Hero Quotes - Page 65

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This is the way we win over our enemies, not with bigger weapons, or faster ships, but with human courage, ingenuity, and sacrifice. Don't lose hope. We've faced the darkness before-it has nothing new to teach us. As we go about our lives, let us remember the example Dr. Navarro set for us. At the right time, anyone can be a hero.

Often I have found that the one thing that can save is the thing which appears most to threaten ... one has to go down into what one most fears and in that process ... comes a saving flicker of light and energy that, even if it does not produce the courage of a hero, at any rate enables a trembling mortal to take one step further.

'Easter' is a movable event, calculated by the relative positions of sun and moon, an impossible way of fixing year by year the anniversary of a historical event, but a very natural and indeed inevitable way of calculating a solar festival. These changing dates do not point to the history of a man, but to the hero of a solar myth.

Everybody loves the underdog, and then they take an underdog and make him a hero and they hate him. But as long as they can knock you back down, it seems like if you're an underdog again, and things do surface, and they think this is real, 'these guys' intentions are genuine and sincere,' it seems like they will embrace you again.

I think there need to be more female action heroines out there that are intelligent and not overly masculine and things like that so I'd love to find - and real too. Not necessarily the superhero perfect archetype of what an action hero is represented as a lot of times. I would love to find that kind of action heroine role to play.

We lost faith in authority in the '50s, up to a point, and we spawned a lot of anti-heroes in movies, which were refreshing and open. But at this point, with the distrust that's there and the disillusionment with leadership that is so acute, we need some kind of a focus on taking the irony out and taking the anti-hero element away.

There will be a wealth of facts revealed and revisited in [Underground] pertaining to Harriet Tubman. That is a huge part of my excitement, the fact that this generation will get such a beautifully-detailed introduction to a hero and icon that has largely lived in a few pages of our history books and in one-dimensional photographs.

The rise of the anti-hero can be traced to a litany of social reasons. Post World War I, for instance, saw the blooming of some pretty dark stuff - I'm thinking of Dashiell Hammett's Red Harvest, for instance, when "The Continental Op" shows up in Poisonville to clean up the town...and proceeds to kill something like thirty people.

I hate the word mentor, the professionalization of friendships between generations. I just feel like the fact of friendship is the thing we all adored, like the younger befriends or reaches out to their hero, and for me, whenever you meet some younger person, who has a fire in their gut, a way of being in the world, it excites you.

My dream role is to portray someone like James Baldwin. I've always been a fan of his writing, and I feel like he's one of our unsung heroes. He's been pretty much forgotten, and I think he needs to be recognized. He had to go all the way to Europe to find recognition and acceptance, and I'd just like to bring him to the forefront.

Sing to me," she said. "That would be valiant, to raise your voice in this dark, lonely place, and it will be useful as well. Sing to me, sing loudly-drown out my dreams, keep me from remembering whatever wants me to remember it. Sing to me, my lord prince, if it please you. It may not seem a hero's task, but I would be glad of it.

Only the violent acts of men "count" toward something besides evil in a patriarchy. It is the male story of violence that is sanctioned both socially and aesthetically. The male hero and acts of heroism require violence. Everyone is okey dokey with that. We are only beginning to see that constricting set of truths open up a little.

Embracing and rejecting tradition, bound and liberated by faith, torn between obscurantism and reason, self-assured and self-critical, they were a kaleidoscope of fragments, positions held and abandoned, images formed and shattered, God-fearing Jew, God-denying Jew, passionate and indifferent, hero and villain, yea-sayer, nay-sayer.

Dad," said Will, his voice very faint. "Are you a good person?" "To you and your mother, yes, I try. But no man's a hero to himself. I've lived with me a lifetime, Will. I know everything worth knowing about myself-" "And, adding it all up...?" "The sum? As they come and go, and I mostly sit very still and tight, yes, I'm all right.

When I was getting my education, I fell in love with the writings of Peter Drucker. He was my hero. I had a naive belief that when I became a manager, it was going to be like Peter Drucker's books. That is, I was going to be the effective executive. I was going to talk to people about their goals. I was going to help them actualize.

The president is the high priest of what sociologist Robert Bellah calls the 'American civil religion.' The president must invoke the name of God (though not Jesus), glorify America's heroes and history,quote its sacred texts (the Declaration of Independence and the Constitution), and perform the transubstantiation of pluribus unum.

I wish heroes didn't exist. Whenever we need a hero, it's because there's a problem that needs to be solved; it's because two groups of people, or two countries, are hurting one another, so a hero is needed to save us. If everyone were at peace, if everyone were happy, why would we need heroes? The world is better off without heroes.

