Quotes of All Topics . Occasions . Authors
The thing I deplore the most is, anyone who rapes anyone's innocence, in anyway. So a guy who physically rapes a woman or a child or physically hits a child. When that period of innocence is raped - that person loses something that they can never get it back. To me when innocence is raped, that is the sickest and filthiest thing.
With some guys, drugs became a way of life. They went through tremendous personality changes, or they died. Drugs didn't do them any good. In the same way, at certain times in my life, alcohol didn't do me any good. A lot of kids today seem to be taking themselves, their health and their education more seriously, and that's good.
Such is the content of the mental life of the Hemingway hero and the good guy in general. Every day he gets beaten into a servile pulp by his own mechanical reflexes, which are constantly busy registering and reacting to the violent stimuli which his big, noisy, kinesthetic environment has provided for his unreflective reception.
Win or lose or draw, you always go back and critique your performance and say you could have done things better. Even if I put the guy away in one round, I can go back and say I made a lot of mistakes and need to tighten up. But that's the type of person I am. Improve. Improve. Improve. When I lose I come back stronger than ever.
You can forget that other people carry pieces of your own story around in their heads. I've always thought--put together all those random pieces form everyone who's ever known you from your parents to the guy who once sat next to you on a bus, and you'd probably see a fuller version of your life than you even did while living it.
Can't nobody do what Fetty Wap does. So when I go to the studio, it may be four to five hours max, probably three days out the week. I used to go to the studio for 10 to 15 hours, and I would do five to 10 songs. Now I go for four to five hours and I do, like, 15 to 20 songs. I'm an ad lib guy. Most people know me for my ad libs.
I'm a pretty strange guy, so it takes a pretty strange thing to make me think that somebody else is strange. I'm really looking forward to something strange happening to me, but it hasn't really happened yet. The strangest thing someone ever told me was that they were watching our show, and they said they should have worn diapers.
The Mets have shied away from that iconic club because they don't want the current one exposed to that hard-partying culture which, while well-documented, has also been somewhat exaggerated at times. The guys from that championship team are older and more mature now and can warn the current Mets about some of the pitfalls of fame.
We try to make the name longer and longer every year. First, it was 'Larry the Cable Guy's Christmas Spectacular.' Then it was 'It's a Very Larry Christmas.' Now it's 'Larry the Cable Guy's Hula-palooza Christmas Luau.' I'll tell you what it is: It's funny. That's what it is. Who cares what the name of it is? It is a funny special.
Regardless of what you want to call it, guys need some type of spirituality they can grab onto. If it's Christianity, which is a very structured approach, or if it's something that's a little more open-ended... like, Zen's something you can make yourself a part of. You can interpret it for yourself, like Taoism and stuff like that.
It's that weird need to make tragedy about us. When you look at 9/11, there's people who really died and family members who really suffered. And then I would be in Montana, and a guy would go, "You know, I was close to Ground Zero." And it's like, "What are you talking about? You're in Montana." Everybody had to make it about them.
You see Bill Clinton, and you say: Oh, this guy cares about me. Hillary Clinton isn't the same way. You see her, and you don't necessarily have that view. She's trying to achieve the same thing without the voice and the body language, and she's having a harder time doing it. But when she's effective, that's what she's effective at.
I really love a lot of Japanese music, like Ryuichi Sakamoto and this guy I got really into, Tatsuro Yamashita. When I was a little younger, I thought synthesizers meant Kraftwerk, cold, robotic, weird, Autobahn. But these guys are having a lot of fun on these things. Sometimes. Sometimes it's very somber. They could go either way.
I remember being at Greenblatt's on Sunset, and some guy just walked straight up to me, and he had some bling on and whatever, and said something about a party down in Malibu and asked if I would jump in his car and go to the party. All I could think was, 'Who are you? I don't know you, and I don't care about how good your car is.'
We were able to shoot in a lot of the locations where the mission actually happened and these guys existed, so that was kind of very affecting. We had a Czech crew and a lot of Czech actors. There's a great deal of authenticity to the project [Anthropoid], and Sean [Ellis] was very anxious that that was the case from the beginning.
The way Disney characters move, they're very kind of slow and fluid and flowing; one pose kind of eases into the next. If you look at a show like 'The Simpsons' and subsequently a show like 'Family Guy' - the characters will jerk from pose to pose a lot, a bit more snappy. Which sort of goes along with the writing tone of the show.
