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I think it's also important for people to really see that your identity doesn't come just from what you do but who you are. My relationship with Jesus Christ is the most important thing to me. Because of that, I don't have to change whether I am one of the most popular guys in football.
The thing is, I never see my characters as psychopaths. I see them as really crippled victims who just happen to do bad things. And I never see them as bad guys; I see them as darker characters. I never see anything as good or bad; it's more light or dark, and the in-between is the grey.
I got injuries already from fighting from guys that have been cheating. And you're never the same when you get injured like that. I mean, look at my hand. It's broken, it's got 16 screws in it. I'm not as strong in this hand. It just affects you, especially this body being my livelihood.
There was a period of time where the two most wanted guys in the state of Oklahoma were me and Josh Heupel. Me for suggesting that you could throw the ball at Oklahoma and in the Big 12. And Josh Heupel for having the temerity to play quarterback and not be able to run faster than 5 flat.
I grew up in business at a time where there weren't very many female role models, and so in the early days, we wore little bow ties like the guys, and we talked about the Army even though we weren't in the Army. And the reality was that wasn't the right way to approach the business world.
I wasn't the class clown. I wasn't that obvious. There would be a circle of guys, and they're watching the class clown. And I'm standing in the back, and I turn to the guy next to me and I say something funny to him, and he starts to laugh. And the guy next to him says, 'What did he say?'
It blows my mind when I actually consider that men are as human as I am. How can you possibly be as human and have all of the thoughts and feelings that I have and never be able to talk about it, ever? Guys are in desperate need of truth telling. They are in desperate need of a revolution.
I love Marvel. I'd be happy to do other projects with them at any time. They're a great company - I love all the guys and girls over there - they always are able to get a really fun cast for almost every project they have, which is often. And, of course, who doesn't want to be a superhero?
I train my chefs completely different to anyone else. My young girls and guys, when they come to the kitchen, the first thing they get is a blindfold. They get blindfolded and they get sat down at the chef's table... Unless they can identify what they're tasting, they don't get to cook it.
If you can grab a ball and throw it, you can grab a ball and throw it. I don't care how tall you are, either. I'm not gonna see over a 6-foot-7 left tackle. You've gotta find lanes; you've gotta know where your guys are. It's not about the height: if you can win ball games, you can win 'em.
You try to take advantage of taking control of the game when you know you may have guys on base and counts aren't in your favor or whatever. You just try to figure out ways to slow the game down to get back to the pace that you want it to be at, to try to get the momentum back on your side.
I used to not like being called a 'woman architect': I'm an architect, not just a woman architect. Guys used to tap me on the head and say, 'You are okay for a girl.' But I see the incredible amount of need from other women for reassurance that it could be done, so I don't mind that at all.
WWE prepares you for everything in entertainment. It's the truth. You need a host? Get a WWE Superstar. You need someone for an action movie, a comedy movie, a drama movie, you get a WWE Superstar. Because these guys are the most well-versed, well-trained, and hardest working guys out there.
I had seen my buddies crash and burn. Keith Moon died, and I always thought that was the way he wanted to go. John Belushi was a dear friend. A lot of the guys that I ran with were ending up dead, and I saw myself right on schedule to do that. I had some moments of clarity - once in a while.
You always have to play it safe, no matter who you're fighting. I don't fight any easy guys. I haven't maybe ever in the UFC. To me, you've always got to be safe. But I don't want to have my foot on the brake at all. My foot is going to be on the gas, and I'm going to be smart at everything.
Guys like to gaslight us, and it's not cool. And it happens so much; it's happened to me in relationships. It's happened to me where I have been cheated on, and I felt so sad and angry, like it wasn't my fault, but that was because the person was gaslighting me into thinking it was my fault.
I'd like to be able to get more girls to play guitar. I think with a girl playing electric guitar, sometimes it's seen a bit like a guy doing ballet. All the people I learned guitar from have been guys. There are some great female players, like Bonnie Raitt and Jennifer Batten, but very few.
