Quotes of All Topics . Occasions . Authors
I became fascinated by marionettes, which I first saw in Venice. They were so haunted and so alive. You walked by them, and you could feel their presence, with their beady eyes just fixed on you.
Kennedy was haunted by the Bay of Pigs invasion but carried the country through the Cuban Missile Crisis. He later increased the number of U.S. military advisers to South Vietnam to more than 16,000.
A lot of the time, I write in the third person, but I'm mostly describing my own ordeals. When those unsettled struggles prey on your mind, you become haunted. To get free, you must defeat your ghosts.
Poe was plagued and haunted most of all by something pretty banal: poverty. Probably the most eccentric decision in life was to become a writer in an age when making a living at it was nearly impossible.
I discovered Los Angeles in the late '90s. The city was not at its best at the time, but I fell for it right away. There is something almost haunted about it, a vibrant mythology I find rather inspiring.
Our capital system is haunted by the demon of error: error in determining guilt and error in determining who among the guilty deserves to die. What effect was race having? What effect was poverty having?
Hotels are really scary. There are a lot of haunted ones in L.A. that I want to check out. So many people come in and out, and a lot of them can be dark. That dark gets locked in the hotel and stays there.
I get an incredible thrill and satisfaction from seeing somebody with Apple's tell-tale white earbuds. But I'm constantly haunted by thoughts of, is it good enough? Is there any way we could have made it better?
It's interesting - in 'Fail Safe,' as well, they didn't back off. We were raised with kind of this spectrum of that Armageddon and lived under it, so those were probably the films. 'Fail Safe' sort of haunted me.
I see people as haunted by the selves they don't know... I don't have children, but I have nieces and nephews, and one thing I notice is how fascinated they are by stories of their lives before they can remember.
People actually have the nerve to ask me if I want to go to a haunted house. Why would I want to go to a place where I have to pay my money for creepy strangers to be able to harass me without legal repercussions?
Any attempt to recreate a world of 1814, or 100 years before that - I think it's important to understand that the people of the time had a different concept of what reality was. Their reality was much more haunted.
I've got quite a vivid imagination and I'm easily overwhelmed by sensations and things that are beautiful or scary. I don't think I've ever seen a ghost - I think I'm probably haunted by my own ghosts than real ones.
High school is a haunted house in April, when seniors act up because the end is near. Even those who hate school sometimes cling to the devil they know. And for the kids who love it, the goodbyes are hard to think about.
An enthusiastic desire of visiting the Old World haunted me from early childhood. I cherished a presentiment, amounting almost to belief, that I should one day behold the scenes, among which my fancy had so long wandered.
I said something really stupid once. I told a friend that my mother was so beautiful, but my dad was ugly. My dad heard it and just laughed it off, but I felt guilty. It haunted me for years. I should never have said that.
I have sometimes been haunted with the idea that it was an imperative duty, knowing what I know, and having seen what I have seen, to do all that lies in my power to show the dangers and the evils of this frightful institution.
People tell me I look mournful. They say, 'Cheer up, Dan, it's not that bad!' Sometimes I just look into space, which freaks people out. If I was ever required to do anything other than look haunted, I could. I'm a happy person.
I shot a lot of close-ups on this movie 'cause there's like a dual mystery, she's searching through her haunted past to find some truth and she's also following an external mystery where she comes to think she might be the killer.
'Blackbird' is the only one I've ever wanted to redo. It just haunted me, this play. There was a sense of unfinished business because at the time we did it at Manhattan Theatre Club, there was real momentum to move it to Broadway.
The South is full of memories and ghosts of the past. For me, it is the most inspiring place to write, from William Faulkner's haunted antebellum home to the banks of the Mississippi to the wind that whispers through the cotton fields.
Our back garden is allegedly haunted by a ghost called the Grey Lady. When one of my daughters was three, she said she'd been speaking to a lady in the garden and we went running around trying to find this woman. There was no one there.
I'm claustrophobic. I can't go into haunted houses. They have these tight, dark, enclosed space. I freak out. That's my phobia. It gets me out of stuff. Someone asks me to do something and I tell them I can't because I'm claustrophobic.
But for me, it is when a student has died. I find the death of a young person the most difficult and painful of times. To explain it to other young people, to see a bright future snuffed out, is just awful. I am haunted by those deaths.
It is, alas, chiefly the evil emotions that are able to leave their photographs on surrounding scenes and objects and whoever heard of a place haunted by a noble deed, or of beautiful and lovely ghosts revisiting the glimpses of the moon?
I knew the day I left Newport that if I came back, I'd failed. The fear of losing the game, of having to go home and tell my family, 'I tried but it didn't work out,' has haunted me. It is still there, and it is a strength and a weakness.
I was that kid with the glasses and the hungry expression who haunted every library book sale and used bookstore in town: the one who always has a book in one hand and is reaching for the next book with the other. There's one in every town.
A lot of the problems I had with fame I was bringing on myself. A lot of self-loathing, a lot of woe-is-me. Now I'm learning to see the positive side of things, instead of, like, 'I can't go to Kmart. I can't take my kids to the haunted house.'
