In music, as you develop a theme or musical idea, there are many points at which directions must be decided, and at any time I was in the throes of debate with myself, harmonically or melodically, I would turn to Billy Strayhorn. We would talk, and then the whole world would come into focus. The steady hand of his good judgment pointed to the clear way that was fitting for us. He was not, as he was often referred to by many, my alter ego. Billy Strayhorn was my right arm, my left arm, all the eyes in the back of my head, my brainwaves in his head, and his in mine.
What are you doing?" "Ya!" said Jane, whirling around, her hands held up menacingly. It was Mr. Nobley with coat, hat, and cane, watching her with wide eyes. Jane took several quick (but oh so casual) steps away from Martin's window. "Um, did I just say, 'Ya'?" "You just said 'Ya,'" he confirmed. "If I am not mistaken, it was a battle cry, warning that you were about to attack me. I, uh..." She stopped to laugh. "I wasn't aware until this precise and awkward moment that when startled in a startled in a strange place, my instincts would have me pretend to be a ninja.
Yet each man kills the thing he loves, By each let this be heard, Some do it with a bitter look, Some with a flattering word, The coward does it with a kiss, The brave man with a sword! Some kill their love when they are young, And some when they are old; Some strangle with the hands of Lust, Some with the hands of Gold: The kindest use a knife, because The dead so soon grow cold. Some love too little, some too long, Some sell, and others buy; Some do the deed with many tears, And some without a sigh: For each man kills the thing he loves, Yet each man does not die.
But when you are being physically and psychologically tortured, it is difficult to remove yourself from the pressingness of the moment at hand. Here's how I dealt with bullying: I cried, I hated myself, I hated my life. I didn't deal with it, I survived it, but I never dealt with it. So here are two tips from someone with lots of experience. 1: It's not about you, it has nothing to do with you, it's about the assholes doing it to you. 2: Your job is not to deal with it, your job is to survive it, which you CAN do because it WILL end. And then yes, it will get better.
This is where we go our seperate ways. Aware of the almost feel of his hand on my arm when he pulls me back to him and says, "Yes." I look at him, unsure of what he's saying yes to. "The questions you asked earlier, about wanting to settle down, start a family, see my family? Yes. Yes to all of it." I try to swallow but can't, try to speak but the words just won't come. His hands sliding around me, grasping me to him, he lets go of the vial, allows it to fall, to crash to the ground. The sparkling green liquid seeping out all around as he says, "But mostly yes to you.
The real difficulty is with the vast wealth and power in the hands of the few and the unscrupulous who represent or control capital. Hundreds of laws of Congress and the state legislatures are in the interest of these men and against the interests of workingmen. These need to be exposed and repealed. All laws on corporations, on taxation, on trusts, wills, descent, and the like, need examination and extensive change. This is a government of the people, by the people, and for the people no longer. It is a government of corporations, by corporations, and for corporations.
We're dealing with music that is being played by traditional instruments in a specifically built building called a concert hall. But classical is not - the reference is wrong, because classical on one hand refers to one period in musical history, which is Mozart, Hayden, Beethoven, which is a fine period in musical history, but it was a while ago.On the other hand, it sort of alludes to some kind of "class," which A, is not true; B, is kind of detrimental to the whole idea. Because the point is that this music is available and it's actually relatively reasonably priced.
“Simon,” she whispered, vaguely surprised that she had just used his first name, for she had never used it even in the privacy of her thoughts. Moistening her dry lips, she tried once more, and to her astonishment, she did it again. “Simon…” “Yes?” A new tension had entered his long, hard body, and at the same time, his hand moved over the shape of her skull in the softest caress possible. “Please… take me to my room.” Hunt tilted her head back gently and regarded her with a sudden faint smile playing on his lips. “Sweetheart, I would take you to Timbuktu if you asked.“
She wrote poetry constantly; that was her "work". She was a slow bleeder and she slaved over it for long, exhausting hours, and many a middle of a night I could hear her creaking around the dead house with a pen in one hand, a clipboard and a flashlight in the other, refining her poems, jotting down the lines of a conceit. Writing never came easy for her; it gave her calluses. She never courted the muses, she wrestled them, mauled them all over the house and came up, after weeks of peripatetic labor, with a slim Spencerian sonnet, fourteen lines of imagistic jabberwocky.
When I tell you not to marry without love, I do not advise you to marry for love alone: there are many, many other things to be considered. Keep both heart and hand in your own possession, till you see good reason to part with them; and if such an occasion should never present itself, comfort your mind with this reflection, that though in single life your joys may not be very many, your sorrows, at least, will not be more than you can bear. Marriage may change your circumstances for the better, but, in my private opinion, it is far more likely to produce a contrary result.