Quotes of All Topics . Occasions . Authors
From what I've heard, videogame soundtracks - obviously, there's less budget and all of that - it just seems like game soundtracks are farmed out among friends. And it seems like more of an afterthought. It's a videogame. It's much more background.
If I tried to shout over my older brother, my mother told me keep quiet. If I tried to shout over my little sister, my father told me to shut up. I found the best way to be heard was to lower my voice and actually speak when I had something to say.
The clarinet is not so dominant in Israeli music as it is in klezmer. I heard klezmer when I was growing up, but for some reason I avoided it. I listened to Louis Armstrong instead. But the sense of melody is the connection between jazz and klezmer.
I've worked with incredible producers in the past, but when me and El-P got in a room, there was no way I was going to let off his head because not only was he one of the greatest producers I heard, he was one of the illest rappers I had ever heard.
Fractions, decimals, algebra, geometry, trigonometry, calculus, mechanics - these are the steps up the mountain side. How high is one going to get? For me, the pinnacle was Projective Geometry. Who today has even heard of this branch of mathematics?
Mahavishnu's drummer Billy Cobham was the best I'd ever heard. Not loud, that's not the secret - powerful as hell when he wanted to be - but 90 per cent of the time, he was just dancing with the drums, you know? Just like a butterfly, all over them.
Good listeners have a huge advantage. For one, when they engage in conversation, they make people 'feel' heard. They 'feel' that someone really understands their wants, needs and desires. And for good reason; a good listener does care to understand.
I think the way I love talking about my faith is through my story because I think that's all we have to work with sometimes. I think it's the most moving way to share your story, too - is what you know, what you've seen and heard and tasted and felt.
I'd heard a lot of Motown and Stax when I was a kid, but the more well-known end of it. On Jam tours, we had a DJ called Ady Croasdell who ran a '60s club. He turned me on to underground stuff and what people call northern soul. It just blew my mind.
We've all heard the phrase 'equal pay for equal work.' Many of those who habitually repeat this mantra may not realize that it is simply a variation of the discredited labor theory of value (LTV), which is generally associated with Marxian economics.
I do think, however, that there's a very diverse point of view in the African-American community. There's a lot of different voices that need to be heard. I don't claim and pretend to know the thoughts and opinions and ideas of all African-Americans.
I first heard African drum rhythms and chants at the movies. Then, when I had the opportunity to go to Africa and visit the villages, I heard the real, raw, true rhythms and realised the origins of the old Negro spirituals I grew up with in the South.
Seven hundred thousand people who have dementia in this country are not heard. I'm fortunate; I can be heard. Regrettably, it's amazing how people listen if you stand up in public and give away $1 million for research into the disease, as I have done.
As president, I was more successful; I had more opportunity than as prime minister. Why? I didn't have the power to give orders, to command, but I had the opportunity to call people to volunteer. In my period of presidency, I never heard the word 'no.'
The best moderators are the moderators who are essentially invisible. A moderator who is there to be seen and heard and to be talked about either, 'oh, God, what a great question,' or, 'oh, God, what a lousy question,' that to me is a failed moderator.
The activists will not stop in trying to impose their extreme views on the rest of us, and they have now plotted out a state-by-state strategy to increase the number of judicial decisions redefining marriage without the voice of the people being heard.
One of the things I've heard musicians say that's true is, 'I would play for free. I would play music forever, but you have to pay me to travel.' I know we're always going to make music. The traveling part - that is the most wear and tear on any human.
But then there was Hendrix, man. Jimi was really the last cat to freak me. Jimi was playing all the stuff I had in my head. I couldn't believe it, when I first heard him. Man, no one can ever do what he did with a guitar. No one can ever take his place.
I was big into mythology when I was a kid - Arthurian legends and Greek mythology, that was kind of my passion. I hadn't heard of the books, but I was told they were very popular amongst the kids, so I got a hold of them and read them. I totally got it!
I certainly know all about the Jersey jokes that amuse the rest of the country. You've probably heard them. Our state bird is the mosquito. Our state tree is dead. It doesn't help that we are represented on television by Tony Soprano and 'Jersey Shore.'
My job as a performer is to make sure that whatever happens in a performance lives in somebody else, that it's memorable... If you forget tomorrow what you heard yesterday, there's really not much point in you having been there - or me, for that matter.
I wrote 'Love Foolish,' and when I heard the music for the first time, it felt like this was a song that Twice hadn't done before. I thought the song and music had a very mature tone, so I wrote the lyrics to match. I was inspired by the music directly.
I think it is important the communities are listened to and that their voice is heard, particularly with local government boundaries more than parliamentary boundaries, because you are talking very much about communities. It can be a very emotive thing.
If it came down to it, I wish people heard different records from me that I know give you a soul R&B sound of music that I know is really my gift, gift. But the ones that usually go are the records that radio, the fans and the clubs really love the most.
I saw a DJ from Germany called Sven Vath. I saw him in the club, he played for six hours and I was just totally intrigued, because everything he played I'd never heard before and everything he did I'd never seen before. I was so blown away by what he did.
