Hero Quotes - Page 73

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There is perhaps no sort of self more subject to dangerous egotism than that which deludes itself with the notion that it is not a self at all, but something else. It is well to beware of persons who believe that the cause, the mission, the philanthropy, the hero, or whatever it may be that they strive for, is outside of themselves, so that they feel a certain irresponsibility, and are likely to do things which they would recognize as wrong if done in behalf of an acknowledged self.

It is not to taste sweet things; but to do noble and true things, and vindicate himself under God's heaven as a God-made man, that the poorest son of Adam dimly longs. Show him the way of doing that, the dullest day-drudge kindles into a hero. They wrong man greatly who say he is to be seduced by ease. Difficulty, abnegation, martyrdom, death, are the allurements that act on the heart of man. Kindle the inner genial life of him, you have a flame that burns up all lower considerations.

Few of us will do the spectacular deeds of heroism that spread themselves across the pages of our newspapers in big black headlines. But we can all be heroic in the little things of everyday life. We can do the helpful things, say the kind words, meet our difficulties with courage and high hearts, stand up for the right when the cost is high, keep our word even though it means sacrifice, be a giver instead of a destroyer. Often this quiet, humble heroism is the greatest heroism of all.

And while I'm on the subject, let me say something about Harry Potter. [Gravels her voice.] Warlocks are enemies of God!! [Back to normal screech.] And I don't care what kind of hero they are, they're an enemy of God. And had it been in the Old Testament, Harry Potter woulda been put to death! [Applause.] You don't make heroes out of warlocks. This is the generation that's gonna stand for purity, an' righteousnesss, an' holiness, an' you're gonna serve the lord all the days of your life.

What intrigues me is that people kind of naturally want to label or pigeonhole the characters. They want to make it easy for themselves to go, "All right. There's the good guy, there's the bad guy, there's the girl. Okay, I get it now." But life isn't one-dimensional. The world isn't simply divided into good versus evil. I think we're all capable of both. So any time the hero does something I'm not crazy about, or the bad guy does something I can relate to, I'll find it more interesting.

Remember William Blake who said: "Improvement makes straight, straight roads, but the crooked roads without improvement are roads of genius." The truth is, life itself, is always startling, strange, unexpected. But when the truth is told about it everybody knows at once that it is life itself and not made up. But in ordinary fiction, movies, etc, everything is smoothed out to seem plausible--villains made bad, heroes splendid, heroines glamorous, and so on, so that no one believes a word

It's one of the reasons why Spider-Man: Homecoming is so exciting. Because it's a new genre for us, a new character, the first time that Spider-Man is in our cinematic universe and you can see what he was meant to be in the comics. He's such a young teenager in comparison to these other heroes. But I think, because we're film fans who go and see everything, it's much more natural that you're inspired by other work. And then of course that influences your work, and the way you make films.

I read the story and reread the story, but I still could not find the universality that the little Irishman had spoken of. All I saw in the story was some Irishmen meeting in a room and talking politics. What had that to do with America, especially with my people? It was not until years later that I saw what he meant ... I began to listen, to listen closely to how they talked about their heroes, to how they talked about the dead and how great the dead had once been. I heard it everywhere.

Pretty much all comic-book people, like all Hollywood people, for the most part, are pretty liberal. I think especially UK writers. Alan Moore is probably the most radical guy you'll ever meet. I grew up loving those guys, so my heroes, as a kid, were radical cartoonists, essentially. I couldn't help but - I grew up in a left-wing household. But I do think it's fun, writing right-wing characters. I've found it interesting, just as a writer, to get inside their heads and make them likeable.

You know who it is? It's me in 10 years. So I turned 25. Ten years later, that same person comes to me and says, 'So, are you a hero?' And I was like, 'not even close. No, no, no.' She said, 'Why?' I said, 'Because my hero's me at 35.' So you see every day, every week, every month and every year of my life, my hero's always 10 years away. I'm never gonna be my hero. I'm not gonna attain that. I know I'm not, and that's just fine with me because that keeps me with somebody to keep on chasing.

