Quotes of All Topics . Occasions . Authors
My son, Wolf, was born when I was past 40 and the author of a best-selling novel. That means he has grown up a middle-class child - one who sometimes asks me for stories of my childhood but knows nothing of what it means to grow up poor and afraid. I have worked to make sure of that.
I didn't grow up around my father. I didn't really grow up around my mother, either. I was raised by a community of people. Spiritually speaking, my father is in Heaven, and that is who I look to for all my answers. And that's why my faith is very strong and why my passion is strong.
My dad couldn't connect to my wanting to be a filmmaker. He was very connected in entertainment, and through him I met Steven Spielberg and got rides on his private plane to California. I'd see Spielberg's people reading scripts. I was like, 'That's what I want to be when I grow up.'
I had a somewhat religious upbringing. Not strict, but it was there, and I'm kind of thankful for that. If you grow up just watching MTV, that's its own form of religion, and it's not even based on happiness or communal responsibility. I mean, try to construct a worldview out of that.
I need to be looked after. I'm not talking about diamond rings and nice restaurants and fancy stuff - in fact, that makes me uncomfortable. I didn't grow up with it, and it's not me, you know. But I need someone to say to me, 'Shall I run you a bath?' or 'Let's go to the pub, just us.'
I like stuff designed by dead people. The old designers. They always got it right because they didn't have to grow up with computers. All of the people that made the spoon and the dishes and the vacuum cleaner didn't have microprocessors and stuff. You could do a good design back then.
I had a really wonderful upbringing. We were a tight family. It was wonderful to grow up with so many siblings. We were all just a year or two apart, and we were always so supportive of each other. I learned everything from my older brother and sister and taught it to my younger sisters.
Barack wants to stop all children from working on the farm... Can you imagine this? I just, I can't fathom that. Did you ever think we'd grow up in America and see something like that? Let me take it one step further. He wants to disallow the 4-H from training children to work on a farm.
I don't even think places like the National Youth Theatre (NYT) are necessarily about wanting to be an actor when you grow up. They're about meeting people from different backgrounds and different religions and different cultures, and mixing with people that you wouldn't ordinarily meet.
The trouble is not that schools don't work; they do. They're excellent machines for achieving historically accepted purposes. In suburban schools are children of the rich, who grow up to privilege and anesthetic oblivion to pain - and who then use the servants produced by ghetto schools.
I grew up watching 'Buffy the Vampire Slayer' and used to dream that I would grow up to be just like her. In a way, 'Teen Wolf' has a lot of those kinds of characters. We're just kids by day, and yet we're trying to fight demons and werewolves and bad people and save people that we love.
When I was thirteen years old, and we had just moved to Germany, I definitely felt I was missing out on normal teenage life. I was watching my old school friends from Canada grow up without me while I was in Germany trying to learn the language and trying to pass each year without failing.
When you grow up looking at Superman, Batman, and all those superheroes, you take it for granted that is what superheroes are supposed to be. So then, when I see art books at the library, and I'm seeing Leonardo da Vinci and Michelangelo and Rembrandt, I think that's what artists look like.
Our youth deserve the opportunity to complete their high school and college education, free of early parenthood. Their future children deserve the opportunity to grow up in financially and emotionally stable homes. Our communities benefit from healthy, productive, well-prepared young people.
I couldn't do my show without spending 12 years on the streets of Humboldt Park. It made me a better interrogator. Still, if they had taken me out of my squad car and gave me a show, I would've been terrible. But on 'Springer,' the spotlight was on Jerry and I got to grow up within the show.
I think that as my kids grow up and hit milestones that spark emotion for myself in my own history, it will always trigger personal feelings from those times - whether good or bad - and I definitely want to develop the tools I need to keep the immediacy of those negative emotions in the past.
I think one thing that kids who grow up on farms really have going for them is they have exposure to death and birth in a totally different way. I think it takes away a little bit of the mystery and a little bit of the fear, and I do wish I had that. And I wish I was able to grow my own food.
