Quotes of All Topics . Occasions . Authors
Producers might cast an actor because he is too tall next to the leading lady, who is too short, or they might not cast your guy because he's blond, and they wanted a brunette. There's all kinds of reasons why they want one person over another. I don't worry about it, but it can hurt sometimes if you really wanted something, if you really went after something.
There was definitely a pecking order, and when Stallone walked in, we were like, "All hail!" He came in with his big forearms, pointing and telling everybody where he wanted the cameras with his big cigar ablazing, and you just go, "This is Stallone!" with admiration, because none of us would be here without this guy. That's the thing, he changed movies forever
Finnick?" I say, "Maybe some pants?" He looks down at his legs as if noticing his outfit for the first time. Then he whips off his hospital gown leaving him in just his underwear. "Why? Do you find this" -- he strikes a ridiculously provocative pose -- "distracting?" I laugh. Boggs looks embarrassed and Finnick looks more like the guy I met at the Quarter Quell
I've been asked this question about playing the baddie so many times. When I read the script, I said, 'Of course this guy has done terrible things, but he's a human being first,' and that's what I'm attracted to in a part like this. It doesn't make any sense if all of a sudden the guy is horrendously bad and that's it. You can't relate to him or understand him.
I said to this priest: 'Am I expected to believe that if I went out and had an affair that God was really going to be upset? Okay, thou shalt not kill... steal... but thou shalt not commit adultery? If no one is any the wiser, what the hell difference does it make?' He was lovely. He told me the Commandments were laid down for a lot of guys living in the desert
My stay in Camp Betty was the longest I'd been without drink or drugs in my adult life. [...] At first, they put me in a room with a guy who owned a bowling alley, but he snored like an asthmatic horse, so I moved and ended up with a depressive mortician. [...] The mortician snored even louder than the bowling alley guy - he was like a moose with a tracheotomy.
Working with Joe [Kosinski], definitely. I loved working with Joe. For a guy who doesn't really come from the fiction world - he comes from advertising and architecture - he's extremely easy-going and very calm. He's extremely detailed, but a very generous and fun director to work with. He really encouraged me to find the fun in the part and to have fun with it.
I am not a trained actor and am not near the top of anyone's want list. I go after what I am offered, if I am so inclined. Now and then, I get offers for things that are not to my liking, in that I just don't care about the story. All this super tough guy stuff isn't anything that interests me all that much. I can't think of anything I turned down that I regret.
Our third partner [with Neal Dodson] was this other guy called Corey [Moosa], and he came in with good ideas and also some access to money, and so we joined forces and drew up a business plan and got financing for the beginnings of the company. We had no idea what we were doing really. We just started looking through material and started producing our own stuff.
H.P.Lovecraft could've been trying to do a Marx to Hegel, that kind of thing, in other words, turn the thing upside down and crawl around inside it. But, look, the guy was eating poorly, he had like a quart of ice cream a day. He was suffering constantly near the end. He wasn't concerned with his body at all, not the way we're concerned with our bodies nowadays.
Shh!" the guy beside me hissed again. "Blame him," I told the guy, pointing at Patch. The guy craned his neck back. "Listen," he said, facing me again. "If you don't quiet down, I'll get security." "Fine, go get security. Tell them to take him away," I said, again signaling Patch. "Tell them he wants to kill me." "I want to kill you," hissed the guy's girlfriend.
But I don't know, maybe it's just as well I never got there. I dreamed about it for so many years. I used to go to English movies just to look at the streets. I remember years ago a guy I knew told me that people going to England find exactly what they go looking for. I said I'd go looking for the England of English Literature, and he nodded and said: "It's there.
You've never seen anything in the Marvel universe that's as grounded, as gritty, as authentic, and as raw as what these guys did last year [in Season 1 of Daredevil]. What an amazing place to bring this character into, to attempt to up the stakes and to make it more dangerous. Hopefully, we were able to do that. But as far as those movies, my concern is this show.
As a consumer, if I heard someone who said, "I've written this song," and then I found out it wasn't by them, it's a bit disappointing. A lot of the guys that do that are really talented and they've made some incredible music, but they get addicted to having success and feel too much pressure, so they get other people to make sure that their next song makes money.
You must always assume that the relationship between writer and producer is that of adversaries - however you slice it. They may be your dearest friends, and they'll invite you to dinner, but when all the smoke clears and the ozone lifts, your enemy is the producer, that's the guy you're competing with, and you have to battle him, just as if you were an adversary.
All these guys are just like me. They were a rookie at one time in their life. They treat me like I'm one of the guys. I look at Greg Maddux and saw him sitting over there and said, 'Man, that's Greg Maddux. That guy is going to be in the Hall of Fame.' Now I sit there and talk to him like a teammate. It's a reality check, and it's a great feeling at the same time.
The truth is at Legendary we really make movies that we want to see, and someday I'm sure that won't work but - I remember, it's obviously a completely different thing, but our first movie was Batman Begins, and there was a lot of things about Batman back then, and there was this guy named Christopher Nolan, that seemed to have worked out okay with him at the helm.
