Quotes of All Topics . Occasions . Authors
Someone sent an email to Reverend Joanna Watson [an American missionary] saying that I'm gay, and she sent it to all the anti-gay pastors in Uganda. One of them said, "We're going to take care of this guy." When I was confronted by them I didn't know what they were going to do, but they decided to pray over me. They said they were going to cure me. That didn't work, of course.
The New York Times, they lie. They lie like I've never seen anything. They know they're lying. One of these guys wrote a story - Rutenberg, Jim Rutenberg, a story. Literally they'll do whatever they have to do. He practically they insinuated... they'll lie and tell whatever they have to say. These are vicious people. These are lying people, and fortunately I can defend myself.
We do need to be born again, since Jesus said that to a guy named Nicodemus. But if you tell me I have to be born again to enter the Kingdom of God, I can tell you that you have to sell everything you have and give it to the poor, because Jesus said that to one guy, too. But I guess that's why God invented highlighers, so we can highlight the parts we like and ignore the rest.
I'm not a big technology guy. I like my privacy and being as normal as I can. I'm not an internet guy. I just don't care for it. I made a Facebook in high school and I couldn't even tell you the password to it. I couldn't even guess the password or email. I haven't been on it in four or five years. I don't like being attached to my phone. That's how I am. I'm an old-school guy.
I thought Chris Benoit was worthy of being a Horseman. I thought Dean Melinko was. Obviously I thought Steven Michael was, though obviously he was inexperienced, I thought he was a perfect fit as a horseman. I did not like the Paul Roma deal. I did not like Sid Vicious or about two or three guys that they put in there, I just couldnt see it. I couldnt stomach it, but I had to.
The producer can put something together, package it, oversee it, give input. I'm the kind of producer that likes to take a back seat and let the director run with it. If he needs me, I'm there for him. As a director, I like to have the producer there with me. As a producer, I don't want to be there because I happen to be a director first and foremost, I don't want to "that guy."
So Americans do want their presidents, by and large, you want them to be people who get things done and have experience. That's going to be Trump's big disadvantage going into this election, because people are going to be looking back and saying, we've got the guy without the experience who said the things that sounded good. And guess what? That hasn't worked out for us too well.
The Nice Guys movie was the first time in my career where what I wrote on the pages is on the screen. I'm more proud of it than anything else I've done. It is effectively what I wanted. If this movie's bad, it's my fault. It's not somebody else who changed or censored or edited it. This is the stuff I wanted, and that's what's on the screen, and if you don't like it, it's my bad.
What good the prophet in the wilderness may do is incremental and personal. It's good for us to hear someone speak the irrational truth. It's good for us when, in spite of all of the sober, pragmatic, and even correct arguments that war is sometimes necessary someone says: war is large-scale murder, us at our worst, the stupidest guy doing the cruelest thing to the weakest being.
When I was a young comic in New York and I wasn't getting any work, I was wandering around the Lower East Side with my notebook. I would stop at the guitar place on St. Mark's and talk to that dude for a while, then I'd go to the bookstore and talk to that dude for a little while. I had a guy over at the record store, and I'd talk to him for a while. It kept me connected to life.
In a way, watching an attractive, potentially dangerous guy play guitar is a little like watching a tiger agree to do tricks for his trainer. You know that they could just turn and kill you. But you're so flattered and pleased that instead they agreed to stand on a decorative box and wave and count for the crowd that for a while you forget how big the scary part of them really is.
So she [Hillary Clinton] wouldn't intentionally put the nation at risk. She wouldn't intentionally traffic in top secret stuff. And besides, not all this stuff we deal with is that classified anyway. So here's the president [Barack Obama], very powerful, intimidating guy, [James] Comey works for him, the president's been out there saying he didn't think Hillary did anything wrong.
