I will make up a crush, you hear me?! I will look at a guy and say, for two months at least, 'I think you're cute.' And then I can be psycho. I will go in my head and make a whole life with him, he don't even understand why I'm mad at him. I'm like... 'cause you came in late last night!' And he's like, 'I don't even know you.'

A huge part of what we do as actors is learning to ignore the camera, as if it's not even there, while simultaneously being very aware of the camera and what it's capturing, because you can give the best performance of your life, but if you do it with the back of your head facing the camera, it's going to get cut from the movie.

Down at Bournemouth, I kicked a tray of cups up into air, and one hit Luther Blissett on the head. He flicked it on, and it went all over my suit hanging behind. Another time, at West Ham, I also threw a plate of sandwiches at Don Hutchison. He's sitting there, still arguing with me, with cheese and tomato running down his face.

'Lonesome Dove' was the movie. I watched that over and over and over again, and I know every line. It was one that I loved as a kid for all the horses and characters that went over my head, but then the older I got, I realized how amazing it was on so many other different levels - Robert Duvall and Tommy Lee Jones' relationship.

Weightlessness was unbelievable. It's physical euphoria: Nothing about you has any weight. You don't realize that you are weighed down all the time by yourself, and your organs, and your head. Your arms weigh down your shoulders. In space simulation, you get to fly like Superman! You're hanging in the air! It's the coolest thing.

I kind of roll my eyes when people say they make music for themselves or they make art just for themselves, because, maybe in their head, what that means is that they're making it for someone who they don't think is real. Their audience isn't real. But it's still a communicative act. It's still an outward manifestation of longing.

When kids run up to me and ask, 'What happened?' I just lean over and whisper, 'Cigarettes.' And once I was in a car and this girl at traffic lights was giving me the eye. She could only see my head, so I decided to do a 360 in the car seat to freak her out. Her face was like, 'Whoa, what is going on?' She sped off really quickly.

God probably shook his head and said 'Oh, my goodness' many times in dealing with my father. But what God saw in my father was that he was a rock, a foundation in a lot of ways - someone people could relate to who could shine strong and was not afraid to reveal himself. I think he was a great role model to many people in that way.

I never thought it was fair that women couldn't travel freely because it was dangerous. I'd stay by myself on the North Carolina coast for a couple of weeks, with my dog and my gun, and my mom would be terrified. I told her, if I stay home, a lamp could fall on my head. You can't spend your whole life inside because you're scared.

I first wore a hat after seeing a friend wear a hat. It seemed like a neat way to keep snow off my head without having to wear a beanie, so I tried it on for a while. Turns out I started wearing the hat at around the time people took pictures of me and put them online and in newspapers, so it kind of became part of my public image.

And this year, when we end the cruel, defeatist practice of passing children who cannot read into fourth grade, and when our most diligent students begin to graduate from high school in 11 years, and get a head start on college costs with the dollars they earned through their hard work, others will take notice of Indiana yet again.

It's very necessary, showing the positive aspect of a black father. We see a lot of black women being the head of the household and holding the house down, but I think we need to have those images because there are black fathers out there who are doing the same thing and who are the glue to the family. That's who Black Lightning is.

To be a CEO is a calling. You should not do it because it is a job. It is a calling, and you have got to be involved in it with your head, heart and hands. Your heart has got to be in the job; you got to love what you do; it consumes you. And if you are not willing to get into the CEO job that way, there is no point getting into it.

You would not hang out with people that talk to you the way you talk to yourself. So get out of your head! Your feelings! Your feelings are screwing you! I don't care how you feel! I care about what you want! And if you listen to how you feel, when it comes to what you want - you will not get it. Because you will never feel like it.

Science fiction is any idea that occurs in the head and doesn't exist yet, but soon will, and will change everything for everybody, and nothing will ever be the same again. As soon as you have an idea that changes some small part of the world you are writing science fiction. It is always the art of the possible, never the impossible.

It's okay to not be working all the time and to be gentle on yourself when you're not. When it feels like you're losing that inspiration - or you're in a rut, not making stuff, and your head gets all weird - be gentle on yourself. Just ease into things naturally. But you still have to ease into it: you still have to sit in the chair.

In New Zealand, we have a thing called 'tall poppy syndrome,' which, you might not have heard of it, but it's essentially where - it happens in small populations usually, but can actually happen in the U.K. - where, if someone sticks out, they get their head cut off because they are being outside the ordinary or they are showing off.

