Quotes of All Topics . Occasions . Authors
That culture, of looking at catchy music as a negative thing, is weird. It has nothing to do with me, or the music I was into growing up. The Stones and the Beatles only tried to write hits. Every Motown song, every Credence Clearwater song - they were trying to write hits.
My father, George, has also affected the choices in my life regarding films. I like films that take chances or say something different or experiment. Growing up with him, I was surrounded by different artists - not just actors or film-makers but cartoonists, poets, writers.
I'm a big kid. I never lost my childlike appreciation of things. Too many people lock it out and throw their toys away and say, okay, I'm gonna grow up and be grumpy and miserable and not think about the magical side of things anymore -- and I can't seem to stop doing that.
I think my dad was happy. I phrase it like this because he seldom showed much emotion. Hugs and kisses wwere a rarity for me growing up, and when they did happen, they often struck me as lifeless, something he did because he felt he was supposed to, not because he wanted to.
My whole life growing up, both my parents told me not to swear like a sailor. After college, I recall there was finally a time where I swore, and neither one of them was correcting me, and I felt so relieved. I thought, finally; I can finally be myself and not get yelled at.
But always and sometimes questioning the old modes And the new wondering, the poem, growing up through the floor, Standing tall in tubers, invading and smashing the ritual Parlor, demands to be met on its own terms now, Now that the preliminary negotiations are at last over.
Growing up watching WWE, they used to have bra-and-panties matches or pillow fights, and that's why my mom didn't want me to watch wrestling. But when my parents divorced, I was able to watch wrestling again, and that's when I started to really get into wrestlers like Ivory.
[Bill Gates] wanted me to stay working at Microsoft, but I didn't think he could be CEO and we could have the family life that we both had growing up, which is what we envisioned. I knew I would go back to work at some point later to some profession. I just didn't know what.
While I didn't grow up in a family where there was domestic violence I knew of families in my neighbourhood where abuse was happening. I wanted to be part of the Women's Aid Real Man campaign to send out the message that real men don't abuse their partners or their children.
The only thing I'll say, and I'm sure everyone says this, is stick with it. I'm not shy about telling people about the fact that my dream was to go to USC film school when I was growing up in New Jersey. I got rejected five times. You just keep going, keep going, keep going.
That's why we sail. So our children can grow up and be proud of whom they are. We are healing our souls by reconnecting to our ancestors. As we voyage we are creating new stories within the tradition of the old stories, we are literally creating a new culture out of the old.
Growing up going to Christian school and the concept that you're born a sinner and you don't really have a choice to change who you are has been hammered into my head and created the entire reason why I made art and made a band and made records called 'Antichrist Superstar.'
I'm from the Midwest, and I loved my family. I had a very good time as a child, but I was also - I have a theory about Jews growing up in the Midwest, that there is an ultimately sort of wonderful avoidance of a lot of things, and a great acceptance of whatever is happening.
I'd like to hope you end up a miserable, lonely woman. But actually, I hope you have children one day, Ellie Haworth. Then you'll know how it feels to be vulnerable. And to have to fight, to be constantly vigilant, just to make sure your children get to grow up with a father.
Growing up in the fifties, having to wear a dog tag, having to take shelter in a bomb shelter. That turned me toward the road, I did not want to live in fear of that, I was gong to work somehow against what that vision was, and what that horror was. It was poetry, art, music.
When I was growing up, around 14, it wasn't really cool at the time to have a big butt. I would always cover it with sweaters, and I was so ashamed of it. Now I'm like, 'Why would I ever do that? That's awful!' Don't change yourself, and don't try to be anyone who you're not.
I really believe that you grow up a certain way in New York. There's a New York morality, a sense of loyalty. You know how to win and lose. There's a thousand kids outside, you know who to push and who not to push. There's a sixth sense you develop just because it's New York.
I know, when I was growing up, a lot of the views I was listening to, it was a worldview that was not helpful. The world even sold me a false idea of what the good life was, and I wish that people would have helped me to think better about how to interact with that worldview.
Ireland is becoming like everywhere else, but that's the one I grew up in: the one that's hugely illogical. Rather wonderful, in a way. I never found this oppression of religion and that, but I did enjoy growing up in a culture that didn't need to be rational all of the time.
For me, growing up at a young age in the limelight and on social media, I joined Twitter when I was 10 and I got my Instagram when I was 11, so when I joined Instagram, I did notice a lot of hate comments or people would just, like, nitpick at my appearance, just to be funny.
People know more about baseball players contracts than they do about the policies that govern the fate of our childrens lives in twenty years. Think about it. People used to say, the whole time I was growing up, Do you want to bring a child into this world? Thats pretty dire.
Some children like to make castles out of their rice pudding, or faces with raisins for eyes. It is forbidden -- so sternly that, when they grow up, they take a horrid revenge by dying meringues pale blue or baking birthday cakes in the form of horseshoes or lyres or whatnot.
I had a really traumatizing experience growing up. When I was, like, 10 or 11, I was vegan. I'm not anymore, but I was, and I went to this hot dog place because I heard they had a veggie dog. I took a bite, and literally - I kid you not - it was a carrot in a bun. Horrifying.
I think being born in America and growing up exclusively within the American boundaries of race and race oppression is a very different experience for those of us who grew up under the boundaries of race and race experience in the Caribbean or for those who grew up in Africa.
When I was growing up - say in the fifties - the thirties to me didn't even exist. I couldn't even imagine them in any kind of way, so I don't expect anyone growing up now is gonna even understand what the sixties were all about, anymore than I could the thirties or twenties.
