Quotes of All Topics . Occasions . Authors
It is a different world than when I was growing up, and you started to just kind of maintain at thirty-five and just hope you can hope it together. People are a lot more vital than I am and doing all kinds of things and leading really important movements.
When I was growing up, I kept hoping that I wasn't really gay because I wanted to have children. I went through a long, tortured period, so the fact that I have been able to be true to myself and have a family has been the nicest surprise of my adulthood.
Growing up, Catholic church really was such an incubator for my imagination, because all of those mysteries felt embedded in this insanely green, tropical landscape: the ocean nearby, the giant banyan trees. It all felt part of one seamless mystery to me.
As a kid growing up in Latrobe, PA, I could dream about being an Olympian like Jesse Owens or Johnny Weissmuller. I could also dream about being a great golfer like Bobby Jones or Byron Nelson. But the idea of being an Olympic golfer never occurred to me.
When I was younger, I could remember anything, whether it had happened or not; but my faculties are decaying now and soon I shall be so I cannot remember any but the things that never happened. It is sad to go to pieces like this but we all have to do it.
Kids are a great analogy. You want your kids to grow up, and you don't want your kids to grow up. You want your kids to become independent of you, but it's also a parent's worst nightmare: That they won't need you. It's like the real tragedy of parenting.
In Canada you grow up - we're next to the United States. We're watching whatever you're watching. We're following your news. It's obvious that we are inundated with American cultural information and political information. Whereas the opposite is not true.
Growing up, my parents made a lot of sacrifices for my brother and I to go to private school and to attend some of the football camps. They got through some hard times, but it was for me, and that's what I've learned from them. I'm very grateful for that.
Why can't you fly now, mother?" "Because I am grown up, dearest. When people grow up they forget the way." "Why do they forget the way?" "Because they are no longer gay and innocent and heartless. It is only the gay and innocent and heartless who can fly.
I think I've always been aware of it with my music. I think growing up basically and having a lot to deal with and just slowing down and having something to say and something to retract from, I think I just knew that what I was doing was extremely honest.
I think I learned the most from Eminem because I spent the most time with him in the studio. Going to L.A. with Dre was a learning experience, just seeing how the dude works and being up-close and personal with a dude whose music I appreciated growing up.
Little kids grow up discovering the world that's shown to them and then when you become a teenager, it kind of shrinks a little bit. I think when you get past that point, one of the important things is that you see there is more to the world than yourself.
For example, parents who talk a lot to their children have kids with better language skills, parents who spank have children who grow up to be violent, parents who are neither too authoritarian or too lenient have children who are well-adjusted, and so on.
I think I've always been drawn to the second person. When I was growing up and playing with my friends, the usual way we interacted with imaginary worlds was as characters: a bench was 'your' boat, leaves on a lawn were the fins of sharks out to get 'you.'
Well, I didn't really grow up playing or listening to metal, like many of the kids I went to school with. I only got into it in my late teens, so when Marilyn Manson formed, it was at a time when I was still excited about approaching music from that angle.
I don't believe that the American dream should be reserved for those who are born into the elite or somehow have been given an advantage over others. My growing-up experience is probably the most important thing that guides my priorities and my work today.
Growing up, I realized as an actor I had to figure out how to use my platform in order to give back as well and use that spotlight to shine, or at least to balance that light and to try to shine light onto the other issues that were happening in the world.
We live in a world of entertainment in full color with a lot of fast action, a world in which many children grow up thinking that if it isn't fun, it is boring and not worthwhile. Even in family activities we need to strike a balance between play and work.
I think to be - for me to be an American is - you know, it's one of the greatest things in the world for - you know, for me just because I've been able to grow up with everything. The freedom. You know, in my eyes this is the greatest country in the world.
My mother told me two things constantly. One was to be a lady, and the other was to be independent. The study of law was unusual for women of my generation. For most girls growing up in the '40s, the most important degree was not your B.A., but your M.R.S.
When I was growing up, I wanted to be a house painter like my father, but I was always screwing up when I went to work with him. I had a talent for knocking over paint and painting myself into corners. I also realized fairly quickly that painting bored me.
It's not easy to remember, but IBM was the computer industry when I was growing up. You loved 'em. You hated 'em. You knew what they were doing. They had set a standard for mainframes. They also set a standard for great sales focus and heavy product R & D.
Feeling earthquakes was part of growing up, and also preparing for them: doing earthquake drills, or having earthquake supplies. The looming feeling was part of my life. My experience of earthquakes has always been more the fear of them, or the possibility.
Happy Days was about a family... although the show was shot in the 70s, it was about a family in the 50s. I realized that kids were watching their parents grow up and the parents were watching themselves grow up. That was the key to the success of our show.
There are a lot of sacrifices a mother makes when she's raising a child by herself. I saw it when I was growing up, watching all my mother did for me. But it wasn't until recently that I fully understood the price she paid because of how we had to struggle.
Hip hop - it's an art form but it's a culture as well. You grow up in the culture and you never leave it. It's a style of dress; it's a way of thought. I always grew up in the culture, and it was part of who I was and I carried it into every world I was in.
