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The designs of the paper euros, introduced in 2002, proclaim a utopian aspiration. Gone are the colorful bills of particular nations, featuring pictures of national heroes of statecraft, culture and the arts, pictures celebrating unique national narratives. With the euro, 16 nations have said goodbye to all that.
The monster does not need the hero. it is the hero who needs him for his very existence. When the hero confronts the monster, he has yet neither power nor knowledge, the monster is his secret father who will invest him with a power and knowledge that can belong to one man only, and that only the monster can give.
Just look at the history of cinema. The most reproduced male character is probably the hero and the most reproduced female character is probably the sex object. I think those stereotypes have been reproduced over and over again. It also changes our expectations when it comes to a situation like this in real life.
The only thing I have to say to people - try being the hero of your own world one day. Don't spend your life thinking about what somebody did or if they failed at this or if they did great at that or they got caught with a monkey, in a bathtub, having sex. You should at one point become the hero of your own world.
Only while they are conforming their actions to the model of some archetypal hero do the Arunta feel that they are truly alive, for in those roles they are immortal. The occasions on which they slip from such molds are quite meaningless, for time immediately devours those occasions and reduces them to nothingness.
By...our readiness to allow arms to be purchased at will and fired at whim; by allowing our movie and television screens to teach our children that the hero is one who masters the art of shooting and the technique of killing...we have created an atmosphere in which violence and hatred have become popular pastimes.
American fighters of the Pacific War were not heroes. The desperation of island combat included exchanged barbarities of which no one would willingly speak for a generation. On the American side, there were foul racism, vengeful refusals to take prisoners, a generalized brutality that extended to a savage air war.
Men who have sacrifice their well-being, and even their lives, for the cause of truth or the public good, are, from an empirical point of view - which scorn ("fait fi", Fr.) virtue and altruism - regarded as insane or fools; but, from a moral standpoint, they are heros who do honour ("qui honorent", Fr.) humanity.
I went to film school so I have a writing and directing background, and I think a lot of the material I'm interested in writing and getting out there is stories about anti-heroes and people you should just not ordinarily root for - trying to figure out a way of appealing to people they wouldn't normally appeal to.
Greatest American Hero, I really dug that as a kid, because it had an alienation to it, where he was given a gift and didn't know why, and yet he was forced to do something with it and he was very much an out-of-place character who was trying to cope with his own surroundings, and I can kind of relate to that guy.
We had set out in a rain of flowers to seek the death of heroes. The war was our dream of greatness, power and glory. It was a man's work, a duel on the fields whose flowers would be stained with blood. There is no lovelier death in the world... Anything rather than stay at home, anything to make one with the rest.
Heroes are not giant statues framed against a red sky. They are people who say: This is my community, and it is my responsibility to make it better. Interweave all these communities and you really have an America that is back on its feet again. I really think we are gonna have to reassess what constitutes a 'hero'.
To be human is to have one's little modicum of romance secreted away in one's composition. One never ceases to make a hero of one's self, (in private,) during life, but only alters the style of heroism from time to time as the drifting years belittle certain gods of his admiration and raise up others in their stead.
When you get to the point where you're established enough that people link you with something, especially being an action hero babe, it's awesome. Because then you can fight the battles and have the crossbows and wrestle with swords and ride the horses because you're already believable; people see you in that genre.
'Greatest American Hero,' I really dug that as a kid because it had an alienation to it, where he was given a gift and didn't know why, and yet he was forced to do something with it, and he was very much an out-of-place character who was trying to cope with his own surroundings, and I can kind of relate to that guy.
Perhaps it would have been possible to see in him a new Prometheus...the hero who for the good of mankind exposes himself to the agonies of the damned...undaunted by failure, by an unceasing effort of courage holding despair at bay, doggedly persistent in the face of self-doubt, which is the artist's bitterest enemy.
Some time ago a publisher told me that there are four kinds of books that seldom, if ever, lose money in the United States--first,murder stories; secondly, novels in which the heroine is forcibly overcome by the hero; thirdly, volumes on spiritualism, occultism and other such claptrap, and fourthly, books on Lincoln.
