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I didn't grow up in a creative environment. It was very boring town, boring everything. You go to school and you basically hate all the other kids because you don't understand them or what it's all about. At the same time I'm happy for that because I became very withdrawn and when you become withdrawn you develop your own bizarre-o personality.
A lot of love records or breakup records, a lot of the songs can tend to be on the blame side and the bitter side. And this was good for me, writing, because it made me feel like I was forcing myself to be more mature and grow up a little bit. It's not putting the blame on anybody, it's accepting responsibility just as much as the other person.
My parents didn't have a lot of money when I was growing up. We were comfortable, but I didn't go to Oxbridge, and yet every American interviewer I get says to me, 'You're related to Charles II! Your grandfather was a baronet!' And it's infuriating, because that is a part of my history, but you're trying to turn me into a posh boy, and I'm not.
My parents are amazing. When I said I wanted to go into film, they didn't understand it, but they were incredibly supportive. But growing up, I absolutely did have that feeling of, "Wow, somebody just gave me up." That was infused in The Secret Life of Bees too - the protagonist wanting unconditional love from her dead but much-imagined mother.
Right now, women's worth is being quantified by how they look and their Instagrams and likes. That's all so self-created, so why are we trying to add to that? It's hard enough to be a young woman, or man, growing up and trying to find your identity, rather than having a whole Internet of people weighing in on it. It makes me sad for those kids.
But Stacie Orrico was my childhood hero. I was about 12 when I found her music. She is a contemporary Christian artist, and I can honestly tell you that I don't think I'd have a soulful voice if I didn't listen to Stacie. I wanted to sound just like her growing up, and to this day I STILL think I sound a little bit like her. But she is AMAZING!
My childhood, I wouldn't say it was bad. It helped me grow up. I stayed out of trouble. My parents taught me what's wrong and right, and knowing that I had a little brother following me, I had to make sure I was doing the right thing so he knows what's right, too. I was in the house nine days out of 10. There wasn't nothing good outside for me.
I guess...on one hand, I spent way too much time watching science fiction and reading science fiction when I was growing up. But a part of it is I also never felt much of a connection to the world in which I lived while I was growing up, and so, oddly enough, I think I felt a lot more connected to the worlds that I read about in science fiction.
I maintain, despite the moment's evidence against the claim, that we are born and grow up with a fondness for each other, and we have genes for that. We can be talked out of it, for the genetic message is like a distant music, and some of us are hard-of-hearing. Societies are noisy affairs, drowning out the sound of ourselves and our connection.
Every woman deals with sexism most every day of their lives. Growing up, it's just in your day-to-day. There are all these preconceived notions of what it means to be a woman or a girl, and straying from those ideas of femininity is sort of shocking to people. I felt angered by that as a kid. I felt like that was unjust. Like that was not right.
I believe that the world will be a safer place if there is enough food to go around, that it will be a more stable place if children grow up with opportunities instead of frustrations. Furthermore, I can only assume that if the United States plays a role in helping to create prosperous societies, we will have friends to call on in times of need.
I just kind of had my own impressions growing up with Hoover as a heroic figure in the 40s - actually the 30s, 40s, and 50s and beyond - but this was all prior to the information age so we didn't know about Hoover except what was usually in the papers, and this was fun, because this was a chance to go into it [ during filming 'J. Edgar Hoover' ]
I wouldn't compare my sound on the mixtape to anything, but my influences are like - the minimal amount of hip-hop that I actually do know - because I didn't grow up listening to hip-hop like that. No one really put me on to hip-hop like that... My dad's from Jamaica and my mom is from Barbados, so that's really the stuff I grew up listening to.
Most people put their childhood away as if it was an old hat. They forget it as if it was a phone number that does not apply anymore. They think about their life as if it was a salami which they are eating slice by slice and then they become grown-ups, but what are they now? Only those who grow up and still remain children are real human beings.
I am an Episcopalian who takes the faith of my fathers seriously, and I would, I think, be disheartened if my own young children were to turn away from the church when they grow up. I am also a critic of Christianity, if by critic one means an observer who brings historical and literary judgment to bear on the texts and traditions of the church.
I grew up in a small town where you know everyone, .. I've been told all my life that I come from too small a town to compete with some of the guys that competed in a higher level growing up. And that kind of drove me through college and drove me in the minor leagues, because I got to face all those big 5- A [school district] guys in the minors.
I think the single most important question is how do you maximize the number of children who grow up in stable two-parent households. We know in all kinds of ways it makes a huge difference to how kids come out and we are hardening into a caste society where some kids do better in all kinds of ways because they have two parents and others don't.
