Hip Quotes - Page 9

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I don't really get the same kinda romance that I would get from, like, jazz. And even to a lesser extent to rock 'n roll. Rock 'n roll has a romance to it - how can I put it? A very vulgar romance, but still a romance; whereas hip hop has more facade.

I always felt like the Academy was very late in acknowledging things. I've seen them do it with hip hop when it should have been acknowledged. It was already penetrating mass levels of culture and radio, and yet they wouldn't give it a proper category.

My mother's records were formative for me, but when I became a teenager, I wanted to find songs that she wasn't hip to. She was so hip, though, that I had to go outside rock n' roll - so for about 10 years, I only listened to hip-hop, house and techno.

And of course I've got kids of my own now, and they love me being in the Harry Potter films. I'm now part of a phenomenon. You become incredibly cool to your kids, and you get a young fan base. So you became the cool dad at school. You're suddenly hip.

One of my favourite things about country music is that, at least until recently, you could always count on a solid story, a punchline and a pun. I think it has that in common with hip hop, where they're not afraid of wordplay and I really appreciate that.

You know, my era of DJing was the 90s. I think that was one of the best eras of music, period. From dancehall to hip hop to rock to pop to R&B to everything. I just like that era of music, so I just listen to a lot of 90s overall but definitely 90s hip hop.

It's not about being super famous. My first goal was to do what I'm passionate about - dance, hip hop, and R&B - but I also wanted to support my family and friends and create opportunities for me and people I believe in. It makes everything I do meaningful.

You have to take into account it was the cell phone that became what the modern-day concept of a phone call is, and this is a device that's attached to your hip 24/7. Before that there was 'leave a message' and before that there was 'hopefully you're home.'

I was lucky enough to see the original cast of 'In the Heights.' This one blew my mind. The infusion of Latin, hip hop and rap with musical theatre, great storytelling and talent was a powerful combination to me during a time when I'd not been moved by much!

I toured with Skrillex, did an HBO commercial with Diplo. In the hip hop movement, I was the first artist Travis Scott ever featured with before he blew up. I had the songs with Chris Brown and Tyga. I've worked with some of the biggest artists in the world.

The nameless loser in Jay McInerney's 'Bright Lights, Big City' is going to the dogs like a gentleman. He is too smart to blame anyone for the impasse he has come to, hip enough to know he does not know enough, too sophisticated to masquerade as an anti-hero.

In the split second from the time the ball leaves the pitcher's hand until it reaches the plate you have to think about your stride, your hip action, your wrist action, determine how much, if any the ball is going to break and then decide whether to swing at it.

Crunches are much more effective than regular sit-ups because they specifically target your upper abdominal muscles rather than your hip muscles. If you're not used to them, they can cause soreness a day or two later, but it's a 'cool' soreness. A badge of honor.

We have dresses that I actually think look better if you have more of a bust or more of a hip... or whatever it is. That's why, in a collection, it should be as diverse as you can be. I think there should be options for a lot of different types of bodies and women.

It seems kosher and OK to treat women as objects because the business of cinema is about images and when you have fragmented images of a woman's bosom and her swiveling hip and her twisting navel, it robs the woman of all autonomy and subjects her to the male gaze.

I was, like, 12 or 13; the first hip hop song I tried to rapping to was Macklemore's 'Thrift Shop,' and my English was so bad, but learning to rap to different songs really helped me with my pronunciation, and looking at the lyrics on Rap Genius and stuff like that.

Aaron and I will be joined at the hip until the day we die. We have loved and hated each other since the day he was born. He's very much a part of my heart. He's going to broadcasting college now, and he'll do fine. But he came into a world that did not welcome him.

I wanted to be an undercover cop, blending in with the public, looking like a black militant or a long-haired hippie yet having a gun on my hip, a badge in my wallet, and able to enforce the law. To me, that was the neatest thing in the world. It was also challenging.

