Hero Quotes - Page 70

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Die Hard represents the class of modern action pictures and the standard by which they must be judged. Few films falling into the "mindless entertainment" genre have as much going for them as this movie. Not only is it a thrill-a-minute ride, but it has one of the best film villains in recent memory, a hero everyone can relate to, dialogue that crackles with wit, and a lot of very impressive pyrotechnics.

We depend on manly characteristics to keep us safe. Every single one of the dead firemen heroes on 9/11 were men. This was one group where liberals didn't ask why there wasn't a more pleasing gender balance, because the Upper West Side is not fireproof. What happens in combat in some distant field is abstract to liberals, but they can understand the need to have strong, brave men in their fire department.

I'd always had an interest in guitar from about seven years old. But I first actually had lessons when I was about fifteen in Scotland, in Edinburgh. There was a folk club there and a girl called Jill Doyle taught me the guitar, who happened to be Davey Graham's sister. Davey Graham is one of my heroes and always has been. Fantastic guitar player. And he's had a strong influence on me all the way through.

The outsider hero is hero riding into town, he's the gunslinger, shame - the same thing, he didn't want to do it anymore, he wanted to live a different life but part of who you are sort of haunts you and you can't run away from evil and if you have special skills, and most people are mistreated, which is unfortunately in our world, we always need an equalizer, that type of character to come to our rescue.

Be careful who you choose as your hero or who you choose to deify, be it Clay Aiken or Barack Obama. You put all you're hope and all your dreams and all your ideas about stuff into one human being. They're a human being they're going to let you down. You can't make someone your hero because of something you read on the internet. The internet is not a source of information it is a source of disinformation.

If you're going to play what-if --which, by the way, is a huge waste of time and energy, not to mention an act of supreme, center-of-the-universe narcissism-- you have to play it both ways. If you're going to imagine yourself as an accidental villain, you have to give yourself equal time as an unwitting hero. As somebody who prevented God-knows-what dire disaster simply by doing exactly the things you did.

Marseilles isn't a city for tourists. There's nothing to see. Its beauty can't be photographed. It can only be shared. It's a place where you have to take sides, be passionately for or against. Only then can you see what there is to see. And you realize, too late, that you're in the middle of a tragedy. An ancient tragedy in which the hero is death. In Marseilles, even to lose you have to know how to fight.

There is a determined though unseen bravery that defends itself foot by foot in the darkness against the fatal invasions of necessity and dishonesty. Noble and mysterious triumphs that no eye sees, and no fame rewards, and no flourish of triumph salutes. Life, misfortunes, isolation, abandonment, poverty, are battlefields that have their heroes; obscure heroes, sometimes greater than the illustrious heroes.

Fearlessness is a more than ordinary strength of mind, which raises the soul above the troubles, disorders, and emotions which theprospect of great dangers are used to produce. And by this inward strength it is that heroes preserve themselves in a calm and quiet state, and enjoy a presence of mind and the free use of their reason in the midst of those terrible accidents that amaze and confound other people.

Harry Potter is one boy in a long line of mythical heroes who have reminded the human race that we are so much more than we think we are, so much more powerful than we seem to know. Jesus said that we would someday do even greater works than He; should we not take Him at His word? And should not 'someday' be today? It's time for us to start working miracles, if indeed we have the capacity within us to do so.

Human beings are complicated and flawed and unique, but we all have a story to tell. Gone are the days where our lead characters can only look like somebody else. Heroes look like all of us. We see ourselves in each others' stories. We see who we are. We see who we want to be. Sometimes we see who we don't want to be. And through that we have a greater understanding of ourselves and acceptance of each other.

There are men who bloom in chaos. You call them heroes or villains, depending on which side wins the war, but until the battle call they are but normal men who long for action, who lust for the opportunity to throw off the routine of their normal lives like a cocoon and come into their own. They sense a destiny larger than themselves, but only when structures collapse around them do these men become warriors.

Unlike Rosa, I can see no divine purpose behind the tangle of this existence, no ordering hand. It is all a mystery, or more accurately, a mess. There are no heroes or villains, no saviors or demons or angels. Only those who have died and those of us who, for whatever reason, have survived. None of this will keep me from believing in God. I believe in Him, I just don't know that I will ever have faith in Him.

