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I know,” said Peter. “Perhaps better than anyone. But you can’t stay a child forever. To choose to speak into Echo’s Well is to choose illusion. To choose to avoid the responsibilities of being an adult. The real trick—the real choice—is to keep the best of the child you were, without forgetting when you grow up. “It is the best of both worlds, Jack. Being a child is to believe in magic everywhere… “…but even Peter Pan had to grow up one day.
Actually, when I think about growing up, I feel most affected by two travels that I made working in cargo boats when I was 16 and 18. One of them crossed through the Mississippi and Baton Rouge and Mobile, Alabama, and another went all the way to Europe. On the last trip, I stayed in Europe for one year with $1,000, working everywhere I could, doing everything. Those years shaped me a lot and taught me the value of exploring different things.
Growing up I wasn’t sure I was female. As I grew further I wanted to be a lesbian but I wasn’t sure I would meet even the most basic membership criteria (though eventually I created a ‘femme dyke’ persona that worked well for over fifteen years). It wasn’t until my early twenties that I was sure of at least one thing: I was an artist. Quite an accomplishment for anyone assigned female at birth in a culture that calls only male artists ‘great’.
I wish we could grow up about it, I'm sure we are contributing to global warming, and we must do all we can to reduce that, but our climate has always changed. The Romans had vineyards in Yorkshire. We're all on this bandwagon of 'Ban the 4x4 in Fulham'. Why didn't we have global warming during the Industrial Revolution? In those days you couldn't have seen across the street for all the carbon emissions and the crap coming out of the chimneys.
It isn't really important to decide when you are very young just exactly what you want to become when you grow up. It is much more important to decide on the way you want to live. If you are going to be honest with yourself and honest with your friends, if you are going to get involved in causes which are good for others, not only for yourselves, then it seems to me that that is sufficient, and maybe what you will be is only a matter of chance.
Several people inspired me like Lil' Wayne, Juvenile, the whole Cash Money camp, the No Limit camp, DMX, Jay-Z, Eminem, LL Cool J, I listened to all type of sh*t. I listened to R&B like Teena Marie, just good music - anybody that made good music. When I was growing up out west I listened to Twista, Do or Die, and Crucial Conflict. They were the "it" artists in Chicago. I wanted to be like them on TV and all of that so that's how it all started.
We're a lukewarm people for all our feast days and hard work. Not much touches us, but we long to be touched. We lie awake at night willing the darkness to part and show us a vision. Our children frighten us in their intimacy, but we make sure they grow up like us. Lukewarm like us. On a night like this, hands and faces hot, we can believe that tomorrow will show us angels in jars and that the well-known woods will suddenly reveal another path.
We were the children of white flight, the first generation to grow up in postwar American suburbs. By the time the ’60s rolled around, many of us, the gay ones especially, were eager to make a U-turn and fly back the other way. Whether or not the city was obsolete, we couldn’t imagine our personal futures in any other form. The street and the skyline signified to us what the lawn and the highway signified to our parents: a place to breathe free.
Okay, I thought. Here you are. You are here. And you move forward because that's the way it works; that's the only place u can go. You keep going until it stops hurting, or until you find new things to hurt you worse, I guess. And that is the human condition, all of us lurching along in our own private miseries, because that's the way it is. Because, I guess, God didn't give us any choice. You grow up, I remembered Abigail telling me. You learn.
Sometimes I'll say, "I wrote that book," and the person will look at you as if you're really strange. One time that happened to my daughter on a plane. She was sitting next to a girl who was reading one of my books and my daughter said, "My mother wrote that book." And the girl started to quiz my daughter, asking her all sorts of questions, like what are the names of Judy's children and where did she grow up. My daughter thought it was so funny.
No matter where we're born, which countries we're raised in, what cultures we come from, there are some universal experiences we all have as children. We all kind of start the same. We want the love of our parents, companionship, friends, we want to have fun, to play, and we're all hurt the first time we learn that the world is far from perfect place - it's the start of a series of epiphanies and realizations that is what growing up is all about.
My family’s said to me from the beginning, ‘People are always going to tell you to pick what you want to be when you grow up. You take that and throw it out the window, that’s garbage. People are complicated and we love many things and we’re passionate about many things. You can be a human rights activist and also be doing these comedy plays in your community and that’s OK. All those things are a part of who you are and you can love them equally.