As I got older, I got more Victorian and morbid. I got into things that circled around death, like skulls or morgue photographs or handwritten diaries. They can be almost haunted with all this history, and you project onto it and then it gets onto you.
Emily Dickinson has haunted my life - her poems, her persona, all the tales about her solitude. Ever since I discovered her in the seventh grade, I've had a crush on that spinster in white, who had such a heroic and startling inner landscape of her own.
We British and Americans have never been conquered and occupied by the Germans, or forced to make the choice between defiance and collaboration, or haunted by the choices, evasions and moral ambiguities that only a defeated and occupied country can feel.
Throughout my childhood, I watched my parents try to become legal but to no avail. They lost their money to people they believed to be attorneys but who ultimately never helped. That meant my childhood was haunted by the fear that they would be deported.
Haunted since the day its discovery was projected all over the world in 1994, I, like many others, have always wanted to see inside the Chauvet cave, site of the world's earliest known cave art. Quite rightly, we will never go. It is closed to the public.
My sister was a twin, and the other baby died in childbirth, and I was three at the time, and I always kind of thought it haunted me. It was a weird thing. My dad was an ob-gyn, and so it was confusing that the other baby didn't come home from the hospital.
In all honesty, I didn't love reading when I was a kid. I'd rather be running around in the woods or doing my best to scare the pants off all the children in the neighborhood by pretending my house was haunted or making them play Bloody Mary in the bathroom.
'Insidious 2' is a direct continuation of the first movie. We literally pick up from where we left off at the end of the first film. And whereas the first movie is a twist on the haunted house genre, the second movie is a twist on the classic domestic thriller.
Vivien Leigh was a phenomenal actress, a very complicated woman, living on the edge of mental problems, haunted by demons and angels. And though I've never thought of myself like Marilyn Monroe, I was inspired by the tremendous risk she took - of being vulnerable.
Man, your head is haunted; you have wheels in your head! You imagine great things, and depict to yourself a whole world of gods that has an existence for you, a spirit-realm to which you suppose yourself to be called, an ideal that beckons to you. You have a fixed idea!
I fully believe in ghosts. I have, my entire life. The first house I ever lived in was haunted. There was a grave of a man in the backyard. I was just a baby then, but my parents would tell me that every night, at the same time, they would hear someone walking up the stairs.
We write in ways that, we generally hope, reflect real life, or at least look familiar to humans. And in life, recurring themes are a recurring theme. We never quite conquer a pet vice or a relationship pattern or a communication habit. We're haunted by our particular demons.
Maybe it's my freak flag that, when I go to a haunted mansion, I would rather blend in with them and be part of the story rather than have someone jump out at me. To be part of the fantasy seems way more interesting to me, to embed myself in there and just drop in, in that way.
I was raised on John D. MacDonald's Travis McGee series. Something about this genre - hard-boiled-private-eye-with-heart-of-gold - never failed to take me away from whatever difficulties haunted my daily world to a wonderful land where I was no more than an enthralled spectator.
You always take a little bit back with you at the end of the day. I always put a little bit of myself into the characters, too. You find parallels, points of connection, things like that. But I'm not an actor who gets so incredibly haunted by my characters that I can't come back.
When I wrote the eight fairy tales that appear in 'Horse, Flower, Bird' I was working toward a completely new form of artistic expression, trying to create a new kind of tale that also felt vintage: innocent and childlike, but haunted. I tried to write a picture-less picture book.
I was born into an Irish Catholic family in the New York area in this great, wonderful, and safe country, but the Holocaust has always haunted me, and it has long stood as a stumbling block to faith. How could such a thing be? How is that consistent with the concept of a loving God?
Race is the true protagonist of the American novel. Our most popular classic fictions have known this, from 'Moby Dick' to 'Beloved;' all these books take on race or talk it out, often in other forms; they are less 'horror stories for boys' than ghost stories from a haunted conscience.
For 'Prometheus,' I came back to a very simple question that haunted me that appears in the first 'Alien,' and no one answered in subsequent Alien films: who was the 'Space Jockey' - the big guy in the seat? If you really go into that, it becomes the basis for a pretty interesting story.
When I was a kid, my favorite movies were the George Pal version of 'War Of The Worlds,' 'Them,' and 'Invasion of the Body Snatchers.' Those movies were scary! They haunted my nightmares for years, so when I started writing, I wanted to write a story that was just as big and just as scary.
When I first saw 'House on Haunted Hill' as a kid in Baltimore, and the skeleton went out on the wire, and the thousand kids in the audience went crazy... My whole life, I've tried to at least equal that cinema anarchy. I came close with the end of 'Pink Flamingos,' but I didn't tie with it.
Surprisingly, it was not an American but a British company that opened an amusement park in 2007 called Dickens World, located in the English county of Kent, complete with an Ebenezer Scrooge Haunted House, a Great Expectations Boat Ride and the as-advertised 'costumed Dickensian characters.'