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I could have easily been a statistic. Growing up in Brooklyn, N.Y., it was easy - a little too easy - to get into trouble. Surrounded by poor schools, lack of resources, high unemployment rates, poverty, gangs and more, I watched as many of my peers fell victim to a vicious cycle of diminished opportunities and imprisonment.
Most kids who grow up in Alaska and spend a fair degree of time in the wilderness, grow up being pretty self-reliant. You have to be, in order to survive all the animals and cliffs and crevasses and rapids - at some point, your brain has to kick [out of] that childish daydream world and start making I-want-to-live decisions.
I have never been political, which for a straight white man that's kind of a byproduct of privilege growing up that I was kind of like, "Who cares who the president is, everything is coming up privilege." But now things are so scary and crazy and I have to say I'm not a fan of Trump at all. I don't agree with him in any way.
My favorite actor was, is, Michael Keaton. Certainly growing up, in the movie 'Night Shift' he did something brand new that I hadn't seen before that we all steal from now. And then it was in 1987 he did the movie 'Clean and Sober' and 'Beetlejuice' in the same year, and that was when I said, 'Wow, that's what I want to do.'
I used to work at this store called Music Plus in San Clemente, California, when I was growing up, and then they became Blockbuster Music, and, like, you had to get a haircut to work there, and at the time I had some pretty long hair. So after that policy was imposed, I knew that was going to be my last summer working there.
Growing up as a kid, I wanted to be a ninja. In martial arts, even though I did Chinese kung fu, I always wanted to be this secret samurai or a ninja. There's something about ninjas that was very appealing to me as a kid. So of course, I was climbing a lot of trees and other things and getting up to mischief - good mischief.
For me, growing up in a ridiculously poor family living in dead-end neighborhoods, Superman was a deeply personal icon, one that said you can do anything if you put your mind to it. What he stood for formed the core of who I wanted to be as I grew up, and informed how I view the world and my responsibilities to other people.
If you expect to be successful and you expect to raise a family while having a career then you will strive for that; if you strive for it then hopefully you will achieve it. So I think for my own daughter, she's going to grow up with a working mom. One that has had to make some painful choices and face some painful realities.
Part of growing up is learning your strengths and weaknesses. What better way to figure out that hand-eye coordination ain't your thing than by getting drilled in the mouth by a red, rubber ball? You only gotta get beaned in the face so many times before you figure out, 'I better hit the books because this is not working out.
Childhood in large parts of modern Britain, at any rate, has been replaced by premature adulthood, or rather adolescence. Children grow up very fast but not very far. That is why it is possible for 14 year olds now to establish friendships with 26 year olds - because they know by the age of 14 all they are ever going to know.
You know when you're thinking about what you want to be when you grow up, or how you want your life to pan out. I couldn't imagine anything better than living in a hotel so you'd never have to worry about washing up, making the bed, anything like that, and having a servant to come in and play all your favourite TV programmes.
Growing up on a farm taught me a reverence for all forms of life. We were a large and poor farm family, so that meant that we had to kill and eat our animal friends. When you do that you are aware of the sacrifice that someone is making so that you may live. My mother always made sure we were thankful for those precious gifts.
That’s just the kind of thing that kids do to each other. It’s no big deal. There’s always going to be a person laughing and somebody getting laughed at. It happens every day, in every school, in every town in America—probably in the world, for all I know. The whole point of growing up is learning to stay on the laughing side.
My best friend growing up really put the bug in my ear about acting. We created this one hour-and-a-half improv play when we were 10 or 11 and performed it at the library. We just played off each other so well and had the best time doing it and the funniest part was, we wound up having packed houses, other people loved it too.
What i'm trying to tell you," Min said, "is that im going to grow up to be one of those chubby old ladies. It's in my genes. Like self raising flour. i'm going to pouf." "thats going to work out well for me," Cal said. "because i'm going to grow up to be one of those horny old men who chases chubby old ladies around the couch.
I'm more honest in my lyrics than I am in anything else. It's where I feel the most safe to express myself. I write about growing up, my family, Maddie and getting pregnant. If I've lived it, why wouldn't I talk about it? I guess that's been the coolest thing - realizing that it's OK to just be myself and really tell my story.
