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Sports biography at its best. Rich in period detail, anecdote, and fresh perspective, Strong Boy paints both the good and the bad sides of success, as America's growing celebrity culture turned a simple Irish American gladiator into a national, in fact international hero. A very human story with profound parallels for our sports-obsessed culture today!
Who are your heroes? Why do you look up to them? Why do we respect those who live and think for themselves as opposed to doing what is expected? We all admire the idea of living a life unbound by thoughts of fear. People who seem to live that dream inspire us to want to do the same. They mirror the qualities that we possess but are too scared to access.
Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.
I declare that civil war is inevitable and is near at hand. When it comes the descendants of the heroes of Lexington and Bunker Hill will be found equal in patriotism, courage and heroic endurance with the descendants of the heroes of Cowpens and Yorktown. For this reason I predict the civil war which is now at hand will be stubborn and of long duration.
Perseverance is more than endurance." It is endurance combined with absolute assurance and certainty that what we are looking for is going to happen. Perseverance means more than just hanging on, which may only be exposing our fear of letting go and falling. Perseverance is our supreme effort of refusing to believe that our hero is going to be conquered.
We are independent of the change we detect. The longer the lever, the less perceptible its motion. It is the slowest pulsation which is the most vital. The hero then will know how to wait, as well as to make haste. All good abides with him who waiteth wisely; we shall sooner overtake the dawn by remaining here than by hurrying over the hills of the west.
FEARLESS is a vivid account of one man's journey from all-American boy to all-American hero. Blehm's writing takes you beyond the battlefield and right to the heart of the personal battles, sacrifices, and triumphs of one of America's elite warriors. Anyone looking for an inspiring story of inner strength and courage will be richly rewarded by this book.
I realized that Owen [Suskind] is completely brilliant, because he embraced and memorized all these classic Disney films - these fables that chronicle the hero's journey, and have existed for thousands of years. Owen, in a sense, grew up on a diet of myth and fable, and has become an expert on their themes, which contain a moral guide that connects people.
People help way more than we expect, way more than makes sense. But when you talk to people called heroes, they often say they did it for themselves. In one case, a hero said that the cost of not doing it is so great, the sense of shame, when he knew that he was strong enough, that the fear of not doing anything was more frightening than the fear of dying.
I still can't figure out what inspired me to do physics. But since I was nine or ten years old, I wanted to be like [Albert] Einstein. He was my hero. I knew no physicists. I knew no scientists. I had nobody around me. And I went to a convent that didn't even have higher mathematics and physics. I taught myself these subjects in order to get into university.
I grew during segregation in an all-black segregated neighborhood with segregated schools, etcetera. I was raised by a great father, my hero, who I much admired. So, I never really had anxiety in the way that someone like Obama would have. When he walks down the street alone, since no one knows who his mother is, they're just going to see him as a black guy.
Acting is the great love of my life. It gives you permission to use all parts of yourself. Permission to be the hero, the love interest, the comedian, the villain. Transformation excites me. So does truth. Nothing is more thrilling, hilarious, and tragic than the truth. Those things motivated me to become an actor. Also, they always have the best food on set.
Our revolution is like Wikipedia, okay? Everyone is contributing content, [but] you don't know the names of the people contributing the content. This is exactly what happened. Revolution 2.0 in Egypt was exactly the same. Everyone is contributing small pieces, bits and pieces. We drew this whole picture of a revolution. And no one is the hero in that picture.
Adam has always had . . . heroic tendencies.” I touched Adam’s arm. “He’s my hero.” There was another pause. . . “That is the most romantic thing I’ve ever heard you say,” Bran said. “Be careful, Adam, or you’ll turn her into a real girl.” Adam looked at me. “I like her just the way she is, Bran.” And he meant it, greasy overalls, broken fingernails, and all.
[Action's] a Western thing. We think of the hero going into battle, rebelling against a government or an oppressor, but [in KUNDUN] action is nonaction or what appears to be nonaction. That's a hard concept for Western audiences. . . . We wanted to show a kind of moral action, a spiritual action, an emotional action. Some people will pick up on it; some won't.
Our nation is indeed fortunate that we can still draw on an immense reservoir of courage, character, and fortitude, that we are still blessed with heroes like those of the Space Shuttle Challenger. Man will continue his conquest of space. To reach out for new goals and ever-greater achievements, that is the way we shall commemorate our seven Challenger heroes.
Americans ... do not naturally apply the term "bourgeois" to themselves, or to anyone else for that matter. They do like to call themselves middle class, but that does not carry with it any determinate spiritual content. ... The term "middle class" does not have any of the many opposites that bourgeois has, such as aristocrat, saint, hero, or artist - all good.