As voters and taxpayers, we must demand that our local governments properly prioritize libraries. As citizens, we must invest in our library down the street so that the generations served by that library grow up to be adults who contribute not just to their local communities but to the world.
I think my father kept struggling to get us into better neighborhoods, better schools. One of the worst jobs he had was folding shirts under these fluorescent lights all day at the equivalent of a Kmart. I remember visiting him at work, thinking, 'When I grow up, I've got to do anything else.'
In Maryland, I didn't grow up around poor white people. Where I grew up, the white people were middle class or upper-middle class. It's interesting how screwed up it is in reality, because most people who receive assistance from the government are white, but not in my head or in my experience.
Boston was a great city to grow up in, and it probably still is. We were surrounded by two very important elements: academia and the arts. I was surrounded by theater, music, dance, museums. And I learned how to sail on the Charles River. So I had a great childhood in Boston. It was wonderful.
Kids who grow up in radically different environments are always going to have different comfort levels with regard to a topic. If you don't live near a train track, it's hard to squash a penny that way, and if you live in an apartment in New York City, it may be difficult to get to drive a car.
I love and respect all religions and philosophies. I see how they get formed, how they grow up, and how powerful they are. But for me to believe in a specific god - no. Because what I believe is that the infinite, the absolute, is a living being and the only one living being that really exists.
I believe this, we are all gifted for the talent - God blesses everybody with a talent. Mine was to play football. Some are to be scientists. Some are to be doctors. Sometimes because of the situation you grow up in, you can never display your talent because you can't get out of that situation.
I did grow up in Los Angeles. I actually didn't start acting until I was sixteen, so I was very removed from the Hollywood scene. I had always been in my school plays, but my mom and dad wanted to keep me out of the business until I was old enough to know who I was and not let anyone change me.
I didn't grow up in one of those restrictive Christian households where you couldn't do this or that. We were brought up with a great collection of good morals and good values, but we also had fun. We'd go to church on Sunday, but then have ice cream, roller skate or play in the park afterwards.
I meet people from really grand backgrounds who had horrible parents who took no interest in them, whereas I'm a working-class boy from Deptford who was worshipped by all my rellies. Everybody in my extended family helped to raise me, and I realise now how lucky I was to grow up among kind folk.
Part of my evolution has been to learn how painful most people's childhoods are. They grow up not liking themselves, not loving themselves. Ask people if they were lovable the minute they were born, and watch them sit back and have to think about it. One lady said, 'I suppose so.' That's painful.
That's part of the character of Shanghainese people. They're good negotiators, they're very persistent, and you grow up in an atmosphere like that - very competitive. That becomes part of your personality: Shanghai personality becomes part of yours. Just like New Yorkers - they're often like that.
I still feel that in India we look upon sports as a recreational activity - which it is - but people have to understand that there is a career in sports. It's not just necessary to be a doctor or a lawyer or an engineer, as most of us Indians appear to think that our children should grow up to be.
Around 80% of Liberians are unemployed and only half of all children go to primary school. Just one in 20 go on to secondary school. Young children are on the streets instead of in the classrooms. We are not giving them the opportunity to learn and they will struggle to get jobs when they grow up.
I asked myself, 'What are you going to do with your life? Are you going to be like everyone else or are you going to do what's right?' I just made a decision. I said, 'It's time to grow up. It's time to start living for the Lord, do things the right way.' I accepted the Lord, and it changed my life.
You don't wanna walk around and say, 'I'm somebody's niece, I'm somebody's cousin, I'm somebody's daughter. Who are you?' And I think that's always the challenge when you grow up in a well-known family, is ultimately, you have to face yourself in the mirror and say, 'Who are you? What have you done?'
When you are a child, your father is God to you. Then, as you grow up, you have different gods. You change. But does it really matter? All of the roads lead to the same place, and if you are going in the right direction, it doesn't matter what you are taking - a jet plane or a cart pulled by a donkey.
