One of the things I did when I discovered this huge importance of being vulnerable is very happily moved away from the shame research, because that's such a downer, and people hate that topic. It's not that vulnerability is the upside, but it's better than shame, I guess.

Every time I reach a major milestone in my career, I expect it to make more of a difference than it does, and I guess that means I'm in the sport for the right reasons. I'm not in it to win it because winning can only last for so long, and it's a very fickle thing, sport.

I don't feel there's a difference between the real world and the fairy-tale world. They contain psychological truths and, I guess, projections of what the culture that tells them thinks about various things: men, women, aging, dying - the most basic aspects of being human.

I was in Nicaragua with the Sandinistas. I've argued for Leonard Peltier, Mumia Abu-Jamal, the United Farm Workers. I've been a radical for a long time. I guess it's too bad. I'd be more marketable as a right-wing redneck. But I got into this to tell the truth as I saw it.

I guess the argument is you chose to be in the public eye and, therefore, you're giving your life up for a certain level of scrutiny and you've got to accept that. The trade-off between being on 'Love Island' and not being on 'Love Island' is very skewed into the positive.

There's no way that I could have known about a 72-oz. steak challenge in Amarillo unless thousands upon thousands of locals and travellers alike had attempted it. I guess if 'Man V Food' is me paying homage to these legends, then I suppose 'Man V Food Nation' is the legacy.

I thought I was pretty average height. And then it just clicked to me - 'Yo, you're undersized.' I guess when I got older and my body started hurting, I'm like, 'I'm not as big as I thought I was.' So I always played with the mentality that I was bigger than I actually was.

I guess for me, I keep saying the words 'consumer electronics,' 'consumer tech' - the biggest purchase decisions people make a lot of times are the phones they buy and the tech they buy. To be able to influence other people's decisions on that front is pretty game changing.

I got a lot of problems, but I'm really good at intuiting what I need to do to be happy with whatever I create. I know when to stop myself, I know when to start, I know when to leave something alone. I guess I just kind of indulge that completely, and so I just take my time.

I guess it's about getting older. I know that I'm going to lose people that I love - I'm going to die myself - so everything seems to be getting somehow sweet and more important and more special and more humbling and more challenging and more terrifying all at the same time.

Until my senior year, baseball and basketball were my best sports; and even when I was a senior, I still wanted to play baseball professionally. But the family wanted me to go to college, and I guess I agreed with them, or else I would have accepted some of the offers I got.

I play a character called Lieutenant Delcourt who, in the original comics, pops up from time to time to rescue Tintin. I guess if you've grown up watching movies like 'Jaws' and 'Indiana Jones,' it's pretty surreal to find yourself on set with Steven Spielberg directing you.

I guess, over time, I had convinced myself that I could imagine what it would be like to lose a son or daughter. You try to imagine it so that you can write the right kind of letters or form the right words to try to comfort. But you can't even come close. It is unimaginable.

I wanted to do it my way with my career, and I had this arrogant notion that people weren't just interested in my music but me as a person. That was my bit of arrogance, I guess. That's something I learned from Madonna. I was a fan right from the first time I heard 'Holiday.'

I was in 'Cliffhanger' years ago, so I'm a massive fan of the big event movies - the good ones - but there's a lot of crap that's made in between the good ones. It's just the superhuman films that I can't get my head around. I guess if you're a fan of them, then you love them.

The quality of one's emotional life changes over the years, doesn't it? But the basic instincts and desires, greed and hope, seem to remain constant. In the larger scope of things, there's a sense of fulfillment to living a creative life. So I guess that's what keeps me going.

The stuff that I do and enjoy is normally quite similar to a lot of the stuff that psychics and spiritualists would enjoy themselves. I just have a different approach to wanting to find out how things really work, or a sense of, I guess, responsibility about honesty and so on.

There are not many athletes who are out. And I think it's something that's important. It felt important to me. I guess it seems like a weight off my shoulders, because I've been playing a lot better than I've ever played before. I think I'm just enjoying myself, and I'm happy.

It surprised me, the feeling I got when I won the Oscar for 'Scent of a Woman.' It was a new feeling. I'd never felt it. I don't see my Oscar much now. But when I first got it, there was a feeling for weeks afterward that I guess is akin to winning a gold medal in the Olympics.

That is part of the problem, that lack of belief in yourself because you don't see success around you. I guess that breeds defeatism, so yes there does need to be resources out there and support that will nurture talent that I believe is there, and passion that I know is there.

I think, probably, the place that I feel I most belong is a movie set. It doesn't matter where it is in the world or who I'm making the movie with; that's the closest thing that I've got to a sense of placement. So I guess acting was a way of finding a home, if that makes sense.

Inside me, 'Dragon Ball' became a thing of the past, but later, I got upset at the live-action film, revised the script for the anime film, and complained about the quality of the TV anime. I guess, at some point, it became a work that I like so much that I can't leave it alone.

I don't read books. I read 'On the Road' in high school, and that was awesome, so I guess that's my favorite book. 'To Kill a Mockingbird,' even though I didn't read it, that's the greatest story. SparkNotes came in when I was in high school, and that was the greatest invention.

'I Know You Care' is about my dad. And I haven't seen him for a long, long time. And my parents divorced when I was really young. And I guess I just wanted a - it was my way of saying that I wasn't bitter or angry anymore. I was just sad and just felt like something was missing.

I guess Surrealism has a draw for me because it's an unknown world. It's a world of subconscious. Some things you can't really get your hands on very easily. Things that are kind of nebulous and they feel like they're not completely formed. You have to feel your way through that.

I'll do anything. I'll shave my head for the right job. I'm partial to my facial hair, I guess, but I also enjoy doing something where I look totally different, which is kind of the reason why I've always worn long hair. I can really change my look radically by getting rid of it.

