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The reason why nothing sticks to Trump - or very little sticks to Trump - is that Trump created his brand idea that has to do with being the guy who gets away from it. It's this ultimate power through wealth and this dream that represents in an age of tremendous economic precariousness and constrained options for so many people - that watching Trump be able to do whatever he wants to whoever he wants is this obvious vicarious kind of thrill for a certain demographic.

I was rejected many times. I cried. I was told that female actors are replaceable in films because they just stand behind a guy anyway. I'm still used to being paid - like most actresses around the world - a lot less than the boys. We're told we're too provocative or that being sexy is our strength, which it can be, and it is, but that's not the only thing we have. But women have incredible endurance and incredible strength. Your ability to deal with it is within you.

I told you not to take off work for this." “And miss your big finale? No way.I’m all atwitter to see how things turn out.” “That’s cute, Jordo.” Then he frowned as Nick McCall was suddenly there, in their lives, and Kyle was therefore being a little…cautious before welcoming him into the family. “Be nice, Kyle,” Jordan warned. “What?” he asked innocently. “When have I ever not been nice to Tall, Dark, and You Can’t Be Serious About This Guy?” “I like him. Get used to it.

I remember we [with Donald Trump] were sitting in a meeting and he walked in and he looked at me and he said - maybe five or six of us in there - and he said, "Are you the first woman to ever run a presidential campaign?" And so the guys in the room said, "First Republican woman." And I said - you know, I always think of Susan Estrich and Mary Kay and Donna Brazile, and respect them enormously; know one of them very well. And I said, "Well, I'm the first Republican one."

I was shooting all this time. And there was only one guy who helped to pull him. And I had to think whether I was going to keep shooting or help the guy. And so I kept shooting and then they put him in this little clinic, and I photographed through the window while they had to amputate his leg. And I felt very strange because I didn't - I felt I could have helped, but I didn't help. But then I also felt elated that I was getting a shot that would be important to the film.

There's actually a time when I got cast in something and it was announced that someone else was cast. I hadn't been told yet if I had the role and I had a breakdown because I really wanted it and it was announced on this website that this other girl had gotten it. I was so sad and called my agents and said, "You guys didn't tell me this other person got the role!" They were like, "No, they haven't decided yet." Then two hours later I got the call that said I had the role.

Compare and contrast: Donald Trump is going out thanking the voters who supported him. You look at his cabinet picks. They are not donors. These three military guys are not being chosen because they're being paid back for donating to Trump. He's picking them because they're the best. And what's Hillary Clinton doing? She is thanking the money people. She's not thanking supporters. She's not thanking people who believed in her for her ideas and substance and her personally.

You do your job every day. When things go right, there's never any coverage. But when certain things happen, boy, the world descends on you and they plug you into a narrative that has been established that you're either a pig, you're a racist, you're a hater, and that's why you joined the cops and so forth. The good work you do - it's kind of like the CIA, every success nobody can ever know. You guys, not that your work is clandestine, but it's not news when you save a kid.

Many individuals spend a considerable portion of their lifetimes in terror of one imagined catastrophe or another. The classic is that your immortal soul will be consigned to eternal torment in the never-ending subterranean barbecue if you fail to follow the whacky edicts of one particular set of puckered dogwhistles or another. You may recall from the great movie Strange Days that a "dogwhistle" is a guy whose asshole is so tight that when he farts, only dogs can hear him.

If your intentions are already bad, and then you still make giant mistakes, it seems like things just get worse. I get little joy seeing this, because what I don't see is the public saying, "Wow, those guys are really bad, maybe we should re-evaluate everything." I don't see that response with the scandals, I don't see it with the indictments, I don't see it after Katrina, I don't see the public going, "Wow, let's really re-examine the entire direction this country is going."

