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If I call you playing my music, you'll be like, 'Oh, that's Gunna.' Even on a song you ain't heard, you're gonna know my voice for singing. But if I call you on the phone - 'What's up? Are we still doing the interview today?' - you're not gonna know who this is.
I wasn't trying to be an outlaw writer. I never heard of that term; somebody else made it up. But we were all outside the law: Kerouac, Miller, Burroughs, Ginsberg, Kesey; I didn't have a gauge as to who was the worst outlaw. I just recognized allies: my people.
When I first heard the minstrel banjo - I played a gourd first - I almost lost my mind. I was like, Oh, my god. And then I went to Africa, to the Gambia, and studied the akonting, which is an ancestor of the banjo, and just that connection to me was just immense.
Initially, when I'd heard of 'Teen Wolf,' I had never actually sat down to watch the series. But during my audition process, before I had a clue that I would even be considered, I started watching the show to get a feel for it and to see what type of show it was.
I was brought up with beautiful music - Nat King Cole and Glen Miller from my dad, and my mum loved Judy Garland and Doris Day - brilliant stuff. Through my brothers and sisters I heard David Bowie and The Specials, The Carpenters, Meatloaf and The Rolling Stones.
An activist is someone who makes an effort to see problems that are not being addressed and then makes an effort to make their voice heard. Sometimes there are so many things that it's almost impossible to make your voice heard in every area, but you can sure try.
The notion that gaming was not for women rippled out into society, until we heard it not just from the games industry, but from our families, teachers and friends. As a consequence, I, like many women, had a complicated, love-hate relationship with gaming culture.
I've always regretted that I never was able to talk openly with my parents, especially with my father. I've heard and read so many things about my family that I can no longer believe anything; every relative I question has a completely different story from the last.
One of the biggest lessons I've learned during my time on 'Oprah' is that everyone wants to be heard. We all want to have our humanity acknowledged - to have others see us for who we truly are. We all want to know that we are valued, we are heard, we are understood.
Our right to disagree is precious but fragile. The best way to protect and preserve it is to let the other side speak without demonizing them or destroying their right to be heard. Such civil exchanges are the heart beat of democracy - essential to keeping it alive.
'Selma' is a story about voice - the voice of a great leader; the voice of a community that triumphs despite turmoil; and the voice of a nation striving to grow into a better society. I hope the film reminds us that all voices are valuable and worthy of being heard.
Have you heard of this new thing called the internet? It's giving people new expectations. It's allowing them to become their own expert. Knowledge lies anxious at their fingertips. Gloss over the truth in your advertising and you'll quickly be dismissed as a poser.
Over the years, I've come to realize that writing 'I Ain't Living Long Like This' was an exercise in combined musical influence, mostly that of Hank Williams, Chuck Berry, Elvis Presley, Jerry Lee Lewis, the Beatles, and Bob Dylan - artists no one has ever heard of.
In 1987, I was in Edinburgh doing my first one-man show. I took part in a kickabout with some fellow comedians and tripped over my trousers and heard this cracking sound in my leg. A couple of days later I went into a coma and was diagnosed with a pulmonary embolism.
I really wasn't into sports at an early age. I couldn't wait to get home from school and go straight to my bedroom and pick up the guitar and play it. It became an obsession with me. That's all I wanted to do was play guitar and learn every lick I heard on the radio.
When I first heard 'Pearly Gates' by Mobb Deep and 50 Cent growing up, the rapper Prodigy had a line about wanting to beat Jesus up. I wasn't religious, but I'd never been introduced to something like that. I was scared and mad, but then I asked why I felt like that.
I look at it like this: you may only sell 20,000 to 100,000 albums. But those albums are going to be heard by future doctors, lawyers, judges, firemen, etc. Those albums are being sold to the right people that move society. They're interested in what you have to say.
I decided to launch a fragrance because Aeropostale approached me about creating one, and it's something that I kind of always wanted to do but didn't think it would actually happen. So when I heard I had the opportunity to create my own perfume, I got super excited.
When I was able to go to school in my early years, my third grade teacher, Ms. Harris, convinced me that one day I would be a writer. I heard her, but I knew that I had to leave Georgia, and unlike my friend Ray Charles, I did not go around with 'Georgia on My Mind.'
Maino is an artist that I feel walks what he talks - you can tell what he raps about and what he's been through is very similar. You've got a lot of rappers that rap about what they've heard or seen, but I think Maino is one of the rappers that has actually lived it.
Some characters think more like me than others; some think more like my dad or someone else. It certainly is made up of my experiences, things I've heard, things I think are funny, things I think are sad. There's sort of a strange, blurry version of yourself in there.
Without mincing words or really embellishing anything... I consider Mike Alsbury the renaissance man. He could do it all. He was an engineer. He was a pilot. He worked well with others. He had a great sense of humor. I never heard him raise his voice or lose his cool.
Here's the thing... when people start making music, they start borrowing styles from other people, because that's what you do. You start by recreating hip-hop beats you've heard from other people, or you start mimicking other people, or you're just listening to stuff.
I'm really an inner spirit that only makes itself known through the music. A lot of people think I'm an introvert, or quiet and moody. I've even heard some people say that there's a certain mystery or darkness about me. I'm not that way. I'm just really into what I do.
You can pick songs that sound like hits, but if it's not something that somebody wants to tell their friends, 'Hey man, have you heard this song?' then I don't think it's worth it. The only way to get your music out there, is for someone to tell their friends about it.
