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I wrote a 20-page document, before I was ever hired, on exactly how the visuals of 'Guardians of the Galaxy' would be approached, how we'd look at creating a new type of space epic. That's exactly what the movie is today - absolutely everybody has adhered to that original document.
Women are at once the guardians and the well-spring of the world's faith, morality, and tenderness; and if ever they are degraded to a commonplace level with men, this fine essential quality will be impaired, and their weakness will have to beg and follow where now it guides and controls.
When I got hired to do 'Guardians,' it was the dream of a lifetime for me. This is what I've been working towards. I've always wanted to create a space adventure, and especially a space adventure with a raccoon. Now that I'm finally able to do it, I created exactly the movie I wanted to make.
'Spider-Man' seems to have a different tone to the pure Marvel stuff, but I really enjoyed the 'Guardians Of The Galaxy' and 'Iron Man' movies. I love the special effects and how it seems very real, but at the same time, it still lives within the realm of Marvel. That's got to be a lot of work.
I've been really pleasantly surprised by 'Guardians of the Galaxy.' I'd never really heard of that gang before, that comic series before. And I think when you go into those, watching those sort of films, you watch them with no expectation as well, so you're always kind of pleasantly surprised, I think.
'The Walking Dead' and 'Guardians of the Galaxy' have pumped up the recognition factor a thousand times. I can't get off an airplane anymore. I don't know how the hell they know and how these people find out. They must have some interesting, secret way of getting a hold of the flight manifesto or something.
When they sold me on 'Supergirl', I went and sat down with Andrew Kreisberg and Greg Berlanti, and they described the character to me. Greg Berlanti used a couple of music theater references to kind of explain who the character was. They threw up Chris Pratt in 'Guardians of the Galaxy' as a reference point.
I feel that each and every one of us as individuals has a responsibility to one another. None of us would be here without the help of someone else - whether it be guardians, teachers, parents, relatives, etc. - someone contributed to your well being as a person. We're all connected in so many different ways.
One of the things that I really admire about the Marvel motion pictures is that, in one year, 'Captain America: The Winter Soldier,' which was a taut political thriller, and 'Guardians of the Galaxy,' which was a cosmic comedy, came out, and they could not be more different, and yet they both felt very Marvel.
The traditional Hollywood system is pretty rigid, but the film scene in, say, South Africa is booming with a lot of possibilities. If you have the cameras and reasonable capital, you can put your film in theatres next to 'Guardians of the Galaxy.' A great example of that was Kagiso Lediga's film 'Blitz Patrole.'
Thanos is undoubtedly the most powerful entity and villain the world has ever seen - he is virtually indestructible. Imagine a villain so menacing that all the Avengers, Guardians of the Galaxy, and their allies have to come together in a hope to defeat this one guy; such characters come to you once in a lifetime!
I'm particular about the projects that I've chosen. Each one of them, I've taken a step up, like climbing a ladder. Before, it was baby-steps, up to 'Riddick.' Then I took this huge leap onto 'Guardians!' It was such a higher level, this huge project which originally I never thought I'd have a chance in hell of getting.