Quotes of All Topics . Occasions . Authors
I don't think you'd call me a traditionalist. But you can say I have an old soul, because I grew up listening to Conway Twitty and Hank Williams.
Grandaddy always had Hank playing out in the garage. I heard it so much I just started singing. It was like jumping in a pool. You just start swimming.
'Lovelace' was really great. I got to work with the wonderful Amanda Seyfried, Hank Azaria and Peter Sarsgaard, so it can't get no better than that, right?
People I look to: again, Hank Aaron, man you challenged the status quo and the records of the game. Monumental feats in an era where people didn't like that.
I always wanted a guitar. I always wanted to be a cowboy singer because I also listened to Hank Williams, and he would always sing these neat romantic songs.
I'm a product of my surroundings. I grew up on Hank Williams Jr., Johnny Cash, Jerry Reed, and also Run-D.M.C., the Beastie Boys, the Fat Boys, and Biz Markie.
A lot of my friends, they think I grew up to rock and roll, but I didn't. I grew up to Hank Williams, Jimmy Reid, Howlin' Wolf, listening to a race record, blues.
I'm mad at Hank Aaron for deciding to play one more season. I threw him his last home run and thought I'd be remembered forever. Now, I'll have to throw him another.
Willie Mays could throw better, and Hank Aaron could hit more home runs. But I've got enthusiasm. I've got desire. I've got hustle. Those are God-given talents, too.
I've written enough books with real celebrities, such as Walter Payton and Hank Aaron and Billy Graham, to know that fame looks good only to people who don't have it.
I don't know where Hank Aaron will break Ruth's record but I can tell you one thing - ten years from the day he hits it three million people will say they were there.
I listen to some Hank Williams before I go out. I tell some jokes. I have fun. I don't waste too much energy thinking about it - I like to save that all for the ring.
We need a new Hank Williams, a new Jimmy Webb. We need new writers, a new Tom Petty. We need people that write what they feel and what they see - things that are relevant.
I don't think Hank Greenberg thought of himself as the first Jewish baseball player - he was a baseball player who happened to be Jewish. I'm an artist who happens to be Latin.
There's only one Hank Williams, man. Singing that high-voiced style, them bluegrassers, I don't see how they do it - Jimmy Martin, Bill Monroe - it's just a natural thing, man.
I don't sing white; I don't sing black - I sing Bronx. When I sing 'Ruby Baby,' I'm rolling like Jimmy Reed. I wanted to communicate like Hank Williams and groove like Jimmy Reed.
I turned 30 as a janitor. I was thinking at the time that Hank Williams died when he was 29. All my peers were at least 10 years younger than I was. I felt like an old has-been at the time.
Hank Paulson, the happy capitalist warrior who spent his life pursuing and defending free markets, is now the biggest interventionist Treasury secretary we've had since the Great Depression.
My favorite bands are Hank Williams Jr. and Led Zeppelin. When it's rock, it's '70s rock, and when it's country, it's '70s country. For me, it's the grit and dirt of music that I love so much.
I was a big sports fan, and I had been closely monitoring Hank Aaron's home run totals since I was a kid playing on the sandlot adjacent to the Foundry and Machine Company in Batavia, Illinois.
I could have took the easy way and just been a cowboy, looking good, trying to make my money off Hank Williams and being this clean-cut guy. But I always wanted to be myself and go against the grain.
With Del Shannon - and I've got to tell you this - there's nobody probably on the face of the earth that I identified more with musically. We used to sit and sing George Jones and Hank Williams tunes.
My manager was Buddy Glee, who put me together with Mike Curb, and was basically the idea to bring some soul to the label and bring something different to the label besides the Hank Williams situation.
When Hank Jones had his night off, I would get somebody to take my place as intermission pianist and I'd play the show with Ella, so I would get a chance to play with Ray Brown and Charlie Smith as well.
I wouldn't want to cover a Hank Williams song in a country-western way. It doesn't occur to me instinctually to re-create productions. I'm interested in re-creating songs. Putting different clothes on them.
The Grand Ole Opry was my favorite. That's when I got to discover the stuff inside the Grand Ole Opry, like Hank Williams' clothes, the dressing room Taylor Swift stayed in and some other things. Then I got to perform.
Hank Williams seemed, like, so total to me, so committed to the lyric. He would actually rip the ends of the words off at the, you know - the end of the sentence. It sounded like he'd bite into the word and rip it off.
When I was very, very young, I decided that I was gonna catalogue my times because that's what other people who I admired did. That's what Bob Dylan did, that's what Frank Sinatra did, Hank Williams did, in very different ways.
If I'm listening to country, it's Hank Williams, George Jones, Merle Haggard and stuff like that. If people out there don't take that stuff seriously, well, they just haven't listened to it and don't know what they're talking about.
