Quotes of All Topics . Occasions . Authors
Green Day were heroes of mine growing up.
Green Day was more of the influence than Blink.
When I was growing up, Green Day had just come out.
I can do a Green Day joke and people actually get it.
I've been known to high-five, and I have a soft spot for Green Day.
I never thought of Green Day as a punk band. Just bubblegum, really.
I hope Green Day write more for the theater. They're brilliant at it.
I always dreamed of playing a show with Bono and Edge and the guys in Green Day.
Other than Green Day, we haven't had a lot of protest music over the past few decades.
I always wanted to be in a band with a bunch of dudes who loved Green Day and all that.
It was weird - my parents would let me have some Green Day albums but not all Green Day albums.
You gotta stick your neck out and put out a record that isn't safe... that's the Green Day way!
Green Day is a band that you always felt had something to say, whether it was about the times or love or heartache.
If you told me in the '90s that I'd be in a chart battle with Green Day, I probably would have just laughed at you.
I grew up on the Beatles; I love Linkin Park and Green Day. I heard hip-hop for the first time at 11 and realized what I was missing.
I like upbeat songs, and I listen to a lot of Linkin Park and Green Day. I also like hip hop and R&B artists such as Drake and Rihanna.
Everybody else was quoting 2Pac, and I was running around with Green Day in my Walkman. Racially speaking, I wasn't cool or appropriate for any group.
We were fans of Green Day and Nirvana or whatever, but the bands we really loved were Chicago bands that didn't really sound anything like Alkaline Trio.
I've always been a rocker. Like ever since I was really young. I had a crush on the Green Day guys. That's always been what I was like and been my interest.
I listen to Nine Inch Nails, Green Day, U2, and it becomes part of me, comes out in my music. Wherever it goes, there will always be the fabric of New Orleans in it.
When we were 15, my brother and I were getting really into Nirvana, Green Day, and The Beastie Boys. We started going to shows and realized we really wanted to be on stage.
The first band I was ever in, I played guitar. We did Gary Glitter and Green Day covers at the time. We were called Fizz. I have no idea why we picked that. We were, like, 12 years old.
My love of Green Day is on so many levels. It's their genius for songwriting, the fact that they write about very important subjects, both personal and political, and they're just a timeless band.
When I was in 4th, 5th, and 6th grade, Green Day was my formative entry to punk. I wish I could say I was listening to Minor Threat and Black Flag, but I wasn't. Bay Area punk bands were doing it right.
I just feel really lucky to have had some hits because we had a lot of time where we didn't have them. It's better to have a hit. You can ask anyone - U2, Green Day - and they'll tell you the same thing.
I was pretty much into punk rock and that's all I cared about. I was into Green Day and the Ramones. I wanted to get a guitar so I could play punk songs because this kid taught me power chords at summer camp.
Billie Joe Armstrong of Green Day always says we were influences on him, because he does melodic but distorted, like what we were doing. The Ramones were doing it. We were doing it. The Buzzcocks, all those bands.
We were all 16 and 17. When you're that age, you're just daydreaming all day. We had bands we loved - Green Day, Weezer, a lot of bands in the '90s - and we just wanted to have fun. We didn't overthink it too much.
There's a lot of spirituality and hope in our music that I think people are catching on to. It's not punk, it's not Green Day, not Offspring, not Soundgarden, not Stone Temple Pilots, not all of the other bands that are coming out.
When I heard 'Dookie' by Green Day for the first time, it unlocked something in me, like, it's totally okay that I'm a little bit weird because these guys are a little bit weird. It made me want to pick up an instrument and do that.
I was a Green Day guy because the first DVD I bought was Green Day's 'Bullet In A Bible,' the live album. That really empowered me to be not just a drummer but a performer. It's a really crucial part of why I wanted to be in a band.
When we started, our style of music wasn't on MTV. It wasn't cool, and it wasn't popular. The only bands who were even kind of similar were Blink-182 and Green Day. But we don't sound like those bands, even if people throw us in that category now.
At any given time I'm listening to the Cory Branan, Leonna Naess, Eve 6, the King's Noyse, Sean Paul, Green Day, the BoDeans, Buddy Holly, Nowell Sing We Clear... the list goes on and on. But I rarely listen to music while I write. I start typing the lyrics.
I'm glad we're not splattered all over MTV, because I don't think that's entirely the right way to go about building a career. Look at Green Day - they were built up - and then came crashing down. The overexposure is just too much of a burnout for most people.
I got to live out my 11-year-old fantasies - I got to go on stage with Green Day. Billie Joe called my name from the stage. 'Dookie' was the first album I ever bought. I covered the whole of 'Nimrod' and he'd heard it. That was like the 11-year-old girl dreamed.
I moved to Naples, Florida, and by 15 I was into punk: Green Day, Rancid, NOFX, Operation Ivy. Along with the classic punk bands, like the Sex Pistols, the Clash, the Misfits, Dead Kennedys, Minor Threat - all those bands that you get into when you're first getting into punk.
There are methods to creating a mayhem that sounds different from your usual mayhem. Because mayhem and a heavy drum backbeat end up sounding like Green Day or something. But if you put a different beat within it to create some air and lightness, the chaos comes through better.
I remember Green Day came down and played this South Florida club called the Plus Five. I think I was too young to go - I think I was 12 or 13. It was before Green Day were on a major label, but I loved them because they were this band who were a punk band, but they had melody.
Right now my mind is on the people who stole our instruments, and, specifically, the person with my guitar, which will no doubt end its days having Green Day songs worked out on it. A better fate was deserved - and while the reverence given to guitars annoys me, I shall miss it.
My father played guitar, so I always wanted to play for that reason. But I think the biggest reason was just the '90s in general - growing up listening to the Smashing Pumpkins, Green Day and bands like that, and going to concerts and thinking it was the coolest thing in the world.
For those that don't know much about 'American Idiot' or Green Day, just know that it's my generation's The Who's 'Tommy' or Pink Floyd's 'The Wall.' It was an album that really spoke to a generation. The theatrical show encapsulates that feeling and brings it to an even wider audience.
I made the big turnaround in the early Nineties when I started hearing all the tenth generation punk bands like Green Day and Offspring and all those people. It just made me fall in love with punk again and remember my roots, and since that time I've always wanted to do more of that kind of music again.
'Jesus of Suburbia' is such a dynamic song from start to finish; it's nine minutes of craziness and hectic-ness and emotion... It's one of those songs where I know that for the next couple of days, I don't have to go to the gym, because I got my workout running around the stage and thrashing to Green Day.
The very first concert I ever went to was a Green Day concert when I was 12 years old, at the Hershey Centre in Mississauga, Ont., and I remember right after seeing them perform I started a band, and I wanted to get up in front of people and start performing. Ten years later, to be on the Green Day 'American Idiot' tour is really awesome.