Quotes of All Topics . Occasions . Authors
I obviously love 'The Grey'; that was a pleasure to make. It was also very difficult. Listen, I love 'Smokin' Aces.' That was a lot of fun to make. Completely different part of your brain, I guess. Some would argue the part that they don't want you to use.
'Grey Gardens' consumed my life for over two and a half years. It really takes its toll on the family. I'm not there to tuck them in, help them with homework and eat dinner with them. When I work on a show, I only have about 20 minutes a day with my family.
It wasn't the 'miracle of engineering' that is the human body that was filling me with a mad desire to live my days and nights in a pair of scrubs. The hard truth was I did not remotely want to be a surgeon. I actually just wanted to be on 'Grey's Anatomy.'
There were two things going on: 1) I had already established in my own mind where I wanted to go with the next series, and having James around as a Grey Eminence would have complicated matters. He had had an amazing life and it was time to bid him good-bye.
Right before I went to Pacifica, I had written and performed a one-woman show and I consider that to be my original art form. Spaulding Grey and Karen Finley and other spoken word artists and performance artists really very much interested me, that art form.
With some artists, I've noticed that after their songs have been licensed, on their next album you can totally hear they're trying to write a song for 'Grey's Anatomy' and it doesn't work. It's just one of those things that has to feel genuine to last a long time.
Yes, the hunky barista looks even more terrifically masculine with three days' growth on his chin. Guys under 50 mostly do. But when your beard is partly or largely grey, that stubble can just look a little unwashed. Sadly, when you're over 50, different rules apply.
I actually gained a lot of weight when I started to do 'Grey's Anatomy.' Doing eight theater shows a week, girl, is such a workout. But with TV, you're, like, sitting in your trailer waiting to go to the set. And there's catering and craft service every place you look.
Shonda and 'Grey's' have given me the opportunity to become a director, and that's something that I hadn't really envisioned for myself, other than directing for theater. Now I've got this resume of television credits that I can carry forward into the next opportunity.
Once the image was in the digital environment, one of the problems was, we had no means to reproduce the color spectrum, grey scale, and contrast that film produces, without converting the digital file to film, evaluating it, then going back and changing the digital image.
There's a film that I wrote that I want to do called 'The Grey,' which is about a group of pipeline workers in Alaska flying back into civilization after being remote for a number of months. The 737 they're on goes down, and they begin to be hunted by a pack of rogue wolves.
For some reason, when I think feminism, I think, like, 'Well, you can't include men if you're talking about feminism and being a feminist,' so I get a little bit muddled. I find it to be a bit grey. Then if you say you are not a feminist, that means that you're not pro-woman!
If you can depict situations and explore life in a truthful way and explore areas of grey - because that's where the truth lives - and you can do that in an objective way and allow people to take from that what they will, I think it's a satisfying sweet spot with storytelling.
The colors I choose there was to paint the first hotel, the Disneyland Hotel. Because of the cloudy sky we had in Paris, it had to be a particular kind of color who will fight those grey days. And also something you can see when you're driving up 'There it is! We're arriving!'
Aside from birthing me my first grey hairs and keeping me up at night more times than I'd like to count, 'The Subtle Art' taught me a lot about the nature of work. And a lot of that had to do with how my perception of the work itself evolved over the course of writing the book.
Sometimes, the smaller roles in movies can be the most interesting. If you only take the stance that you'll only play central characters in movies, you'll find yourself not being able to indulge in that morally grey terrain that makes support characters so rich and interesting.
You know, I don't talk about the characters that I play. Years ago, I was a little timid about it and I kind of squirmed when I was asked, 'Could you tell us something about your character.' Now with a little self-confidence that comes with the grey beard, I just flatly refuse.
All the teaching I had ever received had failed to make me apply such intelligence as I was possessed of, directly and vividly: there had never been any sunshine, as regards language, in the earlier grey days of learning, for the sky had always pelted with gerunds and optatives.
Headwise, I always kind of knew that everyone goes grey in our family very early - and I was like, it works for me. I started growing my beard, and it changes the shape of your skull and your face, and I started seeing my mother's side of the family in myself for the first time.