The way I look at the top five, (Rod) Laver, (Roger) Federer, myself, Borg and (Ivan) Lendl. I think those five guys dominated their generations better than anyone. Maybe Roger will dominate better than any one of the other four. Maybe I put Andre (Agassi) as kind of six through 10 with, you know, (John) McEnroe and (Jimmy) Connors, kind of those guys. That's kind of how I see it.
I like actors who just become that person and then react, and Adam [Driver] is completely reactive in that way. So every day working with him was really a pleasure. And he's in almost every scene in the film, so the poor guy had to work the - almost the entire 30 days of our film shoot. But, yeah, he was really a pleasure, and I really love what he - how he embodied this character.
Jimi Hendrix came on TV on this documentary and it was this African-American soulful black guy, playing an electric guitar, which I'd just started. And it just blew my head off. I had like an afro at the time, too. It was a bit all over the place. And it wasn't a thing to have an afro. No, that's kind of quite old school. You're supposed to have like a neatly cut shaped up haircut.
Many intellectuals in America and in Europe, they are in the habit of taking sides: who are the bad guys? who are the good guys? They launch a demonstration against the bad guys, sign a petition in favor of the good guys, and going to sleep feeling well about themselves. This is not the case here. The Israeli-Palestinian conflict is a tragedy; it is a clash between right and right.
I'm not the underdog, but - Well actually, I guess I've been the underdog. To me, it always felt like I was talking to "the big guy," you know, the big guy in the government, and trying to tell him about some things he didn't seem to be aware of. I just think that's a pretty arrogant group of liars we've got up there, and they don't really consider the abilities of their opponents.
Here`s a guy who says he`s a great businessman. But it seems like a lot of Trump's business is built around stiffing small businesses and workers out of what he owes them, work they`ve done. He thinks that`s cute or smart or funny to basically not pay somebody who`s done work for him and say go ahead and sue me because I`ve got more money than you and you can`t do anything about it.
You're already using your imagination because you're watching fiction and then you're trying to believe that this girl who weighs 100 lbs, soaking wet, could actually beat up a guy. Which works in a lot of situations but in a lot of situations you look at it and you're like, "Come on. Could you please get someone in there who actually has biceps and not just because they don't eat?"
People are more familiar with pictures of Jacques Mesrine that had been taken of him at the end of his life, when he was doing a lot of things with the media. So there's an iconic figure that people know, and I had to eventually get there; otherwise I guess the audience would have been disappointed. My only problem is that I'm a skinny guy, and it's very hard for me to put on weight.
The weird thing is that Stuart's the one guy - Stuart [Immonen ]and Sean Gordon Murphy, they're the kind of guys you can trust, where you don't need to do that because those guys are so incredibly reliable. They're just like clockwork, they turn in the pages just so perfectly on time. But I'm so paranoid, because I've been burned so many times, that I'm still even banking these guys.
My strategy is pretty straightforward, which is to go after the bad guys, to make sure we do our very best to interrupt them, to - to kill them, to take them out of the picture. But my strategy is broader than that. That's - that's important, of course. But the key that we're going to have to pursue is a - is a pathway to get the Muslim world to be able to reject extremism on its own.
I think if you look at the things that Donald Trump has done that has satisfied conservatives. The fact that he still believes that he is their guy and then add to that the fact that Democrats don't have any sign of a competent effective leader that can marry their cultural left and the economic left going into 2020, I think Donald Trump stands a pretty good chance of being reelected.
I've got no advice. You guys know where you are and what will work. Just know that there are people all over the place working on this and that there's a great deal of solidarity around the world and we should try to build this big, sprawling movement that looks like the kind of energy system that we want - building lots of solar panels on lots of rooftops that are all interconnected.
I definitely had one guy come up to me and ask if I knew where to get DMT. He had a crewcut and he didn't look like he'd ever done a drug in his life. He didn't seem curious he seemed like he wanted to get me to do something. Like "You're the laziest narc ever dude. This is ridiculous. What, do you think I bring drugs around with me? Are you retarded? Why don't you go find gangsters?"
