My grandmother was born in 1900, and she would regale me with tales I call 'Little House on the Prairie' tales, but they were tales of segregated and racist America growing up in Alabama and Mississippi, where she came from.

It works in the comic book, but as the audiences have gotten older and more sophisticated, I think the stories need to grow up with them. This is a story about a couple of rival gangs and what goes wrong in a couple of days.

I remember New York in the '80s as a place with vacant lots that would eventually give over to nature. Weeds would grow up, squirrels would move in. That entropy is gone now. It's too expensive to let a vacant lot go natural.

I would love to do anything involving a good strong character, whether its in film, TV or theatre. My dream roles already been taken by Keira Knightley in Pride and Prejudice. Growing up, I really wanted to be Lizzie Bennett.

I think it's easy to mistake understanding for empathy - we want empathy so badly. Maybe learning to make that distinction is part of growing up. It's hard and ugly to know somebody can understand you without even liking you.

I don't want my children to be at a disadvantage, growing up in the limelight, because then they have to live up to an identity already cut out for them, relating all the time to being so-and-so's daughter or so-and-so's son.

My mom was my main influence growing up, and Phylicia Rashad reminded me a lot of my mother, just the way she handled certain things, she was... not soft-spoken but smooth-spoken. Just very calm, cool, collected about things.

But I want her to grow up knowing that I was the first man ever to fall in love with her. I'd always thought the father/daughter thing was overstated. But I can tell you, sometimes, she looks at me and I just become a puddle.

I believe everyone should have the same rights. They say gay marriage ruins families and hurts kids. Well, I've had the privilege of seeing my gay friends being parents and watching their kids grow up in a loving environment.

I was essentially raised on blues music. My dad was a blues musician around Dublin when I was a baby, so the only music I would listen to growing up was John Lee Hooker and Muddy Waters. It's music that feels like home to me.

. . . if we have children. When they are just born we do everything for them. We are omnipotent, they are completely dependent on us, but then when they grow up you must take back your influence on them, to give them freedom.

I've heard other gay people say when they were growing up they felt 'foreign.' Growing up, I was able to label these feelings as: 'I'm a Protestant.' It wasn't until I left, I thought: 'Oh, those weren't Protestant feelings.'

I started taekwondo at 5 or 6 years old and did a bunch of kick-boxing later, too. Eventually I became a black belt and coached as well. I did some basketball and softball growing up, but most of my activity was martial arts.

No one ever grows up. They may look grown-up, but it's a disguise. It's just the clay of time. Men and women are still children deep in their hearts. They still would like to jump and play, but that heavy clay won't let them.

I feel like I came from a generation where... We didn't have Vietnam. We didn't have World War II. Nothing cultural was thrust upon us to make men out of us, so you're kind of free to not grow up that way if you don't want to.

In my experience, growing up in Brooklyn and all that, the real tough guys didn't act tough. They didn't talk tough. They were tough, you know? I think about these politicians who try to pose as tough guys - it makes me laugh.

I love love. Growing up, I always thought it was a state, and I'd wait for it to appear. Now I think it's an activity, a skill, something you strive to create. A constant conversation between emotion and imagination and flesh.

Growing up in Bloomington, Minn., I loved the ritual of dressing for Little League - in white socks, blue stirrups, belted pants, a double-knit jersey, and the cap I'd hold over my face to screen out mosquitoes in right field.

When you grow up in that (multi-ethnic) environment, you see the world differently. Being a mixed-race child, I didn't always see colour in people, I really didn't. It was other people that made me see the colour all the time.

Growing up training, I use to get up so early I would wave to the garbage men going by. So, I had this relationship with Blue Collar America and I really liked it. I felt that lots of those people looked forward to me winning.

I could keep McQuiston, but growing up it was a hard-work surname. Everyone would always ask me to spell it or just get it wrong. I could call myself Emma Weymouth, or maybe I should take the family name and become Emma Thynn.

I feel like I was hit by all of geek culture at once while I was growing up in the '70s and '80s. Saturday morning cartoons like 'Star Blazers' and 'Robotech.' Live action Japanese shows like 'Ultraman' and 'The Space Giants.'

I would want my children to grow up and do what they wish to in a field that they choose to step in. They should not have to use the shadow of their father's name. I think that is a bit of a downer for a movie star's children.

Our status as a land of equal opportunity has made us a rich and powerful nation, but it has also transformed lives. It has given people like me the chance to grow up knowing that no dream was too big and no goal out of reach.

Growing up, I was so inspired by front men like Mick Jagger, Freddie Mercury, and Kurt Cobain - real showmen that put on 'a performance' every time they walk out on stage - so it's important for me to feel like I deliver that.

