I live in Atlanta, Georgia, and none of the other Backstreet Boys live in Georgia. So a lot of times, when people come to my house they're like, 'Hey, is A.J. here?' Or, 'Is Kevin here?' Or, 'Is Nick in the bathroom?' People think we live together and we spend all the time in the world together, but we really don't.

Kevin Nash came to me; he goes, 'Book, hey, Book, man, you know, this nWo thing is getting real hot, bro. And, man, we need some color, man.' I swear to God, that's how he said it! 'We need some color, bro.' He goes, 'We want to bring you in.' I go, 'Man, thanks, but no thanks. No way.' I said, 'I'm a solo act, man.'

I was watching 'Mr. Roger's Neighborhood', 'Sesame Street', 'Electric Company', 'Romper Room', and 'Villa Alegre!' when I said to my self, 'Hey, self! Wouldn't it be fun to be one of those kids on the TV?' My mom thought it was a pretty good idea, too... and she instantly moved us from the Bay Area to Malibu... nice.

I think I misunderstood the following in the footsteps bit, in a few of my early drinking years. I'd take any form of being compared to Dad as flattery. So if I fell off a stool or smashed up a TV set just because I was drunk, and somebody in the bar went 'Hey, man, that was just like Bonzo!' I would be really happy.

When we worked on 'Girls,' we've had some really meaningful dialogue with our fans and with critics and really learned a lot of things. Like, on the question of diversity, we heard people, and we responded, which is very different from, like, 'Hey fatty, what are you doing on TV?' And that's what we're trying to avoid.

There's a simple arithmetical logic at work. Build more unaffordable and not always architecturally sympathetic apartments, watch the rents rise, the tarts leave, the small shops, production offices and design studios close down, and hey presto, we have another fashionable London suburb indistinguishable from the rest.

When I became director of the Metropolitan Museum of Art, it was stodgy, gray, run by elitists. I said, 'Hey, let's kick the thing around.' I wanted to attract young people to the museum. I said, 'Make it hospitable. I want them to come. I want them to make dates, pick up girls, pick up boys - either way; I don't care.'

Comedians work great as actors because they're good under pressure. With a lot of actors, you have to make them feel like everything's going really well to get a good performance out of them. But, if you have a comedian on the set, you can tell them, 'Hey, you really are screwing this up,' and then they just get better.

When David Fincher called me up a few years ago and said, 'Hey, I'd like you to score this film 'The Social Network,' I said, 'I'm flattered, but I really don't have any real experience scoring films, and I'd rather not screw it up on a high-profile project. And I like you and I don't want to compromise our friendship.'

I shouldn't have to come out and say, 'Hey, I should be a starter again.' There's a lot of guys that say that, that shouldn't be starters. The key is to go out on the field and lead your team to show people that, 'Hey, this guy is a good guy in the locker room. He can lead a team. He did it on the field. He's shown it.'

If someone says, 'Hey man, I love your album, it really got me through a breakup, but I downloaded it for free,' I'll be like, 'Good! That's good!' Maybe he didn't have the money for the album, but if he still listened to it, and it's an important part of his life, that's all I can ask for. I don't want his twenty bucks.

If a European guy came to Africa and said hey guys, you don't have good - people could tell him to go to hell. You are an imperialist. You are a colonialist. Who are the hell are you to come and tell us what to do? I'm an African. Whatever I say nobody in Africa tell me well, it's not of your business. It is my business.

...this is my dilemma. I'm a guy who makes things up as I go along, so nothing is ever finished - there are so many layers. So when you solo, yeah, you might get into one thing, but then, hey, everything has implications! You can hear the next level. And that's how I feel about improvising - there's always another level.

People do ask me for advice for some reason. And I'll just kind of pose it back to them and let them answer on their own. I never like to give my advice 'cause I don't want them to come back and 'You were wrong! You ruined my life!' so it's more about 'Hey, this is what you just told me. What does that sound like to you?'

I'm trying to leave more of my calendar open for the spontaneous things. A lot of fun stuff that happened in previous years were things that were like, 'Hey are you available next week?' I wasn't really open unless it was planned months in advance. I'm excited to play it by ear and let a lot of stuff happen as it happens.

With Benghazi, I don't see anyone saying, 'Hey look, I am overall responsible for this and therefore, I take responsibility for what happened. It's my fault.' I haven't heard that yet. Meanwhile, the other side of the coin, the Osama bin Laden raid, it seems everyone made that decision, and that's just unbelievable to me.

We recognize that there have been acts in the past that are Asian or Korean who tried to go, 'Hey, I'm a huge star in Korea, I'm a huge star in Asia so you guys need to respect me for being a huge star there.' But I don't know. As much as we may be big, we have to be very humble and start from the ground up in the States.

