Quotes of All Topics . Occasions . Authors
I was raised with 'Laurel and Hardy' and 'I Love Lucy' and Jerry Lewis, and I just loved it. And I had a friend in high school and we would just laugh all day and put on skits. You know, it's the Andy Kaufman thing or the Marty Short thing where you're performing in your bedroom for yourself.
I still don't think I've ever read a Nancy Drew book; I probably read three or four 'Hardy Boys' books when I was 10, 11, 12, and I didn't love them at the time. Even then, they felt dated to me, like the word chum - 'my chum and I.' However, the 'Encyclopedia Brown' books, I read all of them.
I love Cillian Murphy's character in 'Peaky Blinders' and Tom Hardy's in 'Taboo' - theses are characters that, as audience members, we follow along with and root for. But our own morality is tested throughout that journey, because these characters ride a thin line between morality and amorality.
If you're watching comedy movies, go back and check out the Marx Brothers in 'Duck Soup,' or Buster Keaton in 'The General,' or Laurel and Hardy or W.C. Fields or whatever - and see what pure talent really was, so that you can see where it came from, and then you can sort of gauge it from there.
I was that 16-year-old who loved WWE, and I wanted to be a pro wrestler, but I didn't understand why I had to be the bad guy. I wanted to be like Jeff Hardy - I wanted to be like Rey Mysterio - but I was told I had to be the guy who screamed terrible things about America and attack people from behind.
I was a promiscuous reader. I loved Nancy Drew books and Tom Swift - never the Hardy Boys - but I also read Dumas, Dickens, Poe, Conan Doyle, and Cornelius Ryan's war books. As to favorite character: I'm torn between Nancy, on whom I had an unseemly crush, and Edmond Dantes, the Count of Monte Cristo.
Venom' is a standalone character who has so much attitude, menace and ferocity. He's also really funny in the comics and in our movie. He's a really compelling guy that can completely stand on his own. When he's played by Tom Hardy, and Eddie Brock is his partner, that relationship is enough for one movie.
The Tibetans are dirty. They wash once a year and, except for festivals, seldom change their clothes till they begin to drop off. They are healthy and hardy; even the women can carry weights of sixty pounds over the passes. They attain extreme old age; their voices are harsh and loud, and their laughter is noisy and hearty.
I remember, as a kid, I couldn't wait to get my library card, get my first book. There was a sphinx on the cover, and I figured I was going to read about the Egyptians. But it was this archeology. It was so dry. But I forced myself to read it because it was my first book out of the library. Should have gotten a 'Hardy Boys.'
During contract negotiations, when I started to notice as well as hear from friends about Jeff Jarrett's shady business tactics, I did two things: I immediately filed a trademark for 'Broken' Matt Hardy, and started to record every conversation between Matt and anyone at that TNA office, including Ed Nordholm and Jeff Jarrett.
Stars wide of belt often cultivated a gentlemanly grandeur, a groomed refinement that filtered through their fingertips - the dainty fidgets of Hardy's plump digits, Orson Welles performing magic tricks with nimble dexterity, Jackie Gleason lofting a teacup to his lips as if he were Lady Bracknell - or through a fine set of twinkle-toes.
When I went to Impact, it was me proving myself on a daily basis to a lot of different people. I mean, I had matches with Austin Aries, matches with Jeff Hardy, Bobby Roode, Drew McIntyre. I mean, I wrestled everyone. During that time, I wasn't just sitting back saying, 'Man, I hope WWE picks me up. I hope they see me. I hope to get back.'
There was a time for German stars in the 1950s with Curt Jurgens, Hardy Kruger, O. W. Fischer, and Maria Schell. That was a totally different generation. It all ended in 1968 during the big students' movement in my country. It was an anti-authority movement that changed everything. All my country's hierarchies, morals and values were questioned.
I personally find it difficult to accept that there could be anyone on earth insensitive to the comic abilities of Laurel and Hardy, Sid Caesar, Woody Allen, Mel Brooks, or Martin Short. But no matter who the comic entertainer is, there is always at least a minority prepared to say, 'What's all the excitement about? He doesn't seem funny to me.'