People want you to be the ambassador of everything. This happens to me especially when I go to Europe. I have to be the ambassador of everything. I learned this from Elena Poniatowska - intelligent woman, great lady, one of my heroes, one of my spiritual mentors, I love her. Someone is in this big museum and they ask her, "Elenita, what do you think about Mexican women . . ." And she says, "I haven't a clue!"

The act of consciousness is central; otherwise we are overrun by the complexes. The hero in each of us is required to answer the call of individuation. We must turn away from the cacaphony of the outerworld to hear the inner voice. When we can dare to live its promptings, then we achieve personhood. We may become strangers to those who thought they knew us, but at least we are no longer strangers to ourselves.

She always did like tales of adventure-stories full of brightness and darkness. She could tell you the names of all King Arthur's knights, and she knew everything about Beowulf and Grendel, the ancient gods and the not-quite-so-ancient heroes. She liked pirate stories, too, but most of all she loved books that had at least a knight or a dragon or a fairy in them. She was always on the dragon's side by the way.

I am not an action hero. That is not the only thing I did in my career. Many people know me because of my work with Pedro Almodóvar, or theater or films that I have done, aside from that. But, that was a part of my career that I embrace. I loved movies like Zorro and Desperado and The 13th Warrior, and other movies like that, that I have done and that contain some action, but it's not the only thing that I do.

I wanted Yoda to be the traditional kind of character you find in fairy tales and mythology. And that character is usually a frog or a wizened old man on the side of the road. The hero is going down the road and meets this poor and insignificant person. The goal or lesson is for the hero to learn to respect everybody and to pay attention to the poorest person because that's where the key to his success will be.

For throughout history, you can read the stories of women who - against all the odds - got being a woman right, but ended up being compromised, unhappy, hobbled or ruined, because all around them, society was still wrong. Show a girl a pioneering hero - Sylvia Plath, Dorothy Parker, Frida Kahlo, Cleopatra, Boudicca, Joan of Arc - and you also, more often than not, show a girl a woman who was eventually crushed.

...the act of eating,which hath by several wise men been considered as extremely mean and derogatory from the philosophic dignity, must be in some measure performed by the greatest prince, hero, or philosopher upon earth; nay, sometimes Nature hath been so frolicsome as to exact of these dignified characters a much more exorbitant share of this office than she hath obliged those of the lowest orders to perform.

For the greater a man's works for the future, the less the present can comprehend them; the harder his fight, and the rarer success. If, however, once in centuries success does come to a man, perhaps in his latter days a faint beam of his coming glory may shine upon him. To be sure, these great men are only the Marathon runners of history; the laurel wreath of the present touches only the brow of the dying hero.

I haven´t written on piano since It Bites. You can tell my songs that I´ve written on piano with It Bites cause they all go like "wrooash", like Old Man And The Angel and Calling All The Heroes and songs like that. It all tends to happen very quickly, I get two thirds of the song within five minutes and then spend rest of the time trying to ruin it in my head, and then I go back to where I was from the beginning.

Bowie mattered to me. He reinvented himself so many times - it must have been a daring statement to do that, risking failure. And hanging out with him and seeing him like that - he's my dad's age, born in the same month - when you find someone who's been through a really dark period, which most of his music I care about is from, Low, Lodger, "Heroes" era.... But he came out of it and made something that mattered.

Sidney Lumet is one of my favorite filmmakers. I feel like his approach to filmmaking was always so human. He was always making movies about the people. He wasn't about the tricks, you know what I mean? From 12 Angry Men on. Another film of his which I really, really love is Prince of the City, with Treat Williams, which is kind of a lost classic. Lumet is one of those film heroes that changed movies for everyone.

On June 22, 2008, at the age of 71, an American revolutionary died. He was a bona fide genius, an outspoken critich, a literary giant and an unprecedented visionary. For 50 years he entertained, challenged and amazed not only my generation, but also ones before mine and well after. He was sensational, brilliant, iconic and unique - the quintessential individual. He was my lifelong hero. His name was George Carlin.