I saw Madeleine Stowe from Revenge recently, and she totally blew me away. And growing up I loved Morticia Addams and Lily Munster on one hand, and Jeannie from I Dream of Jeannie on the other. Two completely different ends of the spectrum, kind of like me.
In the '50s, listening to Elvis and others on the radio in Bombay - it didn't feel alien. Noises made by a truck driver from Tupelo, Mississippi, seemed relevant to a middle-class kid growing up on the other side of the world. That has always fascinated me.
Part of the reason why my folks - why any immigrant family - wants their kids to go into law or medicine is because there's the promise of reliable work. That's a powerful idea that got hammered into my head growing up: Be this thing, or else you'll starve.
Growing up in rural Louisiana, the ecosystem around our home wove harmoniously into our family and into our daily life. Every life lesson that trickled its way into my being came from a mutually respectful relationship between the environment and my family.
You fall in love with somebody who fits within what I call your 'love map,' an unconscious list of traits that you build in childhood as you grow up. And I also think that you gravitate to certain people, actually, with somewhat complementary brain systems.
My whole thing was, as much as I was inspired by what my parents do, and growing up on film sets, watching that made me really want to do that. I am my own person, and I think that the only thing with the Hemingway name is that it has gotten me in the door.
I was growing up at a time when music was growing and changing so fast. I had learned all the big band sounds of the 1940s, Glenn Miller, Tommy Dorsey. But then along came Chuck Berry, Les Paul, Fats Domino and I figured out how to make their music as well.
Growing up in that fashion is a breeding ground for insecurity and doubt; it also leaves you questioning motives. It took me a long time to see the world as I want it without constantly looking for approval. I still fall, but I'm better suited for survival.
When I read John Cage's book Silence, I was growing up in Louisville, Kentucky. For me, records were a mode of time travel and geographic travel, interfacing with a much larger world. So it seemed antiquated and backwards that Cage would be so down on them.
When we grow up," she said, "we'll have amazing families. Our dens will be better than this. Your kids and my kids will play together in a humongous room with every kind of toy and game." "Except I won't have kids," Dan said. "I'll come over myself and play.
If a boy is not trained to endure and to bear trouble, he will grow up a girl; and a boy that is a girl has all a girl's weakness without any of her regal qualities. A woman made out of a woman is God's noblest work; a woman made out of a man is His meanest.
That's really what was wonderful for me growing up, since I got to know so many of the songwriters who liked me and thought I had talent. They would then tell me how to read a lyric and sing a song, and challenge me to try and find a different end to a song.
When I was growing up, no one ever said to me, "You cannot do math because you're a girl." But, there was an understanding growing up that math and science were for boys. Somebody lied to me because Katherine Johnson woman exists, all of these women existed.
I played soccer growing up, and then high school came along and the football coach came out one day and was like, 'Hey, do you want to kick for us?' I was like, 'Sure, I'll come out and kick one day.' I got moved up to varsity and that's how the story began.
As a child growing up in refugee camps, life taught me that many things were impossible. My older sister, Claire, taught me otherwise when her strength and resilience made the impossible possible in the way she worked, behaved, and took control of our lives.
I was blessed to grow up on a farm, and when you're a farm boy, exercise is part of your lifestyle. Like it or not, that environment makes you work out. On the farm, nature is your gym. You walk and run and swim and have to do a lot of work with animals too.
I mean I think children love the idea that there are different viewpoints and different words for things and different worlds. And the more that they pretend to be other people, the harder it is for them to hate them and misunderstand them when they grow up.
Women have always been seen as waiting: waited to be asked, waiting for our menses, in fear lest they do or do not come, waiting for men to come home from wars, or from work, waiting for children to grow up, or for the birth of a new child, or for menopause.
Adrian might be brash and impertinent, but he knew how to move. Maybe dance lessons had been part of growing up in an elite tier of Moroi society. Or maybe he was just naturally skilled at using his body. That kiss has certainly show a fair amount of talent.
When I was growing up, we learned our history almost as lives of the saints. And it came as a shock, "Oh, Jefferson had slaves?" It always comes as a shock to us that elevation to the White House didn't somehow cleanse them of all their deep character flaws.
The inspirational value of the space program is probably of far greater importance to education than any input of dollars... A whole generation is growing up which has been attracted to the hard disciplines of science and engineering by the romance of space.
All of us grow up in particular realities - a home, family, a clan, a small town, a neighborhood. Depending upon how we're brought up, we are either deeply aware of the particular reading of reality into which we are born, or we are peripherally aware of it.
I never really watched much stand-up growing up. I just was not really that into it. But I can say I honestly fell in love with it the second I touched the microphone. It was like this weird thing where it's like, 'Oh, yeah, this is what I'm supposed to do.'
Growing up, there were a lot of funerals that I attended, and the adults at the funerals went out of their way to make sure that I wasn't traumatized or overly depressed by them. So death is always a celebration of life for me, and it's also hugely dramatic.