Quotes of All Topics . Occasions . Authors
While I'm a New Yorker at heart, and 'Harlem Honey' runs through my veins, Atlanta - its awesome residents and glorious landscapes - has a special place in the hearts of my family and I.
I would love to do an anthology show based on the character of Jesse B. Semple that Langston Hughes wrote about. He's sort of a Forrest Gump character in the midst of 20th century Harlem.
I haven't seen a professional player come out of New York in over 20 years since my brother Patrick came out. Blake spent a few years in Harlem, but he moved to Connecticut when he was a kid.
Growing up in Harlem, I had the chance to practice with a Negro League team. At fifteen, I was over six feet tall and a fair athlete, but my skills didn't come close to some of the players I saw.
I grew up in Harlem Grant projects, and I didn't have a whole lot then. I've always been good about only getting what I need, not what I want. Just because someone else has something, I don't feel the need to.
The Great Migration changed American history not just for the migrants but for all of us. It made possible American cultural milestones like the Harlem Renaissance, Chicago blues, and Motown, just to name a few.
It's still amazing, but when I was growing up, Harlem was the Mecca of black culture. I was so inspired by it, the aspirational feeling you'd get spending time there. Experiences that were really specific to that place.
I'm sort of obsessed with Harlem. Just its history. My father did the music for a play called 'The Huey P. Newton Story,' and they did a lot of work in Harlem. So as a little girl, I spent a lot of time in Harlem Library.
I'm lucky to live in New York, a city that offers so many options for lunch. I can pick up dumplings from a Midtown food truck, grab empanadas by the dozen in Spanish Harlem or get a fantastic bowl of ramen in the East Village.
When American liberals go to the UK they see the Tories as the Washington Generals, and they see the Labor Party as the Harlem Globetrotters, and they love that. Total power. Whether anything works or not is irrelevant. We work.
As a Black man, you are living in a place and you are constantly unsafe. And we go to these bastions of safety: Harlem, you can call that a haven; the South Side of Chicago, you can call that haven; Detroit, you can call that haven.
When Barack Obama got elected, I remember being in Harlem specifically. I remember watching that whole part of town just swell. People walked the streets, but it wasn't a riot - it wasn't mayhem. It was a unified feeling of euphoria.
For a long time, Nella Larsen was the mystery woman of the Harlem Renaissance. In the late 1920s, she published two sophisticated novels, 'Quicksand' and 'Passing,' and then her writing life came to an end. She died in obscurity in 1964.
When we did Diplomats music, it was all genuine, and I think that's why people love it so much, because they seen a group of kids from Harlem that had almost nothing come up to be platinum-selling artists, and people rode that wave with us.
'Reign' is probably the oldest one on the record. I wrote that when I was 19. 'The Dead They Don't Come Back,' which is the last song on the album, I wrote when I was 20, and 'Harlem River' I just wrote last year. It spans from 2007 to 2012.
The thing that surprised me the most is just how much money women that weren't rich were paying for their hair. When you're in a beauty parlor in Harlem next to abandoned buildings and somebody's paying five grand for a weave, that's a bit much.
'Park Avenue: Money, Power and the American Dream' is an intentionally angry film. How could it not be when the chance of an infant dying is five times greater on the Bronx Park Avenue than on Manhattan's Park Avenue just across the Harlem River?
I live in Harlem, New York City. I am unmarried. I like 'Tristan,' goat's milk, short novels, lyric poems, heat, simple folk, boats and bullfights; I dislike 'Aida,' parsnips, long novels, narrative poems, cold, pretentious folk, buses and bridges.
Whether or not anybody had invented the category in his lifetime, Babe Ruth was surely the Greatest Living Yankee almost immediately upon lofting home runs at the Polo Grounds, allowing the Yankees to build their own palace across the Harlem River.
'Harlem River' is about the Harlem River in uptown Manhattan. I don't know much to say about it. I came upon that river a couple of years ago. I was doing a walk the length of Manhattan, from the top to the bottom, and I had never seen that river before.
I'm excited about 'Luke Cage' with Michael Colter, who plays Luke Cage. I play the villain, Cottonmouth. It takes place in Harlem. It'll just be amazing for people to get to see an African-American superhero, which there weren't any when I was growing up.
Blacks commit murder eight times more per capita than any other group in our society. If I had put all of my police officers on Park Avenue and none in Harlem, thousands and thousands more blacks would've been killed during the eight years that I was mayor.
He was a manager, one of the singers, I guess talent coordinator for the local talent in Harlem. His name was Lover Patterson. He was living right across the street from where my dad had his restaurant. I guess he saw a lot of kids come in, a lot of my buddies.
I worked at an old folks' home once in Harlem, and I was an activities volunteer. I used to do all these plays with the old people. I did 'The Wizard of Oz;' it was adapted. There was a guy there who played the harmonica, so we had an overture, and The Wizard was 96.