I'm a film guy. I love it. When I read the screenplay, I knew that there would be no HD camera that could achieve the look that I wanted for this film. I wanted it to be dirty, and 16mm provides all of that with the look and the grain. That's what I worked for, and that's what I wanted, and that's how I'd seen the movie in my mind.
For anyone who doesn't believe that Donald Trump is the best candidate to go head to head with Hillary Clinton in November, and that's about 70 percent of Republicans nationwide who don't think Donald Trump is the right guy, our [President's] campaign is the only campaign that has beaten Donald Trump and that can beat Donald Trump.
As children, our imaginations are vibrant, and our hearts are open. We believe that the bad guy always loses and that the tooth fairy sneaks into our rooms at night to put money under our pillow. Everything amazes us, and we think anything is possible. We continuously experience life with a sense of newness and unbridled curiosity.
The first piece of art that I ever bought - when I could afford it - was a Warhol sketch from the period when he was just getting out of doing commercial work and more into art. It's a sketch of a young guy's face. I guess the gallery that I bought it from thought I would like it because the young guy kind of looked like James Dean.
As soon as they say I don't sound as good as my old stuff, I tell them, "I would never sound as good as I first sounded, because you guys didn't know who I was. Being that I'm in rotation, you guys are getting used to the sound, so now you expect another track and another track, but it never happens again, no matter how hard I try."
All of a sudden I got a call the night of the first time we were filming and they're like, "Terry, we made a mistake. We need you to be you. You're not a joke with these guys and you're not mousy, you're very aggressive. Now it just so happens that you're going through these things, but we need you to be more physical in your role."
I have about as much control over how I look as the guy who's short and looks more like a character actor - we both have the same drive to be actors and we both have the same drive to assume these different characters, it's just harder for me to get the chance because they look at me and say, 'Oh, he's this type,' and they stamp me.
I feel like I'm a compassionate guy, but I also feel if somebody's grip on life or sanity is so tenuous that a joke in an advice column that usually is nothing but jokes pushes them over the edge, then if not me, it would have been a leaf blowing past them that did it, or something else. You almost have to feel that way, doing this.
People focus too much on whether there's a Democrat or a Republican in office. It's not like this guy Kim-Jong Un got into power the second Trump got into power. It's not like he wasn't a problem. It's not like we haven't had warmongers. It's not like corporations haven't been the main influence on what we're doing around the world.
I rarely do anything on the show by myself. I dont want it to be about me. Squatting in the sewer in San Francisco, its really hot, were up to our knees in a river of crap. Rats and cockroaches are all over. I would never, ever walk into that environment, except for the fact that the guy who does it every day is squatting next to me.
Obama is very much an establishment sort of guy. The whole image of him as a transcendent figure was based on style rather than substance. If you actually looked at what he said, not how he said it, he said very establishment things. He's a moderate, cautious, ameliorative guy. He tends to gravitate toward Beltway conventional wisdom.
I don't know, but I always loved that image of a girl putting toenail polish on a guy - her boyfriend, or something like that. Or a guy waking up in the morning and reaching over and putting on his girlfriend's shirt. Like Keith Richards putting on one of Anita Pallenberg's blouses, or Courtney Love putting nail polish on Kurt Cobain.
I'm not scared of anyone. I don't care whether you are a jiu-jitsu fighter or a wrestler or a stand-up fighter: I want to put myself against you, and I want to see who is better. And if you are the guy that is going to beat me, I'm going to take that loss like a man and go back, and I'll work on me self. That's how I look at fighting.
Visually I've always liked the 20s 30s for film. I do these because I like the music. I like the clothes. I like the way the women and the guys look. There are soldiers and sailors and gangsters with the machine guns in their violin cases. It's a very colorful era of New York, full of great theater and great nightclubs and great jazz.
I did my friend's film - this guy Harrison Atkins who's a great filmmaker. He just makes movies with all his friends, and I think that's all what we're striving for - to feel like we're among friends and people who care about each other. I'd like to think that good work comes from that - from a sort of loving and friendly environment.
I didn't want my records to sound like anybody else, and when I've got my guys in the studio, I have a language with those guys because we work together every day. A lot of times, you bring in outside guys, studio players, whatever, and they're great musicians. It's just that they don't necessarily play the way I want it to be played.
It's great to be able to play the bad guy role because you always get a lot to do, but I'm always looking at the why. How does a person get to that particular point? It's those little cogs in the wheel that make it interesting for me to play. Ultimately, I hope for the audience to be engaged with it because it is going to take a turn.
Cynicism is kind of like folding your arms and stepping back and commenting on things, like the old guys in 'The Muppets,' just throwing out comments all the time, whereas there are other people on the ground really trying to affect things and improve their lives and the lives of other people. I think it's noble and I think it's cool.