There is definitely global warming, and man is definitely contributing to it. Go out to, say, Montana and talk to some pretty conservative people, hunters and fishermen. They know that in the trout stream they fished when they were growing up, the trout are stressed because the water temperature is going up. They know the hunting season has been delayed because the snows are coming later, and therefore the elk aren't coming down from the mountains.
The idea that somebody out there is that eager to hear my music in advance can only be a good thing. But growing up, I always liked that system where "release day" was a big thing, and for bands I really liked, I'd know that date. It'd be on my calendar, and I'd go to the record store that day. Sitting down and listening to the record for the first time was a real event. I wish it was still that way, but that's not the way the world works any more.
I think of my father growing up in South Jersey, the son of second-generation German immigrant glassblowers. The opportunities for him of feeling that aspiration, that yearning, get out of the small town, connect to a larger world, get yourself to New York, wanting to play the piano at every opportunity, bonding with people who were on a similar path, ending up in Provincetown, which was kind of nexus for nonconformity, and artistic dropout reality.
The weed crushed and pressed by the heavy rock may slowly and gently grow up anew helped by the fresh air, sunshine, and sympathetic rain. On the other hand, the rock is often broken through exposure to nature and weathering. Life is a strong power to grow in tenderness; this fact may be considered as having a close relation with human life. At the same time tenderness has sometimes stronger power against stiffness or hardening due to extreme strain.
What a waste of an education Rick Santorum is! ... Let's just pray that none of his home-schooled kids grow up to be an airline pilot, okay? That's all I'm asking. Please dear God, do not let any of these home-schooled kids grow up to be a surgeon, an airline pilot, or a nurse. Or somebody that's in charge of my trans-vaginal mandatory ultrasound. Seriously, no science-y things for them, you know, just religion, let them be all preachers or something.
People grow up learning to be silent about their sexuality, so where are they going to learn to talk about it when they are in a relationship? Shame, guilt, ignorance, reservation, prudishness, all kinds of different cultural systems and social stereotypes shroud sexuality in secrecy and in silence. And there's the romantic notion. "If I say in the beginning, that I am missing something, you are instantly going to think that means you are not enough."
One of my best friends growing up was gay. ... It’s never been an issue for me. ... I think there was a time in my life, probably in college, that I wished every guy was gay, because it just meant more women for me! ‘I don’t know why you guys have a problem with this thing! I think it’d be great! I wish everyone was gay!’ ... That’s always the way I thought about it. ... I have no issue with it. If I have to suffer through marriage, why shouldn’t they?
My Mom played violin and piano when she was growing up and she insisted, and I don't know if you can imagine how uncool it is to play the violin when you're eight and ten years old, but I told my Mom that I would quit every day until I went to high school and I met these other gentlemen who would become Yellowcard, and my friends, and I really fell in love with music and it wasn't just classical music, just submerged in the arts in the school I was in.
I realized I was growing up or something like that. You have responsibilities...you've got to think about getting your act together. I didn't even know what it had been doing to me. I didn't realize how dangerous it was. People talked in terms of drugs and I used to think in terms of...well in Ireland, everybody drinks. Nobody gives it a second thought. You're Irish number one and you're a drinker number two. That's the first two things about us Irish.
I went to a school where everyone was smarter than me. And I'm not blowin' smoke, I, my, I was surrounded by genius, genius kids. What's interesting about growing up in a culture like that is you go, "All right, I gotta figure out what my thing is. Because I'm not smarter than these kids. I'm not funnier than half of them, so I better figure out what it is I wanna do and work really hard at that because intellectually I'm treading water to, to be here."
There's a tree that grows in Brooklyn. Some people call it the Tree of Heaven. No matter where its seed falls, it makes a tree which struggles to reach the sky. It grows in boarded-up lots and out of neglected rubbish heaps. It grows up out of cellar gratings. It is the only tree that grows out of cement. It grows lushly . . . survives without sun, water, and seemingly without earth. It would be considered beautiful except that there are too many of it.
My dad is an engineer by trade but worked a lot with the people in the Indian film industry when I was growing up. He started out distributing films from India here in the '70s because there was no place to go for people to watch movies from the homeland. So he developed a network of actors, writers, directors, and musicians that became his friends and that he would tour around the country with, doing stage shows of the musical numbers from their films.
It's a little known fact, but parents are like superheroes. With just a few magic words they can make you feel ten feet tall and bulletproof, they can slay the dragons of doubt and worry, they can make your problems disappear. But of course they can only do this as long as you're a child. When you've become an adult, become the master of your own universe, they're not as powerful as they once were. Maybe that's why so many of us take our time growing up.
