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When it looks at great accomplishments, the world, bent on simplifying its images, likes best to look at the dramatic, picturesquemoments experienced by its heroes.... But the no less creative years of preparation remain in the shadow.
In Atlanta, with a large African-American population, Sosa is often considered a black man. In Miami and Los Angeles, with larger Hispanic populations, he is a Latino man, and the black label is rejected as robbing Hispanics of a hero.
By that I mean, I think that it is true that politics and political heroes have to satisfy our need to be greater than mortal in some way, and that's led them into creating illusions, sound bites, focus groups that tell you what to do.
Yeah, I was a local hero. It was great for me, 'cos I had a full house every night all night seven nights a week for five years that I played. The next five years I just played five days a week, but I still had a full house every night.
Buddha and Christ were second-rate heroes. The greatest men that ever live pass away unknown. They put forth no claims for themselves, establish no schools or systems in their name. They never create any stir but just melt down in love.
I wrote a play once called 'Lobby Hero,' which I thought turned out very well, but there's no final version of it. I published the one we produced, but there are seven other versions with different variations sitting in my desk at home.
In a sense, by closing off the idea that young Muslims, and particularly young Muslim men, can be American heroes, it increases the chance that they'll try to be some other kind of hero. And that, I think, is entirely counterproductive.
My food hero would be someone like Elizabeth David, because I think what she did for Britain was amazing. Also David Thompson, an Australian chef who does Thai food and really understands the basis of it, has always been very inspiring.
The difference between human heroes and sacred characters lies just in this: the man is just a man, but behind the man of God, God Himself is ever standing greater than the man and overshadowing him by His infinite and glorious presence.
I still don't understand why the tag of 'action hero' follows me. My films have all these elements - romance, action and comedy. None of the fight sequences of my character is an act of randomness. There's a reason to action in my films.
Men of real talents in Arms have commonly approved themselves patrons of the liberal arts and friends to the poets, of their own as well as former times. In some instances by acting reciprocally, heroes have made poets, and poets heroes.
We tend to think of heroes only in terms of violent combat, whether it's against enemies or a natural disaster. But human beings also perform radical acts of compassion; we just don't talk about them, or we don't talk about them as much.
The revival of the Right is as extraordinary as it would be if the public had demanded dozens of new nuclear plants in the days after the Three Mile Island disaster; if we had reacted to Watergate by making Richard Nixon a national hero.
Dwarves are not heroes, but a calculating folk with a great idea of the value of money; some are tricky and treacherous and pretty bad lots; some are not but are decent enough people like Thorin and Company, if you don't expect too much.
What passes for identity in America is a series of myths about one's heroic ancestors. It's astounding to me, for example, that so many people really seem to believe that the country was founded by a band of heroes who wanted to be free.
Label celebrity a consumer society's most precious consumer product, and eventually it becomes the hero with a thousand faces, the packaging of the society's art and politics, the framework of its commerce, and the stuff of its religion.
You don't have to be a Brad Pitt look-alike hero just to be courageous and help out your friends and come through when it really matters. I think everyone can sort of relate to that in some way, particularly back to people's school days.
My associate director, Lisa Leguillou, is remarkable: flying around, visiting all the companies. She is truly the unsung hero of 'Wicked'. She has been by my side from day one, and she is invaluable. I frankly don't know how she does it.
As an actor, I've been all over the map, but since I've moved to Hollywood, people tend to cast me in these more imposing characters, which is actually really fun for me. I've always been way more attracted to playing that than the hero.
I don't sense that I am someone's hero, though I'm happy when people like my work. I've learned how to be gracious about it, but I try to let it go by. I've seen how, if people start taking on those accolades, it can ruin them completely.
Actors usually feel skeptical about double hero films because one character might overshadow the other, but the late scriptwriter K. Subash has penned 'Karuppu Raja Vella Raja' in such a way that Vishal and I have equal scope in the film.
Our flag honors those who have fought to protect it, and is a reminder of the sacrifice of our nation's founders and heroes. As the ultimate icon of America's storied history, the Stars and Stripes represents the very best of this nation.
The truth is, I don't have any problem with journalists - I count some of them as friends - also some of my heroes are journalists, I'm a big fan of Robert Fisk - great people or crazy people who are prepared to stand up for what's right.
Playing Mark Antony in Julius Caesar was the most thrilling thing I've done. You get these speeches that were written for men, and you're running around like an action hero, climbing scaffolding and beating people up. It was very freeing.
I look at my sons' little faces, and I want to be their superhero. I don't want them to have to look outside to a third party for a hero, for someone to look up to and admire. I want that to be ME. I want that person to be MOMMY for them.