For as long as I can remember, I have been fascinated by things large and small. I wanted to know what made my watch tick, my radio play, and my house stand. I wanted to know who invented the bottle cap and who designed the bridge. I guess from early on I wanted to be an engineer.

I feel like because I've done more gay characters, gay scenes, or gay projects than most straight actors, people see it as some sort of mission. It's more of a case-by-case basis, and just trying to capture figures that I love. I guess that a lot of the figures that I love were gay.

It is not astonishing that there are many journalists who have become human failures and worthless men. Rather, it is astonishing that, despite all this, this very stratum includes such a great number of valuable and quite genuine men, a fact that outsiders would not so easily guess.

I think scent is sensual. I guess evoking a mood or a spirit is key, and I think with the women's fragrances we have evoked different types, moods or sensibilities of a woman - whether it's Daisy with the sweetness and the innocence or Lola which is more provocative, sexy and sultry.

Trajectories aren't linear. Life's just a roller coaster. If you're getting a chance to do cool stuff, and it's varied stuff, just enjoy it. I guess I'm a believer in the randomness of life rather than it being a linear trajectory or an arc, a consistent smooth arc, towards anything.

I think perfect dates involve walking a lot, and not a bunch of driving around in cars. Ideally, you can walk together and go to a restaurant, and then walk from there to another nice place - this is, I guess, because of really great dates that I've had with my wife here in Portland.

I guess I do have a childlike sense of fun, and although I still have my dark days, I'm generally an optimistic person. The way things have gone in my life, sure, I could have been a bitter person. But I just find bitter people really un-fun, you know? And who wants to be that person?

If we were poor, we didn't know it 'cause I guess you don't miss what you never had. So, you know, we made do with whatever. We used to make our own toys, and we used to play with spinning tops and marbles. A pocket full of marbles, and you were rich - you didn't worry about no money.

American stuntmen are smart - they think about safety. When they do a jump in a car, they calculate everything: the speed, the distance... But in Hong Kong, we don't know how to count. Everything we do is a guess. If you've got the guts, you do it. All of my stuntmen have gotten hurt.

There are some people who come to me for some illumination on their problems. I guess they feel I'm writing about some of the things they themselves are going through. But I don't usually have much help to give - there isn't much you can say to someone in the midst of their own crises.

A common misperception of me is... that I am a tough, rough northerner, which I suppose I am really. But I'm pretty mild-mannered most of the time. It's the parts that you play I guess. I don't mind it. I'm not a tough guy. I'd like to act as a fair, easy-going, kind man at some point.

The true and the approximately true are apprehended by the same faculty; it may also be noted that men have a sufficient natural instinct for what is true, and usually do arrive at the truth. Hence the man who makes a good guess at truth is likely to make a good guess at probabilities.

As soon as I go into a dark subject, like discussing the people I've loved and lost, I off-road into absurdist comedy perversion. It's both a means of protection and a kind of denial, a blessing and a curse. Wait, it's not a blessing at all. I guess it would be a bad habit and a curse.

Pink Floyd and Yes and some of the old art-rock bands, you didn't know what they looked like. You were always looking for pictures, and that added to the mystique. It's much more interesting when you're forced to imagine or guess at these things because usually it's better than reality.

There's a song called 'Slip To The Void,' which is fairly long and has more of an epic approach. And I guess for lack of a better term some people might throw the progressive tag on it. I don't know if it necessarily falls into that - a few people have brought that up who have heard it.

Most friendship groups will have someone who starts a new relationship, and you just don't see them for four months. And that's always kind of sad, almost like an inverted break up. I guess the ideal situation is that whoever the new partner is can be subsumed into the friendship group.

I don't believe in the term 'guilty pleasure,' because it implies I should feel ashamed for liking something. A real guilty pleasure would be, I don't know, taking gratification in some stranger's ghastly death or something - which I guess I do enjoy, because I read a ton of true crime.

I guess I just always imagined that I was going to die, like, somehow on top. I was going to, like, go out in some sort of blaze of glory. I never thought about sort of fading into obscurity. And I've worked so hard at having a life, an identity, in obscurity and finding peace with that.

I've had people say to me, 'How dare you have a Twitter,' you know, with my gimmick, I guess, and I just say, 'It's 2017.' It'd be hard to find someone in America who doesn't have a phone that has Twitter capabilities. So as a WWE Superstar, I think it's OK that I have a Twitter, people.

'And for my part, Gentlemen,' said I, 'that I may put in for a share, and guess with the rest; not to amuse myself with those curious Notions wherewith you tickle and spur on slow-paced Time; I believe, that the Moon is a World like ours, to which this of ours serves likewise for a Moon.'

The bravery of Stanley Kramer's 'Guess Who's Coming to Dinner' amounted to two Hollywood legends - Katharine Hepburn and Spencer Tracy - telling the world that a black son-in-law is something they can live with, and so should you, especially if he looks like Sidney Poitier and has degrees.

I've sat down and written with a more or less supportable or insupportable idea or thing to say, and it ends. When it's not 200 pages, people want to call it a story. I guess they're entitled to do that. In my view, if it were a supportable idea, it would have gone 200 pages, and it didn't.

Economic medicine that was previously meted out by the cupful has recently been dispensed by the barrel. These once unthinkable dosages will almost certainly bring on unwelcome after-effects. Their precise nature is anyone's guess, though one likely consequence is an onslaught of inflation.

The Olympics were something that was put in my path. I knew I was capable, I worked so hard for it, so I guess it's like, Why wouldn't I want to go to the Olympics? But it was never something that I was really, really dead set on. It was just what my coaches and everyone else forced upon me.

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