Hear Quotes - Page 16

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If you say, 'I don't want to offend anyone,' then don't get on stage. Just ask yourself, 'Do I think it is right? Do I think it is offensive? And do I think that everyone is okay to hear this? If I truly believe this, then I should go and do this.'

Once you've developed some technical facility on the guitar, the musical side (which entails theory, harmony, chord structure, ear training, sight-reading, composition and being able to hear chord progressions and licks) comes into play a lot more.

I think it takes a strong man to be in a relationship with a strong woman. A lot of people hear the word 'diva' and think of it as a negative. I see it as a positive. I want somebody who knows what they want out of life and isn't afraid to show it.

The whole thing about 'The Rover' is the whole swagger of it, the whole guitar attitude swagger. I'm afraid I've got to say it, but it's the sort of thing that is so apparent when you hear 'Rumble' by Link Wray - it's just total attitude, isn't it?

My lip curls in a snide reflex whenever I hear that a new novel is written from the point of view of a child or a monster, a lunatic or an animal. I immediately expect a nasty coyness of tone, cheesy artifice, the world through cardboard 3-D lenses.

I enjoyed coaching so much that I just have to stay with it. Don Coryell - I love him, and I think he was a great coach - but I hear he's going to build a house on some island. He's going to divorce himself from football, and that's a mystery to me.

There's something about small venues that's amazing for developing material. It's almost like you can not only hear people's response, but you can understand it. In bigger venues you lose that, but you gain this sense of camaraderie in the audience.

Why take notes? The obvious reason is to remember. Visual note-taking translates what we hear into pictures that give context, color, and meaning. By adding symbols, visual metaphors, likenesses of people, and room layouts, we add several dimensions.

When I started rhyming, my favorite rhythms were from John Coltrane and some of the things he did on sax. And certain rhythms that I hear on drums, I try to emulate with my words, dropping on the same patterns that them beats or them notes would hit.

Where I grew up - I grew up on the north side of Akron, lived in the projects. So those scared and lonely nights - that's every night. You hear a lot of police sirens, you hear a lot of gunfire. Things that you don't want your kids to hear growing up.

Some voters live in a so-called populist bubble, where they hear nationalist and xenophobic messages, learn to distrust fact-based media and evidence-based science, and become receptive to conspiracy theories and suspicious of democratic institutions.

Your writing voice is the deepest possible reflection of who you are. The job of your voice is not to seduce or flatter or make well-shaped sentences. In your voice, your readers should be able to hear the contents of your mind, your heart, your soul.

My songwriting process is based on a formula: Color, tone, words. When I hear production, I initially identify the color that resonates with me. From there, I am able to translate the color into tone or emotion, which may depend on a number of things.

The masses do not see the Sirens. They do not hear songs in the air. Blind, deaf, stooping, they pull at their oars in the hold of the earth. But the more select, the captains, harken to a Siren within them... and royally squander their lives with her.

The older people that one admires seem to be fearless. They go right out into the world. It's astounding. Maybe they can't see or they can't hear, but they walk out into the street and take life as it comes. They're models of courage, in a strange way.

I have never met anyone who did not support our troops. Sometimes, however, we hear accusations that someone or some group does not support the men and women serving in our Armed Forces. But this is pure demagoguery, and it is intellectually dishonest.

When I attack a role, be it TV, film or stage, the first thing I say is, I don't want to know anything. If it's good I don't want to hear it; if it's bad I don't want to hear it. The only thing either thing can do is distract me. I like to stay focused.

One of the reasons I love acting is because I'm so interested in other people's lives, and I often incorporate things I hear or observe into my work. I've become a bit of a 'person addict,' and so I like brushing up against lots of different characters.

When I moved to Tampa, Florida I remember going to a Kid Rock concert and I was in one of those sky-boxes. When I walked into the sky-box I didn't know he was there, but I hear a, 'Hi, brother!' I turn around and it's Hulk Hogan. I just got 'brothered!'

I never thought I was writing for kids at all. It really shocked and unsettled me to hear kids were buying the books. If I'd known I was writing for kids, I might actually have spelt things out a bit more, and that would probably have killed the appeal.

I don't walk around looking into cameras and telling people I'm the best fighter in the world just to hear myself talk. I say it for the same reason they put warnings on packages of cigarettes, and fighting Chael Sonnen may be hazardous to one's health.

Some people don't like my songs because they think they're too simple or easy or not that thought-out. I feel like the way I write is pretty simple, in some ways, because I'm trying to connect. I want a lot of people to hear it, and be moved in some way.

Most students are presented only with the evolutionary belief system in their schools, and they are censored from hearing challenges to it. Let our young people understand science correctly and hear both sides of the origins issue and then evaluate them.

The hardest thing about being famous is that people are always nice to you. You're in a conversation and everybody's agreeing with what you're saying - even if you say something totally crazy. You need people who can tell you what you don't want to hear.

You know, rap is sort of like a form of talking, right? So it's like you can hear, you know, the slaves doing it. You can hear, like, you know, Africans and Jamaicans doing it just kind of as, like, a rhythmic, poetic conversation, you know, to a rhythm.

