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If I were put into a college lecture hall right now and told to pay attention for 45 minutes, it would be physically impossible for me to do. I'm one of those people who believe that ADD is a gift. It's tough to manage, but if you can harness it you can do great things.
My father, my grandfather, the wrestling business, the WWE in particular, has really given me everything. A lot of happiness, my kids are taken care of, my wife is happy, they get to travel. A lot of pluses come with it; the Hall Of Fame would just be the cherry on top.
Thrumpton Hall can be thought of as a venerable old lady, ageing gracefully. But I didn't always feel this way. Children want more than anything to be very conventional and very normal, so it was excruciating and, at times, very upsetting to grow up in a house like this.
I was inspired by a lot of people when I was young. Every band that came through town, to the theater, or the dance hall. I was at every dance, every night club, listened to every band that came through, because in those days we didn't have MTV, we didn't have television.
With how huge Yes was, especially in the '70s and '80s, as a touring band and actually playing at the JFK Stadium in Philadelphia to 130,000 people, which is the biggest-paying show ever in rock history, you would think we'd done enough for the Rock and Roll Hall of Fame.
I stopped going to Kingdom Hall, the church, when I was 11 years old, so I was very young. They don't celebrate birthdays, you get no Christmas, so it's a very difficult religion for children to get into. And they do a lot of finger-pointing among the Jehovah's Witnesses.
Every musician, their goal in life is to play music that people love, and I've accomplished my goal. I was inducted into the Rock and Roll Hall of Fame and left that chapter of my life and those people in the past. Good and bad, I've loved and am thankful for that chapter.
In 1962, I wrote a series about 42nd Street called 'Welcome to Lostville.' One result was that the young Bob Dylan read it and invited me to his first concert at Town Hall; the result was a kind of friendship that years later led to my liner notes for 'Blood on the Tracks.'
In September 1968, Rush played for around 20 people at a small hall in a church basement. We played songs like 'Spoonful,' 'Fire' and 'Born Under a Bad Sign,' and got paid $10. Then we went to a nearby deli and ordered Cokes and French fries and started planning our future.
I remember, my mom, she's lived in Spain for about thirty years, and we were playing the Royal Albert Hall, and she was with some friends from New York. Morrissey came out with the sign 'The Queen is Dead,' and my mom's friends are like, 'Oh my God.' They took it literally.
Tamir Rice, Tanisha Anderson, Mya Hall, Walter Scott, Sandra Bland - these names are important. They're inherently important, and the space that #BlackLivesMatter held and continues to hold helped propel the conversation around the state-sanctioned violence they experienced.
That's one of the great oddities of baseball: Success is relative. A hitter who fails 70 percent of the time at the plate is a potential member of the National Baseball Hall of Fame, and many World Championship teams lose more than 70 games during their title-winning seasons.
I worked with Dionne Warwick, did shows with Bette Midler, and then I did the 25th anniversary of the Rock and Roll Hall of Fame with Springsteen at the Garden. It was all important stuff because you want people to know you can work, you can sing, and you can still look good!
We've grown up on the Beach Boys and the Beatles and Blur and Bowie and the Clash. Also E.L.O. and Hall and Oates. Those are all artists who write songs that are accessible but still left of center. It's intelligent pop. There's still something different and complex about it.
You could put all of Rev. Jeremiah Wright's angry sermons on to one loop. You could put that loop up on the big screen at Radio City Music Hall and let it play there 24 hours a day, seven days a week and Barack Obama will still emerge as the next president of the United States.
At the New York Harvard Club, they've moved the memorial for those who died in World Wars I and II up to an obscure little hallway; they used to be in the main hall, in the most prominent location. The sacrifice of those young people I always found so stunning and so admirable.
I wore an Urban Outfitters dress on my wedding day. It was one I had in the back of my wardrobe. It was white. We went to City Hall here in New York. I wore it with blue velvet boots my husband bought for me. I loved it. It was my favorite thing. It was chilled and spontaneous.