Guys don't understand great art. They don't care that sometimes the camera has power beyond the photographer to record emotion that only the heart can see. They're threatened when the camera jumps ahead of me. Todd Kovich was pissed when I brought my Nikon to the prom, but I'd missed too many transcendent shots over the years to ever take a chance of missing one again. A prom, I told him, had a boundless supply of photogenic bozos who could be counted on to do something base.

Picasso and Matisse were the guys I wanted to get away from, and cubism is all still lifes. Their paintings are all closed drawings. And still life is a perfect form for that. By the mid-'50s, I sort of dropped the still life. The large picture was a way of getting around them, too. The abstract expressionists were also into the large form because it was a way of getting around Matisse and Picasso. Picasso can't paint big paintings. Matisse didn't bother after a certain point.

There are certain reactions that you aren't allowed to show in Berlin, for example that you feel offended. If you do, the best-case scenario is a sympathetic article along the lines of: Nice guy, but he's not up to it. The alternative is to don a suit of armor and become cynical. But that's not healthy either: Cynicism is the worst characteristic a politician can have. That's why you have to have an internal balance in Berlin, so you can stay true to yourself. And I have that.

One time when I played Australia I had a death threat, and they tried to keep it from me, but I found out. They had all this security backstage, outside the dressing room. I said, "What happens when I walk into the spotlight. I'm a target. So I really don't need all this. You guys can go out and sit in the audience. I think you'd be a lot more useful there." If somebody really wants to do you in nothing will stop them. It's proven by John F.Kennedy, the Pope and Ronald Reagan.

With Gargoyles, I didn't want to walk away. I liked the idea too much, I was too passionate about it and so I went to my bosses and said, "Guys, I want to produce this show." Their initial response, lets call it dubious, but they let me give it a shot and sort of the rest is history. I moved from one side of the desk to the other side of the desk, and became a full time writer which had always been the goal, but I came about getting the actual work in a sort of roundabout way.

The 1984 tax trials, when he appealed his New York state and New York City audits, were about Donald Trump claiming zero revenue for his consulting business and taking over $600,000 of deductions, for which he couldn't produce any documentation, no receipts, no checks, nothing, those two elements, zero income and huge deductions, combined with his own tax guy testifying under oath, that's my signature, but I didn't prepare that tax return, those are very strong badges of fraud.

Oh yeah, I'm the president of the lucky club. There are so many talented people who don't work. And the crop of young actors I'm surrounded by is incredible. When you have people like that around you it amps you up a little bit. Also, Emile Hirsch and Joseph Gordon-Levitt, or guys like Ryan Gosling. It's a really good crowd and I feel I'm coming up at a good time. But equally, there's a lot of good young actors who don't get to work who are more talented than I. I'm just lucky.

I'm talking about people who claim to love people. I'm talking about people who claim to love and represent the little guy. They're the people that tell us that if not for them, the little guy would be trampled on daily. Well, if they really cared about the little guy, if they really cared about the little guy, and want the little guy to have an improved life, more contentment, more happiness, then the United States is what you would emulate. You certainly wouldn't tear it down.

I've got a strength and conditioning coach, a weights coach, but I've also got a nutritionist, a physiotherapist and a masseur available to me if I need it. It's quite a good network. I've also got sports scientists who record the technical information, so that, after the race, we can analyse the video and check comparisons between, not only me and the other competitors, but me and my best performance. I couldn't do it without these guys, but I'm the one who gets all the credit.

Ability to download music for free might not be positive for the artists to get royalties, but in some ways it's still good that people can get your music, and hopefully in the course of that, people will want to see you live, around the world shows. It might get you to where you get to travel all over the planet. 'Cause now people are hungry: "Oh, I wanna see this guy, I wanna hear this music live, I wanna see if they're gonna remix it or funk it up differently when I see them."

I would say that the one incredible thing that Karachi has going for it is the unabated supply of new migrants that pour into it day after day. It could be a poor factory worker who simply wants a job, it could be an ambitious guy coming for an education - they all add hope and vibrancy to the city. Now, this is not something that is generally taken as positive in Karachi. But the hope is that the migration that comes into the city replenishes its stores of resilience and energy.

