Quotes of All Topics . Occasions . Authors
We remain committed to inspiring and compelling social change to the world's most pressing problems through the power of great stories and engaging our audiences to take meaningful action.
A lot of the struggle I had with movies is I really loved moments and tones and feelings in a scene, and I loved creating those, but I never really had great stories to string them together.
The best stories in our culture have some sort of subversiveness - Mark Twain, 'Catcher in the Rye.' You provide kids with great stories and teach them how to use the tools to make their own.
Studio execs were like, ''Lord of the Rings!' People want to see sword-and-dragon-type things!' No, people just want to see great stories. Hollywood always takes the wrong lesson from successes.
Great stories and acting always win the day. If the story behind the scares is dramatic and the filmmaking is great, it works. If those things aren't great and the scares are secondary, it doesn't.
I think the Christ-myth stories make great stories, whether it's 'The Matrix' or 'Braveheart,' they all are tapping into some kind of deep myth in our DNA, and by myth I don't necessarily mean false.
Our plan for Passyunk Productions is to make an impact in the film & tv world by leveraging our collective resources, telling great stories and creating smart programming told from a unique perspective.
It's not rocket science: The best ads tell great stories. They look and feel like the content you're already consuming. They invite you in. They make you laugh. They teach you something. They also sell.
One of the pillars of 'Cyrano' is recreating a love story and, like any archetype, these great stories tend to be captivating, among other things, because they are made of those universal things that move us.
My low-budget films, more than anything, taught me that you've got to create cool, likable characters and great stories because, if you don't, it doesn't matter how cool it might look - no one is going to care about it.
But, you know there's a lot of westerns - not that they were bad - it's just that they can be remade because they're great stories that aren't indelible in an audience's mind when it comes to both the cast and the story.
But I also think all of the great stories in literature deal with loneliness. Sometimes it's by way of heartbreak, sometimes it's by way of injustice, sometimes it's by way of fate. There's an infinite number of ways to examine it.
Our group has been in Asia since 1981 in mining, oil and gas. Now we want to mine not silver and gold, but great stories and people, and change the world of cinema, and we want to do that by walking in the footsteps of Wu Tianming.
All of us are hungry to be a part of great stories. There are some fortunate ones who get it early in their career, and there are some, for whom it takes a little while to get to be even considered for a part which could be promising.
The first brand that can purpose-build great stories for mobile, that can target in a relevant but noncreepy way and understand that it's the individual that matters, not the algorithm, is the first brand to win mobile and, possibly, the future.
I've always had an interest in story-telling and history and just film and art in general, but particularly when it comes to storytelling, I think the reason why we became involved in film is because we wanted to get some great stories out there.
For me, if its television, if it's theater, if it's film, and it's good, I don't make much of distinction between the 3. I think there's only so many great stories out there. If you get the chance to be a part of one, it doesn't matter what it is.
At Yahoo, we were one of the early proponents of the power of content showcased through new media. SnagFilms, with its large library and breadth of digital distribution, can help shape this next phase, bringing great stories to broad new audiences.
Film is the only language I speak, and I have been lucky to be involved in some great stories. You don't want to preach to people, but you want them to think about why things are the way they are, the history that is there as well as the possibilities.
I like characters and stories that challenge the status quo. Lately, I'm really interested in history because I find that in my public school education, I didn't learn about women in history. I want to introduce the world to some great stories and incredible heroes.
It was easy to believe, between lessons on Shakespeare and Dickens and Austen, that all of the great stories had already been written by dead Europeans. But every time I saw 'The Outsiders', I knew better. It was the first time I'd realized that real people write books.
I come to writing from hearing great stories as a child in Louisiana, where the mark of a person was his or her ability to be a raconteur. I also come to writing as a professional actress whose body has been trained to listen and smell and inhabit characters without judgment.
I get 'The New Yorker,' and I'm usually about three issues behind. But I do catch up. The problem is that it always seems like homework, but then you start reading it and go, 'Why am I not doing this all the time? These are such great stories!' But, yeah, that stack gets so big and dense.
Nothing connects with people like humanity. That doesn't mean you have to tell slice-of-life stories all the time. But you know, with so many options in technology, the consumer's not really that interested in advertising... They are interested in great stories. That transcends any medium.
A lot of times, we also have to live and work. You have to make money to pay rent. In that respect, I don't think you can be so demanding. Those great stories are not the normal stories that come on a daily basis. It's a struggle to land those roles. Everybody is looking for the good parts.
The work I did on 'Killing Kennedy' was very meticulous and, in some ways, actually tedious. It was hard work because there is so much known about John F. Kennedy and Lee Harvey Oswald. To try to distill that into a clear narrative that's interesting and tells two great stories was a real challenge.
I didn't corner the market on great stories. I'm not the only one who can do something like work at a grocery store and then win a Super Bowl. Other people can do it. You hope people will see that and say, 'Hey, that will be me.' They're going to chase after it like I did. And they're going to be the next one.
After graduation, I wanted to work for 'Sassy', which I loved, but it had folded. So I wound up at 'Seventeen' for three years on staff and two as a contributor, and I wrote these great stories that nobody ever believes 'Seventeen' does. Serious stories for teens about social justice issues - gun control, migrant farm workers.
I've always loved history, from my youngest memories. My father enjoyed the great stories of history, like Hereward the Wake, Robin Hood, and Richard the Lionheart, and he shared them with me. I went on to do a degree in history, though I found it rather dry, because it was mostly about politics rather than dashing individuals!
I have an idea about building almost like a studio for some of the best Tropfest filmmakers, so they can come together and support and be given space and resources they need to tell great stories year around, so it's not just about the festivals. You know, the sky's the limit with this thing, and I'm still making it up as I go along.
You have comedians who just do jokes, and they're called comics, not comedians. You have comedians that do bits - a person that has a lot of jokes that have a beginning, a middle and an end, but it's not a real story. And you have someone that does great stories, the one that blends those things together - that person is doing comedy.