I wasn't exposed to art as I was growing up, and can't recall the first time I saw a work of art. However, I remember very clearly a vision I had of a little green reindeer when I was a child, and visions emanate from the same mythical area where painting resides. Whatever the reason, I immediately felt comfortable working with visual materials.
I'm expressing the feelings of mankind today through the Blue Dog. The dog is always having problems of the heart, of growing up, the problems of life. The dog looks at us and asks, 'Why am I here? What am I doing? Where am I going?' Those are the same questions we ask ourselves. People look at the paintings, and the paintings speak back to them.
The idea of legitimacy is something I suppose I deal with in my fiction, and in part it's probably a response to my upbringing. When I was growing up I was the middle child, pathologically shy, in a family with a very loud and opinionated older brother, and I felt as if I never had the right to speak. As a result, I simply didn't speak very much.
I was a swimmer growing up, which meant being in the pool at 5 a.m. You get used to it. You get up at 4:15 a.m.; my parents, who were amazing, they were up at 4:15 a.m. or earlier to drop me off at the pool and then go to work. I eventually stopped doing that, but the pattern remained. I like getting up really early. It feels like my time of day.
Growing up closes so many doors. The modern world doesn't allow for miracles, so we don't see them. It's a very precious gift, an open mind, but it's not passive. You've got to nurture it like a bed of roses; otherwise it will wither and die. Make sure you don't close off your mind to things you find strange. Sometimes they may be the only truth.
If you look at our theories of social pathology and then at the dismal conditions in which children grow up in our ghettos, you would predict that all of them would be on drugs or psychological basket cases. Yet if you use criteria like gainful employment, forming partnerships and life without crime, you will find that most of those kids make it.
That's where the outrage should be, not old news, but the fact that we are preparing for the transfer of power. and we have been working with President [Barack] Obama, hand in glove, and I think that they - including the president - should step up and get his people in line and tell them to grow up and accept the fact that they lost the election.
The days of television as we knew it growing up are over. You have a bigger, wider world audience on the Internet, larger than any American television series. People don't watch television in the same context as before. Nowadays they watch their television on the Internet at their convenience. That's the whole wave, and it's now - not the future.
Growing up, I didn't have television. My dad would make up stories and tell me stories, so my imagination ran wild. When I did see films, which was very few and far between, that was such an interesting medium that was so new to me. It wasn't something that was just part of my life, so it was really appealing and so different that I enjoyed that.
To create such people, such People's Representatives in Indonesia, would take decades, and they can only grow up in a fundamentally different political system, and in a totally new culture. What is now governing Indonesia is morally defunct, it is corrupt. What is ruling the country now is not even a culture or a political system: it is a disease.
I was a very determined kid. I couldn't imagine any other life for myself. This happens to kids who are different in any way. How am I going to make a life? Who am I going to be when I grow up? Will there be a place for me in the world? Acting gave me a sense of purpose, but it also gave me a sense that I would survive, that I would find my place.
I'm a Christian now. The things that drove me crazy growing up was how everyone works at fault-finding with different religions. The people I don't understand are atheists. I go surfing and snow boarding and I'm always around nature. I look at everything and think, 'Who couldn't believe there's a God? Is all this a mistake?' It just blows me away.
I love my job. It's such a privilege to be able to play such complicated characters. Growing up, I wanted to be a billion different things. I realized in order for that to happen, I don't have to be them all because the characters I want to play require such research and such a transformation to make that work - that's something that I love doing.
My problem with my parents growing up was not that I was afraid to cry in front of them - they always wanted me to cry because they wanted me to be okay, but it felt kind of icky and gross to cry in front of my parents. So my problem was the polar opposite - I didn't want to cry in front of them because I didn't want to give them the satisfaction.
For a while they wore suits or pants suits, and pants suits are kind of a women's appropriation of male costume, work costume. For me, it wasn't Western feminism or the Western workspace. It was my growing up in a house with a bunch of boys, so that male costuming just became my mode of appropriation way before, you know, Betty Friedan came along.
It's like you said the other day," said Adam. "You grow up readin' about pirates and cowboys and spacemen and stuff, and jus' when you think the world's full of amazin' things, they tell you it's really all dead whales and chopped-down forests and nucular waste hangin' about for millions of years. 'Snot worth growin' up for, if you ask my opinion.
In keeping with the theme of "I got my hands on," my brother and I would listen to The Diceman Cometh. That was the dirtiest thing we'd ever heard, and we could listen to that at full volume without fear of penalty, because my mom couldn't hear that either. I wasn't a huge comedy fan growing up, but I definitely listened to Andrew Dice Clay a lot.