Bernie Sanders is an impressive guy. His authenticity and his credibility stem precisely from the fact that he has been marginalized from the mainstream political process for decades. He's been in the US Senate, yeah, he has had a life in politics for thirty years, but he's never really been able to get anything done. He's the only socialist in the US Congress. He's not a Democrat or a Republican, but he's always been saying the same things about income inequality, in particular.

I also think if you get sort of early success there's always this part of you which feels like, "I need to address the imbalance, I need to kind of earn that success after the fact". I try to find roles that are hard and also, I still find now, even after I've done loads of really random movies, directors are really surprised that I want to play the parts that I want to play. They just assume that you want to only do the honorable good guy lead who saves the day or dies at the end .

Your agent or manager tells you. They go, "You're out. They're gonna get a new guy." But then I didn't feel bad. I didn't take it personally. Not that I'm competitive at all. But you have pride in that, you know? You want your ratings to be good. But now that I'm 62, I don't really care about the ratings. I don't care about the reviews. I care about the work, and I care about the people that I'm working with, and I try to make the experience for them and myself as good as it can be.

Before you go into what is essentially a competition, you have to have that confidence. You have to ask yourself, "Are they looking for a guy my height? My age? I've got a shot." And if there are nine guys auditioning and they're all gorgeous, I have an advantage, because gorgeous guys are a dime a dozen. But if they need someone else - like a goofy guy with bad hair who is just okay - then that's me. And finally, the other 2 percent who audition are geniuses that I could never touch.

Talking with Ken Shamrock was almost a one-way conversation. I knew Ken was a tough guy, one of the toughest in the world at one time and still tough as nails. I had heard he had a tough background, but there are two times in that interview when I teared up. I'm "Stone Cold" Steve Austin, and I didn't cry, but I teared up. Ken saw me, and he almost started tearing up, too. I'd never experienced anything like that. To hear some of the things that he went through, my jaw was on the floor.

Percy France told me, similarly, he and Bird used to hang out. They were good buddies. And he said, "Man, we'd just walk through town, sometimes with our horns. And we'd walk by past an Irish bar. And you'd stand outside and check out the music. And Bird would go in and sit in with these traditional Irish musicians. Then we'd past a Greek restaurant and we'd hear that. And Charles "Bird" Parker would go sit in with those guys. He was just listening to everything, reacting to everything.

When you did the job, you thought you were just trying to amuse your friends who are all on the job. I'm just trying to make the sound guy laugh, the script supervisor. A movie like Caddyshack, I can walk on a golf course and some guy will be screaming entire scenes at me and expecting me to do it word for word with him. It's like, 'Fella, I did that once. I improvised that scene. I don't remember how it goes'. But I'm charmed by it. I'm not like, 'Hey, knock it off'. It's kind of cool.

Everybody thinks that Donald Trump called James Comey a nut job. What if he didn't? We already have documented countless lies that the media has told about Rod Rosenstein and about Comey requesting more money. Comey's trying to hide behind the curtain so that Trump won't notice him? Maybe he is a nut job. But everyone, "I don't care what you say, Comey is a patriot, Comey's an American, Comey's on our side, you wouldn't dare, you wouldn't dare kneecap one of your own guys to your enemy."

I think that's why it's difficult for women when they watch TV and we see one version of a woman who is attached at the hip to a guy, and that's kind of her whole thing. You kind of go, 'I don't relate to this, I don't feel this.' You know? Maybe somebody does, but not everyone. That's the other thing about storytelling, is you can't represent everybody. You know, you can't seek to do that. You have to tell stories that you're interested in talking about and characters that intrigue you.

There was a place in New York called Tannen's Magic. It still exists. But back in the day, it was really fantastic. You'd go into the old Wurlitzer Building, take the elevator to the 13th floor, which was labeled 14, because of bad luck, the elevator would open, and you'd be in heaven. It was all of these guys doing magic stuff with props. It's kind of gone now, that experience, the brick-and-mortar magic shop, but you really felt like you'd landed in the most amazing place in the world.