Sixteen percent of our population is rural, but 40 percent of our military is rural. I don't believe that's because of a lack of opportunity in rural America. I believe that's because if you grow up in rural America, you know you can't just keep taking from the land. You've got to give something back.
I didn't want my daughter to grow up in that intense attention - wherever we went, we'd get paparazzi. There are bigger, better superstars in America, so I thought, 'I'll go there for a quick holiday, and relax.' And my holiday just turned into me loving it and wanting to stay there longer and longer.
I didn't even have that many close LGBT friends or anything like that, but I suppose it was growing up and becoming aware of how you are in a cultural landscape that is blatantly homophobic... you turn around and say, 'Why did I grow up in a homophobic place? Why did I grow up in a misogynistic place?'
We need games like 'A Closed World' for many reasons. When you hear another developer talk about how games need to grow up, they need to tackle adult themes, and how they need to embrace that ability to transport the player into a different world, this is that game that they want other developers to make.
This is the first generation to grow up on Thatcher - it's a different ethos. It's money minded, and it's the cult of yourself. Now that's fine, except when it falls down, and you can't achieve your goals - through high unemployment, through the fact that you probably need inherited money to get anywhere.
I don't want to make light of the importance of my musical upbringing, as you cannot avoid being influenced by the area you grow up, but I will say that Reykjavik's geography is very different from, say, New York, Paris, or Copenhagen. There's big skies. The buildings are low. The landscape is spread out.
When you grow up in an extended family, or in a stable neighborhood with two or three generations of families who live there, you feel seen. Not just the good things you've done, the stuff you put on your resume. You know they've seen you in your dark times, when you've messed up - but they're still there.
I mean, in 'Big' and 'Pleasantville,' it's a journey that the characters go on where I think they come to kind of meet themselves at the end and who they actually are and give full voice to who they actually are. And that, you know, obviously fascinates me for some reason. Maybe I didn't adequately grow up.
I thought Steve Jobs was amazing. He was such a great businessman. Someone that has just been really continually successful with their brand and hasn't gone away, Madonna is incredible. We've all kind of listened to her for years and seen her grow up and change, and she's never strayed away from who she is.
Came from a song that I made from, like, 2012 - there was some phrase like 'Rap Monster', and I just, I thought it was so cool. But as I grow up, and as I came to America, I think it felt like too much. So I just abbreviated it to 'RM', and it could symbolize many things. It could have more spectrums to it.
It was really cool to work with Dakota Fanning. I've watched her grow up and I've always loved her films, loved her. It was amazing working with someone who was American as well, because obviously it's going to be a different energy straightaway. We got on really well; she's so professional and hardworking.
I guarantee that if you threw 100 people into a room, the first three questions they would ask each other are: 'Where did you grow up?,' 'Where did you go to school?' and 'What do you do for a living?' Most people on Bumble are looking for a life partner, and those things have a huge impact on compatibility.
I went through a lot of changes and a period of depression. I'd reached an age when I had to grow up and start taking life a bit more seriously, which had a huge impact on me. I suffered terrible anxiety, and sometimes, in the middle of a game, my legs would start shaking uncontrollably. It was pretty scary.
The lack of diversity, specifically in genre films and the superheroes our kids grow up watching and emulating, they can't really identify with. When you see the same thing, over and over again, and it seems not to speak of you and your heritage and your culture, it leaves you out of this world a little bit.
I was lucky enough to grow up in an era when radio was less formatted. It was really special. You could hear a jazz song then a pop song then a show tune then some jazz. Basically, whatever the DJ felt like playing, he would play. He was educating you and exposing you to things you would never hear otherwise.
First, I wanted to be Chris Farley. When I was growing up, Chris Farley was still on the stages and fun to us. In my house, John Belushi was king. I didn't grow up when he was - I was born in '78 - the reruns of Belushi in 'Animal House,' and knowing he was at Second City, he was viewed as a king in my house.