I'm ever in character as 'Larry The Cable Guy' is because that's what I'm hired to do. In my movies, obviously they hired 'Larry The Cable Guy' to be 'Larry The Cable Guy.' When I do my shows, I'm 'Larry The Cable Guy.' When I do Jay Leno, it's: 'Please welcome 'Larry The Cable Guy.'
If I start a film of my own, then what I eliminate is acting in other people's movies. Because once I start, and I go raise the money, it's about two and a half or three years, and I can't stop. I have people hired. I can't say, 'Ooh there's a good part called 'Drive'; I'll see you in three months.'
'Proof' is a really cool pilot that I was lucky enough to read by Rob Braggin for TNT that's about a surgeon who's an agnostic, tough, grounded, scientific mind and she's hired by a Steve Jobs-type who's just been diagnosed with cancer to focus on near death experiences and what happens when you die.
My first paying gig was a play called 'The Voice of the Prairie' at a theater that no longer exists in Chicago called Wisdom Bridge. I played a fast-talking radio huckster - a salesman of crystal sets in the 1920s - and I actually won an award. Look at that! And then promptly didn't get hired for a year.
I was an executive running a pretty substantial group before becoming CEO, and I had no idea what it was like. When something goes wrong, people say, 'It's all your fault.' Your reaction is, 'It's not my fault.' But what do you mean? I was the founder, I hired everybody in the company, I was managing it.
For a long time when I was working to get a job and in OVW to create an image to get hired by WWE, they kept saying, 'we're looking for the next Trish Stratus. We want that look - that beautiful, feminine fitness model that kicks butt, and you just don't fit the mold.' That was holding me back for so long.
I value my education, but I cannot put a value on it. I know it has been worth some money to me - I don't think 'The Post' would have hired me if I had lacked a degree - but I probably could have earned about the same if I had stayed in the insurance business, where I worked while going to college at night.
Individuals with significant care needs increasingly receive services in their homes rather than in institutional settings. And correspondingly, residential care increasingly is provided by professionals employed by third-party agencies rather than by workers hired directly by care recipients and their families.
So I did 'Celebrity Big Brother' and while I was locked in a house with crazy people I came out and Denise had actually gone to my agency and got with my agent. And my agent told me, hes like, 'Yeah, I have Denise Richards. That's so exciting, right?' I go, 'So basically you hired my competition. That's amazing.'
I took a lot of pride, honestly, in hiring these young guys, that not only to become future head coaches, but I wanted young guys that could help me - guys that can coach, guys that could study, guys that loved it, that would do it for nothing. That's how I got into coaching with the 49ers when John McVay hired me.
I moved right to L.A., and I had a year of active unemployment. I had 50-something auditions for 50-something different projects, testing and doing callbacks, and could not get hired. And then, almost a year to the day of being out in L.A., I booked my first job, and then I started booking something every other month.
I ended up going to do a matches program at the state for industrial design. And from there, I got hired at IDEO to joint their design team there - and basically, you are starting as an industrial designer to design products - and then kept asking the question, 'What else can design accomplish? What else can design do?'
When any young director gets hired by a studio to do a $125 million film based on a preexisting piece of intellectual property, they're climbing into the meat grinder. And what you're coming out with on the other side is a generic, heavily studio-controlled pile of garbage that ends up on the side of Burger King wrappers.
I was 12 when I ordered my first guitar out of the worn and discolored pages of a Sears, Roebuck catalog. The story that I bought it on the installment plan is untrue, the invention of a Hollywood press agent. Local color. I paid cash, $8, money I had saved as a hired hand on my uncle Calvin's farm, baling and stacking hay.
When I first started, I didn't know what I was doing. I was such a - like a kid that got into things before I was ready. I was like the original learning-on-the-job-experience guy. All I knew was, if I hired the best musicians, I got the best arranger, and got the right songs for the right singer, I had did my job correctly.
I wrote 'Thelma & Louise' in 1988, and we shot it in 1990. Everyone kept saying, 'This is so groundbreaking... this is going to change the landscape,' but I don't see that result at all. When we saw some female studio executives, we were hopeful that more women would be hired as directors, but that didn't really seem to happen.
I was a bartender in New York and I overheard this girl saying she made $3000 doing a commercial. A kid at work told me, 'Hey, I know this director and he'd really like you!'. So I walked into this guy's office and was like 'I was thinking maybe I could make $3000' and he hired me for commercials, short films, like 15 jobs in a row.
In the early '90s, I was hired to write educational dramas about HIV and AIDS in the shantytowns. I did that for two and a half years, and then I was hired on other films. When 'Tsotsi' presented itself, I thought, 'This is not a world I grew up in, but I've spent a great deal of time writing about it and researching it in my past.'
There's a lot of different styles of hypnosis. There's conversational hypnosis, which, even though we joke about it, politicians use conversational hypnosis. I've been hired back at home in Ireland by certain politicians to assist them in specific language patterns that will just tip people over into their, you know, into their zone.
In the 2013 Economists Program, we hired 51 percent women, 49 percent men. And the reason for that is that we have a draft from all over the world, and we've hired, for instance, in that group, a good number of Chinese economists - highly qualified, all Ph.D.s from the best universities of the world. And guess what? They're all women.
My instinct about a human being is paramount. For me, when a director has walked into my room or an assistant that I have hired, who has later gone on to become a director, is purely based on human instinct, be it Ayan Mukerji, Karan Malhotra, Punit Malhotra or Tarun Mansukhani. I am very susceptible to human energy and energy of spaces.
My folks made me a Jawa costume for the Halloween after 'Star Wars' opened in '77. In '78, when it was re-released, I was hired by the local cinema to be the Jawa: to dress up all summer long, and I could frighten people with my Jawa sounds and my Jawa outfit and watch 'Star Wars Episode IV' all summer long and get paid with movie passes.
I was at Texas State in 2005. I'd never coached quarterbacks and never called plays a day in my life. David Bailiff hired me and we go 11-3, and Barrick Nealy breaks all kinds of QB records. I grinded. I got my hands on every drill tape I could. I went to clinics. Every brain I could pick, I picked. And I wasn't too proud to ask the kids.
Since I've been hired to contribute to the storyline of 'Doom 4' I can say what was always true anyway. I'm working. You see, for a writer, lots of stuff that doesn't look like working is actually working. Looking out of the window, for example. Balancing a pencil on the edge of the desk in order to find its exact fulcrum. Playing 'Doom.'
In America, many marginally competent or flatly incompetent whites are hired every day -some because their white skin suits the conscious or unconscious racial preference of their employers. The white children of alumni are often grandfathered into elite universities in what can only be seen as a residual benefit of historic white privilege.
It's kind of a crazy thing with kid actors because a lot of them get hired without people really knowing if they're good or not. They get hired for the way they look at a really young age. You also have your fingers crossed around kid actors... because the lessons they learn on set aren't always the best. You can really get whatever you want.
The jingles saved my life. When I got hired to do that, I was on top. I finally was making a living doing what I loved. Before that, it was so bleak; it got so dark in L.A. I was 25, been living there for seven years trying to make it, and getting really close to getting signed with different bands and as a solo artist only to have my hopes dashed.