Growing up, my sisters and I would always talk stories. One of my frustrations was I didn't know anything about cameras. I didn't know how to make a film and I obviously didn't have a special effects budget. I was a kid. So I was learning to draw to get down the stuff that was in my head, that I couldn't afford to actually do.
I was born in 1958, the same year NASA was established, which I like to think of as not a coincidence. I was 11 when they landed on the moon, Apollo Eleven. And, of course, everybody in the whole world was watching that. But I can tell you, at that time, nobody ever asked a girl, 'Is that something you want to grow up and do?'
There is no virtue in being uncritical; nor is it a habit to which the young are given. But criticism is only the burying beetle that gets rid of what is dead, and, since the world lives by creative and constructive forces, and not by negation and destruction, it is better to grow up in the company of prophets than of critics.
Much protective self-criticism stems from growing up around people who wouldn't or couldn't love you, and it's likely they still can't or won't. In general, however, the more you let go of the tedious delusion of your own unattractiveness, the easier it will be for others to connect with you, and the more accepted you'll feel.
When I was growing up, there were no women in orchestras. Auditioners thought they could tell the difference between a woman playing and a man. Some intelligent person devised a simple solution: Drop a curtain between the auditioners and the people trying out. And, lo and behold, women began to get jobs in symphony orchestras.
I love anything by Joan Didion. Incidentally, she was one of the local moms when I was growing up in Point Dume. She always reminded me a little bit of my mother, so I feel a great affinity. I love the precision of Didion's writing. There's a construction and a craftsmanship to her sentences that's imbued with so much emotion.
But I do think the idea that basic cooking skills are a virtue, that the ability to feed yourself and a few others with proficiency should be taught to every young man and woman as a fundamental skill, should become as vital to growing up as learning to wipe one’s own ass, cross the street by oneself, or be trusted with money.
I always wanted to be a zookeeper when I was growing up, and I've wound up a zookeeper! I've been working with the Los Angeles Zoo for 45 years! I'm the luckiest old broad on two feet because my life is divided absolutely in half - half animals and half show business. You can't ask for better than two things you love the most.
I can't stop watching 'Pan Am.' When I was growing up, my father worked as an engineer in Turkey, and we always flew Pan Am. The stewardesses were so glamorous! When they gave me a set of those golden wings, I felt very grown-up. Not only is the show's plot full of mystery and infidelity, they get the period details just right.
I had parents who were working actors, who did really well in their careers, but it was a living. So it was a reality for me growing up; it wasn't a fantasy. It wasn't sitting there going, "I want to be adored." It wasn't that at all. Not to say that the screams of fans aren't a smile-raiser, but that was never the pull for me.
Children learn about the nature of the world from their family. They learn about power and about justice, about peace and about compassion within the family. Whether we oppress or liberate our children in our relationships with them will determine whether they grow up to oppress and be oppressed or to liberate and be liberated.
Growing up in New York, I was sort of shocked when I realized that my children are Californians. They are 14 years old, and I explain to them frequently that they will never realize the glory of a snow day. You wake up and the world says, 'Oops, it's too much fun to go to school, you've got to stay home and deal with the snow!'
In fact when you combine stem cell technology with the technology known as tissue engineering you can actually grow up entire organs, so as you suggest that sometime in the future you get in an auto accident and lose your kidney, we'd simply take a few skin cells and grow you up a new kidney. In fact this has already been done.
As evolutionary time is measured, we have only just turned up and have hardly had time to catch breath, still marveling at our thumbs, still learning to use the brand-new gift of language. Being so young, we can be excused all sorts of folly and can permit ourselves the hope that someday, as a species, we will begin to grow up.
The biggest thing for me is the passion that I've always had for hockey. I remember growing up, no matter what I did in life, my parents always told me to try to do my best at it and be my best. I can say going through different things that that passion is the most important part. It's not skills or talent or any of that stuff.
Intelligent, heartfelt stories that tell a whole new set of truths about growing up American. Julie Orringer writes with virtuosity and depth about the fears, cruelties, and humiliations of childhood, but then does that rarest, and more difficult, thing: writes equally beautifully about the moments of victory and transcendence.
You have to think, when I was growing up Internet was a thing but no one had it. We didn't have it at the house, so music was not accessible at your fingertips. Whatever you had in your CD player was what you had, and a CD was $15.99 and if you weren't 18 years old, it couldn't have any cuss words on it. Now it is so accessible.