I'm a comedic actor, not to mix words, but it's something I think about. A comedic actor. I like to think that Christopher Guest, Phil Hartman, Peter Sellers and Alec Guinness are comedic actors. And Dan Aykroyd, too. Those are my heroes.
For heroes have the whole earth for their tomb; and in lands far from their own, where the column with its epitaph declares it, there is enshrined in every breast a record unwritten with no tablet to preserve it, except that of the heart.
If I had to pick a hero, it would be Charles Darwin--the size of his mind, which included all that scientific curiosity and knowledge seeking, and the ability to put it all together. There is a genuine spirituality about Darwin's thinking.
. . . until the curtain was rung down on the last act of the drama (and it might have no last act!) he wished the intellectual cripples and the moral hunchbacks not to be jeered at; perhaps they might turn out to be the heroes of the play.
Without free, self-respecting, and autonomous citizens there can be no free and independent nations. Without internal peace, that is, peace among citizens and between the citizens and the state, there can be no guarantee of external peace.
She was in a difficult position being the widow of a great American hero, a role that carried high expectations but she did a credible job of continuing Dr King's dream especially in the face of a changing and often hostile American public.
Wolverine is a world-weary old warrior. His rage issue notwithstanding, I see him as someone with the tortured soul of a poet, but one who has seen too many friends and lovers die. Even with that, he has grown into a leader and a true hero.
I've always thought that, as a romance writer, I had the best job in the world. I sit around all day making up emotion-drenched, conflict-laden stories that push my heroes and heroines to the edge of sanity. Then I give them a happy ending.
Oxigen [oxygen], as you well know, is my hero as well as my foe, and being not only strong but inexhaustible in strategies and full of tricks, I was obliged to call up all my forces to lay hold of him, and make the subtle Being my prisoner.
I don't want to adhere to any particular image. I have tried to bring in variety to my characters. But then, only a few actors have managed to earn this tag of a romantic hero. Many have aspired to get such a label. So I am not complaining.
There have been heroes for whom this world seemed expressly prepared, as if creation had at last succeeded; whose daily life was the stuff of which our dreams are made, and whose presence enhanced the beauty and ampleness of Nature herself.
Michael Jackson loved epic symbols. In his shows and his videos, he always destroyed or salvaged worlds; he was the hero of parables about street violence, sexual combat, war and natural disaster. It was always apocalypse or apotheosis now.
I had just gotten Heroes, and I had just found out that I was going to be doing [Star] Trek, and I thought it was probably a good idea for me to create an infrastructure that would allow me to do my own work and put my stuff into the world.
Heroes rarely look the way we draw them in our minds: attractive, imposing figures with rippling muscles and strong chins. More times than not they are humble beings, small and flawed. It is only their spirits that are beautiful and strong.
This is the deal: we are happy to single out people as superior just as long as they don't accept the description themselves. We want heroes and idols but we also want egalitarianism and that requires proclamations of humility from our Gods.
He wasn’t a hero. He wasn’t the man who stepped forward and saved the innocent. He was lost himself. Shadows had invaded a long time ago and stolen his life. But he would give anything he had left to be the man who found a way to save Judith
From a gameplay standpoint, I've said for years that hero, fiction, and tone have nothing to do with the idea that choices have consequences. And that's really what I'm interested in. I care about you showing how clever and creative you are.
Sport is a passion and out of passion comes love. No point trying to work out why some become heroes and others don't. The chosen ones just go into the pantheon and refuse to fade. Think of Bradman and Les Darcy, Phar Lap and Tommy Corrigan.
My television teaches me that everything was wonderful in the Soviet Union. According to the programs I watch, the KGB and apparatchiks were angels, and the Stalin era was so festive that the heroes of the day must still be celebrated today.
When you are a hero you are always running to save someone, sweating, worried and guilty. When you are a villain you are just lurking in the shadows waiting for the hero to pass by. Then you pop them in the head and go home... piece of cake.
You know, we're each the hero of our own story and we perceive what's going on around us, and especially in a relationship, from the kind of viewpoint of, 'Well, this is my story, and I'm the hero of that, and I justify what I do around it.'
This is a tremendous honor (winning the 2002 Roberto Clemente Award), to be considered in the same class as Roberto Clemente. He is a hero and role model for all of us who play the game and strive to be as good a player and person as he was.
You don't have to do offbeat films to prove that you can act. I have done it but only to prove myself that I can fit convincingly into every kind of films. I want to do the 100 crore film where the hero does all the work, and I get to relax.
How it works for me is that a scene comes to mind, usually a scene between the hero and heroine, that depicts the emotional conflict. From that scene, the characters come alive for me. I don't do a lot of preplanning in any way when I write.
Heroes are important not only because they symbolize what we believe to be important, but because they also convey universal truths about personal self-discovery and self-transcendence, one's role in society, and the relation between the two.