At 49, I find it a little bit difficult to run these days. I've got grade four tears in both Achilles, shin splints, I got no cartilage the toes in my right foot, I've got bone marrow edemas under both knees, I've got one degenerating hip - that's the problem you get.

When we say, 'Look, Donald Trump was a friend to hip hop back in the day; so was Bill Clinton,' It doesn't mean that because he was a friend to hip hop back in the day, that the same Bill Clinton wasn't at the lead of this mass incarceration of African Americans today.

I am genuinely into soul, R&B and hip hop - all these genres that get slapped under the 'soul' genre. That spoke to me more than it did to my punk-rock friends. And punk spoke more to me than it did to my soul friends. I basically didn't fit comfortably in either world.

They had to re-shape the head of my femur back round. They had to trim my hip socket up a little bit. I had a lot of extra bone growth just from years of stressing it out. Because of that bone growth, it caused an impingement in my hip, which tore my labrum off the bone.

When I was CEO, and I'd listen to music, a lot of people listen to music and you get inspiration from it. And a lot of things in hip hop are very instructive for being in business. Particularly, hip hop is a lot about business, and so it was very useful for me in any job.

I'm no spring chicken. The same arthritis that ate up my left hip that finally got replaced hasn't stopped there... And touring is a lot of work. I'm impressed when I see people like Eric Clapton out there. Gee whiz, Eric, give me a break! I know it's gotta hurt somewhere.

I say that I do soul, R&B music. I have so many influences, from Billie Holiday, Nina Simone to Stevie Wonder and Prince and even Al Green and Bjork. And a lot of hip hop music has influenced me a lot - you know - De La Soul and Digital Underground and A Tribe Called Quest.

If you see something is going wrong within politics and the world today, then some Hip Hop artist is gonna come along and get straight with it. If they think that there's a lot of racism going on then there's another Hip Hop artist who's gonna come out and speak their mind.

When you have one kid, you feel like you can jet set around, and you can throw him on the hip, and you get your life done. You don't realize how easy one is until you have two. Now I'm really a mom. Oh, I am a mom now! This is for serious - I am responsible for two people now.

When I get an idea for a book, something appeals to me, it's usually a character. I'll see a picture of a female marshal in front of the courthouse in Miami and she's got a shotgun on her hip and it goes up on an angle. And she's good-looking. And I say, 'I've got to use her.'

I had been pulling my groins in college a lot and missed my whole freshman year of college because of groin pulls. It was chronic, and I couldn't figure it out. I went to the doctor, and he told me I had hip dysplasia. So I knew my hockey days were sorta limited at that point.

We're all Vanilla Ice. Look at Girl Talk and Danger Mouse. Look at William Burroughs, whose cut-up books antedate hip hop sampling by decades. Shakespeare remixed passages of Holinshed's 'Chronicles' in 'Henry VI.' Tchaikovsky's '1812 Overture' embeds the French national anthem.

Ever since I was a kid, I was always a fan of hip hop. If you get your limelight whether your sixteen or twenty-one or wherever you're at, you get your lime when you get your lime, but if you're a part of hip hop and a child of hip hop, then you will always be a part of hip hop.

I'm really not the biggest metal fan as it is. I'm more of a hard-street-punk kind of kid, but I also loved hip hop and reggae music, so we have always sort of refused a street style that is something that we are used to. Something that makes us comfortable and sounds good to us.

Kids will keep it real. If I've ever had in my life a great anchor, it's them. They get in your head, 'don't get too famous.' If you think you're really famous and think you're really hip, go hang out with your kids for an afternoon. That's about as earthbound as it's going to get.

I had the misfortune of getting what skateboarders call hippers. It's when you fall on your hip again and again and again, just the same spot. It turns into like a blue purple bruise and it's just torture because I had to keep on doing the same move, going around in the pool again.