Liberals create a world that's not real. They create a world where it's impossible to be obedient. It's impossible to go through the day not violating some precious liberal tenet. And, as such, they end up getting rid of people. So somebody like Trump comes along and it's culture shock, it's all kinds of things. And a guy like Trump would not be permitted in polite Washington society.
When I'm on stage, I turn into this rock person. I give everything I have. I sing with emotion, I'm loving it up there, and I think there's a lot of energy. In the same way that I'm open when I speak, I'm that open on stage. I feed off the energy of the audience too, so they're feeling what I'm feeling. And the set up is great - I have two drummers and a bass guy so it's just us four.
My point is Trump is Trump. He's the same guy wherever he is. But the reporting on him on Middle East trip is nowhere near like the reporting on Trump when he's in Washington. There aren't any leaks. For example, we haven't yet seen a story quoting unnamed sources in the Saudi government saying that the king was profoundly embarrassed when Trump asked if there was a McDonald's nearby.
I had to audition for Fandango. When I read the script, the role that was interesting - so everyone thought - was the role that Costner played. He was the cool guy. And I read the script, and my representation at the time said, "That's the role you should read for." And I was like, "Really? How about I read for this other role." And they went, "Well, you're not going to get that role."
If I could put my finger on it, I'd bottle it and sell it. I came down here originally in 1972 with some drunken fraternity guys and had never seen anything like it - the climate, the smells. It's the cradle of music; it just flipped me. Someone suggested that there's an incomplete part of our chromosomes that gets repaired or found when we hit New Orleans. Some of us just belong here.
I remember one guy, Reg Park, a British bodybuilder, who entered Mr Universe when he was very young. But he won it and continued to win it a second and third time. So, he was my idol. I read everything about Reg Park and followed his footsteps and trained like him. I said if he could make it, I could make it. It was a blueprint, basically, for how to get there, to win the championships.
Sometimes you have to wonder if there isn't an ejector seat built into having a popular-music career. We were lucky when we started. We were already old when we started - you could have described our first album as "aging Brooklyn guys." We were in our late 20s. We weren't octogenarians, but a lot of bands were already younger than us. Fortunately, we've held on to our manly good looks.
The commission of the investment sins listed above is not limited to 'the little guy.' Huge institutional investors, viewed as a group, have long underperformed the unsophisticated index-fund investor who simply sits tight for decades. A major reason has been fees: Many institutions pay substantial sums to consultants who, in turn, recommend high-fee managers. And that is a fool's game.
There are so many conditions to programming in America, where it's dominated by these people that own 800 radio stations that have no idea who to play and who not to play, and they listen to somebody or read somebody else's programming sheet and go by Buck Owens' opinion or something. Eight hundred stations are controlled by some guy that doesn't have a clue as to what to do about music.
It was an easy thing to tax for a young country. And then gradually we moved to property taxes, manufacturing taxes, and the income tax was the answer to a populist demand: Let's go after the rich guys. We got into World War I, and they raised the rates and started taxing the rich. Then we got into World War II, and that's when they taxed everybody, because they just needed more revenue.
The media isn't only asleep; it doesn't want to know the news, that the people are revolting, in the very best sense of the term, revolting against the thieves in high places and reaching out to each other, which is our great strength. When you can draw that many people, you've got something going. You don't have to worry if the guys in suits are going to put it on the front page or not.
Barry Bonds was like Joe Namath or Muhammad Ali. He could make a statement and go out and back it up. Not a lot of guys can do that. In fact, managers usually cringe when guys make statements about what they're going to do. In Barry's case, I liked it. I think he did it on purpose to motivate himself. In a lot of ways, it's easy for Barry. I think he needs a little controversy around him.
Everybody burns out in this world; amateur, pro, it doesn't matter, they all burn out, they all get hurt, the OK guys and the not-OK guys both. That's why everybody takes out a little insurance. I've got some too, here at the bottom of the heap. That way, you manage to survive if you burn out. If you're all by yourself and don't belong anywhere, you go down once, and you're out. Finished.
