During the first few months of an infant's life, its manner of taking the breast, of laying its head on the pillow, etc., becomes crystallized into imperative habits. This is why education must begin in the cradle.

I learned from Jimi Hendrix. They all wanted him to do the tricks, and at the end of his career, he just wanted to play. I lived longer than he did, and I can see how those pressures can really play with your head.

Essentially, it is the director who is the creative head of a film. The final authority on all decisions lies with the director. That is how it should be. And then other team members can give their creative inputs.

Probably the best advice I ever got in my life was from the head of the accounting department, Mr. Hutchinson, I believe at the Glidden Company in Chicago, and he told me, 'You really aren't cut out for accounting.'

In the beginning, he taught you how to hold your fingers, use your head, hold your shoulders, how you glissade, bourre - the exact way he wanted you to do the steps. It was relearning the whole Balanchine technique.

I was diagnosed with dyslexia when I was seven, and it was a bit of a struggle to begin with. It was a challenge as I began my school career - spelling and reading was something I couldn't really get my head around.

In my head, I'm a purist that doesn't require anything but a group of good friends and a bottle of wine. In reality, I'm co-dependent on my iPhone and fully conscious of the fact that my attention span is corroding.

As for myself, in sport you have to question yourself every week and be ready in your head, and you have to be at 100% of determination if you want to keep going and win games; you cannot afford to be at 80% or 90%.

You want to strike that happy medium: the balance of being able to find creative satisfaction in your profession, be able to afford a roof over your head, but still have the freedom to live a relatively normal life.

I had to go to a mirror and look at it. I couldn't picture myself in my own head. I had no image beyond a stick figure. I wasn't a mean person as a kid, or dumb, and something has to be said to justify excluding you.

As you may possibly have noticed from time to time, I have tended to make a habit of sticking my head above the parapet and generally getting it shot off for pointing out what has always been blindingly obvious to me.

I've told stories about people coming to my office and giving me their coats and requesting that I hang them up and get coffee - which I dutifully do. And then I come in and sit at the head of the table. It's awkward.

You could walk the streets, no matter how hungry people were, not matter how long they'd been out of jobs, you could walk the streets, you could ride the subways in New York, and you would not get knocked in the head.

Eve was not taken out of Adam's head to top him, neither out of his feet to be trampled on by him, but out of his side to be equal with him, under his arm to be protected by him, and near his heart to be loved by him.

I think people generally are lost, as they keep thinking about what is going to happen and what they have done. They are not alive anymore. The art of listening is missing. In their head, they are doing something else.

The mental is more important than the physical. You know, that voice in your head telling you to give up if it gets tough. That's my main opponent - making sure that if your body wants to stop, your mind won't let you.

If I'm riding my bike I just replay the same scenarios over and over in my head, like I haven't had a new mental adventure since high school. So that's what I like about books on tape, so my mind can't wander anywhere.

I've already done things I never believed I would. Even stepping out of Northampton and being in London - London always seemed like the big city I might go to for Carnival, go for a party and a chill and then head home.

There are five great ages of man - five moments when you need to reevaluate everything, clear out the cupboard and the wardrobe, and most importantly, your head. They are 13, 20, 30, 40 and 60. All men need to know this.

Fiction is able to do one thing better than any other art form: it is able to convey a convincing sense of what is going on in someone else's head. To me, that is the great mystery of life: what is everyone else thinking?

I met with an accident while performing for a show in Colombo. I couldn't see because of artificial fog that was on the sets; I tripped and hurt my head. I had to undergo surgery, and shave my head because of the stitches.

I was 65 in May, and when I have just shaved, I see my father. I realise that I now have the same facial idiosyncrasies he had: little twitches here and there, mouth and nose movements, even the way he would tilt his head.

I believe that music in itself heals and that everything is about the power of the mind. I thought if you are happy, you don't get ill. Your health is in your head. When you are satisfied with your work, you don't get ill.

It is an old custom amongst Jewish children, to become war-like on the 'L'ag Beomer.' They arm themselves from head to foot with wooden swords, pop-guns and bows and arrows. They take food with them, and go off to wage war.

Man is an exception, whatever else he is. If he is not the image of God, then he is a disease of the dust. If it is not true that a divine being fell, then we can only say that one of the animals went entirely off its head.

I had a few pimples here and there when I was 14. Never had braces though, thank God. A girl in my class had, like, the big helmet of head gear. I felt so bad for her. People always made fun of me enough because of my name.