I learned that it is better, a thousandfold , for a proud man to fall and be humbled, than to hold up his head in his pride and fancied innocence. I learned that he that will be a hero, will barely be a man; that he that will be nothing but a doer of his work, is sure of his manhood. In nothing was my ideal lowered, or dimmed, or grown less precious; I only saw it too plainly, to set myself for a moment beside it.

The anti-hero or hero usually has a journey or quest so they are interesting as you find out what's going to happen, what they are looking for. What are they trying to do? Sometimes what they do is heroic or comes with a price or sacrifice or maybe the way they do things isn't so great and that's when they become anti-heroes. But the journey of an anti-hero combined with a good story done well is always worthwhile.

Making music clips, I have a responsibility to depict the artist in a way that suits them, and feels comfortable with how they want to present their music. From there I usually try to tell a story visually that complements the music, that lets the music be the hero element of the project. I just try to do something that feels sincere and creative and a little bit home-brewed so it doesn't feel too plastic or phony.

Others - as most legislators, politicians, lawyers, ministers, and office-holders - serve the state chiefly with their heads; and, as they rarely make any moral distinctions, they are as likely to serve the devil, without intending it, as God. A very few - as heroes, patriots, martyrs, reformers in the great sense, and men - serve the state with their consciences also, and so necessarily resist it for the most part.

I don't really distinguish between a fictional hero and a real life hero as a basis for any comparison. To me, a hero is a hero. I like making pictures about people who have a personal mission in life or at least in the life of a story who start out with certain low expectations and then over achieve our highest expectations for them. That's the kind of character arc I love dabbling in as a director, as a filmmaker.

All the "not readies," all the "I need time," are understandable, but only for a short while. The truth is that there is never a "completely ready," there is never a really "right time." As with any descent to the unconscious, there comes a time when one simply hopes for the best, pinches one's nose, and jumps into the abyss. If this were not so, we would not have needed to create the words heroine, hero, or courage.

Return to Shaoshan I regret the passing, the dying, of the vague dream: my native orchards thirty-two years ago. Yet red banners roused the serfs, who seized three-pronged lances when the warlords raised whips in their black hands. We were brave and sacrifice was easy and we asked the sun, the moon, to alter the sky. Now I see a thousand waves of beans and rice and am happy. In the evening haze heroes are coming home.

Your goal is simple: Finish. Experience your first race, don't race it. Your first race should be slightly longer or slightly faster than your normal run. Run your first race. Later you can race. You will be a hero just for finishing, so don't put pressure on yourself by announcing a time goal. Look at it this way: The slower you run the distance, the easier it will be to show off by improving your time the next race!

And it would be a bit out of character. President Recep Tayyip Erdogan may have started out as a reformer, but he really enjoys being seen as a larger-than-life tough-guy figure. He doesn't go on photographed hunting expeditions, for instance. But he does have hero moments, such as when his convoy stopped in the middle of the Bosphorus Bridge and he allegedly talked down a jumper, prevented him from committing suicide.

The clan of heroes, the clan of compassion,the clan of destiny." (Firestar on Thunderclan, secrets of the clans) No matter what trials we must endure, Windclan will last forever."(Tallstar on Windclan, secrets of the clans) We are grace. We are power. We are Riverclan."(Leopardstar on Riverclan, secrets of the clans) Shadowclan will always be the dark heart of the forest." Blackstar on Shadowclan, secrets of the clans)

Our heroes are simple: they are brave, they tell the truth, they are good swordsmen and they are never in the long run really defeated. That is why no later books satisfy us like those which were read to us in childhood - for those promised a world of great simplicity of which we knew the rules, but the later books are complicated and contradictory with experience; they are formed out of our own disappointing memories.

The rich plankton of pop heroes and pop villains on which we Americans are accustomed to feed, the daily media soup of sports figures, ax murderers, politicians, and rock singers, the ever-running river of celebs, heavies, and oddballs that we use to spice up our own relatively humdrum lives has of late become a very watery gruel. Where have all the good guys and bad guys gone? Why does everyone out there look so gray?

No one was more important to the game of baseball in the last half of the 20th century than Henry Aaron and no one writes about that supremely talented man, that tumultuous time and this treasure of a game better than Howard Bryant. Together, they are an extraordinary combination, and the book Bryant has written gets to the heart of the complicated and dignified, patient and consistent genuine hero that is Henry Aaron.