In the hero stories, the call to go on a journey takes the form of a loss, an error, a wound, an unexplainable longing, or a sense of a mission. When any of these happens to us, we are being summoned to make a transition. It will always mean leaving something behind,...The paradox here is that loss is a path to gain.
Earl Mills is probably the best role I've ever been given in a film. And it was a great experience to work with Halle [Berry] and Klaus Maria Brandauer, an Austrian actor who's a hero of mine. Martha Coolidge directed the movie [Introducing Dorothy Dandridge], giving me another shot, and it was an amazing experience.
Nearly every day on the television set the hero cop breaks into the bad guy's house and beats a confession out of him and we cheer on the cop. Propaganda smears our clear vision. It causes us to accept the diminishment of our constitutional protections as something to be lauded - after all, the cop was protecting us.
Isn't every hero aware of all the terrible reason they did those good deeds?" Aware of every mistake they ever made and how good people got hurt because of their decisions? Don't they recall the moments they weren't heroic at all? The moments where their heroism led to more deaths than deliberate villainy ever could?
During his last 18 months in office, Eisenhower flew to Asia, Europe, and Latin America and deployed his war hero's popularity to seek new friends for America while trying to improve relations with Moscow. By the time Ike left office, most Americans had forgotten their anger over losing the space race to the Soviets.
If anyone on the verge of action should judge himself according to the outcome, he would never begin. Even though the result may gladden the whole world, that cannot help the hero; for he knows the result only when the whole thing is over, and that is not how he became a hero, but by virtue of the fact that he began.
When you go back to the above names it was a very much narrower situation - the alternatives were far fewer. Today there is much more competition for the 'hero stakes'! And if you think about all the alternatives you have today to spend your time on, the pool of heroes is much broader. It was very much less back then.
The Blood of Heroes is surely the best account to date, one that presents plenty of new insights while acting as a corrective-or at least an alternative viewpoint-to previous accounts....Donovan combines that vital blend of authoritative scholarship with the vivid writing necessary to make an oft-told tale seem fresh.
The first typical adolescent of modern times was Wagner's Siegfried. : the music of Siegfried expressed for the first time that combination of (provisional) purity, physical strength, naturism, spontaneity and joie de vivre which was to make the adolescent the hero of our twentieth century, the century of adolescence.
Some say Edward Snowden is a hero and a patriot. Others say he's a fool and a traitor. The evidence is mounting that the guy who leaked the details about the National Security Agency's Internet-eavesdropping program may be something more sinister - namely, a willing tool in China's ongoing cyberwar against our nation.
I spent my entire experience with Gary on Tinker Tailor Soldier Spy staring at him and not returning any lines because I think he's God. The second time on The Dark Knight Rises I was playing God, so I ignored him. Kicked him a bit, that kind of thing. Gary Oldman is one of my heroes, I did nothing but glean from him.
There is a coldness to the Clave, it is true. We are dust and shadows. But you are like the heroes of ancient times, like Achilles and Jason.” “Achilles was murdered with a poisoned arrow, and Jason died alone, killed by his own rotting ship. Such is the fate of heroes; the Angel knows why anyone would want to be one.
I didn't picture myself as even a grandmaster, to say nothing of aspiring to the chess crown. This was not because I was timid - I wasn't - but because I simply lived in one world, and the grandmasters existed in a completely different one. People like that were not really even people, but like gods or mythical heroes.
The difference between 'Watchmen' and a normal comic book is this: With 'Batman's Gotham City,' you are transported to another world where that superhero makes sense; 'Watchmen' comes at it in a different way, it almost superimposes its heroes on your world, which then changes how you view your world through its prism.
People who become great leaders are those who take time to reflect every day on the big questions: Who am I? What is my purpose? Who are my heroes in history, mythology, and religion? What are my unique talents and how do I express them? These are the qualities of silent reflection that make a great leader, like Jesus.
A properly balanced story provides an equal representation of the negative and positive attributes of, I could say the world, but it's actually a being. 'Harry Potter''s a good example. So Harry's the hero, right. But he's tainted with evil. There's a dark and a light in every bit of that narrative. It's well balanced.
I wanted to avoid what some modern tellers have done, quite legitimately, to make fairy tales more like novels and short stories, to characterize the heroes and the heroines much more than they are characterized in Grimm. I like the psychological flatness of them, the fact that they're more like masks than individuals.