Favorite country singer of all time... Hank Williams... Well, then there's Willie Nelson. Can I have three? I can't do one. Then if I have three, I'll need five. Hank Williams for sure. Willie Nelson. Johnny Cash and Waylon Jennings.
The reason we had an all-black outfield in '51 is Don Mueller got hurt, so Hank Thompson was a legitimate replacement. So what? People talk about, 'You're the first to do this. You're the first to do that.' Don't dwell on race all the time.
I had always been a jazz fan - Django Reinhardt, Kenny Burrell, Wes Montgomery, Joe Pass, the early George Benson. And I come from the Hank Marvin melodic upbringing. So blues, I loved, but I also liked jazz. Therefore, my style was more lyrical.
Country music tends to be so sentimental and homespun, it's easy to stumble into self-parody, but Haggard has brought a freshness to the themes that places him alongside Hank Williams and Willie Nelson as one of the greatest country music writers.
I guess when you take a look at the book 'Atlas Shrugged,' I think most people always like to identify with the main character - that would be John Galt. I guess I identify with Hank Rearden, the fella that just refused until the very end to give up.
The real road, to me, was within the actor, within myself, within my own personality. How much Jeffrey can I find, and how much of Jeffrey could I access? What parts of Jeffrey have I never used for Hank or for George or Oscar? - and that was a delight.
Everybody believed you had to have a big piece of lumber and then muscle the ball over the fence. But by the time I and Hank Aaron - another guy who did it with his wrists - were through, there were a lot of guys ordering light bats and playing handball.
Even when I was 3 or 4 years old, I'd go out riding in the car with mom and dad, and I already knew all the songs off mom's Hank Williams and George Jones records by heart. I remember just sitting in the back seat and singing them at the top of my lungs.
I put on the Hank Williams and the Patsy Cline and the Rosemary Clooney on vinyl - I'm not trying to be some cool indie-rock person, I just love the way it sounds - and throw on a T-shirt and jeans. In Texas, we practically come out of the womb in jeans.
When I was young in L.A. and I couldn't get into clubs or restaurants, I would call imitating celebrities and get a table, and it would work often. I was either Stallone or Mickey Rourke: 'This is Sly. I may be late, but my buddy Hank will be there early.'
My old firm, Goldman Sachs - traditionally, the best banks are leveraged 8:1. When we had the financial crisis in 2008, the investment banks were leveraged 35:1. Those rules had specifically been changed by a guy named Hank Paulson. He was secretary of Treasury.
Over the years, I've come to realize that writing 'I Ain't Living Long Like This' was an exercise in combined musical influence, mostly that of Hank Williams, Chuck Berry, Elvis Presley, Jerry Lee Lewis, the Beatles, and Bob Dylan - artists no one has ever heard of.
'Lovelace' was really great. I got to work with the wonderful Amanda Seyfried, Hank Azaria and Peter Sarsgaard, so it can't get no better than that, right? I had a blast, and the film is a very, very well put together movie - from the director to the writing the cast.
I got interested in coaching while I played at St. Joseph's. Because we played a national schedule, we played teams coached by Nat Holman, Joe Lapchick, Hank Iba, and others. I could see the impact the coach had on their teams, and I thought, 'That's a pretty good thing to do.'
When I go back to seek inspiration - whether it be from Chuck Berry, Howlin' Wolf, the Beatles, Hank Williams, Ray Charles or Bob Dylan - it's from the performance. Those artists are in the studio playing their instrument and singing. There's no going back and redoing the vocals.
There is a great book out called 'Everything I Needed to Learn I Learned in Kindergarten,' and I believe that everything I ever needed to learn on guitar was in my first two years of hungry learning: Scotty Moore, Hank Marvin, Chet Atkins, Lenny Breau, Chuck Berry and Bo Diddley.
Singing 'Family Tradition' with Hank Jr. was a pee-your-pants moment. Hank comes over while I'm singing and puts his arm around me, and my knees nearly buckled. You can put off the fact that this is reality, but when he came over, there was just no denying. I just lost cabin pressure.
A significant event for me was learning Hank Williams, reconnecting with his music's simplicity, which inspired me to inhabit the same territory. It's different, because I grew up on Led Zeppelin, The Stooges and punk, so in that sense I'm mutating country and folk more than a few degrees.
I think, with Hank Paulson, the concept of a bailout was anathema to him from day one. He was a Republican; he's a free marketeer. He believes in capitalism, and part of capitalism is believing in failure. And so the idea of bailing out an institution, I think, went against every part of him.
Hank Williams, Hank Jr. and myself, if you check your history, you'll see that they've always played in rowdy environments. Part of that is a lot of people are coming to forget their problems and not being told what to do for a couple of hours and not try to have anything sold to them or pushed on them.
My father took me to see Hank Williams on December 14th, 1952. I was two years and four months of age. And I remember a little cool eddy of hair hitting my cheek, and I remember the smell of his hair oil, and I remember the mingling tonality of the small talk before the show started. Those are my memories.