I've heard from pre-K and kindergarten teachers alike that the Common Core is inappropriately pushing written literacy standards when the focus should be on the development of oral literacy skills. And that's actually delaying the development of literacy.
I don't let people talk bad about Rick Ross around me. Like, you can't do it. He owns - I've heard a legend - 30 Wing Stops in the areas he grew up near. You can never say anything about him. If that represents ten jobs per place, that's 310 jobs provided.
This life, which had been the tomb of his virtue and of his honour, is but a walking shadow; a poor player, that struts and frets his hour upon the stage, and then is heard no more: it is a tale told by an idiot, full of sound and fury, signifying nothing.
When I meet people who say - which they do all of the time - 'I must just tell you, my great aunt had cancer of the elbow and the doctors gave her 10 seconds to live, but last I heard she was climbing Mount Everest,' and so forth, I switch off quite early.
My thing is to get new fans. So I love when people say, 'Oh, I've heard of him before.' Or 'I've never heard of Durk.' Or 'I'm a fan of Durk today.' This is what I like to see, because it lets me know when I come out with something that it's going to work.
I would say things like 'I am the greatest! I'm pretty! If you talk jive, you'll drop in five! I float like a butterfly, sting like a bee! I'm pretty!' When white people heard me talking like this, some said, 'That black man talks too much. He's bragging.'
When I was in South Africa, I was meeting with people who never heard of Lego bricks. And yet, when I was like, 'Here they are,' they immediately got it. They saw the appeal, were snapping bricks and creating their little creations right there immediately.
I've heard this before from people: early 20s kind of screws with your head a little bit because you're transitioning into adulthood and actually becoming an adult with responsibilities and paying bills. So all of a sudden, it's like you're responsible now.
The Beatles were in a different stratosphere, a different planet to the rest of us. All I know is when I heard 'Love Me Do' on the radio, I remember walking down the street and knowing my life was going to be completely different now the Beatles were in it.
I don't have great running technique, but I like to run. I've heard from countless people that the last six miles of the marathon is all mental. But what better city to have this in than New York City where there are millions of people there supporting you?
Yes, I've been down the pike and back. And through the years, I've heard different songs with scatting in it, and it was - always cracked me up as kind of a funny style of music, you know? When I did it, it kind of cracked me up as a comedy kind of routine.
I can't be enthusiastic as soon as I write something on the music sheet. The music sheet is only the beginning: it has to be listened to, played by the instruments, and then heard by the director, but most importantly, it has to be listened to by the public.
When you listen to old-school music, you can smell your mother's food in the kitchen. You can feel where you was when you first heard that song. That's what's beautiful about music. It's for everyone, but we all have individual memories that make us love it.
I'm really interested in social justice, and if an artist has a certain power of being heard and voicing something important, it's right to do it. It could still be done in such a way that it's not aggressive or overly didactic. I'm trying to find that form.
The typical Western is kind of a good-guy/bad-guy thing, and that's great, but initially when I heard about 'Into the West,' and what I love about it is it delves into both sides of our cultural past, and it puts more of a human face on the Native Americans.
I've heard people say South Africans are arrogant, that they act no differently from their colonial masters. That needs to change. It's in your business interest as an entrepreneur to form meaningful partnerships. That's how you do well for your shareholders.
It's really hard to have your voice heard in a man's world. People are always comparing women and bringing them down - that, I'm completely against. We have an obligation as women to not pit ourselves against each other, because men are going to do it for us.
The first time I heard 'Jolene,' I was 12 years old, and it was performed by Jack White. I remember watching that video and forgetting it was from a woman's point of view, and forgetting it was a country song, and forgetting it was originally by Dolly Parton.
But I knew - in the old days, if a song was a good song, I don't care if it was 'Yellow Submarine' or, you know, or 'The Times They Are a-Changin' or 'Don't Be Cruel', you knew it, you know? You heard that song, and you were talking about it, and you knew it.
I have heard my fill of hurtful words. I think it's especially egregious when citizens like me, who point out abuses in their country, are referred to as 'do-gooders.' This is how a phrase that can be used to stop an argument dead becomes part of common usage.
With The Fugees initially, and even with 'Miseducation', it was very hip-hop - always a singing over beats. I don't think people have really heard me sing out. So if I do record again, perhaps it will have an expanded context. Where people can hear a bit more.
For books I want to keep reading, it's definitely the voice. It must be a voice I've never heard before, and it must have its own particular intelligence. By 'voice,' I don't mean vernacular. It has to have its own particular history and world that it inhabits.
'We really shouldn't look like a church.' I've heard that so much I want to vomit. 'Why?' I ask. 'Do you want your bank to look like a bank? Do you want your doctor's office to look like a doctor's office, or would you prefer your doctor to dress like a clown?'
If you haven't heard my story, my mom is full Korean, and my dad is Caucasian. Kids in kindergarten would make fun of me for being Asian, and when you're that age, you don't know really how to process that; the way you take that is, 'Who I am isn't good enough.'
I got to live out my 11-year-old fantasies - I got to go on stage with Green Day. Billie Joe called my name from the stage. 'Dookie' was the first album I ever bought. I covered the whole of 'Nimrod' and he'd heard it. That was like the 11-year-old girl dreamed.