Quotes of All Topics . Occasions . Authors
A movie is better than real life because in the movies only the bad guys die. Or you can pick the good movies where the bad guys die and only those. If you get tricked and a good person dies in the movie then you can rewrite it in your head so the good person lives and the part about death is superfluous.
I'm basically different things to different people. If it's a guy, I'm-a probably have my guard up because it's a street rule that when men come around that I don't know, I just immediately throw shade on them. But I don't associate with fellas all that much; if it's a girl - a beautiful girl - I be nice.
If it were possible to hold onto this sort of database and really be assured that only good guys get access to it, we might have a different discussion. Unfortunately, we don't know how to build systems that work that way. We don't know how to do this without creating a big target and a big vulnerability.
So some guy may know how to make money in cocoa beans, but I don't so I just let him have that. But it's got to be something I understand. It's got to be a business with fundamentally good economics. It's got to be a management that I like and trust and admire. And it's got to be a price that makes sense.
If there are nine guys auditioning and they're all gorgeous, I have an advantage, because gorgeous guys are a dime a dozen. But if they need someone else - like a goofy guy with bad hair who is just okay - then that's me. And finally, the other 2 percent who audition are geniuses that I could never touch.
I've seen people who don't have deals get features from people that labels can't even get features from, because you gotta show face and be in-tune with these guys who still have that independent mind set as far how you hustle yourself. Because they only really care at the end of the day about the dollas.
There's a video that's been floating around on YouTube where [Baz Luhrmann says], "We were looking for a guy that sounded like a young Stevie Wonder but much more we got a guy that sounded like a younger version of Aretha Franklin. His name's Quindon Tarver." I was just like, "Wow, to be compared to her."
I actually knew Sully's sister, and I was in a band called Stripmind, and then I became roommates with Sully and being out of a band, he asked if I wanted to join in his. Tony was originally the second guitarist in the band; a guy by the name of Lee Richards was the first. The rest is pretty much history.
Every director should take an acting class. At least one. You know, you panic with actors. It's like, "Okay, this is back in college, I know how to talk to these guys. I know their vocabulary, and I get what they're saying back to me." So basically to learn the vernacular of acting, that's very important.
Papa Roach is actually a band that's great at playing arenas. Not every band is suited for that environment. But besides the huge energy you guys bring, the songs are very grand and anthemic. "Kick in the Teeth" being an example as a song that's made for huge crowd sing-alongs, not tiny little club shows.
It used to be that I could talk to someone in Texas and nobody would hear about it. Now, the moment I open my mouth it's all over the world. The second I say something, guys in Germany know about it. It's basically a wonderful thing because more information is spread, but you have to keep your mouth shut.
There have been times where I have definitely felt like I was a john. As a pin-up photographer for ten years, when I was photographing men and women, to be honest, sometimes I felt like I was a john, especially when I was shooting guys because they - you know - they had to have big erections in the photos.
A bad guy in a movie has a lot of latitude for acting. He can walk up the wall, crawl across the ceiling, go piss in the corner and everybody will say, "Fantastic!" But somebody's going to have to catch that sucker. Somebody's going to have to play the guy who gets him in the end. And that's a better part.
Dirk Gently [from Dirk Gently's Holistic Detective Agency], needs a sidekick, as all good detectives do, and he gets this message from the universe that this guy, Todd Brotzman, played by Elijah Wood, is the guy to help him through this mystery. But of course, that doesn't really explain the breadth of it.
The fact is that this conversation is going on at every level at every age, we're all going, "God, what a jerk I've been," "How could I have married that guy?" or "How could I have done this or that?" With time, this is the gift of being older, that you get to look back and say, "It wasn't all about them."
Donald Trump is making decisions that affect people's day-to-day life, and he's constantly, constantly making some crazy announcement. It's like, "Well, what are we supposed to talk about? The D train? Traffic?" Trump is the one guy that's like, "Yeah, I'll do 90 minutes of live comedy. Seems easy enough."
I really try to keep it hip-hop oriented. For me, that's high energy - people being able to dance, being able to vibe out - but with an ethereal factor. When I perform, I'll have a guy doing live visuals for me or I'll have a guitarist playing a lot of solo, really heavy reverbed vibes and stuff like that.
