Quotes of All Topics . Occasions . Authors
When I first got out to Hollywood, they were pushing me for sitcoms, and I didn't really have an interest in them. I wanted to do films and slowly worked that way. And then it became, I guess, this curse of the leading man.
I went through quite a few establishments that maybe weren't great for myself - security units, youth-offender places. I guess that was going to the lions' den. Social services said, 'You've got to go to some sort of school.'
I was told to avoid the business all together because of the rejection. People would say to me, 'Don't you want to have a normal job and a normal family?' I guess that would be good advice for some people, but I wanted to act.
Religion and politics hit nerves. There's a lot of anger about a lot of things. It's not easily resolved. I guess that's what wars are about. Wars are about prejudice and fear. Hit first before you get hit. Believe me, I know.
I guess the big thing to say about 'Pig Farm' is that none of us knows if it works, and we're going in blind. It's in the tradition of 'Urinetown,' kind of - but that's a pretty small tradition. It's possible that it can fail.
I try to stay in shape, I work out in the gym, take my vitamins every day, and I guess maybe I have some good genes, but lately I've been feeling it. You know, after all these years it does catch up with you. But just for now.
I guess you can be a supermodel today just by building followers. You don't necessarily have to do the work of going to Milan and then to Paris or New York, trying to find the right photographer, artist, or designer to see you.
A song is about heartbreak - but what are the constituent feelings? What are the aspects? There is anger, there is guilt, there are all these different things. I guess putting those voices into dialogue together just felt real.
I guess a psychiatrist would say there's some good to the venting process, but it does also promote an attitude of saying, 'Hey there's nothing wrong with being filled with hate; there's so much of it around.' I don't like that.
I think the more yellows, the more lights, the better. It alerts everybody. I mean, I guess I'm always a little bit afraid when the yellow comes out, we all get out of it, that someone won't notice it, pile into the back of you.
Certain elements of teen life that, 10 years ago, were very important to me still, are becoming less so as I get older. I mean, I've kinda gotten over, I guess I'm saying, the fact that I had trouble getting a date for the prom.
In 'Gran Torino,' I play a guy who's racially offensive. But he learned. It shows that you're never too old to learn and embrace people that you don't understand to begin with. It seems like nobody else got that message, I guess.
Sometimes in people's lives, when bad stuff happens, their dreams just die, and they end up settling. I guess that's their decision, maybe, because they didn't believe in their dreams or forgot their dreams. My dreams never died.
Every movie I make I find kind of excruciating. I get a lot back from it, but I feel like I'm kind of always working at the edge of my ability. I guess that's what I'm looking for when I go to work. I am trying to become the edge.
Sometimes I have to shut off the omnipresent disco ball and flashing lights that are always in my head. It's a part of maturing, I guess - just learning that it's not just always about a quick, easy fix of getting people to dance.
I came along in the '60s having absorbed as much as I could up until then and added my own tastes and search into the equation. I guess that's how I see 'Now He Sings, Now He Sobs' in relation to the development of jazz in general.
I don't want to limit myself. I want to keep doing all sorts of roles. I guess what lies behind this urge is the conviction that movies have changed my life. And certain performances have inspired me to try to be someone different.
I was always talking in weird voices from the time I was two. I guess I just found a way to keep doing it! I did get a degree in theater and took some voice-over classes... but most of it is just the same stuff I was doing as a kid!
I guess my first professional experience was when my church choir director told my mother that I had a gift with my voice and said that I should think about auditioning, at 11 years old, for the chorus of our regional opera company.
I guess you'd say I'm a gearhead. It's not just guitars; I have five or six drum sets, a bunch of keyboards... It's like Guitar Center exploded, and all the cool stuff dropped in my backyard. I'm a really lucky guy, I have to admit.
I wrote 'Evil Spider' about wanting someone that's already taken. I guess it was based on a personal experience, but I went a lil extreme on the theme... me being a spider trying to snare someone. In real life, I was just observing!
I don't have any training as an actor, but I guess I'm an intense pretender. When you read something over and over, it gets into you a little bit. You can't help but begin to feel it, even if you're a healthy person as I think I am.
At 12, I was, like, 6-2. At 13, I was, like, 6-5 or 6-6. I had always stuck out as a bit of a freak, so athletics gave me a chance to make friends and, I guess, find my 'cool' vibe, if there's such a thing when you're in high school.
Sometimes you surf well and still don't win. It happens to everyone. You learn that one big score doesn't mean much if you don't have a backup. I guess every rookie learns that as time goes by. I took some big lessons from my losses.
You know, right now, they say - I don't know who says this, but somebody told me - there's three male roles to every female role. And I guess I'd work on evening that up. Making great roles for women. It's just such a huge challenge.