"For 46 years, we were engaged in a worldwide battle against communism". "During that time, there were countless heroes, who served in our nation's Armed Forces and played a critical role in America's triumph. These men and women, who sacrificed so much for so many, deserve to be awarded the Cold War Service Medal in recognized of their faithful service to their country and tireless defense of freedom around the world."

Down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid...He is the hero, he is everything. He must be a complete man and a common man and yet an unusual man. He must be, to use a rather weathered phrase, a man of honor, by instinct, by inevitability, without thought of it, and certainly without saying it. He must be the best man in his world and a good enough man for any world

If we mean to have Heroes, Statesmen and Philosophers, we should have learned women. The world perhaps would laugh at me, and accuse me of vanity, but you I know have a mind too enlarged and liberal to disregard the Sentiment. If much depends as is allowed upon the early Education of youth and the first principals which are instill'd take the deepest root, great benefit must arise from literary accomplishments in women.

To embody a new paradigm of civilization - to learn to think like a planet in order to heal and nurture a planet - is not a typical hero's task. It is more the task of a gardener. The planet does not offer us challenges to be overcome to prove our worth or individuality; it presents us with a community to understand, a community with disparate needs and identities that are nonetheless intertwined in mutual dependencies.

You take this cold, remarkable, difficult, dangerous, borderline psychopath man, and you wonder what might have happened to him had he not met his best friend, a friend that no one would have put him with, this solid, dependable, brave, big-hearted war hero. I think people fall in love, not with Sherlock Holmes or Dr. Watson, but with their friendship. I think it is the most famous friendship in fiction, without a doubt.

Fantasy stories open our eyes to an unseen world and train our minds to see beyond the visible. In the New Testament context, this is where our real battles are fought. Good fantasy will reveal the hidden powers of evil that threaten the hero's life and upset his journey. Good fantasy focuses on how a hero finds victory when he learns that he can't win by himself, so he submits to the higher power in faith and obedience.

What can I do now? What am I to become? How can I live in this world I'm condemned to but can't endure? They couldn't stand it either, so they made a world of their own. Well, they have each other's company, and they are heroes, whereas I'm quite alone, and have none of the qualities essential to heroism - the spirit, the toughness, the dedication. I'm back where I was as a child, solitary, helpless, unwanted, frightened.

I began dividing life in absolutes... Things and people were either perfectly bad, or perfectly good, and when life didn't obey this black-and-white rule, when things or people were complex or contradictory, I pretended otherwise. I turned every defeat into a disaster, every success into an epic triumph, and separated all people into heroes or villains. Unable to bear ambiguity, I built a barricade of delusions against it.

I suppose as long as novels last, and authors aim at interesting their public, there must always be in the story a virtuous and gallant hero; a wicked monster, his opposite; and a pretty girl, who finds a champion. Bravery and virtue conquer beauty; and vice, after seeming to triumph through a certain number of pages, is sure to be discomfited in the last volume, when justice overtakes him, and honest folks come by their own.

I am really interested in who owns ideas of religion. What if I say I'm a libertarian, socialist, Occupy-supporting, anti-war, Christian? Is that a controversial idea? I don't see anything really in the original semiotics of Christianity, in the specific parable of the radical socialist Jew from Galilee who becomes the hero figure in the Homeric-word-of-mouth-gossip-novel that becomes the Bible that should make that a paradox.

Rebels and dissidents challenge the complacent belief in a just world, and, as the theory would predict, they are usually denigrated for their efforts. While they are alive, they may be called 'cantankerous,' 'crazy,' 'hysterical,' 'uppity,' or 'duped.' Dead, some of them become saints and heroes, the sterling characters of history. It's a matter of proportion. One angry rebel is crazy, three is a conspiracy, 50 is a movement.

Just like in the art museum, and notions of beauty and pleasure, if the hero is always a white guy with a squared jaw or pretty woman with big breasts, then kids start thinking that's how it's supposed to be. Part of the problem was that black comic book artists were making super heroes with the same pattern as the white super heroes. When you read a lot of those comics, the black super heroes don't seem to have anything to do.

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