What makes a hero? Courage, strength, morality, withstanding adversity? Are these the traits that truly show and create a hero? Is the light truly the source of darkness or vice versa? Is the soul a source of hope or despair? Who are these so called heroes and where do they come from? Are their origins in obscurity or in plain sight?

The gospel of grace nullifies our adulation of televangelists, charismatic superstars, and local church heroes. It obliterates the two-class citizenship theory operative in many American churches. For grace proclaims the awesome truth that all is gift. All that is good is ours, not by right, but by the sheer bounty of a gracious God.

These often unsung heroes understand...that poverty, disease and famine are just as deadly and destructive as earthquakes, hurricanes and tsunamis. Individuals ...are taking on these challenges in their communities, volunteering to make a difference. They remain the true champions of our work towards the Millennium Development Goals.

I love the ideas of looking back to historical heroes to give us inspiration on how we can be today's heroes to move forward in the future. So guys like... William Bradford and William Wallace, the Bravehearts, the Patriots, the Pilgrims. There are so many of those people throughout history... whose stories have just never been told.

Dizzee's just my childhood hero. He's definitely the inspiration. He's got himself to a very good place. He's defied the expectations of what British black urban music was like. He was the first person who made the rest of Britain realise it wasn't just a one-album-type situation. You've got to take your hat off to somebody like that.

I want Green Arrow to have fun. I don't want him to be a tortured hero. I mean, I've written plenty of tortured heroes, like Daredevil. But it's all there in Daredevil's origin as to why he'd be a tortured adult. Green Arrow doesn't have that kind of origin. In fact, he's such a clean slate that he doesn't even have an origin anymore.

Blind Curve, the book I'm working on now, sprang from a crazy incident that happened to me last year while on my book tour. I was pulled out of my car for a minor traffic violation - an incident that escalated into my being thrown into cuffs and told I was going to jail. Except in my story, the hero doesn't get off as easily as I did.

Films with female protagonists don't attract many eyeballs. Most of them are perceived as feminist films. If Bollywood starts giving women major roles in entertaining movies, then the audience, too, will open up to the idea of watching commercial films in which the actresses do more than just play the role of the hero's love interest.

As a real person, he wouldn't last a minute, would he? But drama is about imperfection. And we've moved away from the aspirational hero. We got tired of it, it was dull. If I was House's friend, I would hate it. How he so resolutely refuses to be happy or take the kind-hearted road. But we don't always like morally good people, do we?

I think that part of the reason that 'Iron Man' was so successful was that we really chose to break new ground in a new area tonally, cast wise, the way we depict the hero, what his abilities are. It felt fresh in a genre that is beginning to feel stale if it's not done with the proper amount of inspiration and a strong voice or tone.

I think "Heroes of Cosplay" will show a lot of the positive things, like how much effort it takes to make a costume. These people on the show aren't taking shortcuts. As long as that effort gets through to the viewers, we will be inspirational. Then there will be people who watch the show that want to get in and hands-on make outfits.

Once I start to do a film, it has inferences. If a guy walks down a street and kicks a dog, you're saying something about that guy. A guy walks down the street and somebody's about to be run over and he shoves him out of his way and gets hit by the car himself, you're saying that guy's a hero. You can't avoid making certain statements.

Aladdin' was probably my favorite Disney animation when I was a kid. The animation was great and Robin Williams was unbelievable as the Genie. 'Aladdin' was an amazing adventure and the lead character was a hero for guys, which I loved. It wasn't a princess or a girl beating the odds; it was a street rat. That seemed really cool to me.

The impulses of my heart are the voice of Nature, which is never mistaken. The institutions that stand in my way are man-made and are only arbitrary conventions to which I have never given my consent. In trampling these institutions underfoot, I shall have the double pleasure of satisfying my inclinations and of believing myself a hero

On that day, we couldn't reach the conclusion whose hero is the strongest. And today when we are 41 years old, we can protect neither the Earth nor the women we love. We are now just the anti-heroic men, struggling with everyday life. Those boys wo wanted to become heroes... where did they all go? Whose heroes can we become at the end?

Perhaps the most radical thing we followers of Jesus can do in the information age is treat each other like humans-not heroes, not villains, not avatars, not statuses, not Republicans, not Democrats, not Calvinists, not Emergents-just humans. This wouldn't mean we would stop disagreeing, but I think it would mean we would disagree well.