As you get older, your songwriting starts to become less and less about you, and especially when you have kids and a family. You start to see the world through other people's eyes a lot more to the point where it's hard to go back and relate to that "me against the world" perspective that I think a lot of my earlier songs were about. It's not so much about "me against the world," it's, how do you make the best possible future for your kids to grow up in?
It's really the story of a young woman, or two women, growing up in Naples in a poor neighborhood. The way that they get out of it - or don't get out of it - that's part of it. But it's also the story of the mid-20th century in Italy so it's really like a social, historical and personal novel. I think that even though I didn't live in Italy in those years, it did cover that same type of generational upbringing that someone like me might've had in America.
I did a lot of growing up in 2011. Going out on tour was like being thrown into the deep end of the pool, and I was not prepared for what pro life is like. I was still in high school and had a hard time finding balance. But I got some advice from Jack Nicklaus at the end of the year, and he put a lot of things in perspective. He told me that balance is the most important thing in life - and when I start mastering that is when I'm going to be the happiest.
Some parents were awful back then and are awful still. The process of raising you didn't turn them into grown-ups. Parents who were clearly imperfect can be helpful to you. As you were trying to grow up despite their fumbling efforts, you had to develop skills and tolerances other kids missed out on. Some of the strongest people I know grew up taking care of inept, invalid, or psychotic parents--but they know the parents weren't normal, healthy, or whole.
A lot of the problems of parenthood are universal. Yes, it's harder being younger and growing up yourself, but all those anxieties and problems are going to be faced by anyone at any age. When people hear about teenage parents and teenage pregnancy, they attribute a lot of personality traits to those individuals, which is just such a bizarre thing when you really think about it. Like, how does age and circumstance equate to some kind of personality trait?
I was a tomboy growing up and then fell into the world of theatre and musical theatre. A girlfriend introduced me to yoga in college and I was hooked. I didn't really know anything about it except that it was the highlight of my week. I ended up graduating from the University of Virginia and moving to Los Angeles where I could continue acting and do a yoga teacher training. I went from practicing once or twice a week to several hours everyday. I loved it.
I didn't really know much about the Houdinis when I started. As soon as they sent me the script, I wanted to find out everything I could about Bess. Luckily, I have a really wonderful friend named Michael Mitnick, who's a writer. He was a magician as a child, and that led him to the theater, which led to drama school, and he writes films now. Magic was really his thing, growing up, so he put me in touch with his magic teacher who is a real Houdini expert.
We were young. We were 23. I was a kid, growing up, that would burn and fry. I didn't understand why. We did all this study and research and learned so much about skin cells and rejuvenation and how the body works and (how) everybody is different. (We) learned what doctors do for treatment of certain things and so I changed my direction and opened up a skin-care company - healthy tanning, skin-care products and rejuvenation and all of that and it took off.
Growing up I couldn't always get involved with the activities with all the other kids because if I overworked my body it would trigger my pain. There were definitely times growing up, where other kids wanted to challenge me; they wanted to see if they could push my buttons and see if I could fight or what have you. Taking my kindness for weakness or taking my quietness and laid-back style for weakness. I've been dealing with that for basically all my life.
I used to believe, although I don't now, that growing and growing up are analogous, that both are inevitable and uncontrollable processes. Now it seems to me that growing up is governed by the will, that one can choose to become an adult, but only at given moments. These moments come along fairly infrequently -during crises in relationships, for example, or when one has been given the chance to start afresh somewhere- and one can ignore them or seize them.
I think growing up, we always try to make sense of who we are, what we go through, and I grew up in a very religious household. I interpreted what was wrong with me through religious language and I concluded, probably because of a combination of forces around me, that there was something in me that God didn't like or was unhappy with. Since these problems were in large part congenital, that meant that I was doomed from the beginning. I didn't have a chance.
Growing up in Northern Ontario provided me with a strong affinity for the natural environment that was so eloquently responded to by Tom Thomson and his colleagues. The concept of this painting grew out of a number of forays into Algonquin over the years. From its conception I intended Algonquin to be a subtle tribute to Tom Thomson. But I also wanted it to be a response to the natural beauty that so typifies the grandeur of Ontario’s first provincial park.
People in places many of us never heard of, whose names we can't pronounce or even spell, are speaking up for themselves. They speak in languages we once classified as exotic but whose mastery is now essential for our diplomats and businessmen. But what they say is very much the same the world over. They want a decent standard of living. They want human dignity and a voice in their own futures. They want their children to grow up strong and healthy and free.