I tried to do everything I could to study Walt Disney. I would read every book I could on the company, and then I found out more about him as a person, as an entrepreneur, and it was just fascinating to me that this guy was able to live a great life with his family but also do these amazing things at work.
Then he kissed her. It was a very long time before he let her go. When he did, she looked up at him, hurt and bewilderment on her face. 'Why did you stop?' asked Tessa. 'I thought you might want to breathe,' said Guy carefully. 'Breathe?'said Tessa , shocked. 'I don’t need to breathe  when I’m with you.'
Typically, [a victim of sexual assault] go home, take a shower, call their best friend, and evidence is lost. They say, "I can handle it." And they let time pass. And then, either the guy starts harassing them again or they see him do it to somebody else. Having that power on the first day is so important.
I've always loved California; I'll probably always live here on the West Coast, at least long-term. But I do love coming to New York. The energy is totally different, and I always have a lot of fun there. I always end up staying up all night! I look at my friends, like, "How do you guys do this every day?"
Ever see a skinny guy on a cold day? You know they tremble like Chihuahuas. Then you see a fat guy in a tank top - nine degrees, he's sweatin'. Look at 'Titanic,' remember the boat goes into the icy cold waters? Little skinny Leonardo: dead. Final scene, Kathy Bates on a rowboat, coat open, eating a hotdog.
So I guess that the next time I make a date with a concussed guy, I should pin a note to his collar so he doesn't forget." "Good plan." His hand was next to hers on the table. He let his thumb glide over her fingers, a small, almost casual touch that sent a shudder through her. "I'm sorry I forgot our date.
I first came to London as a musician, and when my group broke up, I did 'Guys and Dolls' at the Watford Palace theatre. After that, Ned Sherrin found me and brought me to the West End to do one of his shows. The work went from strength to strength, so I thought: 'This is where the world wants me; I'll stay.
Nirvana's amazing, but they're just never going to find another one, there's no artist development anymore, you're never going to have a U2, you're never going to have a Bruce Springsteen, those guys didn't make it off of their first single and real artists probably won't make it off of their first singles.
It is easier to live openly when you're not married. Not to get too much into the whole "romantic love" thing, but if you're going to live successfully with another person, there are things you have to keep to yourself. So the guy who lives on his own, I think, is more used to just expressing things openly.
I used to bodyguard for Muhammad Ali, Leon Spinks, Sugar Ray Leonard. I used to bodyguard a lot of diamond merchants; I would travel with a suitcase full of diamonds and take them from point A to point B. My reputation grew because I was a professional. I did my job, and I was courteous - a no-nonsense guy.
If everyone else is doing something, I have little or no interest in it. If you're known as this guy who can do any kind of sound or voice or whatever, somebody will go, "Do you do Christopher Walken?" "No." "Well, why not?" "Because everybody else in the world does it." My carpenter does Christopher Walken.
The difference between a regular person and a warrior is not that you're not afraid. Hell, I was afraid. I don't want to go into combat with anybody who is not afraid because it's healthy to have fear. But what makes a warrior is the guy who can control that fear, channel it, and actually use it as a weapon.
My model for business is The Beatles. They were four guys who kept each other kind of negative tendencies in check. They balanced each other and the total was greater than the sum of the parts. That's how I see business: great things in business are never done by one person, they're done by a team of people.
I personally don't like eating animals. I'm not the kind of person that tries to preach to other people. But, for me, I don't feel right about doing it. That's the main reason why I stay vegetarian...I know the guys that have switched [to vegetarian] all swear by it-they say they love how it makes them feel.
I like video games, but they are very violent. I want to create a video game in which you have to help all the characters who have died in the other games. 'Hey, man, what are you playing?' 'Super Busy Hospital. Could you leave me alone? I'm performing surgery! This guy got shot in the head, like, 27 times!'
I wanted to know how Jackie felt about [John F. Kennedy], and I got to know Rachel "Bunny" Mellon. Bunny and her were buddies. I asked, "How do you know what Jackie knew?" And Bunny said, "She told me."... Jackie called him "Magic." Bunny said she just picked her man. That was it. This was the guy she loved.