For a while, the gay thing seemed like such a big deal. But now, I don't think it is. It's just a comedy-drama about people who live in the United States. It's a slice-of-life. I play a character-that's it. But I was well aware of the gay lifestyle before the show. I've been hit on in a really strong way by gay men who've tried to convert me, and a lot of my heroes are gay. William Burroughs, Lou Reed. Well, I guess Lou Reed is bi. The point is, it's 2002, gay life is no longer that shocking.

Duane Allman was bursting with energy ... he was a force to be reckoned with. His drive and focus, as well as his intense belief in himself and our band, was incredible. He knew we were going to make it. We all knew we were a good band, but no one had that supreme confidence like he did, and it was a great thing, because his confidence and enthusiam were infectious... it says a lot that his hero was Muhammad Ali. That kind of supreme confidence that Ali had - that's where Duane was coming from

For that, one has to drop all the masks, one has to risk many things, particularly respectability. That is a bribe by the society. It will give you a Nobel prize and it will give you many honours; it will do everything to make you feel great, if you can fulfil one condition: if you are obedient, obedient like a robot, then all respect is for you. Then the society will make you a great hero, but there will be no grace, no beauty, no freedom, no truth, no being; you have committed a real suicide.

From the time of the Revolutionary War, when citizens stood forward to defend their liberties against the depredations of tyranny. All the way through Civil War, through the great World Wars, this nation has been defended by the tradition of common ordinary folks who come from behind the plow, come from the store-clerking, come from the classrooms, and so forth to get on the battlefields - ordinary citizens turned into heroes in defense of their liberty, because that's the potential of freedom.

In our own country, we have seen America pay a terrible price for any form of discrimination, and we have seen us grow stronger as we have steadily let more and more of our hatreds and our fears go. As we have given more and more of our people the chance to live their dreams. That is why the flame of our Statue of Liberty, like the Olympic flame carried all across America by thousands of citizen heroes will always burn brighter than the flames that burn our churches, our synagogues, our mosques.

I feel uncomfortable about the word hero because it seems to me that it is so rhetorically proximate to justifications for more war. Um, and, I don't want to obviously desecrate or disrespect memory of anyone that's fallen, and obviously there are individual circumstances in which there is genuine, tremendous heroism, you know, hail of gunfire, rescuing fellow soldiers and things like that. But it seems to me that we marshal this word in a way that is problematic. But maybe I'm wrong about that.

But there's a thin line between songwriting and arranging. ... Recording at home enables one to eliminate the demo stage, and the presentation stage in the studio, too. ... And I think it's safe to say that the single very impressive figure to me was Merle Haggard. ... Dylan can do no wrong. ... Glenn Gould was my hero. Glenn Gould was my idol. I loved him. ... I loved Hendrix. I mean, really, really loved him. As if he were one of the great classical composers. And he was. That's how I saw him.

The story of Sherlock Holmes, on the surface, is about detection, but in reality, it's about the best of two men who save each other - a lost, washed-up war hero and a man who could end up committing murders instead of solving them. They come together. They become this perfect unit. They become the best friendship ever, and they become heroes. That's what we fall in love with, not Sherlock on his own. No one can love that man on his own, but Sherlock Holmes and Dr. Watson - the best friends ever.

Pathology, probably more than any other branch of science, suffers from heroes and hero-worship. Rudolf Virchow has been its archangel and William Welch its John the Baptist, while Paracelsus and Cohnheim have been relegated to the roles of Lucifer and Beelzebub. ... Actually, there are no heroes in Pathology-all of the great thoughts permitting advance have been borrowed from other fields, and the renaissance of pathology stems not from pathology itself but from the philosophers Kant and Goethe.

Religion is not the hero of the day, but the zero. In any exposition of the products of brains, the Sunday-School takes the booby prize. . . . Man has asked for truth and the Church has given him miracles. He has asked for knowledge, and the Church has given him theology. He has asked for facts, and the Church has given him the Bible. This foolishness should stop. The Church has nothing to give man that has not been in cold storage for two thousand years. Anything would become stale in that time.