I know who Queen Elizabeth represents. I know she's the head of the British state. I know she has all sorts of titles in relation to different regiments in the British army. She knows my history. She knows I was a member of the IRA. She knows I was in conflict with her soldiers, yet both of us were prepared to rise above all of that.

No individual has done more to help me pursue a career in science than my wife of forty-five years. I met Enid Cassandra Morgan during the election campaign of 1948 when she was a Sunday school teacher, a leader of the youth organizations of St. Phillips Episcopal Church, and the head of Harlem Youth for the election of Henry Wallace.

Producing is a wonderful foil to being an actor: acting being largely about getting out of my head, being present, a little irresponsible, whilst producing is the polar opposite. You need other players to act; you can't act in a void, but producing is about making something out of nothing - conjuring a thought or an idea into reality.

I am trying to persuade my family to spend more time in China. It's no fun to be in exile. I can't even figure out the basic 26 letters, let alone operate, in English. I often feel that although I've found the sky of freedom above my head, I've lost the soil I stand on. I need to be back in my motherland, where I can find inspirations.

The white usurpation in our common country must be stopped, or we, its rightful owners, be forever destroyed and wiped out as a race of people. I am now at the head of many warriors backed by the strong arm of English soldiers. Choctaws and Chickasaws, you have too long borne with grievous usurpation inflicted by the arrogant Americans.

The most important relationship a head coach has on his team isn't with the other coaches, the owner or the general manager. It's with the quarterback. He's the one who runs the show on the field; He's the ultimate extension of his coach. If there isn't a high level of mutual trust between them, both coach and quarterback will be doomed.

I guess if you have had a good education as opposed to someone who hasn't been to school, you start off on this journey having studied Shakespeare for years and years or studied classics. I suppose why people see this big divide - the boarding school boys getting all the roles - is because they feel like some people have had a head start.

The Center for Disease Control started out as the malaria war control board based in Atlanta. Partly because the head of Coke had some people out to his plantation, and they got infected with malaria, and partly 'cause all the military recruits were coming down and having a higher fatality rate from malaria while training than in the field.

When Whitney Houston died, I felt great sadness. My sadness, of course, was about our collective loss - when you listened to this nightingale sing, your body would drop into a chair, your head would tilt up, a small smile would creep across your face, and inside you knew that there was a higher power somewhere: gifted, beautiful, spiritual.

When I was young, I had an 'aha' moment in church. There was a thing called testimony service, and somebody would sing a song, and everyone else would join in, finding a note where they fit. During one of those, a light went on in my head. In that moment, I heard everything - Parliament, the Staple Singers, Curtis Mayfield, Prince - in there.

I drank for about 25 years getting over the loss of my father and I took the anger out on myself. I did a good job at beating myself up at sometimes. I don't drink anymore but my alcoholic head occasionally says different. 'Nil By Mouth' was a love letter to my father because I needed to resolve some issues in order to be able to forgive him.

Indian street magic tends to be very gory, blood and guts. One trick is for a magician to take a knife and appear to cut his kid's head almost off. The magician then says to the crowd, 'Well I can continue to cut off my son's head or you can all give me some money.' Then he wanders around and takes 10 rupees from everyone and restores his son.

What Republicans need to do is to go back to their roots - starting with Lincoln - and remind the nation that they are the party of national growth, racial equality and unity of purpose. These Lincolnian themes will serve Republicans - and the nation - much better than becoming the party on the lookout for the supposed rat head of higher taxes.

Luckily for me, my father had impeccable taste. No contemporary collector was he. His treasure trove of comics included gems such as 'Little Lulu,' 'Frontline Combat' and 'Classics Illustrated.' But the works that stood head and shoulders above the rest were Carl Barks's 'Donald Duck' and 'Uncle Scrooge' comics from the 1940s through the 1960s.

As an entrepreneur, I've come across countless articles and quotes proudly telling me that I should accept failure, smile, and keep my head up. In other words, I've been told to stay positive. The thing is, when you're forced to shut down a business and let really awesome people you care about go, staying positive is the last thing on your mind.

In the egoic state, your sense of self, your identity, is derived from your thinking mind - in other words, what your mind tells you about yourself: the storyline of you, the memories, the expectations, all the thoughts that go through your head continuously and the emotions that reflect those thoughts. All those things make up your sense of self.

Writing a short story is like painting a picture on the head of a pin. And just getting everything to fit is - sometimes seems impossible. Writing a novel, though, is - has its own challenges of scope. And I think of that as painting a mural, where the challenge is that if you are close enough to work on it, you're too close to see the whole thing.

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