We will never know the extent of the damage movies are doing to us, but movie art, it appears, thrives on moral chaos. When the country is paralyzed, the popular culture may tell us why. After innocence, winners become losers. Movies are probably inuring us to corruption; the sellout is the hero-survivor for our times.
Myths and legends die hard in America. We love them for the extra dimension they provide, the illusion of near-infinite possibility to erase the narrow confines of most men's reality. Weird heroes and mould-breaking champions exist as living proof to those who need it that the tyranny of 'the rat race' is not yet final.
I come from a blue collar family, but my personal life isn't. I didn't get the gene that my grandfather had in spades. He was a local hero. Built the church that I went to. Built the house I grew up in. Steamfitter, pipefitter, electrician, mechanic and plumber. I wanted to do those things. But it just didn't come easy.
I haven't been in the film world long enough to really understand the gravity of 'Big Hero's' success. I'm just happy that it is translating well internationally and that the story and the characters are loved by audiences around the world, and everything that's come after that has been secondary to the initial response.
Everybody wants to be a better version of themselves - everybody. And I hope one day I can lose some weight. Maybe, who knows, I'll hire myself a trainer and a fancy cook. In five years, maybe I'll be an action hero. Then again, maybe I'll just be this guy. Who knows? But the fun part is embracing the human side of that.
We are hunting the demons that haunt others. We get a smell and off we go. And you know why, Sunil? You know why we are so good at hunting the demons of others? Because we are so good, gifted even, at stalking and evading our own. But all demons hunters think that they are really heroes, and you know what all heroes need?
There’s nothing entertaining about watching goons hurl venomous slurs at congressmen like the civil rights hero John Lewis and the openly gay Barney Frank. How curious that a mob fond of likening President Obama to Hitler knows so little about history that it doesn’t recognize its own small-scale mimicry of Kristallnacht.
Despite the natural belittling of one's self, the doubts, the insecurities, we have to wake up to the realisation that we all write our own autobiography, we are the authors of our life story. Realising that, write a good story with your life and make sure to write yourself as the protagonist. Be the hero of your journey.
Strike against war, for without you no battles can be fought. Strike against manufacturing shrapnel and gas bombs and all other tools of murder. Strike against preparedness that means death and misery to millions of human beings. Be not dumb, obedient slaves in an army of destruction. Be heroes in an army of construction.
For a lot of people, Superman is and has always been America's hero. He stands for what we believe is the best within us: limitless strength tempered by compassion, that can bear adversity and emerge stronger on the other side. He stands for what we all feel we would like to be able to stand for, when standing is hardest.
The most interesting heroes have a bit of villainy to them, and the most interesting villains have a certain bit of heroism in them. I think (Alan Shore) intends to do the right thing, but his view of the world is very different so, to get to the right place, he sometimes takes a path that goes through a very dark forest.
I consider myself an inventor first and an entrepreneur second. In real life, my hero is Thomas Edison. He was a great inventor, but also an outstanding entrepreneur who was able to sell his inventions to the masses. He didn't just develop the light bulb; he invented the entire electric grid and power distribution system.
In displaying the psychology of your characters, minute particulars are essential. God save us from vague generalizations! Be sure not to discuss your hero's state of mind. Make it clear from his actions. Nor is it necessary to portray many main characters. Let two people be the center of gravity in your story: he and she.
Heroes have gone out; quacks have come in; the reign of quacks has not ended with the nineteenth century. The sceptre is held with a firmer grasp; the empire has a wider boundary. We are all the slaves of quackery in one shape or another. Indeed, one portion of our being is always playing the successful quack to the other.
I was always attracted to the type of cinema hero as an adolescent growing up in Ireland. Robert Mitchum springs to mind. Later on, it was Steve McQueen to a certain extent and Charles Bronson. They're these types of grizzled characters who had one foot on the side of law and order and the other foot in the bad guy's camp.
Neil Young is my hero, and such a great example. You know what that guy has been doing for the past 40 years? Making music. That's what that guy does. Sometimes you pay attention, sometimes you don't. Sometimes he hands it to you, sometimes he keeps it to himself. He's a good man with a beautiful family and wonderful life.