If you're seeing a psychiatrist, you're wasting money because all you've got to do is get on a plane, get on a subway tomorrow and, inevitably, you're going to be seated in front of some guy who's playing with himself, and he'll be singing, 'Happy Days Are Here Again.' I tell you - when I see that guy, I feel pretty good about myself.
I think me, as a leader, as a guy that's been cut, been humiliated, embarrassed, whatever you put on it, I think it's important just to embrace the guys around you, really support them, encourage them and then kinda give them that confidence. Let them know that you believe in them, and hopefully they'll get to believing in themselves.
If bankers can push the loans and make more profits for the bank, they get paid higher bonuses. They often also get stock options. If the bank goes under, they get to keep all of these salaries and options - and the government will bail out the bank. These guys will take their money and run, which is pretty much what they're doing now.
Over the years, there's been case after case when there were very narrow decisions that had to be made about whether to launch nuclear weapons in serious cases. What is this guy [Donald Trump] going to do if his vaunted negotiating skills fail, if somebody doesn't do what he says? Is he going to say, "Okay we'll nuke them? We're done?"
I've met people I wished I hadn't met. But Al Pacino was not one of them. For a guy who's old enough to be my father I feel like we're kindred spirits. We have a lot in common. Our families and our history with our families is very similar. Our relationships with our families is very similar. We had a lot more in common than I thought.
Ordinary fools are all right; you can talk to them, and try to help them out. But pompous fools-guys who are fools and are covering it all over and impressing people as to how wonderful they are with all this hocus pocus-THAT, I CANNOT STAND! An ordinary fool isn't a faker; an honest fool is all right. But a dishonest fool is terrible!
We've got to be prepared to stop these guys if they ever try to use their economic power once again, to hurt the economy, and to hurt so many Americans. And my plan, Paul Krugman, Barney Frank, a lot of experts who understand what the new challenges might be, have said I am exactly on point, and the Wall Street guys actually know that.
I've always been slightly self-conscious as an actor, and I guess that sometimes reads as pomposity. Starting when I was 30, I somehow gave off an impression at an audition that had them mentally put me in a three-piece suit or put an attache case in my hand. If there was a stiff-guy part, the director would brighten up when I came in.
I'm not the guy who will sit in a room with somebody who's using a bunch of big words and just act like I know what they're talking about, or sit on set with somebody and they'll be trying to explain something and not using layman's terms and I'll just say, "Hey, excuse me, what do you mean by that? Explain to me so I just understand."
I was looking at the Trump hits on me, I have to confess, all of which made me laugh. And I thought, you know, he never goes after guys` looks. He only does the looks thing with women. And then I found this one. "Lawrence will soon be off TV, bad ratings, he has a face made for radio." So, he has gone after, at least one guy, on looks.
I love to dance, so I'm definitely always the first one out on the dance floor. And when it comes to guys, I don't get shy. So if I wasn't with a date, I wouldn't have a problem going up to a guy and just saying, 'Are you gonna dance with me?' Trust me, it'll work for you too! Guys like it when you aren't afraid to make the first move.
Chevy Chase had been a bad boy with a drug problem, and had never really realized his potential. Fletch was the first movie he sort of straightened up on. And Michael Ritchie was Harvard-educated, 6'6", a brilliant director and political thinker. He was the guy the studio thought could handle Chevy, and keep him in check. And he could.
Jimmy Carter was - he still - he remains to this day America's most ex of ex-presidents. You just can't believe that we elected this doofus. He was a bright enough guy and sort of well-meaning. But he was about as prepared to be president of the United States as your goofy old uncle, you know, the one that memorises baseball statistics.
I've never been much of a computer guy at least in terms of playing with computers. Actually until I was about 11 I didn't use a computer for preparing for games at all. Now, obviously, the computer is an important tool for me preparing for my games. I analyze when I'm on the computer, either my games or my opponents. But mostly my own.
Howard Chaykin was one of the few who dared to make mainstream comics different back in the eighties; it was guys like him, Alan Moore and Frank Miller who made sure there'd be no going back. Howard's work on The Shadow is amongst his very best: razor-sharp character work, sizzling dialogue and an unsurpassed sense of layout and design.
Sometimes you got to a point where it wasn't happening and you had to figure out another way to do it, particularly in terms of making the jaguar do what you wanted. That was not CG, a real guy had to run really fast and not trip. There was a form of restraint on the creature that you can't see. so it was all very safe - but it is real.