At the 2012 Olympics, there was a nutritionist in the food hall telling us, 'Eat that. And eat that.' After winning my gold, I went to McDonald's for chicken nuggets and a strawberry milkshake, but that was just for the hell of it. I don't feel hungry after a match, to be honest.
Without a doubt in my mind, I should be in the Pro Football Hall of Fame. You look at my stats without my USFL stats, and I don't know how you can argue with that. Look at my combined yards. I'm not one to make excuses, so I'll play by their rules and not even count the USFL stats.
My opinion of covers is that unless you're going to change and take a cover in a new direction, it's gonna get put up against the old one, and you're gonna lose. It's like, which would you rather listen to? The Righteous Brothers' 'Loving Feeling' or Hall and Oates' 'Loving Feeling?'
When you hear a great two-track of a performance in Carnegie Hall, let's say, it sounds like you're right there at that moment. It's true to reality. And the closer it gets, once it gets too technical, it becomes very tinny to hear notes. It doesn't sound right. It has to be natural.
Children are amazingly adaptable. What would be grotesquely abnormal became my normality in the prisoner of war camps. It became routine for me to line up three times a day to eat lousy food in a noisy mess hall. It became normal for me to go with my father to bathe in a mass shower.
For me, I was really struggling because I was Scott Hall in the gym and Scott Hall in the grocery store and in the ring. Until I got a gimmick, a look, and got to be a character, that's when I started making strides. As Scott Hall, I didn't have a gimmick, so I didn't know what to do.
I first played the Royal Albert Hall when I was 14. I was a violinist with the Birmingham Schools Concert Orchestra, and we travelled down from the Midlands for the last night of the School Proms. We played some pieces from the Harry Potter films, and the violin parts were really hard.
I was always a silent comedy nerd. I would stay up late and sneak downstairs to watch 'Saturday Night Live' and 'Kids in the Hall,' and things like that. Very early on, my parents realized that I was not going to be an engineer or a doctor. I just don't have those inclinations, at all.
I recently saw this home video where my brother is playing this character Arsenio Grimley, who is a mix of Arsenio Hall and Ed Grimley - which, clearly, is my parents' doing, because he's, like, 10. He's the host, I'm every guest, and then my dad is Elton John. That was a Saturday night.
No matter how successful you are, no matter how good you are at what you do, even if a golden path rolls out in front of your feet your whole life, there will come one particularly bleak Tuesday when you glance over at Facebook and notice that Jen From Down The Hall has just won an Oscar.
I never once had a regular paycheck. Not for more than six weeks in a row and for the most part not even that. I still haven't. The notion of some whistling kid with a mail cart coming down the hall and handing me my weekly paycheck is something I've only seen in Matthew Broderick movies.
I was friends with Cube; he was also a fan of mine, and I a fan of him. Even before Balistyx happened I was hanging out with him, taking him to 'The Arsenio Hall Show' for his first time. I was like, 'Ice Cube, I've got a plus 1, you should go,' and I took him. Cube wasn't known at all yet.
Marlins Park is what I call my office in Miami, because I work for the Venezuelan Museum of Baseball and Hall of Fame. My job is to go to all the MLB stadiums and to talk to and collect articles from all the Venezuelan players in the big leagues and those Americans that played in Venezuela.
I sort of ride the fence on that whole steroid era issue. I don't have a definite opinion like some of my fellow Hall of Famers. Some of the guys were very, very adamant about a person being associated with steroids: 'They'll never be in the Hall of Fame. If they are, I'll never come back.'
To be named as one of the finalists for the Naismith Memorial Basketball Hall of Fame's Class of 2010 on Friday was a special moment for me. As a player, it's something that you dream about. It's an honor that you have to earn based on your career and the respect from your peers around you.
The love affair between black folks and the Clintons has been going on for a long time. It began back in 1992, when Bill Clinton was running for president. He threw on some shades and played the saxophone on 'The Arsenio Hall Show.' It seems silly in retrospect, but many of us fell for that.
When 'The Road To Hell' happened, I didn't know what I was doing. Your diary fills up, and you have no objectivity. At home, you're trying your best to fit in. Sometimes I'd race from Heathrow to find myself sitting in a village hall watching my kids. It felt really weird. I didn't enjoy it.