I don't think discovery of a new planet has a huge meaning for children now, but what it means is the world they're growing up in is very different from children of previous generations. We had Star Trek, Star Wars and Futurama - and we still do - but for children today, they will grow up in a world where other stars were known.
A house without books is like a room without windows. No man has a right to bring up his children without surrounding them with books, if he has the means to buy them. It is a wrong to his family. He cheats them! Children learn to read by being in the presence of books. The love of knowledge comes with reading and grows upon it.
Whole communities are growing up without fathers or male role models. Bringing up a family in the best of circumstances is not easy. To try to do it by placing the entire burden on women - 91% of single-parent families in Britain are headed by the mother, according to census data - is practically absurd and morally indefensible.
Especially for me, growing up in such a small town in the middle of nowhere, the desire to be away was incredible. I wanted to see new lands, meet new people from the city, and meet people that were in much less fortunate situations than I was, so that I could be more appreciative of my present. At least I had food on the table.
I don't believe professional athletes should be role models. I believe parents should be role models.... It's not like it was when I was growing up. My mom and my grandmother told me how it was going to be. If I didn't like it, they said, Don't let the door hit you in the ass on your way out. Parents have to take better control.
For me, growing up in New York, it started with Elvis Costello and the Clash and then got into louder things like Bad Brains and Stimulators, because those were, like, the local bands. Then I started getting into bands from England like the Slits. I remember seeing Gang of Four at Irving Plaza; that was a really big show for me.
I definitely get my artistry and my vocal talent from my mother and mother's side. She sang in a jazz trio band so growing up my dad would always take me to see her play and she has a beautiful voice. When I was little and started to sing, she supported me and let that fire burn. She always knew what it took as a support system.
When I encountered rich people for the first time, I discovered that not only do they holiday in places that are hard to find on a map, but that they also use the names of seasons as verbs. When they asked me, 'Where did you summer and winter growing up?' I would usually say, 'As a child? The same place I springed and autumned.'
I had never walked on the street alone when I was growing up in Calcutta, up to age 20. I had never handled money. You know, there was always a couple of bodyguards behind me, who took care if I wanted... I needed pencils for school, I needed a notebook, they were the ones who were taking out the money. I was constantly guarded.
Music really influenced me when I was growing up. I did go through a Jimi Hendrix phase. My hair was naturally quite afro, and I wore low-slung jeans with very high heels. Siouxsie and the Banshees had a lot to answer for. I was in a top hat with peacock feathers and thigh-high black boots. I was 17 -- old enough to know better.
I want the marginality to come into the center. This is the thing I was conscious of growing up, when I later lived in England. I saw all these war movies that came out shortly after the war, and they were all about the war being fought by Englishmen or Americans, there were no other "allies" in it - from India or Australia, etc.
I remember at 16 years old, growing up in Queens, we were punks, but hey, when we went to the theater, we wore a shirt and tie! Similarly, I believe that to keep movie theaters in existence, they're gonna have to make 'em an event, have a couch, a table and drinks or something. Otherwise, there's no reason to get out of your bed!
I have a basic theorem as to how I do my jokes. Growing up, I knew when to cross the line and when not to cross the line. It's the same with my comedy. I know what my audience will take and how much they won't take. I can't give you a formula for it. It's my own personal formula inside my head. Somebody else's might be different.
I started a modeling agency and I had it for about five and a half years and it was the same time I was actually working with the WWE and doing SmackDown. It was really the same principles; because me growing up I didn't have the support, I wasn't told, yes you can do that; you can do anything you want if you put your mind to it.
I was a huge theater geek growing up, and that was not the easiest thing in the world, especially growing up in Chicago, where sports are really the norm. I was always off to the theater at night, from 7 years old on. Friends there in the Midwest who could talk to you about the idiosyncrasies of 'Pippin' were few and far between.
It was a great place to grow up. There were always kids around in our neighborhood. We had a basketball hoop in the back of our house, a little front yard where you could get touch football games going. I know you think of it as a big city, but it was fun for me to grow up in New Orleans. I remember it as a very normal childhood.
We tend to think of our idols as kind of superheroes; maybe less so today, given that people have a tendency to overshare on social media, but when I was growing up, all you knew about these people was what they allowed you to see - which was them doing superhuman things, up on stage in an arena with all these people going crazy.