Even if I turned myself in, it wouldn't change anything. It wouldn't make me one of them. I knew that when I got my powers, but really I knew it before then. I learned it as a child on my first day of school, on the warm rainy streets of Bangkok, and in college. If you're different you always know it, and you can't fix it even if you want to. What do you do when you find out your heart is the wrong kind? You take what you're given, and be the hero you can be. Hero to your own cold, inverted heart.

In a business that has exploited and ignored our people I have only found dead-ends. We need romantic comedies, gross-out and mockery comedies, horror and thrillers, teen movies and love-stories. All these and more will be a positive step towards the future of Native Americans in the world and film industry; an industry that that offers us not only the chance to play the parts of heroes, love interests and warriors, but also of villains, dorks and dangerous, brokenhearted products of circumstance.

I've been asked before, "Who are your heroes?" and these types of questions. I always find it hard to identify a single person or a single book or this sort of thing. I've always been forward looking. I was raised with the notion that you can do pretty much anything you want. You're able to accomplish anything you set out to accomplish. I was given a sense of confidence and I never really felt the need to - or I've never had the benefit, I should probably say - of being inspired by outside heroes.

"If you are loyal you are successful," ruminated the company paper at one time. "All useful work is raised to the plane of art when love for the task-loyalty-is fused with the effort. Loyalty is the great lubricant of life. It saves the wear and tear of making daily decisions as to what is best to do. The man who is loyal to his work is not wrung nor perplexed by doubts, he sticks to the ship, and if the ship founders he goes down like a hero with colors flying at the masthead and the band playing."

Why let your fury lay deep inside you, sullenly boiling your blood into silent steam and griding your bones to dust? I it not better to thrust it out with great velocity from every pore, with your every action? Let your actions speak your legend. The physical is the manifestation of the spirit. Let your spirit be teeming with fury. Let your strength be unusual and controlled. The average is the borderline that keeps mere men in their place. Those who step over the line are heroes by the very act. Go.

Used with due abstinence, hope acts as a healthful tonic; intemperately indulged, as an enervating opiate. The visions of future triumph, which at first animate exertion, if dwelt upon too intently, will usurp the place of the stern reality; and, noble objects will be contemplated, not for their own inherent worth, but on account of the day-dreams they engender. Thus hope, aided by imagination, makes one man a hero, another a somnambulist, and a third a lunatic; while it renders them all enthusiasts.

When you're a young person, you are biologically driven to believe you are immortal, and that's why you engage in all kinds of risky behavior you stop once you feel death's cruel breath on your neck. I think that as a straight white man in particular, I was tempted to believe that I was immortal and eternal because, after all, in this culture, straight white dudes are the heroes of every story that you see or read about with very rare exception. So how could the story go on without the hero, you know?

Most of us who become experimental physicists do so for two reasons; we love the tools of physics because to us they have intrinsic beauty, and we dream of finding new secrets of nature as important and as exciting as those uncovered by our scientific heroes. But we walk a narrow path with pitfalls on either side. If we spend all our time developing equipment, we risk the appellation of "plumber," and if we merely use the tools developed by others, we risk the censure of our peers for being parasitic.

I think what I've tried to do is make the world a better place. I think that's what's really important. Nobody remembers who sold the most togas in Rome. In terms of legacy, people remember the great villains more than they remember the great heroes. So I think how you feel about yourself is the most significant question. What do you say about yourself when you put your head on the pillow? Are you really proud of what you're doing and the way you're doing it? I think it's really a fundamental question.

The antidote to hatred in the heart, the source of violence, is tolerance. Tolerance is an important virtue of bodhisattvas [enlightened heroes and heroines] - it enables you to refrain from reacting angrily to the harm inflicted on you by others. You could call this practice "inner disarmament," in that a well-developed tolerance makes you free from the compulsion to counterattack. For the same reason, we also call tolerance the "best armor," since it protects you from being conquered by hatred itself.