I demand that my books be judged with utmost severity, by knowledgeable people who know the rules of grammar and of logic, and who will seek beneath the footsteps of my commas the lice of my thought in the head of my style.

There's been a lot of wedding songs and proposals. It's cool because when they play it at weddings so, it means a lot to them. That's a big deal. They're always going to remember 'Head Over Boots' as played at their wedding.

The first thing I said to myself on 9/11 was, 'There go our civil rights.' I found out by comparing notes later that George Carlin and I both said that at the exact same time. That's the first thing that popped into our head.

If you compromise what you're trying to do just a little bit, you'll end up compromising a little more the next day or the next week, and when you lift your head you're suddenly really far away from where you're trying to go.

The brave men die in war. It takes great luck or judgment not to be killed. Once, at least, the head has to bow and the knee has to bend to danger. The soldiers who march back under the triumphal arches are death's deserters.

'Parava,' in my head, was always a film about children. And I was like, 'If I can be part of the film and help promote it in some way or the other, I'd be very happy.' I also did 'Ann Maria' because it was a story about kids.

The instinct of nearly all societies is to lock up anybody who is truly free. First, society begins by trying to beat you up. If this fails, they try to poison you. If this fails too, the finish by loading honors on your head.

My great forte in killing buffaloes was to get them circling by riding my horse at the head of the herd and shooting their leaders. Thus the brutes behind were crowded to the left, so that they were soon going round and round.

In our minds, love and lust are really separated. It's hard to find someone that can be kind and you can trust enough to leave your kids with, and isn't afraid to throw her man up against the wall and lick him from head to toe.

We are moving toward a global economy. One way of approaching that is to pull the covers over your head. Another is to say: It may be more complicated - but that's the world I am going to live in, I might as well be good at it.

The challenging thing from a work perspective is just the range of things on any given day that you're dealing with and making sure you have the head space to really be giving them the thought and consideration you'd like, too.

When my agent told me I had an audition for 'Friar Tuck,' I burst out laughing. It actually brought a bit of sunshine to my day. I was thinking: fat suit. I was thinking: shaving my head. It was so outlandish, such a crazy idea.

I actually wash my face with Johnson's Baby Shampoo. It's the best face wash. I swear, it's so good! I mean, think about it. It's made for a baby's head. It smells so good, it's sensitive, and it gives you a super clean feeling.

I had heard a live show, where my voice didn't sound the way I wanted to hear it and I got paranoid. I'm not an amazing singer, I just belt it out in this crappy old way, but for a while I had it in my head that I couldn't sing.

You are the master of your environment. You've got your own head, your own mind. So once you figure out what you want for yourself, you have to create the proper environment to make sure you can live out all the things you want.

I've always wondered what it would be like if somebody from outer space landed with three heads. Then all of a sudden everybody else wouldn't look so bad, huh? Well, OK you're a little different from me but, hey, ya got one head.

When it comes down to that moment, when it's me against you, you know in your head whether you worked hard enough. You can try to lie to yourself. You can try to tell yourself that you put in the time. But you know - and so do I.

When I was eight or nine, I came to London for the day from Swindon and went to The National Gallery. I remember standing in Trafalgar Square with my best friend Tim, who was covered in pigeons because I put bird seed on his head.

Because I knew how hard I worked, I knew the pain, I knew the sacrifice, I knew the tears, I knew everything. Despite everything, I stuck to it. I toughed it out, and I kept my head in the game, even when the odds were against me.

The average person puts only 25% of his energy and ability into his work. The world takes off its hat to those who put in more than 50% of their capacity, and stands on its head for those few and far between souls who devote 100%.

I always have that in the back of my head - the idea that I've been spoon-fed because of where I'm from. I think that's one of the main things that drives me to work harder to show that, in reality, I haven't been handed anything.

There's, like, a little move back in the 'Halo' days, whenever you were getting chased, if you went around a corner and the guy followed you, and you jumped over his head and, like, backsmacked him. It was called like 'the ninja.'

Sometimes I have to shut off the omnipresent disco ball and flashing lights that are always in my head. It's a part of maturing, I guess - just learning that it's not just always about a quick, easy fix of getting people to dance.

Sometimes I have a melody in my head; sometimes it's just a verse. I read lines from a book or movies that I watch and grab a few quotes and start writing on paper. From there, I record a really rough version and work on the song.

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