Quotes of All Topics . Occasions . Authors
'Pump Up the Volume' was a film and character that I really responded to. That was a movie about a guy trying to take down the establishment using a ham radio. I feel 'Mr. Robot' has a similar value. This show is about taking down a global empire. I was an anarchist then. I'm getting to be an anarchist again.
[at CMC West Coast 2011, on 1 Samuel 14] If just a few of you would step up and be like Jonathan ... as you step out in faith, you know what's going to happen? There'll be people like Saul who'll say, "God's doing something through that guy, God's doing something through that girl. I want to be a part of that.
My dad was a very quiet person, and unbelievably tough. But my grandmother gave me my first look at negative thinking to bring about positive results. When I was just a little guy, anytime I came to my grandmother and said I wish for this or that, Grandma would say, 'If wishes were horses, beggars would ride.'
And guys will say looks matter, but they'll also say things like "Well, she should be smart and kind." And you know those are... so the typical responses and if you give them just a few options, like five or six, then they will rate them on the very characteristics that they said were really important to them.
I have so much residue crap in my hair from years and years of not washing it and not having any sense of personal hygiene whatsoever. Even today, I go into these things where I'm supposed to be this sexy guy or whatever, and I'm literally asking, 'If I get plumes of dandruff on me, can you just brush it off?'
Before he (Francis Bacon) came along, people conducted all their arguments through a series of logical fallacies or simply shouting louder than the other guy, or, if they did use facts, they only selected ones that reinforced their prejudices and advanced their ideas.” Oberon replies “don’t they still do that?
When I talked about Boeing and I talked about General Electric, what I was referring to is an outrage... Right now you have a loophole such that these guys are putting their profits, multi-billion dollar profitable corporations putting billions of dollars into the Cayman Islands, Bermuda, and other tax havens.
Magic is crazy. He is that crazy wild guy on the basketball court that is very intense and very serious. He is the guy who lives and eats and breathes basketball. Magic is a guy who would stand for nothing but winning and really prepared himself as well as he prepared his team. Earvin is the complete opposite.
I never could tell a joke. I just started talking to the audience, and when the drunks would yell, "Hey, when do the broads come on?" I got good at saying, "Relax. Clear your skin up first." They called me "the insult guy," but it's never mean-spirited. I'm just exaggerating everything about us and about life.
I grew up in the 'hood around prostitutes, drug dealers, killers, and gangbangers, but I also grew up juxtaposed: On the doorknob outside of our apartment, there was blood from some guy who got shot; but inside, there was National Geographic magazines and encyclopedias and a little library bookshelf situation.
Whether it's a guy living in an airport like Viktor Navorski in The Terminal, or Anvil in Toronto, or Alfred Hitchcock who's imprisoned by his success; there is a common thread to all these characters. I don't know why I'm particularly drawn to it. It's been pointed out to me, and I don't understand it myself.
Don't get divorced after your first argument! I have a lot of friends that have one fight and that's it, they get divorced. I go, 'Wait a minute! Oh my gosh, you guys! Calm down! You'll forget in three days what you were fighting about. I promise. So just let it marinate a little bit-that's my best love advice.
All the men she's been with and now you, just you, and the barges going by, masts and hulls, the whole damned current of life flowing through you, through her, through all the guys behind you and after you, the flowers and the birds and the sun streaming in and the fragrance of it choking you, annihilating you.
I want to be very authentic when I perform, because I feel like I owe that to people listening. You can't go through the motions on music like this. You are making people feel a certain way, that you are not feeling yourself. It's like saying "I want you guys to cry, but I don't really care," which isn't right.
A lot of times, when young guys come up, you think you don't have to work as hard because the talent is going to get you as far as you need to go. But as you get older, it's not that way. An injury is really a wake-up call and a slap in the face that maybe you were slacking a bit, and don't let it happen again.
I do a bit called, 'You go, girl!' where I say, 'Don't tell me 'You go, girl!' I get it. I don't need you encourage me.' And nine times out of 10 after I finish the bit, some guy in the back will yell 'You go, girl!' I get a lot of that or 'I hear ya!' I don't generally - knock on fake wood - get mean heckling.
I was an adjunct. I never got tenure, never had it. I was a professor, though. But I never got tenure. I never really wanted tenure, to tell you the truth. Really wasn't - the guys who got - the tenured people were some of, like, the least interesting. And they were people I didn't really like very much anyway.
