Quotes of All Topics . Occasions . Authors
I want Green Arrow to have fun. I don't want him to be a tortured hero. I mean, I've written plenty of tortured heroes, like Daredevil. But it's all there in Daredevil's origin as to why he'd be a tortured adult. Green Arrow doesn't have that kind of origin. In fact, he's such a clean slate that he doesn't even have an origin anymore.
The actual, original 'Teenage Mutant Ninja Turtles,' I have vague memories of because I was pretty small, but I loved, loved, loved it. I have only those weird, visceral little-kid memories: I remember the extreme flat, two dimensional green that was their skin or the weird pizza with no sauce - it was just like yellow, drippy cheese.
I don't feel comfortable with the idea that my only gateway into doing what I love to do is auditioning for other people to give me the green light and say that I'm allowed to do it, or that I'm allowed to play this role, or that I'm allowed to be in this movie. I would feel much more comfortable making those opportunities for myself.
I saw the first of the 7-mile-long column appear - red and orange and green banners, 'Ban the Bomb!' etc., shining and swaying slowly. Absolute silence. I found myself weeping to see the tan, dusty marchers, knapsacks on their backs - Quakers and Catholics, Africans and whites, Algerians and French - 40 percent were London housewives.
For carbon-neutral cities, there are things worth talking about in how our consumption patterns can change - sharing goods, etc. - but those are a fraction of the impacts of transportation and building energy use. If we need to choose priority actions, the most important things are to densify, provide transit, and green the buildings.
Working with David Gordon Green, and Jonah Hill, and Michael Cera, and Drew Barrymore, and all of those people - those are the best people in comedy to work with. Anna Faris. You know, that's my goal, to keep learning and to just keep working with the best people I can. And yeah, we do all hang out, and we all kind of know each other.
I have spent many hours on the beach collecting sea glass, and I almost always wonder, as I bend to pick up chunk of bottle green or a shard of meringue white, what the history of the glass was. Who used it? Was it a medicine bottle? A bit of a ship's lantern? Is that bubbled piece of glass with the charred bits inside it from a fire?
If you look at America, one of the great strengths of America is its university towns and the way a lot of their businesses and a lot of their innovation and enormous economic growth have come from reducing that gap, getting those universities directly involved in start-up businesses, green field businesses, new development businesses.
We always hear from newspapers that while people understand the environmental challenge, they are unwilling to stomach the solutions. The trouble is, we only ever hear about the solutions from the media, and for whatever reason, they are almost always caricatured beyond recognition. If there's no appetite for green, it's not surprising.
It's been proven by quite a few studies that plants are good for our psychological development. If you green an area, the rate of crime goes down. Torture victims begin to recover when they spend time outside in a garden with flowers. So we need them, in some deep psychological sense, which I don't suppose anybody really understands yet.
My favorite records are, like, The Pretty Things' 'Parachute' and 'S.F. Sorrow' and The Mothers of Invention's 'We're Only in It for the Money' and The Kinks' 'Village Green Preservation Society' - these records that have a story - even if it's not a literal story - because of how they're sequenced and flow. It's like a novel with sound.
I have a lot of land. I bought it because I had a very strong feeling. I was in my early twenties, and I had grown up in Los Angeles and had seen that city slide off into the sea from the city I knew as a little kid. It lost its identity - suddenly there was cement everywhere and the green was gone and the air was bad - and I wanted out.
I am a firm believer in 'negative thinking' when used correctly. We need to be AWARE of negatives so that we can steer clear of them. A golfer needs to know where the bunkers and sand traps are - but he doesn't think continuously about the bunker - where he doesn't want to go. His mind glances at the bunker, but he DWELLS upon the green.
The very first concert I ever went to was a Green Day concert when I was 12 years old, at the Hershey Centre in Mississauga, Ont., and I remember right after seeing them perform I started a band, and I wanted to get up in front of people and start performing. Ten years later, to be on the Green Day 'American Idiot' tour is really awesome.
My first 'Daily Show' piece was pretending I had this terrible immigrant journey, so I went to talk to an immigration lawyer who would help out people, and I ran into him in Penn Station about three months after I'd gotten the green card. I said, 'I got my green card yesterday.' And he hugged me because he understood that level of relief.
When I played at Minnesota, Green Bay, those northern cities, Buffalo, they wanted to have those championship games at home. It was going to be an advantage to be there with their fans and the cold weather and all that. But when you've got a Super Bowl, and it's the two best teams, you want ideal conditions. You want to play a great game.
Growing up the way I grew up, food was scarce. So when you had an opportunity to eat, you ate. When I graduated from high school and went to college, I weighed 160 pounds. So, I knew I had to put on the weight. I ate everything from fried food to fried chicken wings. When I came to Green Bay, I did the same thing because I was 172 pounds.
In media coverage of the war, Afghans are often characterized as corrupt and deceitful. There has certainly been plenty of corruption and deceit in this conflict, but why? What inspires these behaviors? In 'Green on Blue,' I wanted to render a world that is often overlooked: that of the average Afghans who are helping America wage its war.
For a while, all the studios had their art-house divisions, but that went by the by pretty quickly. Now, they're really focusing on these huge blockbusters, spending a fortune on cartoon pictures and comic-strip movies and superhero movies, and they aren't making pictures like 'How Green Was My Valley,' which was an Oscar winner in its day.
