My original interests and intentions in guitar playing were primarily created on quality of tone, for instance, the way the instrument could be made to echo or simulate the human voice.

I played guitar. I've always considered myself an actor, but I wasn't making a living as an actor. So I was in a couple of folk groups that managed to keep me in underwear and burritos.

I really just want to be an inspiration. I'm a regular guy, that had a dream, that came from a small town, that wanted to play guitar and just liked playing. I want to encourage people.

Nirvana was pop. You can have distorted guitars and people say it's alternative, but you can't break out of pop music's constructs and still get extensive radio play and media coverage.

The guitar is of no great importance to me. The people it brings to me are what matter. They are what I'm extremely grateful for, because they are alive. The guitar is just an apparatus.

Up till now I wrote the songs on my acoustic guitar alone with the Lord. Then I would take the song and share it with my family and then we all would figure out instrumentation together.

I was a schooled musician. When I made 'Blue Velvet', I told everyone what to do. I was an arranger. I learned music in school I told the band to play this. I told the guitar to do that.

Pat Benatar might need a rock band, but I can just sit with a blues guitar for an hour and a half and do folk songs and great contemporary ballads, and not many people can pull that off.

With Pearl Jam, everybody is so good at what they do, it's hard to get up the courage to say, Can I sing this part, or, I want to play guitar. I feel like I have more courage to do that.

Women are my hobby... every man needs something to keep his hands busy, and I don't have a guitar like Eddie and Michael, or some drums to bash like Alex, so I have to find some friends.

I'm really interested in trying to learn how to play the guitar since I've got two of them! I can kind of mess around on the piano, but I'm going to start learning how to play the guitar.

It's one that still happens, actually... forgetting a part of a difficult piece. Usually, the chances of it happening are directly proportional to how quiet and attentive the audience is.

I had a guitar sitting around, and it just happened to have four strings on it, and I would sit around watching TV and playing it. I ended up writing bunches of songs around four strings.

I originally wanted to be a singer, but I was average. I made 18 records, but none were that great. I was in a dance band at Bournemouth Pavilion for three years, and I played guitar too.

When I was about 12, I had my first paying gig - 8 dollars to play rhythm guitar in a polka band. Pretty soon, I ended up playing in all the bars within driving distance of Abbott, Texas.

The schematics are a little bit tricky, but once you get it down you're able to really program an entire show. Every song has a lot of different guitar sounds in it, so that's what it is.

I've never really been schooled in music theory. I'm a guitar player, and I attack the guitar in a certain way that it not fully unique to me, but it's more unique that some other people.

I shared guitars before I actually got one of my own and played a guy's Silver tone and played another guys Danelectro 12 string and it was at about age 17 that I actually started playing.

Basically, I'm just a guitar player that figured out I wasn't ever gonna be able to buy dinner with my guitar playing so I got into songwriting, which is a little more profitable business.

When I got my first guitar, I played along with everything I heard that had guitar in it, like the Ramones, Nirvana and Sublime, as well as whatever hip-hop and R&B stuff was on the radio.

I consider the electric guitar to be like a drum with strings. It became the drum of the Baby Boom generation. And the drum has always been the center of the tribe, a new electronic tribe.

There's so much that can be done on the guitar. And that's what is so good about the guitar - everyone can really enjoy themselves on it and have a good time, which is what it's all about.

One day you pick up the guitar and you feel like a great master, and the next day you feel like a fool. It’s because we’re different every day, but the guitar is always the same…beautiful.

Guitar gigs were everywhere in the '50s, and I started diddling around so I could keep working. Playing honky-tonk, simple stuff. I took a few gigs with an organ band that put me out front.

This is one of my favorite things about the Underground: the crashing of the cymbals, the screeching guitar riffs, music that moves into the blood and makes you feel hot and wild and alive.

I've played every instrument you could possibly think of for 10 minutes. So I'm mediocre at everything. I can play drums, guitar, piano, violin, saxophone, clarinet, flute... Just not well.