You don’t get it, do you?" I said. “It’s not a question of ‘what then’. Some people get a kick out of reading railroad timetables and that’s all they do all day. Some people make huge model boats out of matchsticks. So what’s wrong if there happens to be one guy in the world who enjoys trying to understand you?
We shot every scene of mine in the entire movie in five days. All my coverage, everything. I left. They went back and shot everybody else around me. Insane. The part [Billie in Crazy Six] called for a handsome, coiffed cool guy romantic lead, and I showed up like you see him in the movie. And they let me do it.
Later on, when I signed with Sony, we wanted to re-release 'Fade' as 'Faded' with a brand new mix and with vocals by Iselin Solheim. I think Iselin was the first person who sung demo vocals for 'Faded.' And it worked out great! The way I got in touch with Iselin was through a guy that I work with in the studio.
And by the way I don't object if people want to attack me, that's their right. All I'm suggesting that it's not going to be very effective and that people are going to get sick of it very fast. And the guys who attacked each other in the debates up to now, every single one of them have lost ground by attacking.
In luggage claim at the Minneapolis airport, the guy came up to me and said, "Maybe you're wrong, maybe stories do matter." I wrote that on a scrap of paper and put it above my desk. That was the thing that pushed me through to the end of telling Despereaux, that comment, "Maybe they do...maybe stories matter."
It's hard to explain what happens when jazz and punk fuse with a violin twist but it works. Probably because Anson Choi takes off his shirt while he's playing the saxophone. Whoever's not chatting up a Cadet or a girl from Darling House or playing chess with the guys is watching the band. I turn into a groupie.
I got into playing the jazz. I played jazz for a good while. I did the popular stuff first. You got the "Twelfth Street Rag" and those kinds of things. Then I got to hanging around with a bunch of guys starting to playing jazz. We'd go from one place to the other and take our instruments, just perform for free.
Where's our Paul Newmans? Where's our Robert Redfords? We've got Jason Statham, who is great... blue collar and cool, which is fantastic. And we've got Hugh Grant, which is great. But where's this crossover, this blue collar guy who is cool? Where is our James Dean? Where is our John Travolta and Steve McQueen?
I love being an enigma. Every time I'm tempted to respond to someone who tries to put me in a box, politically - you know, someone who gets on the Internet and says, you're pro-gun, or you're anti-gun - I stop and say to myself, 'This is great; this is what I wanted. I wanted to be the guy you can't figure out.'
I understand the rules of Superman - not necessarily better than anyone else - but better than a normal filmmaker would. After doing 'Watchmen' and digging that deep into the why of superheroes, when Superman is presented to you, I felt like I was in a unique position to say 'I get this guy. I know what this is.
Johnny Miller is a very honest guy. That may have been to his detriment sometimes. On television, he's too honest. We talk about it a lot. Do you really need to be that honest? You know what I mean? But he's a good man. He's a good family man. He's got good values, and we're delighted to have him as our honoree.
The great joy of doing 'The Daily Show' for me is that I get to sit on the fence between cultures. I am commenting on the absurdity of both sides as an outsider and insider. Sometimes I'm playing the brown guy, and sometimes I'm not, but the best stuff I do always goes back to being a brown kid in a white world.
The playing field of life is not level, and for you to compete in the game of life, you need an equalizer of some kind. In the old West, the equalizer was the six-shooter. It enabled a little guy to chop a bigger man down to size. Desire is also an equalizer--and nowadays is highly encouraged over a six-shooter!
Osama bin Laden is very shrewd. But he struck me, even in 1997, as being remarkably out of touch. I remember thinking this does not look like the type of guy who walks to the top of a mountain with a mobile phone and says, "Operation B, attack."Now he is America's number one enemy. He's always wanted to be that.
I’ve been the same guy since day one. No matter how successful I am in life, I’m going to stay true to myself and stay humble and grounded. I feel like that’s where your success comes from. Once you get that big head, it’s over. You feel like you can’t be stopped. Staying humble is the only way you can be great.
Thank god we don't know a lot about William Shakespeare or Moses or Homer or Lautréamont. These are the best guys we got, and their art is powerful because they're mysterious. Once biographical information contaminates your consciousness, it's impossible to erase it and look at someone's work the same way again.