Mash-ups have gained a lot of credibility between the fall of Danger Mouse's infamous 'Grey Album' and the rise of Girl Talk's overwhelming mega-mixes. There's just something marvelous about hearing seemingly mismatched ideas work together, as two worlds collide to a heavy beat.
When you start your career, you have to figure out a way to separate yourself from the pack. So I went for a kind of preppy, psycho-killer look: I had short hair, grey flannel pants, and a button-down shirt. I think it worked, because nobody else was looking that way at that time.
What I dislike about movie culture is that it often presents a parable of our problems - but the issues are all straightforward and the people are either nice or they're not. In real life, everyone falls between those perimeters, but not many American films operate in that grey area.
The writer's goal is to try to make it frightening without describing it too much, and yet not making it so grey that you don't know what's going on... Your imagination can imagine all sorts of really horrible things, and if you're able to prolong that feeling, then you've succeeded.
Women's lives get more interesting the older they get. For some reason, when you hit 35, it turns into a grey area filmically. There's not much more until you start playing grannies. I'm not ready for that. I'm just naffed off that, between 35 and 50, there aren't better things about.
The thing is, I never see my characters as psychopaths. I see them as really crippled victims who just happen to do bad things. And I never see them as bad guys; I see them as darker characters. I never see anything as good or bad; it's more light or dark, and the in-between is the grey.
America owed its military renaissance in the 1980s and 1990s to Vietnam. Veterans like Norman Schwartzkopf, Colin Powell, Alfred Grey, Charles Krulak, and Wesley Clark returned home angry and ashamed at their defeat and rebuilt all-volunteer, professional armed forces from the ground up.
There are any number of reasons for visiting Filey. The beach is clean, long, and rarely crowded. The countryside is bold and handsome, with one maritime feature that deserves to be better known: the long, thin rock finger of the Brigg, pointing into the chilly grey waters of the North Sea.
My dad read, I think, the Perry Mason mysteries and Zane Grey and some humor compendiums... And then at one point, the bookmobile started coming to town. That was really cool. I mean, that was when I read my first Raymond Carver story. I think that was probably 1969 or so. I must have been 13.
People will say, 'I really don't like romance,' or, 'I don't read it - at all!' So how do they know? Weirdly, I think that the 'Fifty Shades of Grey' phenomenon introduced women to romance who would never have read it. And that means that they then go on to read my books, and that would be great.
I like to play the grey areas in life - that's the most uncomfortable place to be. Nobody likes to be in that in-between state where there don't know what's going to happen. There's a lot of tension in that, and a lot of stuff to play with - where it's uncomfortable and awkward and sad and scary.
'Masaan' was a small role, but people connected with it. I loved playing a man who does not have many complexities in life. I was inspired by my father for this role. You find such characters in novel or in stories. You don't find such parts in movies where characters are either good, bad, or grey.
Just as black and white, when mixed, make grey, in many ways that's what it did to my self-identity: it created a murky area of who I was, a haze around how people connected with me. I was grey. And who wants to be this indifferent colour, devoid of depth and stuck in the middle? I certainly didn't.
I don't know if I'm the most religious guy, but I think I'm a spiritual man, and these are the things I think about a lot. In terms of the film, I think 'The Grey' is very much a non-denominational kind of film. I don't think it's something that relies on a particular religious bent to tell the story.
I'm reading a lot of different books, but I always think I have to switch it up a little bit. It's like food - everything in moderation, same with my books, same with my reading. You read books that are good for you and you learn a lot of stuff, then you read 'Fifty Shades of Grey,' which is like candy.
I do feel in 2018 that pro wrestling has gone in such a different direction. Before, things were so black and white; now, it's shades of grey. It's not so much good guys and bad guys: there are people who are put in situations who do the right or wrong things, but people react to them like they are stars.
I have very little fashion sense, and to tell you the truth, I give it very little thought. I dress to be as comfortable as I possibly can. Most of my clothing is either black, grey, or dark blue, and I don't really wear a lot of colours. But I do like jackets. I have a little bit of an obsession with them.
