Quotes of All Topics . Occasions . Authors
We were wild-eyed hippies from the late '60s. We still had the exuberance of the mind-expanding '60s - that Tolkienesque, Zeppelin, androgynous, wood nymph, forest fairy kind of innocence. It sounds stupid now, but we felt we were changing the world with music.
I think we're pretty spiritual people, the band in general. We're not a bunch of hippies or anything like that, but we like to work together and work with people. We believe that positive energy is pretty necessary in life, although it's not always easy to maintain.
Before 'Veronica Mars,' I was not, and probably am still not, much of a crime reader. My mom left out a copy of 'Helter Skelter' when I was 10, and I secretly read it, and then I spent all my teenage years afraid of hippies. I kept away from crime books for, like, ten years.
For the first five years of my life, I grew up in a log cabin in coastal British Columbia in a very small town, like 300 people, mostly hippies. No running water, no electricity. When I was 12, I changed my name from Dharma to Stewart. At that age, you just want to be normal.
My parents were/are straight-edge hippies. Mom roamed around gardening so we would have fresh food, and Dad was on wood-chopping duty to heat our passive solar home that they figured out how to design and build together. I was the kid with green peppers in my lunch, and I liked them!
The kids today have these fresh faces. It's like they're on pins and needles, waiting to see what I'm going to do. They've never seen me. In the 1960s, those were hippies. They were wired up already. The kids today know me because I've worked with Jeff Tweedy and other young producers.
My whole life has been a very communal experience; growing up in a house full of happy hippies, having dinner parties three days a week, and going to Christiania, I was constantly surrounded by people celebrating community. If you look at the films I've done, they all share that theme.
Looking back, there is nothing wrong with that peace, love and equality that the hippies espoused. In many ways, we have regressed because they were into organic food, back to nature, make love not war, be good to all men, share and share alike - which is what many are talking about now.
The reason why I am proud of my part in the punk movement is that I think it really did implant a message that was already there. The hippies told it to me, but punk made it something cool for people to stand up for, which is that we do not believe government, that we are against government.
Though it's frequently portrayed as this crazy, unbridled festival of rain-soaked, stoned hippies dancing in the mud, Woodstock was obviously much more than that - or we wouldn't still be talking about it in 2009. People of all ages and colors came together in the fields of Max Yasgur's farm.
Bonobo studies started in the '70s and came to fruition in the '80s. Then in the '90s, all of a sudden, boom, they ended because of the warfare in the Congo. It was really bad for the bonobo and ironic that people with their warfare were preventing us from studying the hippies of the primate world.
Certainly there's a huge appeal to the '60s, because it was such a big turning point to everyone. It was the era of change, the boiling point. People rebelled against things - the hippies, the feminists, the protesters. All these things just built up and boiled over. I think people can relate to that today.
My dad discouraged me and my older sister watching too much TV. I don't want to portray them as crazy hippies, but I definitely feel like I was influenced by their creativity. But did I want to have an acting career myself? I didn't think so. I think my goal really was to direct. I really wanted to make stories in that capacity.
I was born in a little town called Lund in British Columbia. It's like a fishing village. My parents were hippies. They tried to live off the land, so I grew up in a log cabin, and we didn't get running water until I was 4. The next year, we got electricity. Then we moved to the city, Victoria, British Columbia, so I could go to school.
I learned most of what I knew about online communities on The Well, and it was a good place to learn. The group of people in Sausalito and Bolinas who'd gotten the Whole Earth Catalog off the ground - a bunch of boomer hippies, intellectuals and nerds - established the 'Whole Earth 'Lectronic Link', and showed us what online communities were.
I went from being a jock to a hippie. It was a very clear-cut decision. I had to be one or the other. I had to forsake that other aspect of myself. Or thought that I had to, which is regrettable. Quickly, I was back in the pine trees with the hippies, listening to my Jimi Hendrix and my Janis Joplin and turning on, tuning in, and dropping out.