My parents were fairly young in the city of Compton. So the things that they played - you know, that was the hip crowd. So I was being exposed to all these ideas, from Big Daddy Kane to Eazy-E to the Bay Area - Too Short, E-40 - you know, back to Marvin Gaye and the Isley Brothers.

I realized how far-reaching the effect of hip hop was when I walked by a jewelry store named Bling in a small, rural town in France. Hip hop has made a huge impact on urban culture. Yet many brands still don't speak to young people in a tone and manner that's representative of them.

I'm in East L.A., like Mount Washington, Highland Park. There's a little strip that they're gentrifying, trying to make a hip spot, but you go there, and it's just kind of barren. Nobody hangs out anywhere in L.A. There's no loitering in L.A., so I don't know what to do with myself.

Early on, I started realizing the power of hip hop as a fan. I remember taping DJ Red Alert and DJ Marley Marl on the radio. I recorded their shows to hear my favorite artists and songs at that time. I realized then that hip hop culture could move the world, because it was moving me.

The day I set foot in Hyderabad, I saw an animal being hit by a vehicle. The city did not have a shelter for the bleeding animal, and I brought it home. In less than a month, our house was home to all kinds of animals - a buffalo with a broken hip, a blind mongoose, goats, dogs, cats.

You sort of get so lulled into thinking of yourself as this five-headed thing, the group, the band, The Hip. I guess you just forget it's a family, and like every good family, you can forget. But you're also committed to each other, so there's always room to grow, to learn and relearn.

I've been writing since I was 10 or 11. I started with poetry because that was the easiest thing. It just kind of came naturally. I think at that time West Coast hip hop was huge; all these kids around me were like, 'I want to be a rapper.' But I'm a white girl, not going to be a rapper.

I have thought about the next steps, and you know, they still don't know that I can dance. They don't know it, and it's frustrating me because I feel that it's an edge that I have, and I'm not talking about I took this hip hop class, I'm talking about this is how people actually know me.

Hip hop is the strongest form of protest there is, and it doesn't always have to be a violent protest. It can be romantic, also. When you listen to Kanye West's 'Street Lights' for example, there's romance, there's pain - you feel the essence. I get the same thing from Drake and 2 Chainz.

I was 85 lbs. at my 2000 homecoming dance. But I wanted my collarbones and hip bones to show more. I'd feel my hip bones to make sure they were out. If not, I had more weight to lose. I lost my period until I was 17. I loved that. It meant I wasn't healthy, and I didn't want to be healthy.

Around '62 in Baltimore, all the girls had those big hairdos. And then suddenly, a few of the really hip ones started doing their hair straight. And people panicked. And it was called going 'Joe,' meaning Joe College. And people would say, 'I don't know. Should I be 'Joe'? I can't decide.'

I think when it comes to women who write or who fancy ourselves 'hip downtown literati', there is a certain contempt for being overly sexual or really looking for boyfriends. We tend to be marginalized as some 'Sex & The City' Carrie Bradshaw chick-lit dummies who just want shoes and a ring.

The methodologies of examining hip hop are borrowed from sociology, politics, religion, economics, urban studies, journalism, communications theory, American studies, transatlantic studies, black studies, history, musicology, comparative literature, English, linguistics, and other disciplines.

If you are handed something, it's a blessing and a curse. Look at hip hop artists, they produced everything themselves. Even people like Robert De Niro are getting into production. Again, it's art vs. marketing. Not everyone can take the risk. You have to break a few eggs to make a good omelet.

Coconut oil mixed with olive oil is what I put on my body every day; I put rose hip oil on my face. If my hair feels dry, instead of going and buying something filled with chemicals, I put egg whites or avocados or mayonnaise in my hair. I leave it on there for an hour or two and I wash it out.

A perfect example is 'Zero Dark Thirty.' That's the closest thing to reportage that I've done because a lot of that was shooting from the hip and found images and giving the actors a lot of freedom to explore the space and not have to repeat their actions twice and basically workshop on-camera.

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