If you take a guy like a Barack Obama, who's raised millions of dollars from the most donors in the history of this nation, it suggests that there's a deep and profound hunger for a new politics to come forth. And a guy like him has been able to mobilize that and to reach certain parts of the hip-hop generation.
Women have to ask for higher paychecks. And not equal, I don't want equal - why do I have to have the same paycheck as a guy who has much less experience than me? I want more. And we have to stop feeling ashamed for asking for more, and we have to begin to feel a little more entitled to things, to normal things.
I don't want to be an object of consumption. I like to get out there and participate because I care about it. It's not because I've gotten filthy rich off the hides of young skaters that I feel some sickening obligation to act on, and make myself look like I'm not that bad of a guy. It's because I actually care.
In Louisiana, you can drive when you're 15 - you could get your driving permit. I remember, during driver's ed, I fell asleep at the wheel one day. I was tired. The guy shook me and switched and said he was getting into the driver's seat. I didn't fail, so I guess you can fall asleep occasionally. It's Louisiana.
Fighters DON'T know how to jab. You take Roy Jones, for instance. He paws his jab. He throws it out, it don't land. And then he'll hit you with a left hook, hit you with a right hand. But he doesn't really know the jab. A guy needs to learn the jab, know the jab, and use the jab. And these guys don't do it today.
We talk to our guys all the time about the difference between interest and commitment. When you're interested in something, you do it when it's convenient. When you're committed to something, you do it all the time, even when you lost that feeling that you originally had when you you made the original commitment.
I understand the rules of Superman - not necessarily better than anyone else - but better than a normal filmmaker would. After doing 'Watchmen' and digging that deep into the why of superheroes, when Superman is presented to you, I felt like I was in a unique position to say 'I get this guy. I know what this is.'
I don't stop. It's my nature. People have to tell me to slow down. I plan on playing every role on Broadway. I want to do 'Evita.' I want to do 'Sweeney Todd' with Chris Colfer. We want to do 'Wicked.' I'll be Elphaba and he wants to play 'Guy-linda.' I want to do movies, make music. 'Glee' is only the beginning.
I love the pictures of Old Hollywood, seeing the directors dressed in suits and ties. Even the grips would be wearing ties. But the biggest thing is when I was a kid, I couldn't wait to be an adult, and I think what happens with most guys is that no one wants to be an adult anymore. So they're dressing like kids.
Nothing will convince and convict those around us like the peaceful and positive way you and I respond to our twentieth century hurts and distress. The unbelieving world-your neighbors, the guy at the gas station, the postman, the lady at the cleaners, your boss at work-is observing the way we undergo our trials.
People used to think I was so strange because my toiletry bag used to contain so many grooming items and cosmetics and stuff. But I think it's more acceptable these day for guys to take care of themselves. I think it's becoming more commonplace, not just for sportsmen, but for all guys to take care of themselves.
So much of being an actor is trying to force yourself into these roles and sometimes it's a good fit, and sometimes it's not a good fit... you have to get clear about what it is that you do and not try to be a bunch of other people. Not try to be that guy or try to play that part; find the roles that you do well.
Someone asked me about the difference between love and lust. Hmmm. That will take a little thought. How to tell the difference? Well, for guys, if she looks better AFTER you've made love to her than before, that might be love. If you find yourself itching to get out the door afterward, probably just lust, y'know?
I have the best of both worlds. I have all the accolades that come with something like that video, but I don't have people stopping me on the street and being like, "Oh, my God, dance for me." I have probably only been recognized three or four times flat out - someone saying, "Are you the Evolution of Dance guy?"
A "showrunner" as a position is a relatively new thing. It used to be the executive producer. That's not true anymore. Now it's evolved into this model where people look to showrunners and say, that guy is that show. It's just become a lot more interesting to know the showrunner and to get a sense of that person.
I don't actually think of the internet as the bad guy. I think of the internet as doing a hell of a lot of wonderful, fascinating, interesting things. A lot of information that's exchanged on the internet is extremely useful, and every once in a while it percolates up to knowledge. Wisdom is far harder to come by.
Who's that new guy with the snooty accent who came out and talked to the police?" Evan persisted. "He looks like some kind of male model." "That's just my cousin Ian," Amy explained. "Not much of a family resemblance," Evan noted sourly. "He's like a twenty-fifth cousin, ten times removed." Evan was not satisfied.