My family were Conservative Jews. My parents were both born in this country, but my father grew up on the Lower East Side, and my mother was born and raised in Harlem when there was a large Jewish 'colony' there. Eventually, they moved to Jersey City to get away from New York.
For me, growing up in Harlem and then migrating down to SoHo and the Lower East Side and chillin' down there and making that my stomping ground... That was a big thing, because I'm from Harlem, and downtown is more artsy and also more open-minded. So I got the best of both worlds.
I used to walk in the burnt up Harlem of the '80s, and I'd look at brownstones that were dilapidated or apartment buildings, thinking 'Whoever designed this and built this did not want it to look like this.' So, I used to visualize one day being able to contribute and build in Harlem.
Marcus Samuelsson is a chef who inspires me everyday. He has such a deep understanding of flavors and techniques. His food is representative of the diverse world that we live in. What he has done in Harlem with Red Rooster is very special. Marcus is not just a chef, he's a food activist.
Harlem was the main chance for the east end of New York, for eastsiders, as that real estate boom that took place in the 1890s - and it was a preposterous one where people bought and sold, and everything appreciated with each sale - and eventually, of course, the house of cards would crumble.
Jean Toomer is a phantom of the Harlem Renaissance. Pick up any general study of the literature written by Afro-Americans, and there is the name of Jean Toomer. In biographies and memoirs of Harlem Renaissance figures, his name is invoked as if he had been one of the sights along Lenox Avenue.
The first time I went to New York, I went with my first boyfriend, Clark. His dad had just bought an apartment in New York, and my dad dropped us off, and we were there for a week on our own. I must have been 15 or 16. I remember I went to Harlem and bought a goose jacket. That was the hip, hot thing.
Earlier I had been in New York, which was my first time to New York, and I got booked in the Baby Grand up in Harlem there. I was booked there for a week; they kept me there for about a month. That's where Doc Pomus and myself became very close friends and start running together around town and what not.
I was raised in Harlem. I never found a book that took place in Harlem. I never had a church like mine in a book. I never had people like the people I knew. People who could not find their lives in books and celebrated felt bad about themselves. I needed to write to include the lives of these young people.
I used to live in the Bronx, then I lived uptown on 106th St. and Broadway, and finally I moved to Harlem right before it became gentrified. I lived on 120th St. between Fifth and Lenox Aves. in a little brownstone. I knew the neighborhood was changing when they started putting trees in the middle of the block.
When I decided to go to art school, it wasn't necessarily something I thought I needed. No one talked about graduate school when I was an undergrad. I went on to a residency at the Studio Museum in Harlem, and that transition from Yale to the Studio Museum, that was the real beginning of my professional career.
I say over and over again that I am just standing on the shoulders of so many who have set this path for me, and they may not be seen or recognized or have been given an opportunity to have a voice, but I'm here representing all of those dancers. Dance Theatre of Harlem Virginia Johnson, Tai Jimenez, Lauren Anderson.
I grew up in Harlem. My grandmother was one of the best cooks around, but the first thing she did on Sunday mornings when she started cooking a daylong meal was to take a big block of lard from the back of the refrigerator and throw it into the pan. I know how Hispanics buy their food, and it is not always nutritious.
Harlem was a development, a developer's dream and a place where residents had more space and more amenities than ever before. The subway reached 145th street about 1904, and it seemed that Harlem's destiny was to become largely a preserve of successful ethnics relocating and arriving. Then, overnight, the bust took place.
Harlem for me is Atlanta, Las Vegas, and Washington, D.C., in one place. You have very significant churches that have had national ramifications. At the same time, you have politics. On top of all that, you have entertainment because you have 70 years of music that came out of here, and if you scratch that, gangsterism happens.
No individual has done more to help me pursue a career in science than my wife of forty-five years. I met Enid Cassandra Morgan during the election campaign of 1948 when she was a Sunday school teacher, a leader of the youth organizations of St. Phillips Episcopal Church, and the head of Harlem Youth for the election of Henry Wallace.
We didn't sit around the dining table talking about Madam Walker, but the silverware that we used every day had her monogram on it and our china for special occasions had been Madam Walker's china... and the baby grand piano on which I learned to read music had been in A'Lelia Walker's apartment in Harlem during the Harlem Renaissance.
Policing has to be done compassionately and consistently. You cannot police differently in Harlem than you're policing downtown. The same laws must apply. The same procedures must be employed. Certain areas at certain times may have more significant crime and require more police presence or more assertiveness, but it has to be balanced.
When I was 17, I worked in a mentoring program in Harlem designed to improve the community. That's when I first gained an appreciation of the Harlem Renaissance, a time when African-Americans rose to prominence in American culture. For the first time, they were taken seriously as artists, musicians, writers, athletes, and as political thinkers.