Quotes of All Topics . Occasions . Authors
,,, all around it would have to be Eddie Cochran, because it wasn't just music with him; it was his guitar playing, his look, his singing, I'd say that, all things considered, he's probably my favorite "cat" of all time
You want to figure out how you want to play the guitar; what your niche would be. Well you just start digging deeper. When you're digging deeper in rock and roll you're on a freight train heading straight for the blues.
It was my 16th birthday - my mom and dad gave me my Goya classical guitar that day. I sat down, wrote this song, and I just knew that that was the only thing I could ever really do - write songs and sing them to people.
As far as being a 'player's player,' you've only got to go to Nashville or Argentina and you can forget about it. The world is full of amazing guitar players, and you know it, and I know it...it's a humbling experience.
Among the guitarists, Wes Montgomery is fantastic. He's always good to let you know what the art form is all about. It's the same still life that everybody is painting, but in comes Wes Montgomery, and it's right there!
There was a lot of camaraderie among the bands. I remember a lot of times when I'd be driving up Laurel Canyon and pass by the house where Frank Zappa was living and I'd just see people out on the porch playing guitars.
There are no rules or certain methods. I usually start with the guitar or piano and sing melodies over the chords. The lyrics seem to be born out of that, and the fact that it's still a mystery to me is my favorite part.
What draws people to the instrument is the love for guitar players that play a certain way. I mean, even though it wasn't intentional, it was hard to avoid copying Eddie Van Halen. He was basically the *bleep* back then.
Maybe its a case of one guitar feeling a certain way to the hands that makes one subsequently move differently over the strings, but my intent is always to wring the maximum emotional resonance out of the object in hand.
People ask me to describe how I play, and the most obvious answer is that I'm a jazz influenced guitar player. But I'm not a jazz guitar player. Wes Montgomery was a jazz guitarist, Joe Pass was a jazz guitarist (laughs).
Mention Hubert Sumlin, as well, because Hubert's a great man, and again, you know, I don't play the guitar very good, but when I'm playing this kind of music, I always have him in my mind. I wish I could play like Hubert.
Without the Fender bass, there'd be no rock n' roll or no Motown. The electric guitar had been waiting 'round since 1939 for a nice partner to come along. It became an electric rhythm section, and that changed everything.
I don't even think whether I play the blues or not, I just play whatever feels right at the moment. I also will use any gadget or device that I find that helps me achieve the sort of sound on the guitar that I want to get.
I'd play whenever I could get my hands on an electric guitar; I was trying to pick up rock'n'roll riffs and electric blues - the latest Muddy Waters. I'd spend hours and hours on the same track, back again, and back again.
When it's a funky uptempo song, you're basically having the same kind of release you would have when you have sex, only it lasts longer. Whether you're playing it on the guitar or on the dance floor, you're in that moment.
I wanted to hear the songs in the way that I had written them, which was, in a way, very basic. So all I wanted to have was drums and another guitar pretty much playing what I wrote on guitar, and I was just going to sing.
I fell off a bridge when I was 14, then had surgery when I was 17. Now my left wrist is an inch-and-a-half shorter than my [right one] and doesn't quite have the mobility to wrap around a guitar neck without a bit of pain.
I do music because I can just pick up my guitar and sing, and completely satisfy, instant gratification. I don't need a script, I don't people, I don't need anything, cameras, I just have myself and my guitar, or keyboard.
When I plug in my guitar and play it really loud, loud enough to deafen most people, that's my shot of adrenaline, and there's nothing like it. That's what it's always been for me - to be the flame the tribe dances around.
It's important to keep your creative muscle strong and working. My most inspiring method though is just sitting down with an acoustic guitar and coming up with melodies. It's what I've been doing nice I was nine years old.
But that guitar is the perfect companion to the human voice. You rest it against your gut, against your heart, and when you strum it the vibrations go outwards for all to hear, but the vibration also hits you on your body.
I used to play a few instruments including guitar and snare drums, but I think a musical background is an important part of a career. If you start out playing instruments you create a better instinct and feeling for music.
Kane is a band I formed with my best friend Steve Carlson. We just got together and started playing guitar. He was playing some old school rock and roll, and we got together and thought, 'Hey, let's take this on the road.'
Let’s be realistic about this, the guitar can be the single most blasphemous device on the face of the earth. That’s why I like it . . . The disgusting stink of a too-loud electric guitar: now that’s my idea of a good time.
I enjoy the song writing process more than anything. It's what I like the most, just sitting in my room with guitar or at the piano or something. Just making something up, something that's not there, that suddenly is there.