There was a guy by the name of Charles Schwab: actually, Charles M. Schwab. I read a lot about him, and I always hoped I was related, but I wasn't. He was a steel magnate. He worked for J.P. Morgan; then he started Bethlehem Steel. But he had no children, unfortunately, and it turned out I wasn't a relative.
My sisters are my best friends and my most staunch supporters. They're always there to help me through every audition, through interviews, and through everything. Hopefully, I find some guy that I love as much as them some day. They are the best things in my life, and I would be completely lost without them.
You could easily play the guy as straight-up hood throughout the whole movie, the Imperial Courts, but writer and director Malik Vitthal envisioned a human being that has never been seen before in film: a black man in circumstances that he does not like, who is passionate - persistent - in turning it around.
In a psychiatric hospital, a lot of people believe that people on TV are talking to them directly through the screen. I'm with about 500 of these people, and I'm on TV every Friday night. As I was queuing up for breakfast one morning, one guy nearly jumped out of his skin. My first thought was to go 'Woooo!'
The Dome is a metaphor that could mean anything - it could be nuclear fallout, terrorists - I've always been fascinated with stories where people's roles are flipped on their heads, be it the Wall Street guy, the techno guy, etc. All of those things are only successful when there are people and money around.
Playing in (the Neurotic Outsiders) with John Taylor was great. A lot of pussy every time we played a gig. So many chicks. It was, like, 'Wow, John, really? So this is what it was like, huh?' And there would be like a couple guys with mohawks and a guy with, like, a jean jacket coming in to see me and Jonesy!
I'd like to be that chameleon. That's really ultimately what I want to hear from people eventually: 'I really love when I see him in stuff, but I never know he's gonna be here.' I want to be that actor that surprises you when you see him in a project, and you go, 'Yes! I love that guy. He's in this? Awesome.'
I guess there's enough information out there to support that I'm a crazy, wild dude and rock and roll and this, that and the other. And there's enough information to support that, you know, I'm a single father, that, you know, has been a pretty standup guy in his community and pretty private about that stuff.
Don't talk age! Age has nothing to do with it. One of my guys who started out at my gym is 87 now, and he still does ten bench-press reps with a hundred-pound dumbbell in each hand. He's training to set a leg-pressing record. I put things in the guy's brain way back when, and now he'll never get away from it.
Everybody is different. You're always going to have disagreements with other drivers, unless you're not competitive and you never run good. I deal with everybody differently. Most guys, I have a lot of respect for and I'd like to keep it that way. So I try to communicate with them and find some common ground.
See the other person's potential for kindness and bolster your own expression of kindness. If you see them in a negative way, the power of your perception will only help to keep them that way as you polarize yourself from them, assuming a superior role, seeing yourself as the good guy and them as the bad guy.
I denounced Donald Trump for not denouncing the kind of vitriol, the kind of violence that he has perpetrated with his angry rhetoric. And he knows exactly what he's doing. This is not the Donald Trump who denounced David Duke in 1991. This is a guy who's now soaking up this hate and his spilling it back out.
I think this is the first time I've altered a book based on what you guys told me. So it's an occasion! Soon I'll be putting up polls to choose between plots, and then it's a short stop to accepting anonymous contributions and stapling them together while I sip margaritas on the deck of a Pacific cruise ship.
I did two matches for WCW, for 'Saturday Night' and for 'WorldWide.' Scott D'Amore was booking the extra talent. I remember I was really torn about it. I was like, 'Hmm... I don't want to do that. I don't want to just be an extra guy. I want so much more than that,' but I was flat broke, and it was 500 bucks.
I notice fashion on other people, I always enjoy it when people try and look their best, I've always been taught to try and look my best and that's probably my main influence, I'm not looking to influence fashion anymore than the next guy, but I do try and look my best when I'm out and representing my movies.
When I was writing the script I thought he is this guy. I really hoped...I kept imagining him as that guy. And then he came in to audition and I was really nervous because I really wanted him to do Greek, you know? And he...I didn't know who else I could cast. And he was amazing in the audition. Really funny.
I'm the kind of guy who, I need a watch that tells me what day it is. I need to know it's Friday on my watch. I need to look at it and go, 'Friday today.' Tomorrow I will not know it's Saturday until I look at my watch. My watchband broke, I was crippled. I have no concept of time, I have no concept of dates.