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Well you're talking about a long career, a lot of movies, a lot of stars. I guess working with Henry Fonda and Katherine Hepburn was a great privilege.
I love 'Bringing Up Baby.' Anything that Katharine Hepburn's in. I'm committed to the Humphrey Bogart, Cary Grant, Katharine Hepburn era of filmmaking.
I'd like to be played as a child by Natalie Wood. I'd have some romantic scenes as Audrey Hepburn and have gritty black-and-white scenes as Patricia Neal.
I love laugh lines. It means you've had a good life. The most beautiful women - Audrey Hepburn, Lauren Hutton, Ali MacGraw - all embraced the aging process.
Mind you, Roman Holiday - which is kind of a romantic comedy - is one of my favorite films, and I think Audrey Hepburn is absolutely phenomenal in that movie.
Never in my life have I been captivated by by anybody onscreen the way I was when I saw Audrey Hepburn for the first time. She's everything a woman should be.
Where do I begin? I loved working with Kate Hepburn, which was one of the highlights of my life; Working with Richard Burton in Beckett was another great joy.
I don't have any particular person who I look up to for fashion ideas. I just admire some women for the way they dress, such as Cate Blanchett and Audrey Hepburn.
When I did that interview with Hepburn, the only ground rule was, you did not discuss Spencer Tracy. Spencer Tracy's widow is still alive, and she respected that.
I watched 'Holiday' in college, and that was when I had my first fantasy of being Katharine Hepburn, standing at the top of the staircase in a huge Hollywood mansion.
I long for the old days of Marilyn Monroe and Audrey Hepburn, stars who had real glamour and mystique. We only knew so much about their lives; the rest was a mystery.
I love Audrey Hepburn, early Brooke Shields, and Madonna's eyebrows. I think it's beautiful if women look soft and touchable instead of hard, sharp and aggressively groomed.
It was a fantastic learning experience and OK, I got slammed because I wasn't Audrey Hepburn but you could have predicted that, really, if you'd opened your eyes wide enough.
I really love the movies of Katherine Hepburn, movies like 'The African Queen.' I love 'Midnight Run' and I suppose, to pick something out of a different genre, I love 'Aliens.'
I love Gwen Stefani. I'd watch what she'd wear over and over again and think, 'How do I nail this style?' And then, I like that classic beauty, too. Audrey Hepburn, she's so elegant.
We need to see men and women as equal partners, but it's hard to think of movies that do that. When I talk to people, they think of movies of forty-five years ago! Hepburn and Tracy!
I am a big fan of the old Howard Hawks films from the 30s and 40s, I was a big Hepburn and Tracey fan for a while and Woody Allen films that are a very different kind of romantic comedy.
I love Audrey Hepburn; I love those silhouettes and T-length skirts and stuff. They're just very classy. I like to mix that look with quirkiness, kind of like how Katy Perry has that quirkiness.
'Breakfast at Tiffany's' isn't a great movie because Audrey Hepburn is brilliant and everyone else isn't. It's a great movie because everybody is fascinating, and she is at the center of it being amazing.
I love watching the old movies. I love Katharine Hepburn. I just adore her and everything that she stood for. I find it interesting watching the likes of Gene Tierney and those classic movies of the '40s.
I think it's just important to not judge people based on their physicality because it's really about personality and people's hearts and souls. That's what drew me to Audrey Hepburn who is kind of like my icon.
I never want to lie about my age. If I look around at the actresses I admire, they are all women who have not fought growing older, but embraced it and been proud of it - women like Sophia Loren or Audrey Hepburn.
Some people have strong opinions about women with short hair. They find it very masculine and severe. Others think it's soft and feminine and makes your features stand out. It can be an Audrey Hepburn kind of thing.
I think maybe my mom thought that Katharine Hepburn would be a good role model of, like, a strong, smart, independent woman. Maybe she steered me in that direction. You know, because she was really so ahead of her time.