I knew I wasn't going back to Brooklyn... I never knew exactly. I just kinda - you work with these guys every day. You see the same players, you see the same coaching staff, you see the same trainers every day. So when they start to act a little different, you recognize it... I could feel it.
Jack Nicklaus liked to curve the ball by opening or closing the clubface at address. I never felt I was good enough to do it his way. I didn't like changing my swing path, either, which some guys do. There's only one really reliable way to curve the ball: Change your hand position at address.
Organized crime and rogue nation states and terrorists are very much focused on the Internet of things. The challenge that goes with connectivity is always security. The bad guys go wherever the return is, and now it's more lucrative for bad guys to focus on cybercrime than traditional crime.
I don't like any one race or look or type of guy. My tastes as far as looks go are very diverse. I like guys with scruffy beards and leather jackets, but I also like a clean-cut 'GQ'-type guy, so my tastes are very ranged among somebody who laughs at my dumb jokes, too. I have plenty of them.
The American cinema in general always made stories about working-class people; the British rarely did. Any person with my working-class background would be a villain or a comic cipher, usually badly played, and with a rotten accent. There weren't a lot of guys in England for me to look up to.
It feels a little bit odd to me that you have some guys that have never lived in the United States that play for the United States because they were able to secure a passport. To me, that just feels like they weren't able to make it for their country and earn a living, so they're coming here.
I think the ability to hit - some guys have it and some guys don't - but I think how dedicated you are to trying to get the most out of yourself, I think kind of determines how good you are and for how long. I was born with the ability to hit, but my work ethic has taken it to the next level.
I went to Vietnam during the Vietnam War to visit all the troops. We would fly into a hospital and serve mess to the guys, and we ate whatever they were eating. Then we slept there and flew out the next day to little bases where there were maybe 10 or 20 guys. Then we flew to another hospital.
I'm a big fan of certain new acts. I love any genre of music, and I think it's really great to see that there are new artists coming through. It's kinda funny to think that I'm like the old man on campus now. But I'm really happy for groups like One Direction. I think they're really good guys.
When I entered high school I was an A-student, but not for long. I wanted the fancy clothes. I wanted to hang out with the guys. I went from being an A-student to a B-student to a C-student, but I didn't care. I was getting the high fives and the low fives and the pats on the back. I was cool.
I'm not one of these guys who sits around saying, 'Gee, I mean, the person had a strange childhood and that's why he's doing this horrible thing. Poor Jeffrey Dahmer. He's just had a bad childhood and that's why he's eating people.' Wait a second! This person should be removed from the planet.
I mean I've been around a lot of places and there's been a lot of guys that - every single team that I've ever been on, I really try to take advantage of the older veterans that are there, try to learn about their process, how they take care of their bodies, how they study, how they watch film.
When I arrived in Champ Cars, which at the time used to be called Indy Cars and then got renamed CART and then renamed Champ Cars, I was racing against Jimmy Vasser, my team-mate, but more than him, I was racing against Michael Andretti, Emerson Fittapaldi, Al Unser Jr. - guys that had big names.
I'm turned on by guys who are cultured. That'll keep me intrigued. They don't have to have a single degree, but they should speak other languages or know things about other parts of the world or history or certain artists or musicians. I like to be taught. I like to sit on that side of the table.
Rock 'n' roll guitar came from blues guitar. It was the blues guys who first turned the amp up and started whacking on the Stratocaster and a Les Paul. It wasn't the country guys and it wasn't the white guys; it was the Blues guys. That's where the real fire is in all of this rock and roll music.
When you look at a corporation, just like when you look at a slave owner, you want to distinguish between the institution and the individual. So slavery, for example, or other forms of tyranny, are inherently monstrous. The individuals participating in them may be the nicest guys you can imagine.
It's just this little comedy about this group of guys, and their local hangout is a pool hall, and it's starting to get taken over by this big corporate, evil kind of guy. And it's just about them trying to save the day and their little pool hall in the process of it all. It's called 'Think Tank.'
