In 1996 I was working on a play in New Orleans, and they needed a drag queen. I offered to play the role. That led to guest appearances at bars, which led to regular appearances at bars, which led to hosting. I eventually started working six days a week in bars before moving to N.Y.C.

'Game of Thrones' has kind of got the Midas touch, certainly for the lead actors and those recurring guest stars. It's the show that can do no wrong because it's so well produced. My contribution is short, but I think, in my mind, it was sweet because it involved such elaborate scenes.

I started on 'Saturday Night Live' the same time Conan started on Late Night. We just had a relationship because I would be upstairs in the studio and whenever he couldn't get a guest - which was often back then since he was just starting out - he would just call me down to be a guest.

When I've been on shows as a guest, I'm backstage, so I don't usually hear what the warm-up is saying, so I went and watched a couple of people do it and thought, 'Actually, I reckon this is do-able.' The audience is usually excited to be there; it's just getting a good chat with people.

We call ourselves a dog's 'master' - but who ever dared to call himself the 'master' of a cat? We own a dog - he is with us as a slave and inferior because we wish him to be. But we entertain a cat - he adorns our hearth as a guest, fellow-lodger, and equal because he wishes to be there.

I recently saw this home video where my brother is playing this character Arsenio Grimley, who is a mix of Arsenio Hall and Ed Grimley - which, clearly, is my parents' doing, because he's, like, 10. He's the host, I'm every guest, and then my dad is Elton John. That was a Saturday night.

If you are someone's guest on a corporate jet, the most important thing to remember is not just to be on time, but to be early. If you hold up the departure of the jet by as much as 10 minutes, you may cause the plane to wait in line for another hour or two before obtaining new clearance.

There's a couple of movie parts that I can't remember. There was always something kind of lurking, because when 'The Office' started, I wasn't a regular. You're a guest star, so they don't really need you. They didn't say that, but I've seen the show - with or without me, it's still funny.

When I was born, my parents - my mother especially - couldn't come to terms with that fact that they had another baby girl. I know these stories in detail because every time a guest visited, or there was a gathering, they repeated this story in front of me that how I was the unwanted child.

Movie stars are doing TV series, and former TV stars are doing guest shots. Everybody gets bumped down the line. That's affected everyone in the industry. I've been lucky; I've stayed busy. I'll cross my fingers until it's my turn to be sitting around, not working. I'm sure that'll happen, too.

Chris Guest has his own form. It's a way of working that is really intense, and you can commit a lot, and you focus a lot. You get to bring a lot. You get to bring things maybe you haven't seen before. You're asked to care a great deal for these people who you're playing and create heart and empathy.

I have the version of me where I'm interviewing someone, where I definitely am the straight man, and I like to show a lot of respect to my guest and let them take the reins. I don't like to compete with my guests. I don't like to be funnier than my guests or get into a 'Who's wackier?' sort of thing.

The first time I was on 'Johnny Carson,' I remember being so scared, but the minute he started talking to me, I felt a little more comfortable because I just knew he was going to take care of me. Hopefully, I have learned something from watching him for so many years that I can offer that to a guest.

Simply being a guest on David Letterman's show has been a highlight of my career. I never dreamed that I would follow in his footsteps, though everyone in late night follows Dave's lead. I'm thrilled and grateful that CBS chose me. Now, if you'll excuse me, I have to go grind a gap in my front teeth.

I will remember the night I won the New Comedy Awards, as I was young and unformed, so that sticks in the mind. I've also done a fantastic gig at the Royal Albert Hall, which was amazing. Appearing in the Christopher Guest film was also a real highlight, even if I was only in it for a couple of minutes.

It's different as a guest as opposed to being a star of a series. A guest star is a whole different responsibility. It's much different than being a regular. You come in, and it's a lot of unfamiliar faces, and you want to try to fit in as best you can, but also you want to stay there without making waves.

I sat in on some songwriting classes, and it was really bloody hard, a lot of music theory. I'd be sitting there, and they'd be talking all this music theory, and the teacher would say, 'Let's ask our guest Jimmy what he thinks,' and I'd be sitting there thinking, 'Please don't ask me, please don't ask me.'

If we are visiting Afghans, typically the Afghan governor, district or provincial governor, we see he doesn't wear body armor, and yet we're walking through his streets. I'm his guest. I think that that's important that I send a message that I trust him and I don't think I am more valuable than I think he is.

I like to do an occasional guest spot, but it seems that everybody wants me to go the host route. ABC, NBC, CBS and most of the independents have talked to me about it - Carson himself once asked me if I was interested and added he wouldn't be there forever. But I wouldn't do it for all the money in the world.

In TV, kid roles are like this: You're either in a couple minutes of an episode playing somebody's kid, or you get in these procedurals where you're crying or you're playing a witness or you're playing a crazy person. Every once in a while you get a big guest star role, but there's a formula to those TV shows.

I was always prepared for my 'Fringe' journey to end immediately. I had only signed up for a guest role but they kept bringing me back in the third season as a recurring character. So pretty much every time I went to film a 'Fringe' episode I kind of said goodbye to the show, but then they kept bringing me back.

There's different kinds of improv. There's Second City improv where you try to slowly build a nice sketch. There's stuff you do in college coffee houses where you just go joke, joke, joke. Bring another funny character with a funny hat on his head. Christopher Guest is more the line of trying to get a story out.