They may be called the Palace Guard, the City Guard, or the Patrol. Whatever the name, their purpose in any work of heroic fantasy is identical: it is, round about Chapter Three (or ten minutes into the film) to rush into the room, attack the hero one at a time, and be slaughtered. No one ever asks them if they want to. This book is dedicated to those fine men.
Yes, there are plenty of heroes and heroines everywhere you look. They are not famous people. They are generally obscure and modest people doing useful work, keeping their families together and taking an active part in the health of their communities, opposing what is evil (in one way or another) and defending what is good. Heroes do not want power over others.
Even in the darkest of times we have the right to expect some illumination, and ... such illumination may well come less from theories and concepts than from the uncertain, flickering, and often weak light that some men and women, in their lives and their works, will kindle under almost all circumstances and shed over the time-span that was given them on earth.
I think the superhero platform gives the female character, you know, a relate-ability for the male audience as well. So, I think that's why people are kinda gravitating towards female super hero characters, and also female characters in general as big parts of the film. So, that's great for us, female actors who want to do roles like that, which is really great.
The Peloponnesian War turns out to be no dry chronicle of abstract cause and effect. No, it is above all an intense, riveting, and timeless story of strong and weak men, of heroes and scoundrels and innocents too, all caught in the fateful circumstances of rebellion, plague, and war that always strip away the veneer of culture and show us for what we really are.
Who but the artist has the power to open man up, to set free the imagination? The others - priest, teacher, saint, statesman, warrior - hold us to the path of history. They keep us chained to the rock, that the vultures may eat out our hearts. It is the artist who has the courage to go against the crowd; he is the unrecognized "hero of our time" - and of all time.
Here are examples of real women who have done real things: good, bad, and in between. We're expanding not just the definition of the female or feminine hero, but also villains and more complex, nuanced female characters. Too often I hear men say, "I don't know how to write women." Here you go, here are five incredible women you can use to inspire your own stories.
You know, a friend of mine asked me before I got here... it was when we were all shipping out. He asked me, 'Why are you going to fight somebody else's war? What, do y'all think you're heroes?' I didn't know what to say at the time, but if he asked me again, I'd say no. I'd say there's no way in hell. Nobody asks to be a hero. It just sometimes turns out that way.
The seventh rule of the ethics of means and ends is that generally success or failure is a mighty determinant of ethics. The judgment of history leans heavily on the outcome of success or failure; it spells the difference between the traitor and the patriotic hero. There can be no such thing as a successful traitor, for if one succeeds he becomes a founding father.
Let me tell you humans something. You are not fighters. You don’t have what it takes to actually change your current living situations. You can’t even organize a decent group to combat oppression. How can beings of such low stature hope to do anything? You are not heroes. Stop pretending you are helping by playing commando and get out of the way of someone who can.
Proving that the best villains have the charisma of a hero, (Jason) Statham makes a strong impression, supplying the kind of menace that permeates the movie even when he's not on screen. His fight with (Dwayne) Johnson doesn't have the bang you'd expect from a The Transporter versus The Rock match-up, but the climactic Statham-(Vin)Diesel battle more than delivers.
We become male automatically because of the Y chromosome and the little magic peanut, but if we are to become men we need the helpof other men--we need our fathers to model for us and then to anoint us, we need our buddies to share the coming-of-age rituals with us and to let us join the team of men, and we need myths of heroes to inspire us and to show us the way.
Decisive inventions and discoveries always are initiated by an intellectual or moral stimulus as their actual motivating force, but, usually, the final impetus to human action is given by material impulses ... merchants stood as a driving force behind the heroes of the age of discovery; this first heroic impulse to conquer the world emanated from very mortal forces
I literally wouldn't have dreamed of it in a million years that I'm going to be standing there with George (Strait) and Garth and Kenny (Chesney) and Reba (McEntire) and Brooks & Dunn. I don't really have any clue what I'm actually doing with those people because I feel like I'm still just getting started and I've seen them all in concert and they're all my heroes.
My mother is my hero just because, what life becomes about is overcoming adversity, and I watched her overcome so many things in life but still able to smile. See it's one thing to overcome adversity and to be scarred and to carry that with you but when you have somebody overcomes adversity and they're still able to smile that's something else. That's true strength.
Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show. To begin my life with the beginning of my life, I record that I was born (as I have been informed and believe) on a Friday, at twelve o’clock at night. It was remarked that the clock began to strike, and I began to cry, simultaneously.
by now you've already formed your own impression. you believe that an act committed a lifetime ago defines a man, or you believe that a person's past has nothing to do with his future. you think i am either a hero, or a monster. maybe knowning more about circumstances will make you think differently about me, but it won't change what happened twenty-eight years ago.
