I would say 'Bye Bye Love' is one of my favorite influential songs to this day, and ironically, they were so in sync with their harmonies that they sounded like one person. That approach to hearing and formulating harmonies stuck in my head, so when I joined the Eagles, my ear was trained to be able to hear a vocal that way.

The bass line is the anchor for me. I started with the bass, and either doubled that and then added the harmonies, or sometimes added my own harmonies that I've always wanted to sing on the song. And then it just went on from there - singing violin parts and trumpet parts and just trying to emulate the sounds of the instruments.

I bought a Three Dog Night album when I was pretty young, and I remember listening to all those songs. That's just greatly crafted songwriting, and the songs have such great harmonies. I remember marveling over those and trying to figure them out on piano. That was my early education - figuring out records, older records, as a kid.

I always thought if I had a band it would have the energy and feel of early Police, since that's where my roots are, and then the harmonies of the Eagles, and the technique of King Crimson or something like that. Fast, up-tempo, beat-the-hell-out-of-the-drums, because that's my style. Energy, but sophistication, rhythmically and melodically.

Nobody told me how to sing, so I just thought I'd try and sing like Howlin' Wolf. It was like a bark; there was melody to it - but I would go off a bit and I wouldn't stick AutoTune on it or anything to make it in key. Even now, I couldn't tell you about harmonies. I couldn't tell about what notes I'm singing because nobody taught me to sing.

My favorite over the years is probably 'All I Have to Give.' That's probably my favorite. It's one of the first songs that the five of us were featured on the lead, and I just think it has such a great sonic sound with all the melodies and harmonies. It has a little bit of a mixture of R&B and a pop sound. It's just a really good feel-good song.

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