'Aladdin' was probably my favorite Disney animation when I was a kid. The animation was great and Robin Williams was unbelievable as the Genie. 'Aladdin' was an amazing adventure and the lead character was a hero for guys, which I loved. It wasn't a princess or a girl beating the odds; it was a street rat. That seemed really cool to me.

I always believe, with any kind of hero, that you want to believe that their decision-making is right. That ultimately, I can trust what that guy's sense of right and wrong will be. Even in a vigilante movie, where you are going against the law by definition, you still want to agree with the fact that your character is breaking the law.

There are a lot of writers who just want to do their own thing and avoid the rest of the Marvel Universe. But for me that was one of the things I loved about Marvel: that shared universe. So of course you would run into a mutant in Manhattan. You would run into another hero in Manhattan. For me, I figured why not? Why not have that fun?

That is the problem with this rich and anguished generation. Somewhere a long time ago they fell in love with the idea that politicians- even the slickest and brightest presidential candidates- were real heroes and truly exciting people. That is wrong on its face. They are mainly dull people with corrupt instincts and criminal children.

R.G. Belsky's thought-provoking thriller, The Kennedy Connection, introduces us to a smart, witty, and human hero whose quest to find answers about two crimes - one famous, one all but unnoticed - is loaded with tension and full of unexpected twists and turns. I loved The Kennedy Connection, and can't wait for the next Gil Malloy novel.

'Blind Curve,' the book I'm working on now, sprang from a crazy incident that happened to me last year while on my book tour. I was pulled out of my car for a minor traffic violation - an incident that escalated into my being thrown into cuffs and told I was going to jail. Except in my story, the hero doesn't get off as easily as I did.

A lot of 'Shonen Jump' anime, you see a lot of battles, a lot of aggression, and it's very relatable to players. There's a hero, and he has to go through a lot of rough training, put his body through the unthinkable so that he can save the world or do his task. His or her challenge is saving the world; our challenge is winning the game.

Oh, this faithless world! Someone must deliver them. You. If not you, who? You have been saved for a reason. Show them the old demons. Remind them of their fear. Apathy is death. Without darkness, there is no light. Without evil, there is no good. Make them choose. Dark or light. Where is the fear? Where are the heroes? If not now, when?

To the Parisians, and especially to the children, all Americans are now 'heros du cinema.' This is particularly disconcerting to sensitive war correspondents, if any, aware, as they are, that these innocent thanks belong to those American combat troops who won the beachhead and then made the breakthrough. There are few such men in Paris.

I love and honour [Paulus Aemilius, in Plutarch's Lives], for his fondness for his children, which instead of blushing at, he avows and glories in: and that at an age, when almost all the heros and great men thought that to make their children and family a secondary concern, was the first proof of their superiority and greatness of soul.

I liked the idea of creating a new pop-culture, folkloric hero character that I created with 'Django' that I think's gonna last for a long time. And I think as the generations go on and everything, you know, my hope is it can be a rite of passage for black fathers and their sons. Like, when are they old enough to watch 'Django Unchained'?

For me, Yves Saint Laurent is a hero because he fought his whole life against illness. Maybe the only way to fight this illness for him was to make it positive with creation. Otherwise he would have been lonely or in the hospital. He had so many issues with alcohol, drugs, and everything, this explains a lot about his necessity to create.

Times have changed and so have heroes and heroines, but the core of what makes readers happy has remained the same: Does the material touch you, resonant with you, stick with you? Do you feel yourself in the pages, see yourself walking in another person's shoes, hear the voices as they speak? Are you in love with the way they are in love?

Whistleblowers is another aspect that needs to be addressed. We have to restore the protections of whistleblowers and also the encouragement and rewards. It shouldn't just be that they don't get crucified; it should be that they are again folk heroes, or celebrated for bringing critical matters to public attention, as opposed to traitors.

The Christians tried to separate themselves from the Jewish crowd so they wouldn't be the recipients of the persecution of the Romans. And the way they did it was to say, the Jews killed our hero too. And so Christians began to define themselves over against the orthodox party of the Jews as a way of surviving against the Roman onslaught.

Once, long ago, Parminder had told Barry the story of Bhai Kanhaiya, the Sikh hero who had administered to the needs of those wounded in combat, whether friend or fo. When asked why he gave aid indiscriminately, Bahai Kanhaiya had replied that the light of God shone from every soul, and that he had been unable to distinguish between them.

So much of truth, only under an ancient obsolete vesture, but the spirit of it still true, do I find in the Paganism of old nations. Nature is still divine, the revelation of the workings of God; the Hero is still worshipable: this, under poor cramped incipient forms, is what all Pagan religions have struggled, as they could, to set forth.

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