I think if you're a lady playing a guitar, other ladies need to see you playing the guitar, and they don't need to see men come out and fix your equipment for you. It just looks incredibly pussy. So I just do it all myself.
If you can play guitar and sing, you can probably get a gig down the road playing at a restaurant, but don't throw your life away chasing something that is so elusive it will only lead you to regret and may turn you bitter.
I just couldn't take school seriously: I had this guitar neck with four frets which I kept hidden under the desk. It had strings on it so I would practice my chord shapes under the desk and that's about all I did at school.
I'm looking for anything interesting in the guitar playing, songwriting, artwork, and production. If you look at the stack of CDs on my desk and in my car, you'll find a very wide range of music under the umbrella of metal.
The one thing I do have is good ears. I don't mean perfect pitch, but ears for picking things up. I developed my ear through piano theory, but I never had a guitar lesson in my life, except from Eric Clapton off of records.
... I like the clubs because ... we have two or three acoustic guitars up there and we're not hard-core slamming or stomping through the music. We're singing it with intricate harmonies and really showing the craftsmanship.
[Bob] Dylan began to incorporate things into that scene that were controversial then. He got shouted at in Newport when he played electric guitar, for instance. There was a certain purity that was sought among those people.
The classical guitar has a dynamic to it unlike a regular acoustic guitar or an electric guitar. You know, there's times when you should play and there's times when you gotta hold back. It's an extremely dynamic instrument.
I understand the rock star deal having been one and still going out strapping my guitar on and performing. Now, I probably do 30 or 40 dates a year and I get to relive how I felt at 19 when I played in some really bad bands.
What people don't realize is that the so-called Seattle grunge scene grew out of several close-knit gourmet supper clubs - we would only pick up guitars to pass the time while our dishes were simmering, baking, boiling, etc.
As a teenager, I used to travel everywhere with my guitar. I appreciated the fact it was with me, but it was always an absolute pain to carry around - even though, in those days, you could take in on a plane as hand luggage.
I got into one Metallica record. That was about it. I never got into AC/DC or Black Sabbath or any of that. I was interested in the side of heavy metal that had interesting guitar ideas, but that was a very short-lived thing.
So you do shorter versions of the hits, or you take out a long guitar solo or things like that to make time for the hits and new music as well. But I don't think any of us ever get to do as much new music as we would like to.
I was never pushed into the business. I wanted to play the guitar. When my dad found out I could play pretty good he took me into the studio one day. I did my first session for his label. We did quite a few sessions up there.
I've heard the stories. Like, Eric Clapton said he wanted to burn his guitar when he heard Jimi Hendrix play. I never understood that because, when I went and saw a great drummer or heard one, all I wanted to do was practice.
One of my favorites has always been 'Swap Meet.' One of the reasons why I like that is it's a song that's in a drop-D tuning, and of course, also being a guitar player, it's one of the songs that I really like the riff on it.
But my role is to just apply the skills I've learned over the years: you listen to the guitar, you listen to the vocal melodies, you listen to the rhythm, and you come up with something that helps you take the song somewhere.
When I was 17 I got a guitar for my birthday and started discovering Bob Dylan and James Taylor and the whole '60s thing, and that made me want to make songs, to go beyond just playing an instrument. I needed to write I guess.
My brother was very important to me. And he played guitar. So that's what I wanted to be. I wanted to be a guitar player. So he was the first one to inspire me to do something with my life. And I was so glad that he was there.
And, so, when I picked up the guitar, suddenly, just playing a couple of notes really, really spoke to me. It was almost like I should have been doing it prior to that. You know, it was something that just felt really natural.
I definitely don't see myself as much of a singer, because my upbringing is really based around the guitar, learning chord progressions and that sort of thing. So the singing aspect of what I do has been a secondary adventure.
Just the other day someone threw a bra duct-taped to a tennis ball. I just stood there, playing guitar, thinking how this was totally premeditated. Some girl sat around inventing a way to get her bra onstage from 40 rows back.
I preferred not to be laden down with a big instrument. If you're behind a guitar, you get used to being behind a guitar, and you don't really perform because you can't. I wanted to be able to just hold on to the mike and sing.
I can embarrass myself very easily on guitar. It's funny because people say to me I can play anything; I'm God on the guitar. But I could make a big list of everything I can't play... I'm grateful that people don't notice that.
A good example of a lyric that makes me laugh but might not hit anybody right away is, "Sit behind the guitar and play the chords," just because it's such a lame image. It's not rock'n'roll at all to be sitting behind a guitar.