Whenever I'm in Kansas City, I think back to all the jazz-blues greats who played the blues here - like Count Basie, Charlie Parker and Jay McShann. I watched those guys jam in different places and heard a lot of things - but I couldn't do what they did. They were too good.

When I was trying to write a novel, I ran out of money, and I was delivering packages on a bicycle. And I finally connected with these guys who started a software company, and almost serendipitously fell into that. I felt like they were goofy guys and that I was a goofy guy.

I really want to do everything I can to try to win a game or win on a play. You get fiery; you get chippy out there, but a lot of respect, I never have anybody, like, talk trash in my career in the league, or I don't talk trash. I think guys respect the fact that I'm coming.

I lived next to Russian soldiers. We had Russian army guys in our house when I grew up. We made lemonade for them; they were everywhere. I had a Russian school. I grew up with Russian traditions, I know Russian songs... it infiltrates me a lot. I even speak a little Russian.

I've been teaching myself the fundamentals and being around some good players, but also been learning to play team games, playing 3-on-3s, playing 1-on-1s, playing 5-on-5s, playing 21. There are guys bigger than me on the court, but I've had numerous comparisons to Ty Lawson.

There really isn't a dream role, but there's a dream situation where I could work with a director that I idolize. So, the idea of working with David Fincher or Paul Thomas Anderson or Wes Anderson or Scorsese or Spielberg or any of the guys I really idolize is a dream for me.

A high-profile player has to toe the line and I try to lead by example. A lot of guys appreciate that, and it is an advantage to have somebody as captain whom the players feel they can look up to; somebody whose door they can knock on to talk about anything on cricket or life.

I admire Kings of Leon. I think their records are amazing. Just from hanging out with them, I can say they're good guys. It's cool to see that they get to do what they love. But I think they clearly have an appreciation for where they came from, and it has shaped who they are.

A huge number of real 'Chase' fans have taken me to their hearts and people are recognizing me out and about and are saying how pleased they are with me making a refreshing change to the lineup - not that they don't like the other guys but people like that we're all different.

My followers are some of the most loyal people out there. They know everything about me and my life. They know all my drama with guys that I have crushes on, all that stupid stuff that doesn't really matter. But all that stuff allows me to build a close relationship with them.

I've never had a huge collection of records; I've never been a beat digga. I never been one of these guys who drives cross-country and knows some one-legged sailor who has a boat parked off some pier with a thousand Russian funk records that he stole from the Red Army in 1972.

But in answer to your question about the conspiracy angle, I think that any historian worth his salt, and this is where I fault Stephen Ambrose and a lot of these guys who attack me - not all of life is a result of conspiracy by any means! Accident occurs alongside conspiracy.

With me, Bobby Fish, and Kyle O'Reilly, I know on-screen we are these brothers whose bond can't be broken, and we are this faction. I promise you, it's very real behind the scenes, too. I've known those guys for years. We travel together all the time; we talk every single day.

I listen to anything anyone gives me. I always go back to a few basic favorites. I can always listen to Django Reinhardt and hear something I haven't heard before. I like to listen to Art Tatum and Coltrane and Charlie Parker. Those are guys who never seem to run out of ideas.

Your shoes have to match your belt. That's rule number one for guys. You can't put the brown shoes with the black belt. Or a brown belt with a black wristwatch. Just don't do it! Also, I don't like boots with suits. And when you wear sneakers, make sure they go with your shirt.

I've been trying to find women writers for my staff for a while now and I have three women on my staff and three guys so it's pretty equal. I don't know why that is. It's been the same thing for a while. It's hard for female comedians to stand out. That's weird. That's a shame.

I was born Joseph Lane, but when I applied to the actors union, they said they already had a Joe Lane on the books and I'd have to change my last or first name. I had played the character of Nathan Detroit, whom I liked very much, in 'Guys and Dolls,' so I took the name Nathan.

The idea of beauty today is a bloody mess. It's really awful. You look in the fashion magazines and see all of these retouched people. Some guys called retouchers go on the computer and take away everything that you are and then call it photography. I think it's such an insult.

My ultimate goal is to be the best player in the world. If I'm the best player in the world, I'll be the face of American golf. It will come with the territory. That's where I want to be. If I want to be there, I have a lot of guys I have to beat out, in the U.S. and the world.

There's always a spattering of people who see Hanson who were influenced by classic '60's and '70's rock and roll. In a lot of ways, we're sort of the anatomy of a '70's rock band if you examine what we do: white guys who grew up listening to soul music from the '50's and '60's.

On teams that have won championships and got to the big game, there's a certain vibe and feel in that locker room. Everyone talks about how there's a brotherhood in that locker room, there's not a lot of dissent, there's not guys that go off on their own. It's a team atmosphere.

The genius of guys like Lincoln and Reagan and FDR - the great communicator leaders - is that they're actually educators, so they understand when they use a phrase that they have to explain it, because, by definition, you won't understand it or they wouldn't need to be using it.

Where there seems to be a difference between guys being nuts and women being nuts is that guys are much more open in calling each other on stuff; lots of insults and dirty names. Whereas women will talk frankly and honesty, but there also seems to be more passive aggressiveness.

You guys have probably seen acai bowls on Instagram or at trendy coffee shops or wherever. They're a great source of energy, nutrient-rich, and a good way to get a ton of fruit into your diet. Plus, they shake up the normal breakfast routine and are as easy as smoothies to make.

I'm not saying that I'm on some crusade to change people's minds. I'm just doing what I do. I'm a comedian, I'm trying to be funny... I think when they see a comedy show with an Iranian and an Egyptian and two Palestinians, I think they go, 'Oh wow, these guys are just like us.'