My fashion icons are Audrey Hepburn, Grace Kelly and Ava Gardner. Their classic looks and clean lines should be the cornerstones of your wardrobe - white cotton shirts, black Capri pants, pencil skirts and ballerina skirts.
I've always been a big Cate Blanchett fan. Such a wonderful role model, the way she carries herself through her profession. She has so much grace to her, and so much intelligence. I've also always been a big Katharine Hepburn fan.
I would be surprised if they gave Meryl Streep her third Oscar for a film as light as 'Julie and Julia,' although, of course, Katharine Hepburn's third Oscar came with a very light performance from her in 'Guess Who's Coming to Dinner.'
My mother was very good at encouraging me to dress however I wanted to dress. My sisters would sometimes think, 'Oh my God, you let her buy that fuzzy leopard coat at that vintage store?' I thought, of course, I looked like Audrey Hepburn.
Let's be clear about one thing: a film about Katharine Hepburn is an excellent idea. She was one of the most fascinating, complex stars ever to grace a motion picture screen, and she deserves a full-scale, big-screen biographical treatment.
It's weird, because American films in the 1930s and '40s, particularly melodramas, were made for woman, from Bette Davis to Joan Crawford to Barbara Stanwyck to Katherine Hepburn, and for some reason we've taken a step backward in this sense.
People in Ethiopia, the Sudan, etc., don't know Audrey Hepburn, but they recognize the name UNICEF. When they see UNICEF, their faces light up, because they know that something is happening. In the Sudan, for example, they call a water pump 'UNICEF.'
My favourite actors are all dead or dying. I just love Jimmy Stewart, Bette Davis, Katharine Hepburn - I was named after her - and Cary Grant. I just love old black and white movies and the stars in them. It must have been a great time to be in Hollywood.
My mother always said to carry yourself with dignity and pride, and I just think Audrey Hepburn totally epitomizes that, you know? From such a young age, she was dancing ballet. There was a lot going on in her life... that was during the time of the Nazis.
When I think about old Hollywood and the glamour of those days, women like Grace Kelly, Marilyn Monroe, and Audrey Hepburn were not dressing the way some girls dress today. There was a certain mystery about them, and I feel like that's gone in our industry.
If only I could step back into the time of old movies, if only I could be given the opportunity to do what Katharine Hepburn did or what Rosalind Russell did. Those kinds of characters, that kind of patter, that kind of language, that kind of script. They don't exist any more.
What I fell in love with as a child was 'My Fair Lady,' 'Funny Face,' 'American in Paris,' and 'Singin' in the Rain.' Just perfect movies to me and I was dancing. I started ballet when I was three. And I fell in love with those movies and fell in love with Audrey Hepburn and Leslie Caron.
The bravery of Stanley Kramer's 'Guess Who's Coming to Dinner' amounted to two Hollywood legends - Katharine Hepburn and Spencer Tracy - telling the world that a black son-in-law is something they can live with, and so should you, especially if he looks like Sidney Poitier and has degrees.
I didn't really know anything about Margot Fonteyn. I'd never really been a ballet child, so I had no idea what an incredibly huge icon she was, not just in terms of a creative icon - she was also a style icon. I had no idea she was up there with Audrey Hepburn and Jackie Onassis in terms of that kind of image.
There were a lot of pretty women in cinema around Audrey Hepburn's time, but she stood out because she had a very interesting personality - which went beyond her looks. She did so much for women, for animal rights, for children's education - it's always the personality that comes through and makes one seem beautiful.
When I saw 'Breakfast at Tiffany's,' and Audrey Hepburn was standing in front of Tiffany's in this Givenchy dress, or when I saw 'All About Eve,' I thought that period was just fabulous. I mean, who would not want to walk down the stairs with their hands in their pockets, and say, 'Fasten your seat belts, it's going to be a bumpy ride.'
I had done some work when I was starting in with photography on westerns, and photographing them was the greatest pleasure I had. If I was ever qualified for anything, it would have had to do with making westerns. But as I started working on pictures with people like Katharine Hepburn, I got further away from the thing I really liked to do.