When I was working at Omega, I took this Zen retreat, where you're quiet, you don't say anything for a week, and this guy there said, "You're going to be enlightened at the end of this week, that's my goal." I was the engineer, so I was recording everything at it was happening, but I was also participating, because I felt like it. So at the end of it, I did understand what enlightenment was, one-hundred percent.
I mean, we'll be pounding on the guy's chest, you know, on the floor, and you know, he's not going to just jump up all of a sudden. So it makes it tough. I mean, it's tough to be in the legislature, you know, and vote for something and then people say, well, you voted all this money and you know, it's all getting spent. It isn't getting spent. It's getting invested. But it's all getting spent. Nothing's happening.
Steven Soderbergh really likes Irréversible, that's about all I can tell you. About the making, well, it was a very particular situation, because those people all know each other, and they're all big stars. I felt like the little French guy, really. And I was very flattered to be called on that, of course, but I felt like if I didn't find something to be a little original, different, particular in the movie, I would just disappear.