But even friendship like our heroes' Exist no more; for we've outgrown All sentiments and deem men zeroes-- Except of course ourselves alone. We all take on Napoleon's features, And millions of our fellow creatures Are nothing more to us than tools... Since feelings are for freaks and fools. Eugene, of course, had keen perceptions And on the whole despised mankind, Yet wasn't, like so many, blind; And since each rule permits exceptions, He did respect a noble few, And, cold himself, gave warmth its due.

The crude commercialism of America, its materialising spirit, its indifference to the poetical side of things, and its lack of imagination and of high unattainable ideals, are entirely due to that country having adopted for its national hero a man who, according to his own confession, was incapable of telling a lie, and it is not too much to say that the story of George Washington and the cherry-tree has done more harm, and in a shorter space of time, than any other moral tale in the whole of literature.

I didn't know I was depressed until years later. Actually, I went to the Minirth-Meier Clinic for ADD. I got tested for ADD. So, that's nice. It's nice to know you got ADD. So, that puts you on medication. Did that for years. Then got tested for clinical depression. So, finally when they tell you this, you go, 'ahhh, this is great.' So, now this explains events in your life and how you handle them. But our society frowns on it and they don't want their heroes to have these issues, but unfortunately I do.

Men can have an obvious display of heroics or strength or accomplishment, but it is the unsung women throughout all ages of humankind who have endured with superlative strength, beauty and love, often with secret suffering, that deserve absolute respect and acknowlegement. They are the true heroes of humanity. They are the champions who have birthed and nurtured us, who have held us together at the most integral level, when men seemed intent only on tearing apart the fabric of life for irrelevant ideals.

It is worthwhile to liveand fight courageouslyfor sacred ideals.O blow ye evil windsinto my body's firemy soul you'll never unravel.Even though disappointed a thousand timesor fallen in the fightand everything would worthless seem,I have lived amidst eternity -Be grateful, my soul -My life was worth living.He who was pressed from all sidesbut remained victorious in spiritis welcomed into the choir of heroes.He who overcame the fettersgiving wings to his mindis entering into the golden age ofthe victorious.

Women should be respected as well! Generally speaking, men are held in great esteem in all parts of the world, so why shouldn't women have their share? Soldiers and war heroes are honored and commemorated, explorers are granted immortal fame, martyrs are revered, but how many people look upon women too as soldiers?...Women, who struggle and suffer pain to ensure the continuation of the human race, make much tougher and more courageous soldiers than all those big-mouthed freedom-fighting heroes put together!

In the legends that males have invented to explain life, the first human creature is a man named Adam. Eve arrives later, to give him pleasure and cause trouble. In the paintings that adorn churches, God is an old man with a beard, never an old woman with white hair. And all the heroes are males: from Prometheus who discovered fire to Icarus who tried to fly, on down to Jesus whom they call the Son of God and of the Holy Spirit, almost as though the woman giving birth to him were an incubator or a wetnurse.

Perhaps the heroic element in our natures is exhibited to the best advantage, not in going from success to success, and so on through a series of triumphs, but in gathering, on the very field of defeat itself, the materials for renewed efforts, and in proceeding, with no abatement of heart or energy, to form fresh designs upon the very ruins and ashes of blasted hopes. Yes, it is this indomitable persistence in a purpose, continued alike through defeat and success, that makes, more than aught else, the hero.

Lennon's was one of the first voices I emulated when I began to sing. When we held tryouts in my pal's dad's living room for the singer in our band, I sang a Beatles song that Lennon sang. There is something about the timbre of his voice, something that it conveys, that still gets to me. The quality and the poetry of his lyrics. The wry sense of humor. And the boyishness, in the beginning. There are a great many things that touch me about him... Lennon was, to put it in his own words, a 'working-class hero.'

Those who will may raise monuments of marble to perpetuate the fame of heroes. Those who will may build memorial halls to remind those who shall gather there in after times what manhood could do and dare for right, and what high examples of virtue and valor have gone before them. But let us make our offering to the ever-living soul. Let us build our benefactions in the ever-growing heart, that they shall live and rise and spread in blessing beyond our sight, beyond the ken of man and beyond the touch of time.