As far back as Iran's aborted 'Green Revolution' in 2009, Obama's supplications to Iran's ruling theocracy have amounted to diplomatic shivs in the backs of Iran's youthful democratic insurrectionists, mash notes written directly to Khomeinist supremo Ali Khamenei and the scuttling of programs documenting the regime's human rights outrages.
Politicians all over the world cater to domestic vote banks. They will spend only on what their constituents want. So unless there is a grass root green movement in a nation the politicians will not be willing to spend money on curbing emissions. More awareness is needed amongst the people to effect the real change in how governments spend.
It's just that... working on 'Green Lantern,' I saw how difficult it is to make that concept palatable, and how confused it all can be when you don't really know exactly where you're going with it or you don't really know how to access that world properly - that world comic book fans have been accessing for decades and falling in love with.
Sheep farming is heavily subsidized in Great Britain. Without the subsidies, the green grazing in the valley of the River Exe would be gone. The handsome agricultural landscape of which the British are so proud, carefully husbanded since Boudicca's day, would be replaced by natural growth. The most likely growth is real-estate developments.
I was distressed by the poor quality of the debate surrounding energy. I was also noticing so much green wash from politicians and big business. I was tired of the debate - the extremism, the nimbyism, the hair shirt. We need a constructive conversation about energy, not a Punch and Judy show. I just wanted to try to reboot the whole debate.
I suspect that most people in the world will travel through or at least wish to travel through Miami in their lifetimes. I think it is on the same level as seeing the pyramids in Giza for many people. But, Miami is slippery: It is a place that is always that distant orgiastic green light while also being a hot, tropical, and very real place.
I use dull colors in my drawings because I started out using a root beer base, because it seemed like an interesting idea, and when it turned out that it worked quite well as an ink, I started using other colors that would complement it, like grays from Higgins black writing ink and, more recently, Dr. P.H. Martin's olive green and vermilion.
In 2007, my life changed forever. I signed on 'Tashan,' a full-on glamorous masala movie, with two of the hottest and fittest actors around: Akshay Kumar and Saif Ali Khan. And me, rising out of the sea like a Bond girl, wearing nothing but a green bikini. I had nightmares of how my love handles would be on display for the whole world to see.
It just so happens that the green religion is now taking over from the Christian religion. I don't think people have noticed that, but it's got all the sort of terms that religions use... The greens use guilt. That just shows how religious greens are. You can't win people round by saying they are guilty for putting (carbon dioxide) in the air.
I hope that any expansion of London will learn from the planning examples of some of its most desirable areas such as Chelsea, Notting Hill, Belgravia and Mayfair. All are characterised by high density and a generosity of green spaces. They are all pedestrian-friendly with shops, entertainment, restaurants and pubs within easy walking distance.
There were good-faith reasons to resort to extraordinary measures when confronting an unknown global pandemic. Most of us consented to the lockdown, even if reluctantly. However, that consent - freely given as an act of social solidarity - was not intended as a green light to giving up hard-won liberties, or a perpetual suspension of free society.
It is not that I am not a fan of American exceptionalism. That is like saying I am not a fan of the moon being made out of green cheese - it does not exist. Powerful states have quite typically considered themselves to be exceptionally magnificent, and the United States is no exception to that. The basis for it is not very substantial to put it politely.
My background, I really am a computer hacker. I've studied computer science, I work in computer security. I'm not an actively a hacker, I'm an executive but I understand the mindset of changing a system to get the outcome that you want. It turns out to make the coffee, the problem is actually how the beans get turn into green coffee. That's where most of the problems happen.
The minds of stone lovers had colonised stones as lichens clung to them with golden or grey-green florid stains. The human world of stones is caught in organic metaphors like flies in amber. Words came from flesh and hair and plants. Reniform, mammilated, botryoidal, dendrite, haematite. Carnelian is from carnal, from flesh. Serpentine and lizardite are stone reptiles ; phyllite is leafy-green.
Oddly enough, I've always - I've never actually seen "The Alamo" itself, actually. So I don't really have the association of "Green Leaves of Summer" as being "The Alamo" theme. Oddly enough, I grew up watching kung fu movies. They would use the theme "Green Leaves of Summer" in a lot of needle drops in kung fu movies a lot. So I was actually more familiar with it in a Bruce Li movie than I was actually from the John Wayne film.
There are two reasons [ business people are not publicly anti-Donald Trump ], one is well-intentioned, which is the classic kind of American notion. We want to be inclusive, we want to have our shareholders, our employees, our customers, whether they are Democrat, Republican, Green or Libertarian, to feel comfortable with how we're doing business. And so that tends to be apolitical. People say, "No, no, I just simply shouldn't get involved in politics."
The word itself has another color. It’s not a word with any resonance, although the e was once pronounced. There is only the bump now between b and l, the relief at the end, the whew. It hasn’t the sly turn which crimson takes halfway through, yellow’s deceptive jelly, or the rolled-down sound in brown. It hasn’t violet’s rapid sexual shudder or like a rough road the irregularity of ultramarine, the low puddle in mauve like a pancake covered in cream, the disapproving purse to pink, the assertive brevity of red, the whine of green.
