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What's a domestic partnership? Domestic partnership is not even a marriage, and there's a contract that involves, potentially, sexual and financial commitments to each other. In this case, however, the guy is also charging one dollar, and that is his undoing.
A friend of mine told a story about a date with a guy she was really excited about: He stood her up. He then called her, begging her forgiveness and giving some excuse. She told him to get lost, telling him that he only gets one shot with her, and he blew it.
To show you how radical I am, I want carjackers dead. I want rapists dead. I want burglars dead. I want child molesters dead. I want the bad guys dead. No court case. No parole. No early release. I want 'em dead. Get a gun and when they attack you, shoot 'em.
I trained with a guy named Tito Gobbi, who was the Marlon Brando of the opera world. Tito Gobbi was the greatest singing baritone in the opera world and I studied in Florence, Firenze, with him. That was my first love, as it was Frank Sinatra's, oddly enough.
A label is like a bank with all these really important relationships, and maybe an aesthetic or a point of view. But if you only want to release two songs, you don't need the guy who can talk to all the retailers, because they're not going to stock two songs.
One of the big draws of the show is here's a guy who is ordinary in a lot of ways but, due to his profession, he's placed in extraordinary situations that he has to make right with action and with thought. That's what is appealing about Jack - he takes charge.
I put on fifteen pounds of muscle, so that was a lot of eating chicken and a high protein, low-carb diet. Also a lot of heavy lifting and a very different kind of training with an ex-navy SEAL guy who wanted to kill me every time I got with him. In a good way.
A lot of women will be sort of 'competitive like a guy' in the workplace, but then when they go home, they realize that's not fully authentic for them. They would like to have a more expansive or more authentic relationship in the workplace around competition.
I'm the guy who's started businesses, I've been a small business owner. I've employed hundreds of Pennsylvanians. I know how to get jobs moving in the private sector, rein in the excesses in Washington, and bring some balance to a town that's lost all balance.
I'd love to say something heroic. I'd love to say we made history. But basically it was a bunch of guys parked around the Bay there, and somebody grabbed a board and went surfing, and it looked so good the rest of us guys said, 'Hey, we got to get in on this.'
Like I said, you guys in the media will treat the dumbest jack**s in the entire f***ng world like they won a Pulitzer prize for journalism and will put that level of weight on it, like they're an ambassador to some country we're trying to establish trade with.
I tend to play characters that I can infuse with certain kinds of humour. Even the baddest guy can be funny in his own particular way. I want the audience to engage with the character on some deeper level so that they leave the cinema still thinking about him.
For much of my life I floundered under the excuse of "nobody's perfect," the liberating and over-used phrase that affords guys like me the freedom to pile up sins in a careless and unchecked way. Ironically, being perfect is precisely what we are called to be!
Fame does lead to money, which I don't have a close relationship with. I'm the kind of guy who never sees the money - it all goes somewhere else. I don't understand it, I don't like to deal with it. I have a fear of not having it, because I grew up without it.
I grew up in a Cleveland suburb called Parma, Ohio. Somewhere along the way I fell in love with a typeface called Bodoni. It turns out that Giambattista Bodoni had his foundry in Parma, Italy. So I pick Bodoni because us guys from Parma have to stick together.
I could create music that sounded as strange as any electronic music, because you see, my opinion about electronic music is that the real composer is the guy who invented the instrument. Pressing buttons is not composing. Composing is about creating something.
I had my own insecurities, which a lot of my comedy would come from, about not being able to live up to their academic expectations. Acting out those insecurities was a way of confronting them, like, “Let me just lean into being a guy who can’t read or write.”
I was having tea with a guy I was introduced to, about the possibility of working with him at his production company. He asked me if I'd written anything, and I said yes. Then he said 'why don't you just shoot it'? And I thought, "duh!" Best advice I ever got.
The debt ceiling debacle is almost a horrible metaphor: It's as if a bomb went off at 800 Pennsylvania Avenue and sent shrapnel flying in every direction. I don't know what these guys think they're doing, but it looks like they're committing political suicide.
My life doesn't change. I still have to go out and work hard every day, and do the best that I can do. I'm a third generation Californian, and there's a lot of talented, good-looking guys in California, so I'm just happy to be working, and lucky to be working.
I really do like surprises. I'm not so talented at planning things out or having schedules before or sticking to the plan per se, but yeah I'm very much a spontaneous guy and it's sort of hard for me to multi-task and to have all these things going on at once.
I've come a very long way, especially from my young career. From not always being the best guy on the team to just increasing my work ethic every single year, every single summer. Just seeing the hard work pay off, I think that's what's most gratifying for me.
Democrats always like to brag that their guys are smarter than the opponents and Republicans always like to brag that their guys are more moral than the opponents. But if you're looking for morals in politics you're looking for bananas in the cheese department.
I had a Ford F-250. It was a big ol' farm truck, but it wasn't a rig. That's about the biggest I've ever driven. That's what I drove back and forth to high school. I was a poor guy, and it was a truck that my uncle owned and let me drive because I had no money.
In my dealings with the press, I was like the guy who goes into the cathouse and the madam gets him prepared and looks at him and says, "Who are you going to satisfy with that?" And he looks back at her and says, "Me." That's kind of my sense of humor at times.