Every album, I'm worried that I'm a dork and a fraud - 'What if I can't sing anymore?' Then I stop thinking and start playing guitar, and I realize that it's okay to suck, and move forward.

I have been playing a lot of keyboards, especially in the last five or six years. I suppose it gives you more scope than the guitar, although it does tend to make you write a different way.

I sit around and play acoustic guitar - usually acoustic, sometimes electric, occasionally piano, but more often guitar, just trying to come up with tunes. Ideas kind of pop into your head.

From the classical guitar right through to the furthest electrical experiments and everything in-between, it's amazing what the guitar can actually do. I mean, when one thinks about sounds.

I guess when we're happy, it's easier to go with the flow, and when that happiness or joy is interrupted, that's when we get contemplative and break out the guitar or pen and write about it.

This isn't a mass-produced...instrument. Mike Lull Custom Guitars makes each bass right here in the NW. Over 20 years of collaborating, designing, and building basses has gone into my model.

Most of my guitars have been instruments that look cool. I'm not picky. I never think, 'Oh, this neck isn't made of ebony,' or, 'These strings don't feel correct.' It doesn't matter too much.

I had sat in one day in Central Park with Bonnie and Delaney, and Duane was playing with them, so I asked if he wanted to work on an album. You never had to say to him how to play the guitar.

Treat each guitar track-and each song-completely different. For example, if I'm using a certain amp and guitar on one track, I'll deliberately use something else for the next tune or overdub.

I paint; I draw and paint - I've been doing that since I was in third grade, drawing realistically and then changing to abstract art. That was my first creative thing before guitar or comedy.

I remember feeling for the first time going somewhere where I was part of a community where I didn't feel like an outcast. I felt like I belonged. Everyone had a guitar strapped to their back.

Yeah. I'm amateurish. I can play enough to write a song, or strum on a little guitar to write out a song. But, I don't play well at all. I wouldn't even attempt for a second to play in public.

I took guitar a while back, and my heart wasn't in it at the time, but I'm ready to try it again. I sing in the car, at home - it's a huge part of my life, especially since I'm from Tennessee.

I have spent over 60 years bent over a guitar and to know that I wrote 70 compositions that masters have recorded, that makes me feel so good and full, and proud and thankful to the good Lord.

My dad brings a deep-seated knowledge of the British folk genre, and a lot of my love for guitar playing comes from learning from him and his influences, which eventually became my influences.

I can safely say that any band with a sentence for a name, 6 members or more and carefully combed to the side hairdos are not metal no matter what distortion pedal they have for their guitars.

I knew I wanted to sing when I was a very small boy. When I was probably 4 years old. My mother played a guitar and I would sit with her and she would sing and I learned to sing along with her.

But I say these things in an objective dispassionate manner because, you know, and I can't explain why, but being one of the greatest guitarists in the world simply is not very important to me.

I enjoy playing the band as the band. I be the whole band and Im playing the drums, Im playing the guitar, Im playing the saxophone. To me, the most wonderful thing about playing music is that.

I never considered myself a songwriter, but now since I've been working with Nick Lowe, I am contributing to an extent. But I'm the guitarist and he's not, so we compliment each other in a way.

My interests are guitars, cars, and vacation. I've been playing guitar all my life. My dad was a professional guitarist, but I'm terrible, which lets me off the hook, so I just play for myself.

A guitar is a very personal extension of the person playing it. You have to be emotionally and spiritually connected to your instrument. I'm very brutal on my instruments, but not all the time.

There's one piece of advice my dad gave me when he dropped me off at college. He said, "You've got the talent. You can sing and play guitar. That doesn't make you any better than anyone else.".

A trumpet sounds pretty much like a trumpet, and that's true of a lot instruments; pianos sound like pianos, but there's something about the guitar - the range of possibilities is much broader.

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