The whole time I was on 'Grey's,' I'm still reconciling myself to my 11-year-old son, because he never saw me during that time. By the time he got up, he'd see a dent in his pillow, but by the time I got home, he was already asleep. So for three years, he had a daddy that he never saw because I had to work.
God bless America - what other civilization would give Patrick Dempsey another shot to rule as a sex symbol, twenty years after 'Meatballs III: Summer Job?' His reign as Dr. McDreamy on 'Grey's Anatomy' is proof that there's nothing we love more than giving Eighties celebs a heartwarming second stab at life.
I'm homesick everywhere I go, but England has a negative effect on my spirit to a profound degree. That trip from Heathrow into London is worse than the flight over there. It's just so grey, and I'm not a pub person, and the traffic in London gives me a heart attack. It's not a comforting place, on any level, to me.
I've played a lot of villains. The villains are always fun because you can just go fractionally bigger than life. It's always a grey area because you don't want to end up mustache-twirling and making them a little false, but you always get to play a little more, whereas the lead guy has to be a little more straight.
I don't think people get the pressure of becoming famous and what it does for an artist. What does that for your creative self. And what that can do for your mental health. And I would say, from year two to year six or eight of 'Grey's,' it was extremely difficult and very stressful and traumatic, if I'm being honest.
The White Company offers its loyalists an altogether better, whiter world. The White people have edited out any colours that aren't white, off-white, milk chocolate, grey, taupe or black. They can't be doing with Johnnie Boden's cheery Sloane jokes, his spots and stripes, his occasional 'if it's me, it's U' loud colours.
Life flies by, and it's easy to get lost in the blur. In adolescence, it's 'How do I fit in?' In your 20s, it's 'What do I want to do?' In your 30s, 'Is this what I'm meant to do?' I think the trick is living the questions. Not worrying so much about what's ahead but rather sitting in the grey area - being OK with where you are.
For 'The Grey Album,' I'd been thinking about the good side of lying - lying as a kind of improvisatory act in black culture. Afterward, it nagged at me because there are those other kinds of lies that I think are all around us, and I was fascinated about hoaxes in general. So 'Bunk' became a natural extension of 'The Grey Album.'
I always talk about Meredith and Derrick from 'Grey's Anatomy,' and I loved them the most when they sort of opened and closed each episode with them in bed, happy with each other, and you didn't need to insert extra conflict into them, because there was plenty of conflict in the show. So they were this port in the storm of conflict.
My very first car was a grey Alfa Romeo Alfasud, which I got in 1987. But, in our family, all cars were for sale - so they might be there in the morning and were gone at night. In the mid-90s, I joined Porsche and the Carrera was the car, and the Carrera 4S was the one they gave me. As a wee boy from Dumfries, I couldn't believe it.
I was a little bit headstrong; when you're younger, you want to take on the world. At first you try to prove yourself to be the boss. I don't think I lose my temper as often as I used to now but, back then, I needed someone with grey hair, with experience, to help me, to tell me certain things didn't matter, didn't make a difference.
The DVR thing has rocked my world. Being on the road, I used to not keep up with any shows. Now I got a DVR, so I'm watching everything: 'CSI: Miami,' my favorites 'Criminal Minds' and 'The Mentalist.' I like some of the HBO stuff, 'Entourage' and 'Eastbound & Down.' My wife got me into the 'Grey's Anatomy' deal, so I'm watching that.
Look at poor Nirupa Roy. She got substantial roles, but at 30 they made her put grey in her hair. And Achala Sachdev was all of 16 when she played 60. She quit because she got nightmares about dropping a thali and screaming, 'Nahin!' You know an actor or any other human being needs to be comfortable in her space at whatever age she is.
I think 'Caprica' is a little out of left field, which is kind of what I love about it. It's a little different. The first couple of episodes are really about wrapping your head around this world. I love 'Grey's Anatomy,' but I think it's the same kind of concept: You just get lost in this world, and you believe what they're setting up.