Even on just the career level for your average officer, there's no incentive to end the wars. There's not even an incentive for these think-tank guys to end the wars. They would never admit it and say, "Oh, how could we at the Center for a New American Security not want the wars to end?" Well then, why the hell are you continuing to promote strategies that will keep us fighting for years?
I would wipe my tears, and walk out of the stall and the bathroom, and march myself back into that courtroom because the only way that I could deal with Keith's [ Griffin] murder was to feel like I was doing something about it. In retrospect, what did I do? I know that I put a lot of bad guys in jail and if I kept them off the street one day more, that may have been one less crime victim.
Most people are in marriages, and there are very few movies made about what it really is like to be married for a length of time. You always show the romantic part and all that. Or the divorce, and the horrible split, and the guy's having an affair, or she's having an affair, and they're going to get split up, whatever. But very few people just look at what actually happens in a marriage.
One of the terrible things about George W. Bush Administration is that nobody wants to hear bad news. The neoconservatives are a small circle, and they're all sort of holding hands as they develop their policy, and outsiders aren't allowed. If you agree with the guys on the inside, you're a genius. If you disagree, you're a traitor, a pariah, you're an apostate, and you're not allowed in.
With every character you play, as these guys will tell you, there's a part of you goes into that in terms of the ingredients of making this stew. There's most definitely a part of me in Captain Jack and now, fortunately or unfortunately, there's a great part of Captain Jack in me as well. Basically, I can't shake him. He won't leave me alone. He just sort of keeps showing up at odd times.
I guess at that moment in time I had a certain... presence? A certain level of presence in the industry. But that was at Madonna's request. There was a concept for the video ["Material Girl"], and the idea was that it was kind of a Howard Hughes and Marilyn Monroe sort of idea, that there was this guy behind the scenes making it all happen. And she saw me as that guy, so she asked for me.
Realistically, there is a danger, of course, when you're going into someone's living room as the same guy every week. But I don't fear it because, I mean, there's really nothing I can do about it. I can try to combat it through the work, and maybe make sure I don't do Sheldon 2.0 in any other projects. But it's just really hard for me to find any negative side effects from this experience.
Regardless of whether there was ballot manipulation or not, you still have 50 million people who voted for George W. Bush in the 2000 election. And why? Because he's fallible? Because he reminds you of us? That's what we do. We are hiring these people. They don't hire themselves. It's irresponsible to disregard this guy as some bumbling, blathering idiot who has no intelligence whatsoever.
One of my friends was a stage hand at a Bob Dylan show in the mid-90s and I remember him telling me that somebody crowd surfed during the gig. And this friend of mine was an old punk rock guy - he was totally humiliated by it. But some of Bob's people were there and they said, "Oh, Bob will be so excited! This is the kind of energy we want at his shows." That's where the old school was at.
George's voice became deeper. He repeated his words rhythmically as though he had said them many times before. 'Guys like us, that work on ranches, are the loneliest guys in the world. They got no family. They don't belong no place. They come to a ranch an' work up a stake, and the first thing you know they're poundin' their tail on some other ranch. They ain't got nothing to look ahead to.
That's such a big part of film scoring that people don't realize. There's a portion of film scoring that's writing the music, but a lot of it is how do you get along with the guy you're working with, how do you interpret what he wants? It's so subjective, you know? Your version of sad is probably different than my version of sad. It's my job to figure out what your vision of sad looks like.
The (Supreme Court) ruling that anyone who's arrested -- even accidentally -- can be strip-searched was decided five to four, with the votes for the searches coming from the Court's five conservatives. You know -- the 'defending personal liberty' guys. Which is weird because I'm not a constitutional scholar, but I'm willing to bet Big Government feels it's biggest when it's inside your anus.