When I first took the bench, I was assigned to handle a calendar of criminal cases. It was an enormous docket. I tried in each case to make sure that the litigants not only in fact received, but also felt that they had received, a full and fair opportunity to be heard.
I've seen the harshest of reggae purists come give me my props because I've been at it for so long... They've seen me come from the hardest of hard-core dancehall to where I am, and they've heard my music change through the years. Some might not agree, but they respect.
You may have heard of Black Friday and Cyber Monday. There's another day you might want to know about: Giving Tuesday. The idea is pretty straightforward. On the Tuesday after Thanksgiving, shoppers take a break from their gift-buying and donate what they can to charity.
A historic investment in jobs, debt-free college, profit sharing, making those at the top pay their fair share, putting families first in a modern economy and a democracy where working people's voices are actually heard. That is what we are fighting for in this election.
Imagine that your life's efforts serve as a mark of God and that the only way the divine is seen, heard or expressed is through the legacy you leave behind. The yearning to make a difference is your need to express your purpose and derive meaning from your time on earth.
When I heard 'Moon River', at first I thought it was just a nice song, but then I started paying attention to the words and realized this song was about Huck Finn. I just love the words, that it's kind of you and me against the world, and we're going to make it together.
Why are people afraid of ghosts? 'Ooh, no, I wouldn't want to see one! I'd be too scared' - accompanied by a tremolo of fear in the voice - is the common reaction. This puzzles me. I'd think anyone would welcome he opportunity. I've never heard of a ghost hurting anybody.
The first time I ever heard professional actors delivering lines that I wrote was completely surreal and was just a gigantic moment in my life. It was just a little bit mind-blowing and completely strange to have something that had been on my computer being said out loud.
I'm lucky enough and wealthy enough to be able to buy photographs and buy art that inspires me from day to day. I don't want a Picasso on my wall; it's great art, but it's dead art to me. I'd rather have a photograph by someone I've never heard of that really inspires me.
I consider Rahman as a great composer. I had a lump in my throat when I heard his name being announced. I thanked God that he got an Oscar for Original Score, that was more than enough for me. I wonder what might have happened to me if I had gone there. I might have cried.
For many people, the hardest thing about job-seeking is figuring out where to start. All through college, I heard my friends asking themselves, 'What do I want to do with my life?' And guess what? After college, and after that first job, people still ask the same question.
I was an altar boy and heard the Bible being read out repeatedly. The stories have stayed with me, although they're completely remixed in my head. And often, when I do further reading, I'm quite surprised by the difference between the real story and my memory of the story.
I've heard people on panels say, 'You must have a Web site. You need to tweet. Repeat the title of your book constantly,' and I just want to say, 'Shut up. Everything you're saying is wrong.' People will know instantly if your only motivation for tweeting is to sell books.
I very happily stand for the right of every man and woman in Pennsylvania to have their voice heard in elections. And when they do have their voice heard, it's nothing short of a privilege to welcome and respect that voice because this is a democracy, and that's what we do.
I've always said that I've been acting my whole life, and everyone always told me, 'you should be an actress professionally.' I've heard that my whole life, so it's kind of cool to think, 'yeah, they were right.' I can do this and I'm good at it, and that feels really good.
I dabbled in things like Howlin' Wolf, Cream and Led Zeppelin, but when I heard Son House and Robert Johnson, it blew my mind. It was something I'd been missing my whole life. That music made me discard everything else and just get down to the soul and honesty of the blues.
Whenever I'm in Kansas City, I think back to all the jazz-blues greats who played the blues here - like Count Basie, Charlie Parker and Jay McShann. I watched those guys jam in different places and heard a lot of things - but I couldn't do what they did. They were too good.
I think my father gave me a great reverence for medical science. He was about as opposite to the personality of House as one could imagine. He was polite and easygoing, and would have gone to great lengths to make his patients feel attended to and heard and sympathized with.
Sometimes you want to skate along or just get by or fly under the radar, but sometimes you have to stand up and let your voice be heard and give it your best and give it your all. As a mother of young children, that's something I've tried to emphasize and highlight for them.
He told me he was working as an interpreter in a doctor's office in Brookline, Massachusetts, where I was living at the time, and he was translating for a doctor who had a number of Russian patients. On my way home, after running into him, I just heard this phrase in my head.
You know you're getting older when - well, first off, when you read almost any story that begins 'You know you're getting older when.' But you also know it when you not only never heard of the musical guest on a given 'Saturday Night Live' but never heard of the host, either.
I wanted to do it my way with my career, and I had this arrogant notion that people weren't just interested in my music but me as a person. That was my bit of arrogance, I guess. That's something I learned from Madonna. I was a fan right from the first time I heard 'Holiday.'
When we were getting married the Hindu way in Arrah, we had an old guest who asked my wife what her 'good name' was. I think she'd heard that I had married a Muslim. When my wife said, 'Mona Ahmed Ali,' the lady looked at me and exclaimed, 'Oh, so you've married a terrorist.'
I had a really traumatizing experience growing up. When I was, like, 10 or 11, I was vegan. I'm not anymore, but I was, and I went to this hot dog place because I heard they had a veggie dog. I took a bite, and literally - I kid you not - it was a carrot in a bun. Horrifying.
Out of 30 years of Second City I was probably the third African-American with the main stage cast. I was surprised when I first heard that. I think part of the reason that improvisation has never been popular with African-Americans is that it isn't popular in the inner cities.