This October, we renew the fight against domestic violence and abuse in America. Together, we can eliminate domestic violence from homes across the country and ensure that our children grow up in healthy, peaceful communities.

When we were growing up we only got two pairs of shoes every year. With me, I was lucky because I got three pairs of shoes, the third were basketball shoes: Black Air Force Ones, White Air Force Ones, and boots for the winter.

I had a baseball swing my whole life. When I was growing up, everyone had a different, very specific softball swing that was very short. And I had a big stride and I had, you know, a baseball swing, and people did not like it.

When you sing on stage, the songs are part of the narrative, but in 'Unconditional Love,' it was just singing for singing's sake. It was playing at being pop star. As a young boy growing up in North Wales, that was my fantasy.

When I was growing up, I didn't see me in the movies except in certain lesser roles. If it wasn't funny, I wasn't there. Then Sidney Poitier came along, and he wasn't funny. He was just good. There's me. So that was my pattern.

Growing up, the ukulele was always a respected instrument. It's a big part of our culture. It wasn't until I started traveling outside of Hawaii that I realized people didn't really consider the ukulele to be a real instrument.

When I was growing up, everybody in charge, my parents and teachers, had all survived the war, and they talked about the war like it was the Kraken - you know, this huge beast that roamed the earth during their formative years.

Call it whatever you need to call it to make it feel good to you. But the fact of the matter is, I've been in lots of place growing up and listening to people tell great tales of sexual conquest. It is an immature thing to do -

Part of what's cool about being an actor or being in this industry, frankly, is to be able to travel to distant lands. That's part of the deal. I always thought when I was growing up, "I wanna be an actor and go see the world.'

I think the best thing about my job is that I have my life documented, which not many people get to have. They have a photo here and there and maybe some video footage from a birthday. My kids will be able to see me growing up.

Growing up in the Midwest, people don't drive Porsches and Ferraris. They drive Fords and Chevys. And so even if you have the opportunity to buy a more expensive car, it doesn't occur to you because it's not what you relate to.

All people, even one's own children, come with baggage. When they're little, you have to help them carry it. But when they grow up, you have to do that difficult thing of setting their baggage down and taking up your own again.

Growing up, I didn't think it would be possible to be an actress - I didn't see a lot of Latina faces on TV or in movies. But that didn't stop me from trying. I realized early that anything I really wanted was worth working for.

I've known from long ago that the universe was calling me. If you were one of those annoying adults that said, 'Oh, what are you gonna be when you grow up?' I would say, 'Astrophysicist .' And then they'd walk away real quickly.

Safety was not a big thing when I was growing up. A seat belt was something that got in the way: 'Ma, the seat belt is digging into my back.' 'Stuff it down into the seat. And roll those windows up, you're letting the smoke out'

Sports helped me become super, super confident in my body growing up, especially in my high school and college careers. I wasn't going to be a hot prom chick that everyone wanted to go on dates with, but I was a stellar athlete.

I was a big fan of Maradona growing up and of the current crop Ronaldo is good but Messi is the best I’ve ever seen. I don’t dish out praise lightly but Messi deserves it. I look for weaknesses in his game and I can’t find them.

A Message to Children Who Have Read This Book - When you grow up and have children of your own, do please remember something important: a stodgy parent is no fun at all. What a child wants and deserves is a parent who is SPARKY.

He thought of the number of girls and women she had seen marry, how many homes with children in them she had seen grow up around her, how she had contentedly pursued her own lone quite path-for him. ~ Stephen speaking of Rachael

In every language, the first word after "Mama!" that every kid learns to say is "Mine!" A system that doesn't allow ownership, that doesn't allow you to say "Mine!" when you grow up, has - to put in mildly - a fatal design flaw.

People who get into animation tend to be kids. We don't have to grow up. But also, animators are great observers, and there's this childlike wonder and interest in the world, the observation of little things that happen in life.

London exists normally in a state of bleach bypass. There's the artistic context of "Blow Up" and "Performance" and all the Sixties and Seventies British films that I grew up on, because I did very much grow up on British films.

It's quite interesting that in my growing up I had several influences. We had gospel music on campus. R&B music was, of course, the community, and radio was country music. So I can kind of see where all the influences came from.

I wonder if kids growing up now are actually going to have that - if they're ever going to be able to unplug and have that ability to concentrate, or if it's just never going to happen for them. It's a little unnerving, frankly.

I didn't visit art galleries growing up. I didn't know anything about it. But at 17 I made the decision to leave home and explore. I've been using the Internet since I was 13, so I could see there was this whole world out there.

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