We're all screwed up. And the way Christians mess things up is we act like we've got it going on. And if we would just stay in that place of, 'Hey, we're all screwed up and but for the grace of God, none of us have a shot here.' We need to have a sense of humor about it; that's kind of the way I've always faced my comedy.

A whole generation of people that didn't know me from 'SNL' recognize me from 'Weeds' now. People recognize me once in a while and appreciate the work. It gets a little embarrassing but it's good. If you work as an accountant, you don't have people coming up to you in the streets saying, 'Hey, great job on tax statements!'

Obviously I know if you're putting yourself out there, saying, 'Hey! Listen to my music!,' with pictures of yourself in the magazines, then people are going to judge you. 'I hate her music. I hate her hair. I hate her production. I hate her videos.' Fine: don't care. That's the great thing about art: it's not for everyone.

I did start out quiet, and I found out you can change a person's life by simply saying, 'Hey,' or, 'How was your day?' Not everybody gets that opportunity with the way society views you or how you look or the way you dress or how you interact. You hear the weird cliches: socially awkward. I think we're all socially awkward.

The objects you decide to keep, the ones that gave you the spark of joy? Treasure them from now on. When you put things away, you can actually audibly say, 'Hey, thank you for the good work today...' By doing so, it becomes easier for you to put the objects away and treasure them, which prolongs the spark of joy environment.

A lot of actresses feel the pressure to constantly look good, to constantly show how well-toned every inch of their bodies are and how much they've been to the gym, not necessarily to do justice to the role they're in, but to point out to the producers out there, 'Hey, look what I've got - remember me for your next project.'

Early on, when I was quite young and going from job to job, I was foolish enough to sometimes speak to my fellow workers: 'Hey, the boss can come in here at any moment and lay all of us off, just like that, don't you realize that?' They would just look at me. I was posing something that they didn't want to enter their minds.

I really saw my mom advocate on my behalf and really say, 'Hey, you're good enough.' It was from her that I learned that just because something hasn't been done before, it doesn't mean it can't be done now. You have to speak up, and you've got to assert yourself because it takes somebody to be the first one to make it happen.

Dead people never seem to address the obvious - the things you'd think they'd be bursting to talk about, and the things all of us not-yet-dead are madly curious about. Such as: 'Hey, where are you now? What do you do all day? What's it feel like being dead? Can you see me? Even when I'm on the toilet? Would you cut that out?'

More time than not, athletes, specifically fighters, have a 15 or 20-year career, and unfortunately, we end up right where we started when it's over. All we have is maybe a round of applause when we walk in a room - Hey, there's the champ! That's great; I want that, but I've got to have something tangible to show for it, too.

I find there's this weird anger thing: Someone will approach me at the bar and say, 'Hey, can I buy you a drink?' And I'll say, 'No, I'm okay.' And then all of a sudden, there's this male anger flip, where they go, 'Oh, you know what? I wasn't even gonna buy you a drink, 'cause you're not even that cute anyway,' and walk away.

I still run into people in the business who skip over any other credits I have and say, 'I loved 'Hey, Dude!' This was back in '88, '89, '90. It was a goofy show about kids working at a dude ranch in Arizona. We did 65 episodes; I wrote 13 of them. We didn't know what we were doing, but it was writers' boot camp. It was great.

There was a wonderful little short four-year time period when marvelous things happened. It started in 1908, when the Wright brothers flew in Paris, and everybody said, 'Ooh, hey, I can do that.' There's only a few people that have flown in early 1908. In four years, 39 countries had hundreds of airplanes, thousands of pilots.

White artists have made millions of dollars off music they stole from black artists. I don't blame all the white artists. I'm a huge Stevie Ray Vaughn fan, and he was always very gracious about where he learned his music. But a lot of the time, you'd think the white guys thought it up. Hey, hasn't anyone heard of Muddy Waters?

You gotta call it out first; it always has to be called out when we need social change, but this is how social change happens: you call it out. People had to call out child labor. People had to call out, 'Hey time's up; we need to vote. We live in this country.' People had to call out 'time's up' on enslaving people, you know.

People have come to me for my opinion since 'October Baby.' But, hey, look, I'm an actor who is very fortunate to be in a movie that's making wonderful noise, and hopefully helping parents and children to be a little closer. Leave me alone. I'm not talking about politics. I'm just trying to have a conversation with my own kids.

I was already devouring literature and I was the ripe old age of 15 when I decided to be an actor. I just thought plays were the most fantastic way of expressing life. I thought I'd discovered Shakespeare - 'hey, there's a new guy in town, don't know if anyone's read him.' I was just excited about the whole thing, from day one.