I get plastic nails done in the salon. When I was younger, they were stronger, but now I get my nails built up. Then I can dance over the strings. I say, 'Okay, I need four nails; I'm a guitarist.' Sometimes if I'm in a strange place, the girl says, 'Yeah, all the guys say that.'

People think SEALs are cold-blooded, heartless, wound-up, brainwashed killers. They imagine you can just point a SEAL in a direction and say, 'Go kill.' The truth is you're talking about a bunch of kind-hearted, jovial guys. The only thing that separates them is mental toughness.

'Blasto' is a new game for Sony Playstation. It's an awesome three-dimensional game, and I play the character Blasto who's sort of a Flash Gordon barrel-chested superhero who goes to Uranus and shoots these little green alien Fascist guys. He rescues babes; he goes on wild rides.

That big hit 'Get Lucky' is a disco song - not only the melody and the whole concept, but we had one of the great disco guys and one of the best guitarists ever, Nile Rodgers, to play on it. So that's great disco, but a modern disco, because it has great vocoders and synthesizers.

Fortunately for me, I discovered Ring of Honor. And I saw guys who were much smaller in stature but were putting on these amazing matches that I had never seen in WWE before. So I thought, at the very least, I'd love the chance to be able to wrestle in a company like that someday.

Salman was an amazing human being. There are lot of things about him for years, but he's one of the most genuine, helpful guys out there. There's Salman Khan the superhero, and there's that gentle guy who pulls out a charcoal pencil and comes up with some soulful, pure art pieces.

There's a lot of guys in WWE - you would know who they are - you know you're going to see the same thing every single match. You know you're going to hear the same thing every time they pick up a microphone. You know John Cena is never going to get mad at you no matter what you do.

If you're a guy, you should get girls flowers all the time. They never get old and you can never get them enough. I'm never disappointed when I get flowers. I always thought guys who don't buy women flowers are such fools. All it takes is one. A little goes a long way with flowers.

I get people who come up to me and are like, 'You make me wanna live my dream.' I was them, so I'm like, 'Me, out of all people? No way.' Eddie Guerrero did that for me, so to have little girls and guys tell me I inspire them, I didn't know that came with the job, but it's so cool.

It's strange because even in the vaudeville days, ventriloquists were never the main attraction. They were the guys brought out to stand in front of the curtain while sets were being changed. Ventriloquism wasn't even celebrated as an art until Edgar Bergen came along in the 1930s.

In the 101st Airborne Division headquarters in Mosul, we had a sign on the wall. It was a question that we would ask ourselves before every new operation or policy initiative. It asked: Will this policy or operation take more bad guys off the streets than it creates by its conduct?

There are a lot of guys who are successful, they make a lot of big money, I mean millions overnight with a contract, and they don't understand the evaporation. It evaporates. You're always back to square one. I found that out, so integrity is how I do business. That's my main asset.

Ultimately, bridging the practice of forensic science and the public's need for story may be difficult. We crave narrative, order from chaos, a mystery solved, good guys winning out over the bad ones. But science, and forensic science, should be more neutral and, thus, more nuanced.

We met Ferg at one of our shows in L.A. She gave us her number. For the song 'Shut Up' on Elephunk, we needed a vocalist. Someone said 'yo, remember that white girl - we should get her in the studio.' Since then, we've become friends. She's one of the guys now, she isn't just a girl.

Basically, we used to have a rule at 'Saturday Night Live' that you're not allowed to bring up 'The Simpsons' at the rewrite table, because 'The Simpsons' has done every joke there is. Every week there would be guys going, 'The Simpsons did that.' I go, 'C'mon.' And 'South Park,' too.

You have to build your core nucleus of your team through your draft. What that does is you basically introduce them to your culture and your environment. Then, as guys begin to perform and play to that level, then you say, 'You know what? You guys deserve an extension, so here it is.'

When I started writing, I was reading people such as Tom Clancy or Michael Crichton, who did 'Jurassic Park,' which is possibly the most action-filled book you'll read, apart from mine, and I said to myself, 'Why aren't these guys doing big-scale action like you would see in a movie?'

When you watch the top guys, you know there will be no drama all match. They're gonna wipe their face between points, they're gonna ask for balls, they're gonna choose the ball, they're gonna bounce the ball 200 times, they're gonna hit the ball, and that's it. That's the whole story.

Your life is like a play with several acts. Some of the characters who enter have short roles to play, others, much larger. Some are villains and others are good guys. But all of them are necessary; otherwise, they wouldn't be in the play. Embrace them all, and move on to the next act.

For me, and I've been on record saying it, let's create two leagues: one for players who want the college football experience, and another for those that want to get paid, have the NFL help fund it, whatever. Guys who don't want to go to school to get an education, let them go to work.

I'm not like other females. I'm obviously different because of the path I've taken. I'm just as aggressive as the guys when I get my helmet on. Plus F1 is not just about taking risks, but knowing when to take risks and when to back off. It's also about strategy and managing your tyres.

Too bad integration didn't come sooner, because there were so many ballplayers that could have made the major leagues. That's why, you look back, and - not to take away anything from Babe Ruth or some of those other guys - they didn't play against the greatest ballplayers in the world.

With my fighters, there's no excuses like, 'Hey, listen, he's a dumb guy. Came from the mean streets of somewhere. He's just not all that bright.' These are educated guys, most of them went to college, they have families, children, etc. These are smart, rational people I'm dealing with.

When you're the younger guy, you're kind of only looking after yourself. Obviously you have to be a bit selfish in terms of what you're doing. But when you're the older guy you have to look out for the younger guys as well. If they're making mistakes, they need help, then you help them.

Well, a lot of people don't know this about me, but I'm actually shy around people I don't know. I would just say with my first concert, my first tour, I didn't really talk onstage. I was like, 'Thank you, I love you guys,' or whatever. But now I've just kind of learned to work a crowd.

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