With the long-format interview, I can get into really interesting conversations with my guests. You know what it's like to get the opportunity to speak to really interesting people and pick their brain about things. To have time to let a guest actually speak and tell a story and get into detail is really exciting.

From Vienna with Love' will build a bridge across the globe from Vienna to Sydney, full of music, love and fun. I am really looking forward to performing with the Sydney Symphony Orchestra and fabulous guest artists who all have ties to Vienna and telling a story with music that inspired me and songs from my debut album.

I'm glad I was born when I was. My time was the golden age of variety. If I were starting out again now, maybe things would happen for me, but it certainly would not be on a variety show with 28 musicians, 12 dancers, two major guest stars, 50 costumes a week by Bob Mackie. The networks just wouldn't spend the money today.

I did a little bit of acting - some guest spots here and there. I got a job working as a therapist doing individual and group crisis intervention and family therapy. I did that for two years. I left to do 'Boston Legal.' So my psychology career has been interwoven into my acting career, and it's my safety net and fallback.

The first 'Saturday Night Live' season I was heavily interested in was the one with Martin Short, Billy Crystal, and Christopher Guest. There was just something about Martin Short in particular. I really related to him and hung on his every word and mannerism, so I started impersonating all of his characters as an 8th grader.

'Spinal Tap' began as a mock rock band that we four - Rob Reiner, Christopher Guest, Michael McKean and myself - developed for an appearance on a TV pilot at the end of the 1970s. On our own initiative, we wrote and recorded most of the songs and performed them live in several music clubs around L.A. before any cameras rolled.

I have a rule now that I can only watch a movie twice. By the third time I was watching 'The Guest,' I was hating everything about it, but the first time, I loved it. The first time you watch it, you watch it as a whole. And the second time, I think you can learn a lot. By the third time, you are just picking everything apart.

Being on a major network television show is like long-distance running: You have to pace yourself and maintain your energy level and your morale. There's the role you're playing on the show, and there's also your behind-the-scenes responsibility to the crew, the guest actors and the fans - not to mention your own life as a mom.

When you do anything creative, you really have to live entirely in that world. I think my ability to do that is what makes me such a bad dinner guest. I'm always looking over someone's shoulder, taking in stuff around the room, immersed in the world of whatever I'm writing about, and keeping the characters completely in my head.

For other comics, it's about full-spectrum dominance, being on panel shows and having one-liners and being a good chat show guest and having a good seven minutes you can do on 'Live At The Apollo.' But I really think about these subsequent finished pieces, you know? And they don't always chop up well into one-liners and routines.

Johnny Cash's legacy, I think if it was one word, it would be 'integrity.' He was the original wild man and grew from that guy that was doing all the crazy things that you read that rock n' rollers do to being someone who was like the father of our country, you know. He was a guest at the White House. He was Billy Graham's friend.

For me, reworking the past over and over again is a way not to trivialise the garments and not to obsess over hem lengths. What I am interested in, as a matter of fact, is telling a story and, if someone sees fragments of other stories in it, be my guest. I don't have to justify myself. What is urgent for me is what I want to say.

When I go to hotels, sometimes I find waiters and people who do not address me as 'Mr.' or address me as a normal guest would have been addressed, simply because my name is Maddy. I find that slightly offending, but I don't react to it thinking that maybe the name is so casual that people think it's a buddy that you are talking to.

When I signed onto 'Superman,' editors Matt Idelson and Wil Moss gave me a rough outline that JMS had turned in for the remaining issues of the 'Grounded' arc, which amounted to a couple of sentences for each issue, spelling out in general terms where the issue would take place geographically, specific guest stars, things like that.

I got some experience appearing as a guest on several news channels, and I thought over the years I would be able to mix practicing law and writing with providing analysis on TV. I didn't know that would lead to a full-time opportunity that would take me away from my law practice. When MSNBC made me an offer to join, I jumped at it.

There are a lot of people who dream of overnight success, of being Brad Pitt getting discovered for 'Thelma and Louise,' but that doesn't always happen. I represent that stick-to-it-ness that it takes to build a career over time, guest spot by guest spot. Looking back from here, I wouldn't have wanted the journey to go any other way.

The first time I heard the word 'transgender' had been in a sitcom episode that mocked the potential for cisgender people to find people like me attractive. Every time someone expressed any interest in the gorgeous trans guest character - her identity still a secret to most of the main characters in the show - the laugh track would cue.

Comedy scares me a lot. I feel like it's way harder than drama. I think my safety net is definitely drama, and I would love to kind of be able to be able to push into the comedy world and do something kind of like a Christopher Guest kind of style show. That, to me, is my kind of comedy. Like, Ricky Gervais comedy. That's my kind of thing.

When I meet someone from the army background, there is an instant connection. We live in the best five-star hotels of the world, but outside my home I will be equally comfortable in any army cantonment or army guest house. Telling my friends that my father was in the army was like telling them that he is the second-richest man in the world.

In the guest star situation on a show, it has a feel of a foreign exchange student - you're worrying the night before where you're going to sit for lunch. 'The Big Bang Theory' was like that. I was supposed to only do one episode. What was different was the cast and production staff was so welcoming, even though I was only scheduled for a week.

The old Johnny Carson 'Tonight Show' was great in that he was so good with the guests, and it was not about him. I think he was very smart in realizing 'I have plenty of screentime on this show. I do my monologue and we do sketches and stuff like that.' During the interview, he really made it about trying to bring the best thing out of the guest.

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