After the second Die Hard, Bruce Willis stated he would never do another. He should have stayed firm in his resolve. If quality is any indication (and it may be, with all the available blockbusters), box office returns will be disappointing this time around and, if nothing else, that will do to John McClane what dozens of assorted bad guys couldn't manage: kill him.
One of the things I noticed about the world was - it's funny, in the movie business, you meet a kind of guy who has a lot of money, whether they came by it as an actor or film-studio owner, and you realize these people aren't any smarter than you might be, or any more decent than you might be. It's just this weird fate of the world that it broke one way for someone.
I heard that the guy who invented the Jehovah's Witnesses was a Mason.That kind of turned me off, because when something's mysterious, all you can do is be scared of it. "He's a Mason? Ugh. It must be evil!" I didn't know much about it, so I was scared. Now I actually admire those guys - they're pretty talented. They founded a lot of the world that we look at today.
There's that area, right there, where you can be too hard on yourself or you need to be really hard on yourself - I'm trying to ride that line by telling myself that I can always write better, sing better, what can we do to make the show more interesting? Pretend that you're the guy who's been in the front row for the last five shows; what would make it new for you?
The way financing for independent movies goes is great. You get the money from the guy who's actually doing the distribution in France. You say, "Do you want a piece of this movie?" And he's got to sell this movie to get his money back. That's the brains of it; that's the genius of this financing. "You want Germany? Give us a million dollars and you've got Germany."
Hello, Bradley,' said Mom. She'd regained her composure after my outburst, and now raised her camera. 'Stand close.' 'No, Mom,' I said. 'No pictures.' 'But you're friend's here now,' she said, waving us together. 'Smile!' 'I don't need a picture with-' the flash snapped '-another guy. That's great, Mom, thank you. Send that one to Dad and tell him we're going steady.
I'm not an L.A. guy. I don't take meetings - you know what I mean? I don't really know how to interact very well with people in L.A. because everybody's got an agenda and everybody's like, "What do you do?" "Where are you going?" Or it's like, "What do you know?" And I'm not on a grind - I was there to make music and to meet people but I wasn't hustling for anything.
While you're playing cards with a regular guy or having a bite to eat with him, he seems a peaceable, good-humoured and not entirely dense person. But just begin a conversation with him about something inedible, politics or science, for instance, and he ends up in a deadend or starts in on such an obtuse and base philosophy that you can only wave your hand and leave.
That solo on "Lord, I'm Discouraged" in terms of notes it isn't anything like it, but in terms of aesthetic, it's direct rip-off from the "November Rain" solo. In fact, when I did it, I imagined myself walking out of a church, walking out onto a cliff and doing a guitar solo. Slash has always been one of my favorites because the guy uses a lot of melody in his solos.
When I used to go on the Wikipedia page, and I haven't gone on the page in a while, there used to be some guy who was doing my page and he would say that he was my cousin and I was going to be doing projects with him. I don't know who this person is and I don't have a cousin by this name and this person keeps saying that they're doing projects with me. It's so weird.
I would have to say that in this sort of feminized atmosphere in which we exist today, guys who are masculine and muscular like that in their private conduct, kind of old fashion tough guys, run some risk.... This guy is very much an old fashioned masculine, muscular guy, and there are political risks associated with that. Maybe it shouldn’t be, but that’s how it is.
Most guys I know are assholes. I have some great asshole friends, but that's not the point. Friendship has got nothing to do with that. It's can you hang, can you talk about this without any feeling of distance between you? Friendship is the diminishing of distance between people. That's what friendship is, and to me it's one of the most important things in the world.
The old rule in Massachusetts politics is shape of the field determines the winner. If you have got a whole bunch of hawks, all the way from [Mike] Huckabee all the way across to [Chris]Christie, that covers the spectrum on every other issue, all hawks, all hawks, and one guy out there saying, not me, Jimmy Carter won that way back in `76. I know it`s 1,000 years ago.
You know, whenever you're shooting a film there's different obstacles and challenges, whether it be from the makeup artist getting fired that you liked or whatever - the one that did the makeup the way you wanted. There's always stuff that changed, like the DP leaving the set, and there's a new guy in there, and the way he does lighting isn't the same as the last guy.
Nowadays, not to say that that doesn't happen, but music is made a lot almost in a laboratory where you get one guy working in one studio, they send the file to another guy in some other part of the world, they send it back and then they send it this way and that way. Musicianship is kind of - there's nothing wrong with that. In fact, some great music is made that way.
You might meet a guy who turns out to be the best guy you've worked with. They don't have to be some name brand person. I've met a lot of lower level actors and directors who were terrific; that are as good as any other A level director or actor, they just don't get the recognition. So I'm happy working with anybody who wants to show up to play the game and has a clue.
And as you got older, the training became more developed and precise. We did plays, we had voice classes with great dialect coaches. But I was never into it on a school level; it was this kind of private little thing I did. At school I was a rugby guy. At school I was a rugby guy. I was causing trouble with my mates and skating and tagging buildings, and smoking bongs.