Historians will come to their own judgments about President Kennedy. Here is how I choose to remember him. He was an heir to wealth who felt the anguish of the poor. He was an orator of excellence who spoke for the voiceless. He was a son of Harvard who reached out to the sons and daughters of Appalachia. He was a man of special grace who had a special care for the retarded and handicapped. He was a hero of war who fought hardest for peace. He said and proved in word and deed that one man can make a difference.

We believe in the joy and power of music, and we also see that to make this kind of statement today, you need to be a hero, because there are more dominant beliefs - like the belief in power itself or in fame or in money. Our belief in the power of music is something that really needs a strong position in order to keep it up for a lifetime - and hopefully even beyond. We don't want to miss out on the chance to give food for thought to other generations that may relate to it in a way that is not yet foreseeable.

Yes, it looks bleak. But you are still alive now. You are alive with all the others, in this present moment. And because the truth is speaking in the work, it unlocks the heart. And there’s such a feeling and experience of adventure. It’s like a trumpet call to a great adventure. In all great adventures there comes a time when the little band of heroes feels totally outnumbered and bleak, like Frodo in Lord of the Rings or Pilgrim in Pilgrim’s Progress. You learn to say ‘It looks bleak. Big deal, it looks bleak.’

Dieter Dengler was an amazing man. Who knows what he would've been had he not ever been tested in this way? It's a question that I certainly have myself. What would I be able to do in certain situations? He came out, obviously, looking like a true hero, but he didn't go in looking like that. He was not your typical image of somebody that you would think would be the tough guy who was able to endure. His lighthearted attitude, this sort of dorkiness, and naivete; it ended up being the finest tool for his survival.

I elbowed my way into the grubby café, bought a pie that tasted of shoe polish and a pot of tea with cork crumbs floating in it, and eavesdropped on a pair of Shetland pony breeders. Despondency makes one hanker after lives one never led. Why have you given your life to books, TC? Dull, dull, dull! The memoirs are bad enough, but all that ruddy fiction! Hero goes on a journey, stranger comes to town, somebody wants something, they get it or they don't, will is pitted against will. "Admire me, for I am a metaphor.

Democracy doesn't mean much if people have to confront concentrated systems of economic power as isolated individuals. Democracy means something if people can organize to gain information, to have thoughts for that matter, to make plans, to enter into the political system in some active way, to put forth programs and so on. If organizations of that kind exist, then democracy can exist too. Otherwise it's a matter of pushing a lever every couple of years; it's like having the choice between Coca-Cola and Pepsi-Cola.

When you wake up in the middle of the night and you hear a scary sound, you're not picturing yourself getting the girl, you're not picturing yourself winning the prize and becoming a hero. What makes you scared is the fear that you're gonna die, or that something horrific is gonna happen. So while I'm not opposed to happy ending, or wherever the story is naturally supposed to go-I do end up finding that I like movies where you almost end up feel, at best, that the character survived it more than championed over it.

No doubt Carlyle has a propensity to exaggerate the heroic in history, that is, he creates you an ideal hero rather than another thing.... Yet what were history if he did not exaggerate it? How comes it that history never has to wait for facts, but for a man to write it? The ages may go on forgetting the facts never so long, he can remember two for every one forgotten. The musty records of history, like the catacombs, contain the perishable remains, but only in the breast of genius are embalmed the souls of heroes.

I'm sure that there must have been times when you have read books or watched films and found yourself secretly wishing for the villain to win. Why? Isn't that against the rules by which our society lives? Why should you feel this way? It's simple, really; the villain is the true hero of these tales, not the well-intentioned moron who somehow foils their diabolical scheme. The villain get's all the best lines, has the best costumes, has unlimited power and wealth- why on earth would anyone not want to be the villain?

A man can be a hero if he is a scientist, or a soldier, or a drug addict, or a disc jockey, or a crummy mediocre politician. A man can be a hero because he suffers and despairs; or because he thinks logically and analytically; or because he is "sensitive"; or because he is cruel. Wealth establishes a man as a hero, and so does poverty. Virtually any circumstance in a man's life will make him a hero to some group of people and has a mythic rendering in the culture - in literature, art, theater, or the daily newspapers.

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