I didn't grow up thinking I'd be a decorator. Design is my greatest passion, and it naturally just pulled me down the path. Same with TV. Being famous or having a show was never the motivation. I got a call and was swept up by the challenge of that first small space redesign.
Growing up as a child actress, there was much I got to do and yet so much that I missed out on. Therefore, when I had kids, I made it a point to make sure that they could do anything and everything that they dreamed of. A great education was definitely right at top of my list!
Old friends are the great blessings of one's later years. Half a word conveys one's meaning. They have a memory of the same events, have the same mode of thinking. I have young relations that may grow upon me, for my nature is affectionate, but can they grow To Be old friends?
I'm a pretty chill and easygoing person; most people in Australia are, as well. I don't think I ever really saw a lot of fights growing up. I think it's hard to get people in Australia angry and want to fight, minus one or two people in the media... but we won't say any names.
I failed, I think, seven [or] eight times before I finally got my first [championship]. It was just, you know, just about me growing up. Now that I'm an old, old veteran-age 29-I do things a lot differently. I don't go to the gentlemen's clubs anymore. I had to slow that down.
The only thing I can give to young gay people is that when I was growing up there were no role models that were blokey, that were men. Everybody was flamboyant and camp, and I remember going, 'That's not me, so even though I think I am gay, I don't think I fit into this world.
They're great memories, not just as a footballer but as a person growing up - it sounds daft, but to come away from Liverpool to play the first-team football I needed. It's a fantastic place, a huge football club and they helped me a lot. I'm grateful for coming through there.
I feel like the life I live is extraordinary in a lot of ways but that it also comes with a lot of responsibilities. I've had to grow up pretty fast and deal with situations most 22-year-olds aren't really put into. There are days and weeks and months when you just don't stop.
I didn't grow up as a religious person under any sort of system or anything like that, I just felt like I've always been sort of intrigued by that - how it can make people's lives better - I mean, it's a powerful thing. So I was interested in thinking about that kind of stuff.
What might be taken for a precocious genius is the genius of childhood. When the child grows up, it disappears without a trace. It may happen that this boy will become a real painter some day, or even a great painter. But then he will have to begin everything again, from zero.
I'm quite happy to leave it still feeling that way, leave it before it starts feeling like a job. ... I have such fond memories of watching 'Doctor Who' when I was a kid and growing up, that if I've left anybody anywhere with memories as fond, then I feel like I've done my job.
When I was growing up, I was as socially outcast as any nerd could possibly be. I was in the chess club, I brought D&D stuff to school, I had every game system you could imagine, I spent countless hours at arcades, computer camp, loud presence in the Latin Club. All that stuff.
I feel ashamed that so many of us cannot imagine a better way to do things than locking children up all day in cells instead of letting them grow up knowing their families, mingling with the world, assuming real obligations, striving to be independent and self-reliant and free.
Growing up biracial, I didn't have someone to look up to watching TV or movies. Halle Berry was the closest one who looked like me. I'm happy to see more biracial people on screen, and I'm happy to represent for the little girls who didn't have someone who looked like me on TV.
We marry to grow up, to escape our parents and to inherit our share of the world, not knowing who we are and who we will become, so it is left to marriage to make it clear which ones of us are growing in the same directions and which are ships meant to have passed in the night.
Everything I do is autobiographical in some way. 'Wayne's World' was me growing up in the suburbs of Toronto and listening to heavy metal, and 'Austin Powers' was every bit of British culture that my father, who passed away in 1991, had forced me to watch and taught me to love.
A part of that [timewrap] for me was growing up in a culture that violence had always been a part of. It wasn't an aberration, though I realize that in retrospect. I grew up in the part of the U.S. where all of Cormac McCarthy's novels are set and that's a pretty violent place.
The reason we grow up to be healthy adults is because our parents played this game of giving us responsibility, disciplining us when necessary, letting us try, letting us fail. No matter what we know they are there to support us and see us do well. Leaders are exactly the same.
... God allows the wheat and the tares to grow up together, andthe tares frequently get the start of the wheat and kill it out. The only difference between the wheat and human beings is that the latter have intellect and ought to combine and pull out the tares, root and branch.
I didn't grow up imagining myself as an opera composer. Only once in my entire adolescence did I attend an opera. I went and saw Aida at the old Met, didn't understand a thing about it, and thought it was pretty awful. But I think I had it in my genes without even realising it.
Growing up, my grandmother did not want worldly music in the house. Then when I went out to California, I started listening to Spanish music, mostly Mexican music. But were I in Egypt, I would listen to the music of the people, or if I was in Italy, I'd listen to Italian music.
My father, who was illiterate, smoothed iron for Ford Dagenham and we'd get up at 5;30 A.M. to give him a jump-start. My mother was a nurse and part of the Windrush generation. Growing up in east London, we were financially poor, but rich in hope and dignity, and we were happy.
When I was growing up in Terrell, Texas, I felt that it was not where I was supposed to be. I knew that I was meant for a different destination. I think that the minute I was born, there was something inside telling me where I would go, it's like energy - an intangible destiny.
When everyone at school is speaking one language, and a lot of your classmates' parents also speak it, and you go home and see that your community is different -there is a sense of shame attached to that. It really takes growing up to treasure the specialness of being different.
When I was a child growing up in Maine, one of my favorite things to do was to look for sand dollars on the seashores of Maine, because my parents told me it would bring me luck. But you know, these shells, they're hard to find. They're covered in sand. They're difficult to see.