Each and every child in this country is valuable because they are our future as a society. We cannot afford to lose a single child to ill-health, under-education, abuse, addiction, jail, or gun violence. America's highest goal should be for every child to grow up to be a successful young adult -- healthy, educated, free, secure, and a good citizen.
I used to be a huge fan of Heavy Metal magazine growing up, and I was exposed to Cobalt there and fell in love with the character and the world. I've tried to track it down and pursue it myself to make a movie out of it. Also I felt like the thing that's cool about Cobalt is it does have a culty kind of underground quality to it that I really like.
You just don't notice the time of your own metamorphosis. Until you do. Every once in a while time dissolves and you remember what you liked as a kid. You jump on your hotel bed, order dessert first, decide to put every piece of jewelry you own on your body and leave the house. Why? Because you can. Because you're the boss. Because... Ooooh. Shiny.
Growing up in the South, it was very patriarchal. When I applied to Stanford, I was told by a [male] college counselor, "You're never gonna get in, don't bother. They don't want you." I said, "I'm going to try." And I got in! But I wouldn't be the woman I am if I hadn't had that conflict to overcome. It has given me an underdog feeling all my life.
Growing up where I grew up, we looked to athletes. They were our first heroes. They came from the same places we came from. I mean, you can't watch TV and see someone who is successful that you can really relate to. That person isn't real; he doesn't exist. But athletes traveled the world, had these big houses and gave their families a better life.
'Sour Heart' is a collection of seven linked short stories narrated by young Chinese-American girls living in New York City in the '90s. It's exceptionally hard to describe what I've written without sounding delusional or boring, so I'll just say they are stories about growing up and the pleasures and agonies of having a family, a body, and a home.
The cause of the attack was not American foreign policy but an amoral disregard for human life.It is grotesque to suggest that a four-year-old girl, making her first and only flight in an aeroplane, should somehow bear responsibility for the actions of a government for whom she was never allowed the chance to grow up and vote either for or against.
A word about blue jeans, which, when I was growing up, were called dungarees, one of the more unfortunate marketing ideas of our time: Starting as a work garment for miners, the ubiquitous blue jeans became a staple of the counterculture starting when Brando wore them in 'On the Waterfront' and remained so through the anti-war protests of the '70s.
There was certainly nothing really sexual about my youth growing up, simply because the fact remains if you're the fat kid in a school and I was the only fat black kid in the school - in fact, I was the only black kid in the school - but if you are kind of ostracized on many different levels in your school the last thing you're worried about is sex.
I wanted to give five solid years of being there all the time (with Sean). I hadn't seen my first son Julian grow up, and now there's a 17-year-old man on the phone talking about motorbikes. No matter what artistic gains I get, or gold records, if I can't make a success out of my relationship with the people I love, then everything else is bullsh*t.
I used to stand in front of the mirror in my bedroom. I shared a bedroom - like a lot of people in my era, in my neighborhood - with my two brothers and an uncle. And I'd stand there in front of the mirror over the dresser and I would practice: meek young men grow up in libraries, believing it their duty to accept the views of Cicero, Bacon and Baba.
I think you grow up on every shoot you do. You do grow up because you're away from home, you're not with all of your friends constantly and in that environment you have to be grown up. You're working with adults and you're sort of expected to be older and that's how I like to put myself across. I don't want to come across as constantly messing about.
I think that every child grows up with the ideas that what we our given, is our society. Your education, and your mother and father, they tell you this is how it is, but then you hit adolescence and you think, 'Is it? Why? Why is it like that?' Sometimes that questioning leads to something more. Sometimes it doesn't, and we just continue these cycles.
The promise of learning is a delusion.... Tomorrow would alter the sense of what had already been learned, that the learning process is extended in this way, so that from this standpoint none of us ever graduates from college, for time is an emulsion, and probably thinking not to grow up is the brightest kind of maturity for us, right now at any rate.
I've tried, at every step in life, to find a lesson. And accepting criticism with the same grace that you do the applause is something every young athlete needs to learn. ... I think it served me well to learn how to handle everything that came with the game's ups and downs. Some people call it growing another layer of skin. I just call it growing up.
I want to be the best role model I can be for my family. I want my husband and I to be the ones our kids look to for guidance, to be the great role models that I had with my parents growing up, so for as hard as we work, I want our kids to see us having fun. I want our kids to know that we have to feel our bodies. And nutrition is a huge part of that.