We were really fortunate to work [on Pineapple Express] with a studio that was really supportive of these guys. It was before Superbad and Knocked Up had even come out, but everyone just felt really great about them and the energy surrounding Seth [Rogen] and Evan [Goldberg] and Judd [Apatow] - all of these guys - and the idea of getting Franco back into comedy as well.
The manipulation of what's actually portrayed in the media, through the legal system, is pretty shocking, actually. You can see how someone you would never know can make a public figure look like a bad guy or a good guy just from the little information they let you know. My advice is to research everything. Don't just hide behind your Facebook posts. Research everything.
There`s a guy named Richard Spencer, who is the intellectual guru of the movement, according to Breitbart and he says, basically - this is the benign version - that he wants to convince non-whites to leave America because the races can`t get along and it`s better if they`re separate. This is a guy who is of the alt-right movement that Steve Bannon made common cause with.
In a hospital, there's not anyone who's generally trying to do you harm. You're generally given a backstory about what happened to them, but not about their life, so you get to work on saving their life. But you know whose lives you're saving overseas, in the Army, to a certain degree. You know whether's it your guy or a bad guy, and it's generally not anybody in between.
The qualifying system helps the top guys like Sergio Garcia, who play most of their golf in the U.S. They can rely on the world rankings and just play their four extra events [with the four majors and three World Golf Championship events counting as seven European events]. But for the other guys it's tough, and I don't know if that can be changed. It is a tricky situation.
Why don’t I know You?” “Does anyone ever really know someone else?” “You think your cute,” she told him. “You think your gorgeous. But I’m the one guy here who knows better.” “So I’m not gorgeous?” Macey challenged. “Of course you are,” He started away, turned back at the last minute. “But I’m the guy who figured out that’s not all you are." — Double Crossed by Ally Carter
You always have to remember in this business that the public doesn't care about us. It's very important to keep that in mind. If there is a public perception at all, they see the producer as a big old guy who smokes a cigar and has lots of money and lots of power. That's not what a producer is and, if it ever was what a producer was, it certainly hasn't been for a long time.
I do voiceovers, but being on-camera and selling something? I wasn't really interested. And then I thought, well, wait a minute. Everybody's selling something. When you turn on the tube... And then if you go to Europe or Asia, everyone is selling something. All the guys that don't want to be seen selling something here are selling something there. So I thought what the hell?
If I'm doing something I do like to take it to the limit. I've got a high ceiling. A wide threshold for seeing what those boundaries are for myself. I'm very resilient inside. I find things that I like and do and boy, I do like to stick to them. I'm not necessarily a guy who gets addicted to more of certain things, but if I find something I like to do, I like to stick to it.
There are guys I admire. Like Jimmy Stewart and - a more modern example - Tom Hanks. They managed to do it and have a really high standard for their work, but at the same time they remained incredibly classy and well-regarded personally throughout the process, which I thought was rare and kind of cool. And I'm trying. I try. I haven't thrown any TVs out the hotel window yet.
New Rule: You're never going to pick up women at a coffee shop pretending to be working on your laptop. You don't look like you're sensitive, you look like you're homeless.The last guy to pick up a chick with an Apple was Adam. And when you sit across from another dateless loser with a laptop, it still doesn't look like you're working--it looks like you're playing Battleship.
You act like a normal human being and you treat them [actors around] like a buddy because you're all working together. It's no different than being Governor. You put a team together and say, "Guys, we all want to shine here. We all want to show that this administration is going to do things that other administrations have thought was impossible. Let's kick some ass together."
The bin Laden I met each time was in a simple Saudi white robe, with a simple, cheap kafiya and very cheap plastic sandals. But a videotape released before September 11, which I saw on Lebanese television, had him in a gold embroidered robe. When I saw this, I thought, whoa, has this guy changed? I wouldn't have imagined him ever appearing in such golden robes when I met him.
I mean look at all these acquisitions and mergers - WhatsApp and Oculus and et cetera. There's no way that you can envision these tech companies as the underdog anymore. They're always presented as though they were these little guys who you should be championing - Facebook will overthrow the cable television complex, blah blah - but it's more likely they will merge with them.
Hidan: Hey, look at that, it's my headband! You went to the trouble of picking it up and keeping for me? I'm touched. You're a pretty nice guy, Kakuzu, you knwo that? Kakuzu: Shut up. Let's go. Hidan: Let me put it on at least! Okay, I'm coming. Admit it, you like me a little, doncha? Kakuzu: Either you shut up, or I'll kill you. Hidan: Haha, you're embarrassed! I understand.
How to make a scary movie human, take a movie like Sinister. How can I make that guy so real so that the scary elements of it are more scary and it functions as a genre movie - as the way it's supposed to, you want to hear a ghost story at midnight, that's a good one - but how do you fill it up with humanity inside, in staying true to the genre? You know? Does that make sense?