Facebook was founded on February 4, 2004. On February 5, we were feeling pretty confident, even from observing the first few hours of usage. Students used it like crazy. They'd sign up then spend the next 3-4 hours on it. Then we'd go to lecture hall and see it on every computer screen there.
I did Albert Hall, I got to play the Hall of Fame with Prince. So I've done that kind of stuff for ages. It wasn't until after we finished working on Brainwash, my dad's album after he died, then it was like 'That phase is over in my life now, now we can get on with our music, with our band.'
The first acting part I ever got was a guest spot on 'Chicago Hope' playing a security guard. I thought, 'Oh, this is going to be cool.' But a little bit later, I got a vague part on this short-lived show called 'Marshall Law' with Arsenio Hall and Sammo Hung. It was a poor man's 'Rush Hour.'
It seems always to have been difficult to have been a New York Philharmonic conductor because of the nature of New York. We are in direct competition with the great orchestras in the world who come to play in our hall or in Carnegie, and we are constantly compared. I think that 's a good thing.
We are all representatives of the American people. We all do town hall meetings. We all talk to our constituents. And I've got to tell you, the American people are engaged. And if you think they want a government takeover of health care, I would respectfully submit you're not listening to them.
The purity of finding the right artist, that artist that's gonna be the next hall of famer, that artist that's gonna be the next headliner, lifting people out of their seats at Madison Square Garden, that song that's gonna be sung for hundreds and hundreds of years, that essence remains the same.
It's just this little comedy about this group of guys, and their local hangout is a pool hall, and it's starting to get taken over by this big corporate, evil kind of guy. And it's just about them trying to save the day and their little pool hall in the process of it all. It's called 'Think Tank.'
It has become commonplace to call Trump a reality TV star. That is said as an aspersion, the way Ronald Reagan was called an actor. But Reagan's acting experience, his ability to talk to the camera and not yell to the hall, is what helped make him such a good politician. It is the same with Trump.
I created 'Captain Underpants' when I was in the second grade. I was constantly getting in trouble for being the class clown, so my teacher sent me out into the hallway to punish me. It was there in the hall that I began drawing 'Captain Underpants'. Soon I was making my own comic books about him.
Besieged by lawsuits that threatened to engulf almost everyone at the White House, Clinton assistants shunned paper or e-mail records of their daily deliberations. One told me that he would go down the hall to confer with his division chief face to face rather than discuss an issue on the telephone.
I had to find a way to get off the streets because it was too windy. So I started organizing variety shows of street performers. I would rent a hall, cafe or bar so I could put on a show. I did that for years before the 'Tonight Show With Johnny Carson' heard about this odd thing I did with bubbles.
I'd watch shows like 'The Kids in the Hall' or 'Twin Peaks,' and I'd see weird people being celebrated and appreciated without compromising their weirdness. On 'The Facts of Life,' I'd see girls who were pudgy, beautiful, popular, tomboyish - many ways of being female - and I'd feel quietly reassured.
On the corner of 57th and 7th Avenue sits the most famous concert hall in the world. No less a figure than when Tchaikovsky led the first performances in 1891. Virtually every major artist has performed there. There is simply no place like it. The first time I stepped foot in Carnegie Hall was in 1964.
At least in the United States, most economic resentment is not directed toward billionaires or high-roller financiers - not even corrupt ones. It's directed at the guy down the hall who got a bigger raise. It's directed at the husband of your wife's sister, because he earns 20 percent more than you do.
I met my darling wife Wilnelia in 1980 when we were on the judging panel for the Miss World contest at the Royal Albert Hall. With two ex-wives and five daughters, I thought I wouldn't be involved with anyone for a long time - if ever. Winnie was so gorgeous, my jaw dropped - and it's a big jaw to drop.
The last time I heard real screaming in the theatre was when I went to see a movie I did years ago, called 'Wait Until Dark.' Now, my mother was the least emotional person on the planet, but when I got killed in the movie, she stood up and screamed, 'That's my son!' At Radio City Music Hall in New York!