I became fascinated with the concept of speak no, see no, hear no evil. And - and the actual depiction of three wise monkeys. And I began collecting it over the years. And I kind of figured that I might be the - the fourth monkey, the feel no evil monkey.

Quite a few musicians came to our house. And my ma took me to hear many more, hoping to encourage in me a love of music. But she wouldn't consent to my having music lessons, for she feared I might end up as she had done - unable to play except from paper.

When I heard 'Jesus, Take the Wheel,' I was like, OK. Some people look at it as a song written for an American Idol, Carrie Underwood, who is wonderful. But when you're a songwriter listening to a song, you hear something else. I heard that song, and wow.

When I'm being interviewed, presumably it's because people want to know how I feel about something or what my motivation is, not because they want to hear what I sound like in English. I wouldn't be true to the task if I responded in my unrefined English.

You know I'm 27, but I've been traveling since I was 16, 17 years old. You see a lot of things, you hear a lot of things, and it definitely matures you a lot faster than it would other people. I think in that case it's definitely made me a stronger person.

But I honestly don't read critics. My dad reads absolutely everything ever written about me. He calls me up to read ecstatic reviews, but I always insist that I can't hear them. If you give value to the good reviews, you have to give value to the criticism.

I also hear your president say that war is the means of last resort and I think he means that. I met him last autumn and he assured me that they wanted to come through and disarm Iraq by peaceful means, and that's what we are trying to do as hard as we can.

It's incredibly important to me that you remember a song right after the first or second time you hear it. That something sticks to you, something that makes you feel, 'I need to hear that song again.' That's fundamental. Something you want again. And again.

I want to make sound effects for biomes. If you're walking along a river you hear the water, then in the forest you hear birds, but as night comes in, it becomes kind of weird, you can walk through a desert, a swamp, and the sounds merge and change with you.

I think God loves to hear little kids laugh at fart jokes. He didn't just make sunsets and bluebirds, He made hot babes. And dirty old men like me. That's the modest message I've set out to tell the world: you don't have to be Ned Flanders to be a Christian.

Every once in a while, I hear somebody call me Tracy to try to let me know that they know me, you know, personally. But most of my real friends will call me Trey, or 'Ice' was basically short for Iceberg. So they would call me - some of my boys call me Berg.

When you hear the word 'disabled,' people immediately think about people who can't walk or talk or do everything that people take for granted. Now, I take nothing for granted. But I find the real disability is people who can't find joy in life and are bitter.

I went to a physiotherapist, and she said something to me no one has ever said: 'Sandi, you have plantar fasciitis, because you're fat.' I left and sat in my car shaking. She'd told me the truth, which no one else had. It was painful, but I needed to hear it.

A lot of people, when they see my career, they hear or remember, 'Sat on the bench four years in college, got cut by the Packers, worked in a grocery store, and then won the Super Bowl.' That's kind of the timeline the people see when they hear 'Kurt Warner.'

Writers do well to carefully attend to those moments of inspiration, because chances are that they're writing from a very deep place. The subsequent search that ensues to continually attend to that voice that you hear is what is going to give the story drive.

Hip-hop is one of the most free art forms there is. There's so many sounds you can use, so many things you can bring in. You never know, man. I bet years ago people would've never said they would hear me with Rick Ross, and we did four classic songs together.

We have to defeat them on the battlefield and in the marketplace of ideals. And PBS, I believe, owed the nation the chance to hear the moderate Muslim voices who decry terrorism and Jihadism, and they didn't give them that chance, and that's a terrible thing.

I like to say that the greatest handicap of deafness does not lie in the ear, it lies in the mind. I hope that through my example, such as my role on 'The West Wing,' I can help change attitudes on deafness and prove we can really do everything... except hear.

People often complain that music is too ambiguous, that what they should think when they hear it is so unclear, whereas everyone understands words. With me, it is exactly the opposite, and not only with regard to an entire speech but also with individual words.

Young kids who are out there who are upset and angry, they can watch this and realize that you can speak out through your pen and not just with rage and anger, and challenge the people who are telling you things that you don't like to hear, like 'Hamilton' did.

You have the core hip-hop, which would just be beats and breaks, more something like what you hear with DJ Premier. Then you get into the more highly produced hip-hop, which is something like what DJ Khaled does. But at some point, it starts to get kind of pop.

Music is made to be heard, whether you hear it in concert, you hear it on the radio, or you hear it in your car. It's not for two people to sit in a closet and go, 'That's my band, the only band I've ever heard, and I'm the only person that's going to hear it.'

One of the lessons that I grew up with was to always stay true to yourself and never let what somebody else says distract you from your goals. And so when I hear about negative and false attacks, I really don't invest any energy in them, because I know who I am.

I'll always be reading a good book. I don't have, like, specific genre tastes or anything or things that I kind of get hooked on, reading genre books or anything like that. It's just really anything anyone kind of recommends or is going around or I hear is good.

In the beginning, everybody that gets to work with me, thinks I'm nice. But three weeks later, they hear a bell ringing. Then they realise I meant everything I said during that first week. It's not my fault people are not taking me serious from the first moment.

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