In making a web video series number one, you need to have a script that you think is really funny, and it's true to yourself. I think some people use things as a stepping stone, and they want to please people and show them, "Hey, I can do hip guys in Judd Apatow style," and it's not true to them. If there's something you know about, like motorcycles, do something about motorcycles first. Do something that's really true to yourself and find a voice, and make the script as good as possible.

The thing that bothers me is that it seems like all the sensitive stuff I write just goes unnoticed . . . the media doesn't get who I am at all. Or maybe they just can't accept it. It doesn't fit into those negative stories they like to write. I'm the kind of guy who is moved by a song like Don McLean's "Vincent," that one about Van Gogh. The lyric on that song is so touching. That's how I want to make my songs feel. Take "Dear Mama" - I aimed that one straight for my homies' heartstrings.

There were really funny characteristics about this guy [Richard Nixon], chief of which would be that he seemed to devote about 85 percent of his waking energy to suppressing any sign of his emotional response to anything that was going on around him, and the other 15 percent blurting out those authentic responses in the silliest and most inopportune ways. And he had these smiles that would come at the most inappropriate times - just flashes that there was an inner life screaming to get out.

The Disney sale happens, Clone Wars closes out, and they start Rebels. And I remember talking with Dave Filoni at the studio, at a time when I didn't know what I would or wouldn't be doing for Star Wars. And Dave kind of shrug his shoulders and says what I don't have the courage to bring up, which is, "You know Maul is coming into Rebels, right?" And I was hoping! I feel like this guy, he got his mileage. He's had more than his fair share at trying to make his mark on the Star Wars universe.

I made this bad joke on Twitter saying, "I want to put in my first no-bid contract to train the Libyan army and police force." These counter-insurgency guys like to say, "We don't do the big F-16 or big boondoggle projects, we're not pulling this stuff because it's good business." But in fact it turns out there are tons of business opportunities involving counter-insurgency operations - and it's not like we're getting rid of the boondoggle programs either, we're just doing more of everything.

Somhow those Ten Men -- at the time they were called Recruiters, of course -- discovered that Constance had been at the library. Most likely one of their informants saw her come out, because it was on that very day that the brutes showed up and threatened the librarians. Who told them nothing, incidentally.' 'The same thing happened in Holland,' Kate reflected. 'You'd think these guys would learn their lesson -- librarians know how to keep quiet.' 'It helps to ask politely,' said Mr. Benedict

It is interesting that liberals don't mind a strong faith at all. When it's their guy with a strong faith - whether it's Jimmy Carter or Woodrow Wilson or Harry Truman - that's just great. FDR inscribing Bibles and sending them to the troops. God bless him! But when a Republican president cites Jesus Christ as his favorite philosopher, as George W. Bush did on a famous occasion, then, well, the liberals cry out that [Tomás de] Torquemada is on the loose and warn gravely of the coming Inquisition.

The political movement funds these people with donations if they produce the right outcome in their research. So that tends to dictate what kind of research you're gonna get in your lifestyle, if your living depends on it. But there's no question that they have, in this movement, converted a bunch of just everyday, ordinary meteorologists into huge proselytizers for it. Ordinary everyday local news-weather guy has become one of the biggest proponents - whatever market you go to - of global warming.

David Fincher is probably the best comprehensive director in terms of being a manger of a process that must drive forward. He has such confident command of cinema language and visual language and script and performance. He knows more about f-stops than any cameraman, he knows more about lighting than any gaffer, he is a wonderful writer, and he can give you a good line reading. Under pressure, he is the kind of guy who you will just dive in with and trust and follow because his vision is so intense.

Drug users made me. They taught me. I didn't know how to work a scale; I didn't know what a gram was. Drug users taught me the business. They're going to teach it to the next guy, because they want a good drug dealer, one they can trust, one that's not going to rob them, one that's not going to cheat them out of their money, one that's not going to sell them fake dope. That was me. They're going to find another one because they're going to be looking for that guy every single day until they find him.