Don't take anything personally. Even when a situation seems so personal, even if others insult you directly, it has nothing to do with you. Their point of view and opinion come from all the programming they received growing up. When you take things personally, you feel offended and your reaction is to defend your beliefs and create conflict. You make something big out of something so little because you have the need to be right and make everybody else wrong.
When I was growing up in rural Alabama, as a young child, about 50 miles from Montgomery, and we would visit the little town of Troy, or visit Montgomery or Tuskegee, I would see the signs that said, "WHITE MEN - COLORED MEN," "WHITE WOMEN - COLORED WOMEN."And I would come home and say to my mother and father and my grandparents, "Why?" "Why this?" "Why that?" And they would just tell me, "That's just the way it is! Don't get in the way. Don't cause trouble."
If we are to reach real peace in this world and if we are to carry on a real war against war, we shall have to begin with children; and if they will grow up in their natural innocence, we won't have to struggle; we won't have to pass fruitless idle resolutions, but we shall go from love to love and peace to peace, until at last all the corners of the world are covered with that peace and love for which consciously or unconsciously the whole world is hungering.
Growing up, I was constantly reminded to not to air our family's dirty laundry. Part of why domestic violence is allowed to continue is because there is often an unwritten rule in many families of abuse: Don't ask. Don't tell. Keeping quiet does no good. I found that sharing my story liberated me from my past. There is power in storytelling and, in that, healing. Owning my truth also empowered me. I will no longer be manipulated or controlled by guilt or shame.
We cannot forget that we live and have been living for many years in the midst of an empire. We cannot forget that the different provinces of India are gradually coming closer to one another and a new nationality which comprises not only the different provinces but the whole of India is growing up in our midst and we cannot forget that our interests, even our selfish interests, our hopes, our ambitions are indissolubly connected with the interest of the empire.
God forbid I should bleed to death, eh? Then you'd have to cart around my rotting corpse. (Kyrian) Could you be any more morbid? Jeez, who was your idol growing up? Boris Karloff? (Amanda) Hannibal, actually. (Kyrian) You're trying to scare me, aren't you? Well, it won't work. I grew up in a house with an angry poltergeist and two sisters who used to conjure demons just to fight them. Buster, I've seen it all and your gallows humor isn't working on me. (Amanda)
Growing up in a place that has winter, you learn to avoid self-pity. Winter is not a personal experience, everybody else is just as cold as you, so you shouldn't complain about it too much. You learn this as a kid, coming home crying from the cold, and Mother looks down and says, 'It's only a little frostbite. You're okay.' And thus you learn to be okay. What's done is done. Get over it. Drink your coffee. It's not the best you'll ever get but it's good enough.
With me, growing up in a theater family and having them be so supportive, from the jump, and being a part of this theater community where the brass ring is working, wherever that is, and then to play a character where he's not really concerned with that and is really just concerned with the monetary aspect of the job, and then to be identified with someone who is the antithesis of your energy and where you come from, has been a very interesting and surreal ride.
I've always liked monster movies and I've always been fascinated by - again, growing up in a culture where death was looked upon as a dark subject and living so close to Mexico where you see the Day of the Dead with the skeletons and it's all humor and music and dancing and a celebration of life in a way. That always felt more of a positive approach to things. I think I always responded to that more than this dark, unspoken cloud in the environment I grew up in.
When I got my start, I kind of got my big break with The Princess Diaries and during the press rounds for that everyone asked me: "Did you always want to be a princess growing up?" And the truth was, no I wanted to be Catwoman. And I think a lot of women feel that way. And the fact that I am actually her is such a dream come true. It's such a pinch me moment. And the fact that I am Catwoman in Chris Nolan's Gotham to Christian Bale's Batman is unbelievably cool.
I was never really certain why he scared the bejesus out of me. Nothing scared me growing up. I’ve been playing with dead people since the day I was born, so it’s good thing, yet the Big Bad scared me. Which brings me to the reason I called.” “Which was to give me nightmares for the rest of my life?” “Oh, no, that’s just a plus. Why was I so scared of him?” “Hon, for one thing he was this powerful, massive, black smokelike being.” “So, you’re saying I’m a racist?
That's always been like a fascination to me - watching my family, three sisters and a brother and all growing up basically in the same situation and each one being so totally different and going on to completely different areas and directions. But for me to go into psychoanalysis really steadily, would be putting too much energy into trying to figure out why I am the way I am... Basically this is how I am and it's alright and I don't want to know why I'm this way.