I was always the hero with no vices, reciting practically the same lines to the leading lady. The current crop of movie actors are less handicapped than the old ones. They are more human. The leading men of silent films were Adonises and Apollos. Today the hero can even take a poke at the leading lady. In my time a hero who hit the girl just once would have been out.
For me, seeing our history told in this light, the ones who did rebel, the ones who did revolt, the revolutionaries, excited me. Seeing this story of the Underground Railroad ... and that is such a proud part of our history that not a lot of us know about, where these brave men and women, they were heroes, really helped tear down the system of slavery just by running.
John Lewis is such a remarkable human being. Literally, such a beautiful human being. I remember the first time I met him. We were in the middle of a scene and [Selma director] Ava DuVernay calls, "Cut," and then he literally just came in. He just came walking in.I just froze. I can't explain the feeling. Seeing somebody who was literally a living hero. He was a hero.
The sublime can only be found in the great subjects. Poetry, history and philosophy all have the same object, and a very great object-Man and Nature. Philosophy describes and depicts Nature. Poetry paints and embellishes it. It also paints men, it aggrandizes them, it exaggerates them, it creates heroes and gods. History only depicts man, and paints him such as he is.
Contrary to popular belief, maybe, I'm a really friendly guy, I guess, and I really like meeting people. And I'm not really super impressed even if you're my hero; I can just rap with you and we can hang. I'm not gonna like sit there and bite my lip and ask questions about certain songs - okay I might do that once or twice. But it's just, like, two people hanging out.
Your novels show only the tiniest fraction of detective work, the brilliant crime, the tantalizing clues, the dramatic chase, the final battle atop a lofty peak with ocean waves crashing down below, and then… justice served! If they wrote about the real world, four-fifths of the story would consist of the hero sitting in a library for months and following false leads.
My stories are known for featuring fun, fearless Cosmopolitan-type heroines as well as delicious, dangerous heroes synonymous with Harlequin. Afterburn and Aftershock will be no exception. I'm excited to share these sizzling new romances with readers and to do so hand in hand with Harlequin and Cosmopolitan, beloved brands known for giving women exactly what they want.
I continue to explain that plot inconsistencies in B movies are consistent, and should not be allowed to undermine one's enjoyment of the action, nor the fundamental credibility of the storyline: the good & bad guys are clearly delineated & easily recognizable, the hero duffs over the baddies, things blow up loudly & spectacularly, the good guy wins. Entirely credible.
Mother Teresa was a hero of mine for a long time. I just like the way she took on the world from a very humble place. She has a great quote. When she was leaving her monestary to start Sisters of Charity, she had two pennies. She was asked by a head priest what she could possibly do with two pennies. She said, 'Nothing. But with two pennies and God, I can do anything'.
Rivers and mountains are beautiful and made heroes bow and compete to catch the girl- lovely earth. Yet the emperors Shih Huang and Wu Ti were barely able to write. The first emperors of the Tang and Sung dynasties were crude. Genghis Khan, man of his epoch and favored by heaven, knew only how to hunt the great eagle. They are all gone. Only today are we men of feeling.
It has been said that I have three heroes: Christ, Marx and Freud. This is reducing everything to formulae. In truth, my only hero is Reality. If I have chosen to be a filmmaker as well as a writer it is because, rather than expressing reality through those symbols that are words, I have preferred the cinema as a means of expression - to express reality through reality.
It was actually a lot more helpful to have Calvin Hart, a cop, as my template. He was also my technical advisor on Shaft. This time, I kinda got to go to Jersey City with him, and hang around, and watch him interact with other cops, people in the projects, and see what it means to be him. People call him 'Big Daddy' and he's this larger-than-life hero to a lot of people.
There was a generation of kids who were just kind of emulating distant heroes and wearing peace symbols, and parents who were thinking of themselves as liberal and removed from barbarity, but it also was the era of Vietnam. I very much was influenced - and I think the whole country was kind of in a state of shock - for the first time seeing the horror and cruelty of war.
So when I open the door on Halloween, I am confronted by three or four imaginary heroes, such as G.I. Joe, Conan the Barbarian and Oliver North, who would look very terrifying except that they are three feet tall and facing in random directions. They stand there silently for several seconds before an adult voice hisses from the darkness behind them: "Say 'Trick or treat!
Teachers who have plugged away at their jobs for twenty, thirty, and forty years are heroes. I suspect they know in their hearts they've done a good thing, too, and are more satisfied with themselves than most people are. Most of us end up with no more than five or six people who remember us. Teachers have thousands of people who remember them for the rest of their lives.
Julian was not insensible of the advantages of freedom. From his studies he had imbibed the spirit of ancient sages and heroes; his life and fortunes had depended on the caprice of a tyrant; and, when he ascended the throne, his pride was sometimes mortified by the reflection that the slaves who would not dare to censure his defects were not worthy to applaud his virtues.