I caught the look Benjamin gave me. "What?" "Nothing. We just thought a svetocha would be more, well, difficult." Leon's mouth twitched. "I do seriously want a slushie." I tried a tentative smile. I definitely liked him now. "I haven't had one in ages. Maybe the guys outside—the double blonds—would want one, too?" For some reason Leon found that utterly fricking hysterical. He snorted and chuckled all the way through Housewares to the Health and Beauty section, and even Benjamin unbent enough to grin.

... We borrowed it all from Coltrane. I started encouraging everybody in the band to listen to John Coltrane - 'Check it out, see what these guys do.' They take one chord, the tonic chord, and just play all over it. 'We can do that too!' I wanted to make our music something really amazing - I wanted it to be jaw-dropping and turn on a dime and do all of those things that I knew music could do, and nobody told us we couldn't do it. I shouldn't say 'I,' though - Jerry Garcia was behind it the whole way.

Almost every time i saw you, you were with him. But one day, you walked up to the building alone. I was holding the door for several girls in front of you, and i waited for you to catch up. When you reached me, you look pleased, and a little surprised. Unlike the others, you didn't expect the door to be held for you by some random guy. You smiled up at me and said, 'Thank you.' That was the last straw. I prayed you 'd never come to a session, and not with him. I didn't want you to know i was the tutor.

I wrote [Valley of Violence] entirely with James Ransone in mind. I get such a joy out of watching his performance and seeing people watch this. He's so great. The bravado thing and the foolishness, he does them both so well. It's weird because he's so hateable in the movie, but in the end, you're also going, "I feel bad for him." That's hard to do. It's hard to do that to where you're like, "This guy's the worst, but I know why he's the worst, so it's a shame this is happening." That's the whole thing.

I'm one of those guys who will drink to, uh, kind of celebrate. I don't drink too much when I'm down or anything like that. But you've really got to be, I guess the word that came to mind is "creative," about the way you're celebrating. You want to keep the celebration going. I've learned that lesson over and over. Here on the road there's a lot of cause for celebration, but you just gotta get the damper out a little bit, and you want to keep that governor on. You want to keep your give-a-shitter in kick.

But what I can do is paint you a picture of what you’ll never see when you’re with a guy who’s really into you: You’ll never see you staring maniacally at your phone, willing it to ring. You’ll never see you ruining an evening with friends because you’re calling for your messages every fifteen seconds. You’ll never see you hating yourself for calling him when you know you shouldn’t have. What you will see is you being treated so well that no phone antics will be necessary. You’ll be too busy being adored.

It seems that the problem with government as an institution is uniformly bad, worldwide. It may be the ONLY thing that binds all nations together - the incompetence of all of their governments...The unions are the mafia, which is the CIA, which is the Catholic Church, which is the government, which is what's the difference? It's corrupt! It's the same guys pulling these strings, you know? One day he pulls the string and this lamp comes out, the next say he pulls the string and there's a missile coming out.

I served as Chairman of the Intelligence Committee. Let me tell you, it's tough to find out what the CIA is doing. They led us astray on the weapons of mass destruction that they said Saddam Hussein found. We sent out Collin Powell, Secretary of State, former National Security Counselor, chief of staff, four star general, couldn't find it out. I'd be reluctant to cut into term limits. I think if the voters would become informed and aroused, they could impose the proper limits on the guys who ought to be out.

I was an adult and I was in the Edinburgh Fringe Festival. I was performing in this cave - they used to bury the plague victims in these caves underneath the streets of Edinburgh, when I got this weird cold sensation up my spine, it gave me this really weird feeling, and then I looked up and there was this white, sudden white shape, that just zapped from me and went straight to the light that was at the back of the room, and I just stopped cold and said to the audience, "Did you guys see that?" No one saw it.

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