Funny story: I was hanging out with Adam Shankman for Samantha Ronson's birthday, and Lance Bass was there. I don't really know Lance, but he comes over to me and goes, 'Hey, I just wanted to let you know I'm a fan of 'Pretty Little Liars' and I'm rooting for your character.' It was surreal! That's how 'PLL' has changed my life.

Let's take up the most important issues first. Let's take up the reauthorizations first; let's take up the appropriations bill first, not wait until four days beforehand - no one has mentioned anything, and, all of a sudden, somebody looks at their watch and says, 'Hey, in four days, the government is going to run out of money.'

... Hey, I didn't know you didn't like baloney." I went cold. "I don't like it. I never liked it." Soda just looked at me. "You used to eat it. That's why you wouldn't eat anything while you were sick. You kept saying you didn't like baloney, no matter what it was we were trying to get you to eat." "I don't like it," I repeated.

If I were to listen to people all the time when they say, 'Hey, this is a really high challenge, this is a high climb, the bar is pretty steep,' then I wouldn't have gone to the academy. I wouldn't have become an aircraft carrier pilot. I wouldn't have become a Navy SEAL for sure. And I probably wouldn't have applied to Harvard.

Once, at Thanksgiving, a neighbor wandered in while my cousin Lisa worked on a turkey, shearing meat off its frame and sliding the steaming slices onto a big flowered plate. 'Hey, that's the man's job,' she yelped, in between slurps of her Big Gulp. No one even paused to acknowledge the comment; everyone just laughed and laughed.

I remember at 16 years old, growing up in Queens, we were punks, but hey, when we went to the theater, we wore a shirt and tie! Similarly, I believe that to keep movie theaters in existence, they're gonna have to make 'em an event, have a couch, a table and drinks or something. Otherwise, there's no reason to get out of your bed!

My parents have Google Alerts on me. So they'll often times send me an e-mail and be like, 'Hey did you know this?' And then I'll be like, 'Well, it is, like, my life. So yes, I did know that.' Or, 'That's not even true. I don't know where you read that.' I have Googled myself, yes. But my parents really have Google Alerts on me.

Sometimes, wearing a scarf and a polo coat and no makeup and with a certain attitude of walking, I go shopping or just look at people living. But then, you know, there will be a few teenagers who are kind of sharp, and they'll say, 'Hey, just a minute. You know who I think that is?' And they'll start tailing me. And I don't mind.

People are afraid of trying something new, of failing even before they start. My point is, what is the worst that can happen? You will fail and friends who warned you will say 'I told you so!' So you made a mistake - and will hopefully make many more. But hey! The real tragedy is not the mistake you make, but not learning from it.

I think whenever you have a common goal with someone, you're going to bond. It's really hard to get two people together and be like, 'Hey guys, why don't you just bond!' But if you say, 'Listen, I need you guys to build this house, or I need you to do this or I need you to make this movie,' you'll get to work and you'll get close.

My heavily-cleverly disguised low self-regard manifested itself in my constant showing off, my addiction for publicity, and my intolerable 'me-me-me' attitudes and actions. But it's done, isn't it? And no one can really change, can they? And, hey, it has been a lot of fun being the life-long irresponsible, snarky, nasty art scamp.

My parents have Google Alerts on me. So they'll often times send me an e-mail and be like, "Hey did you know this?" And then I'll be like, "Well, it is, like, my life. So yes, I did know that." Or , "that's not even true. I don't know where you read that." I have Googled myself, yes. But my parents really have Google Alerts on me.

Hey, what are you doing, little one? You want more? You are just too much . . . you . . . oh, no . . . not the quivering lip . . . oh, no.” Nalla let out a giggle. “Outrageous! You want more, and you know you’re going to get what you want because of The Lip. Jeez, you’ve got your father wrapped around your little finger, don’t you.

The fact that Phil Jackson asked a young kid when he didn't have to and said, 'Hey, do I have permission to coach you?' Those are very powerful lessons that you learn. That's only happened to me a couple times in my entire career, that coaches would actually ask me that question. That just lets me know that he saw me for who I was.

Just having that time alone, away from the team, just going through the progression of being healthy again with the brain work that I was doing in the hospital and building that company, all I could do is think and it just dawned on me that, hey, it's time for the next chapter of my life. I need to walk away and try something else.

For Brie and I - we were just 'model tired.' I was told to get a boob job; I was told to lose weight. Brie and I had a big struggle... Brie and I legit hopped in our cars, went to Georgia, jumped in a ring, and said, 'Hey, you're going to sign us. We want to be here.' I know everyone thinks it was really easy for us, but it wasn't.

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