It's a very simple thing on the make-or-break decision, it's the guy, and that's what separates the great leaders and great successes, and if you don't listen to it, you don't have it, you're never gonna get it, 'cause it's never gonna come from someplace else.
I still have a whopping bad case of what you call scag magnetism. I thought i had gotten rid of it there, but it looks like scary guys still materialize from thin air in my presence. They are drawn to me. I am the North Pole, and they are the explorers of love.
I'm not a big prank guy, because I don't like them done to me. I've been on movies sets where one guys goes into his trailer, and then people move the stairs, and he comes out of his trailer, and there's no stairs. That's not funny! I don't want to be that guy!
I never thought I was finished when people said I was finished, or any of that stuff. I always had this undying belief that even if I was in a wheelchair and I could only move my finger, somehow I would become the guy who does the amazing thing with his finger.
I learned to drum and I'm very excited today. Well, first of all I got to...I learned when I was in New York I sort of did some prepping with just learning basic stuff like beating my couch next to my drum teacher, who's this incredible guy named Charlie Green.
On Death Valley, I fought this werewolf, and he was picking me up and slamming me down. They put padding down in the garbage so he could really slam me down. They're flying around and I'm doing these jumping flying triangles pulling the guy down. It's just fun.
There's a lot of guys up there who like wearing a suit or try doing jokes that they think will play to a certain crowd, or maybe get them corporate work. I've always written jokes that I would want to hear. So, I'm trying to entertain myself more than anything.
My first 'SNL' episode was with Michael Phelps and Lil Wayne. And if you go back and watch the monologue - it was supposed to feature Barack Obama, but we couldn't get him - it was with William Shatner. But if you watch it, Guy Fieri is sitting in the front row.
I am a little in awe of Jeff Bridges. He's an actor I have admired for many years, and so I didn't know who I was going to get, in the sense that I didn't know what he was going to be like. And so I was pleasantly surprised that he is this kind of laid-back guy.
When I was 15, I had a crush on this guy who was really good at magic, and so I learned to juggle, thinking it would impress him. I spent hours and hours practicing, planning to show him. And then I never even saw him again. But at least I learned how to juggle.
You need to make sure you're going exactly where your guy goes in press coverage. In zone, you can read the quarterback and his eyes a bit to determine where he's going. You don't get the opportunity in press coverage to read the quarterback, so it's all on you.
The very first big photo shoot I ever did was with Bruce Weber. I couldn't believe this guy was taking my picture, so when he told me to get in the bathtub, I just did. It's only now, looking back, that I realise, you don't have to do everything people tell you.
The inside is packed with people. Lots of them crowding the bar, passing drinks back for people to carry to tables. A bunch of guys are pouring shots of vodka. "To Zacharov!" one toasts. "To open hearts and open bars!" calls another. "And open legs," says Anton.
It's so irritating, because male rappers don't have to have a look. A guy can look like a bum on the street, but as a male, people will accept him because he's a rapper. But females, they expect you to have a big booty. They expect you to walk in six-inch heels.
Whenever I study a genre of film-making, Steve Spielberg is the first guy I go to. Even Catch Me If You Can, which is a very lightweight kind of thing, if you just look at the economy of the way he designs his shots and works around actors, the craft is amazing.
For me, I like to show what guys are like when no one is looking and how we really are, and that we can be emotional and have these emotional lives. I think it would be great to do a film where we see some females and what's going on there when we're not around.
I was at this casino minding my own business, and this guy came up to me and said, 'You're gonna have to move, you're blocking a fire exit.' As though if there was a fire, I wasn't gonna run. If you're flammible and have legs, you are never blocking a fire exit.
If you were a U.S. Cavalry guy and you thought you were going to be captured by the Apaches, you might kill yourself. If they were with their wives and they thought they were going to be captured, they would shoot their wives for fear of the Apaches getting them.
Donald Trump for his part's out there saying it's outrageous for a religious leader to say that he's not a Christian. Trump's out there saying (paraphrasing), "I'm the one guy that's out there saying the attacks on Christianity are gonna stop when I get elected."
I saw a guy being really abusive to his girlfriend. She was asking people to help, but no one would. When he grabbed her, I tried to separate them, but he turned on me. I punched him and knocked him down. It wasn't a scandal; I was just doing what anybody should.
Reagan was an exceedingly likeable guy, just a heck of a nice fellow, despite his politics. He was funny and loved a good joke, the dirtier, I'm afraid the more ethnic, the better. I don't think he brought very much to the presidency, except charisma and success.
You can feel a little vulnerable when you see people tearing you apart on the internet or saying, "It's the end of music." "This guy is a total hack." I've read it all. But at the same time, even though I feel a little vulnerable with that, I do feel comfortable.
My favorite laser disk ever was the laser disk for The Graduate, which had a commentary track that wasn't even the filmmakers, it was a professor, some film criticism guy who just happen to be this amazing commentator who went off into the whole theory of comedy.
I think we're so advanced when it comes to watching narrative material. I mean, it's all we do is consume content all day long. So when a character walks onscreen, you immediately start making connections for that character: Is that a good guy? Is that a bad guy?
[If you could have 10 minutes in a room with Barry Bonds] ... I'd ask him for another half hour. And then I'd probably start with the obvious and see how honest he would get. I just think those guys are so protected, that you're not going to get much out of them.