That's all life is, I guess. Just a bunch of riffs. Look at me: I'm wearing a tie. Why am I wearing a tie? It's because I saw an adult wear a tie and I thought, Oh, that's what people do. We're all just trying to be what an adult is.
It's hard for me to speculate about what motivates somebody like Stephen Hawking or Elon Musk to talk so extensively about AI. I'd have to guess that talking about black holes gets boring after awhile - it's a slowly developing topic.
All I wanted to do was write - at the time, poems, and prose, too. I guess my ambition was simply to make money however I could to keep myself going in some modest way, and I didn't need much, I was unmarried at the time, no children.
I was always lonesome. The only time I felt accepted or wanted was when I was on stage performing. I guess the stage was my only friend: the only place where I could feel comfortable. It was the only place where I felt equal and safe.
I guess what I enjoy most is directing, because it incorporates all aspects of filmmaking. Directing is in the same line as acting - both are popularity contests, and in both you're trying to tell a story through the film as a medium.
Life isn't meant to be easy. It's hard to take being on the top - or on the bottom. I guess I'm something of a fatalist. You have to have a sense of history, I think, to survive some of these things... Life is one crisis after another.
Basically, my problem was attributed to stress more than anything. I don't know what that does and I guess doctors can tell you that there's chemicals that build up in your system when you go through a lot of stress and constant stress.
As an artist, I've always felt most comfortable outside of the art supply store. So domestic materials are the ones that most help inform what I'm trying to talk about and our familiarity as a whole - kind of the collective us, I guess.
The jazz chord substitutions in a country song... that was another thing that bent people's ears. I guess that my favorites are the unique ones. It's not how fast you play. It's that unique blending of different stuff I'm most proud of.
Back then, we could drive a mile from home and there was nothing. Now it's grown in every direction and is populated and modernized. I guess I have mixed feelings about it, but I'm not someone that thinks everything should stop growing.
And that format was - we'd been using that format, I guess, since the late '70s, and it was starting to get very predictable. In other words, certain songs would surface in the same points in the set every so often; it was like rotation.
I guess what was going to come back came back on Monday. Of course now I've played a different golf course. I've played two practice rounds and two tournament rounds all kind of the same and now today I've played a different golf course.
I think you have to be a little bit strict. You can't be friend and their parent in a lot of situations, especially in this day and age where it's so dangerous for kids. So there's a bit of sternness, I guess, in the way I raise my kids.
My mother was amazing. I guess, in our community, if you wanted to get by you had to work hard. So she cleaned offices. She did everything that you could imagine. We were really poor. But she would say, 'Where you are is not who you are.'
I guess it feels to me that the political argument that has been lost in my lifetime is taxation. How do you engage in that debate when people don't trust politicians at all? It is almost impossible to start a conversation about taxation.
What goes on inside a star is better understood than one might guess from the difficulty of having to look at a little dot of light through a telescope, because we can calculate what the atoms in the stars should do in most circumstances.
The shrewd guess, the fertile hypothesis, the courageous leap to a tentative conclusion - these are the most valuable coins of the thinker at work. But in most schools guessing is heavily penalized and is associated somehow with laziness.
My dad came to Korea one time, and then he pulls out a whole bunch of my headshot prints. He's like, 'Amber, you need to sign all of this for me because all of my friends want these.' I guess that's when I kind of realized I was 'famous.'
I became an actor, and because I had success as an actor, I became famous. I was acting for quite a while before I got famous; television made me famous. I guess that it's television that is responsible for everybody's desire to be famous.
All my life I've encountered people who were obsessed with one particular class of object or experience, who were constantly pursuing that thing. Since I was a little kid, I hadn't afforded myself the opportunity, I guess, to have a hobby.
One of my earliest memories of something that caught my attention was of a steam locomotive. I guess mainly because they have so many moving parts that are out in the open. You can watch the valves moving back and forth - the driving rods.
I don't think any other city in the world... the sun doesn't shine the same way anywhere as it does in New York. And then I guess everyone's very good at hanging out. Not in a crazy way, but you're just constantly interacting and learning.
I guess if you're lucky enough not to have to pay your rent, then you or I take much more seriously the kind of work that I do, what it takes for me to leave two teenagers of my own and six stepchildren and a husband and four grandchildren.
Living my life socially means there is a swagger to how I dress, walk; it's not about being 'cool,' it's just being me - that's understanding your place and your center - that's what swagger is, and I guess that's where the soul comes from.
It's tough when you're an artist because you get to go around the world and make a lot of friends, but guess what? One day, all these people that you love are going to die, from DJ Mehdi to DJ Dusk to J Dilla to Austin Peralta to DJ Rashad.