I have to think that I think it's always been a horse race between this administration's temporary political acumen and their completely, utterly, totally bankrupt policies. And they're coming home to roost. It was always a question of time. These guys aren't conservative. These guys are radicals.
There's the famous thing that the A&R man from the record company is supposed to do: He's supposed to come into the studio and listen to the songs you've been recording and then say, 'Guys, I don't hear any singles.' And then everybody falls into a terrible depression because you have to write one.
When I was running the Troubadour, there was this transition from the classic singer/songwriter Jackson Browne types to bands like Black Flag, the Dead Kennedys, and Fear. Those are just some that come to mind. Oh, and Adam Ant! The Fear fans wanted to 'crush' the Ants. These guys hated each other.
It's gone on my whole life, this David and Goliath syndrome that a lot of these smaller guys always have. They think the only reason I've ever had any success in my career is because of my physical size. And you know what? If that's the case, so be it. I really don't care. Because I have that size.
I think I'm one of those guys who was sort of always in comedy. I thought of myself - and other people seemed to think of me - as funny from a very young age. I was a very young comedy nerd and I even did sketch comedy in high school and college. I wrote and shot sketches on video and acted in them.
I quite enjoyed doing 'To All the Boys I've Loved Before' because I felt like I got the actual co-ed experience. Because I went to an all-girls school, and that was fun - I love just putting on a uniform and living my life - but I also like to flirt with guys. I didn't get to do that in high school.
When Jim Irsay called me five years ago, he told me, 'I want you to be our coach and help us win the Super Bowl.' He told me, 'We are going win it the right way. We are going to win it with great guys; win it with class and dignity. We are going to win it in a way that will make Indianapolis proud.'
You gotta follow the white guys. Truly. They've got this thing wired. Too often, we live within their games, so why would you not study what works? Take away the bad stuff - because there's a lot - and use the savvy interesting stuff and figure out how they can apply. It's a good one for the ladies.
I play in a league that's 70 percent black and my peers, guys I come to work with, guys I respect who are very socially aware and are intellectual guys, if they identify something that they think is worth putting their reputations on the line, creating controversy, I'm going to listen to those guys.
My father worked in the Post Office. A lot of double shifts. All his friends were in the same situation - truck drivers, taxi cab drivers, grocery clerks. Blue collar guys punching the clock and working long, hard hours. The thought that sustained them was the one at the center of the American dream.
I came to think that nobody from England could draw American comic books, because they were clearly all done by this sort of Mafia, all these guys with Italian and Irish names who had the whole thing sewn up. It was actually seeing a comic book drawn by Barry Smith, who was about my age, and English.
You can become a star overnight, guys. You can be on the street walking one day, and you're on your way to the corner diner, and you had to hitch a ride to get there. And the next day, you can be a huge star, money coming at you from right and left. And you've got to know how to handle that situation.
I want guys that are sincerely interested in coming to Clemson. I don't need any practice recruiting, and I don't like wasting time. I want to be transparent, and I want prospects to be transparent, and if they're really interested in Clemson, then they're going to come here unofficially on their own.
When you're coming up, and you have Matt Hughes, Tim Sylvia, Jens Pulver and Pat Miletich, Jeremy Horn to train with and compete with - guys that have fought in Japan, all over the world - and you see these guys every day, you just embrace the grind and get after it: you have no choice but to succeed.
A friend of mine has a house with a basketball court and a pool. The guys go over and play basketball; I lie by the pool and nap in the sun. That defines me. That's consistent with who I am. I don't pretend to play basketball because I wanna feel like one of the guys. I wanna lie in the sun and relax.
I was one of those guys, you know, playing and singing, and there was no reason for me to write a song, because there were so many beautiful songs out. And Bob Dylan was always the ultimate songwriter, and nobody could ever write a song as good as him, and nobody ever has written a song as good as him.